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'Body Sound' is a dynamic collaboration from sound artist Holly Herndon and dancer/choreographer Cauahtemoc Peranda, composed and performed at Stanford University's famous CCRMA. Using Peranda's body as a voice, Herndon maps and spatialises a kinaesthetic grammar of stomping feet and flying limbs punctuated by shuddering shockwaves and wrenched gasps. Like her previous work with vocals and laptops, 'Body Sound' is a unique duet between the corporeal and the computerised, a unique, abstracted exp…
“High End” is the latest musical installment from the People’s Higher Order of Royal Kinship, as facilitated by Los Angeles producer Neal Reinalda. With recent releases on Opal Tapes and Orange Milk, as well as two previous NNA full-length cassettes under his belt, we are pleased to offer PHORK’s debut vinyl record to the masses. On “High End”, Reinalda digs deeper still into the established PHORK sound world, procuring a modern conceptual take on the idea of “ambient music” as constructed with …
We Travel the Spaceways was recorded at a handful of sessions in Chicago from 1956-1959, possibly 1960. Although several of the tunes also appear on other '50s era recordings, as usual, personnel and arrangements differ from album to album. Many of the tunes are quite bluesy, with tympani, bells, and percussion adding an exotic flair, but the big event here is the appearance of the "space chant," which would become an Arkestra calling card for decades to come. The band was starting to she…
Death Blues is a multi-disiplinary project by Jon Mueller that addresses the inevitability of death as impetus to become fully present in each moment. “Non-fiction” is the third musical installment in the larger Death Blues project, and the first for SIGE Records. “Non-ficiton” opens with a a single and insistent pulse, the foundation upon which two side-long pieces that comprise the album are built. Serving as a thematic anchor, the rhyth- mic cycles propelling the compositions are the albums l…
A long, single track developing the relation between geography and drugs, the various interaction and how they changed the environment. Following up the immense Dyslexic Action 4xCS set, the duo consisting of Matteo Castro and Francesco Tignola is back with the 18-minute long one-sider Abandoned Geography. Elevating and absolutely lovely broken noise from the combined efforts of Napoli and Conegliano. Matteo Castro's Lettera 22 coming to mind when it comes to the fidelity and execution of…
Originally released as private press limited cdr in 2001, 'Orb' is now available for the first time on vinyl. Second full length after the classic Kenneth Anger's 'Lucifer Rising' cult soundtrack, 'Orb' is a mystic and psychedelic rock opera influenced by Indian imagery. The perfect soundtrack to listen to while reading traditional epic Indian literature. 'Orb' is a perfect fusion between ethereal synth, ethnic ritual percussions that remind Dead Can Dance's atmospheres and the evolution …
Lights on Water is the second Sum of R album on Utech Records after their self titled debut, and the first full-length as the duo of Reto Mäder (bass guitar, electronics, drums, piano, samples) and Julia Valentina Wolf (guitar) after the Ride Out The Waves EP. The album finds the Swiss duo discovering their roots within a prehistoric ceremonial context. Those roots go back to times where the sounds of nature were reigned in, ritualized and utilized as food for the soul. They are the cries…
Group Rhoda follows up her delectable debut on Night School with a much sharper and equally seductive album for Not Not Fun - easily one of their best releases in 2013. Her songs are now rendered with a higher fidelity and clarity adopting the purposeful innovations of post punk and the hypnotism of modern electronic music to give her deft arrangements a sturdy poise and transcendent appeal. It's still DIY at heart and we doubt you're gonna hear them on Radio 1 any time soon, but the sense of th…
« Marigold and Cable » marks an indelible new phase in the trajectory of Alex Cobb’s solo recordings and prior missives as Taiga Remains. The album’s four compositions are streamlined and focused, finding a balance between studied contours and compositional intuition. Tints of early Stars of the Lid and Kevin Drumm’s lambent drones are apt starting points, but Cobb routes them through a live set up without the aid of loops or synthesizers. « Marigold and Cable » is heavy with meaning and intent,…
A darker neon-lit return from NNF's far-eastern dream-pop idol "On her first proper full-length album, Tokyo netscape nightingale Sapphire Slows impressively expands on the spider web tone-bank nocturnes of 2011’s True Breath EP, with headier, haunted highs and eerier, elegant depths. Patiently pieced together across all of 2012 (plus change), and inspired by everything from St. Etienne’s plasticine Euro-house, obscured J-pop memories, Blue Bell Knoll and the saddest Section 25 remixes, Allegori…
