New Arrivals
The Rayvelles
All music written, recorded & mixed by Tuck Nelson & Ferj Gainsbourg at Echo Ray Studios, London, UK.
Breaks and Juicy Takes
An album of deep-funk, Afrobeat, jazz, and psych by the Finnish band The Blassics on Funk Night Records. Includes some great flute playing on the tracks which works really well with funk.
Issue 124: Barry Gray (Magazine + 7" White)
For this month's Electronic Sound cover feature, we're taking a deep dive into the music of Gerry and Sylvia Anderson's sci-fi TV shows, much of it the work of cult British composer Barry Gray. We're bundling the magazine with a superb six-track white vinyl EP featuring some of Gray's classic sci-fi theme tunes and incidental pieces too.
Gerry and Sylvia Anderson produced some of the most exciting children's television of the 1960s and 1970s. The list of their programmes – 'CAPTAIN SCARLET', '…
Jumping
Dig deeper into the realm of italian jazz/funk libraries with this sought after holy grail ! Originally released in 1977 this collaboration has all the elements of the cinematic golden era, plus some amazing orchestral moments with walking basslines and lushy horn arrangements
Science Fiction
Tip! Science Fiction is an album by the American avant-garde jazz saxophonist and composer Ornette Coleman, released in February 1972. It is considered as Coleman's creative rebirth. A stunningly inventive and appropriately alien-sounding blast of manic energy, where Coleman combines his past and future, working with bassist Charlie Haden and drummers Billy Higgins and Ed Blackwell. The album is made up of spacy, long-toned melodies and rhythm, including two songs with Indian vocalist Asha Puthl…
Music Is the Healing Force of the Universe
Music Is the Healing Force of the Universe is a powerful and often ignored 1970 recording from the American avant-garde jazz saxophonist, singer and composer Albert Ayler. Apart from the posthumous album The Last Album, this