Remembering his old friend and the days when this live recordings were taken, says Hartmut Geerken: "When John came to visit us in Afghanistan and in Greece, where we lived in the 70's and 80's, my wife Sigi had to extend his bed always with fruit boxes. His height didn't fit into a normal sized bed as well as his musical dimensions were too far out to fit into the mainstream taste of the masses. It was wonderful to hike with him in the Hindukush mountains up the Salang Pass. Afghanistan was a v…
A schizoid sonic sketchbook from the Maledictus Sound-maker Dr. J. P. Massiera. A disturbing mix of dismembered tape samples, paranoid-poety and cosmic chaos resurrected from the crypt of Studio Antibes 1976. Dawn Of The Dead, or The French Connection 2, or For A Few Dollars More, or Evil Dead 2. For an article relating to the bizarre Gallic concept album you are about to subject your ears to, any of the aforementioned 70s cinematic references could conveniently provide a snappy and relevant…
Opening further doors in the sprawling labyrinth of unreleased music by Polish composer Andrzej KorzyÅ„ski, Finders Keepers Records present the soundtrack to the 1977 Polish film Man Of Marble by ‘national filmmaker’ and long-term collaborator Andrzej Wajda. Presented for the first time ever on vinyl (featuring exclusive unreleased bonus tracks) this synthesiser fuelled soundtrack marks a distinct stylistic manoeuvre towards a unique brand of Polish cosmic disco, celebrating …
Extended 70 minute reissue of the very first SND release dating back to 1998 - the original 5 tracks have been doubled in number with original, previously unreleased recordings from the same sessions, all fully remastered from DAT tapes by Rashad Becker at D&M. The original pressing has been unavailable since its original release over 15 years ago - containing super influential and forward minimalism bridging between the reductionism of Ikeda and the swing of early UKG* Mark Fell and Mat Steel f…
*Re-Press on Silver and Purple Vinyl - Edition of 300 copies*Our Head Technician returns with the keenly awaited follow-up to his amazing 'Black Mill Tapes Volumes 1 & 2' as Pye Corner Audio, including the previously digital-only Volume 3 and the as-yet-unheard Volume 4. Lurking in the shadows between deep house, slow techno, Carpenter soundtracks and classic electronica, these sibling LPs transcend genres with hallucinatory, shape-shifting effect, trudging forth from the pastoral whimsy of the …
Outstanding fourth box, including dead stock find of some incredible original editions of the best background music library Piero Umilani LPS. Each one is worth already some money, but here's your chance to get them as a beautiful handscreened box made especially for this occasion in order to give 'new life' to this wonderful ageless music.After the first appreciated edition of the three boxes (containing his ethnic compositions, then his weird electronic music and the ambient ones), we are …
Accompanying the Doxy's coverage of early Henry recordings, 'Haut Voltage' is his 22 minute composition made in 1956, featuring his own vocals and designed to soundtrack a stage production by French choreographer Maurice Béjart. The second composition was written in 1959 after Henry had left Pierre Scaeffer's RTF and set to work in his own studio. During the period he realized that in order to evolve Musique Concréte it would have to begin to use electronics. 'Coexistence' is his first at…
Recorded in 2002 by American contemporary composer and pianist, Frederic Rzewski, We Sing For The Future & Thälmann Variations are two compositions from English composer Cornelius Cardew’s Marxist-influenced 'People’s Liberation Music' period. Rzewski came to prominence in the mid-sixties in Rome as a founding member of the MEV (Musica Elettronica Viva) improvisation group (along with Alvin Curran and Richard Teitelbaum), which shared a vision with groups like Cornelius Ca…
Seminal recording (originally released in 1964) by the two men most responsible for opening the West to Indian music. Master of the sitar, Ravi Shankar (age 91) is, of course, famous for his legendary influence on the Beatles, but this recording was made for the American jazz label Prestige prior to their meeting. Perhaps lesser intertwined with the pop music world, Ali Akbar-Khan is nonetheless one of India’s greatest musicians, and the world’s best sarod player. Shankar and Khan play to…
Three Ragas, Ravi Shankar's Western debut (recorded in London in 1956), remains one of his finest albums ever recorded. Although Shankar was already an accomplished and well-known musician in India in 1956, he was still almost completely unknown in the West. The album, consisting of three ragas, was meant to be a kind of introduction to Shankar's music for the Western listener. Side A consists of 'Raga Jog,' an evening Raga that 'expresses the yearning of a longing soul,' while side B con…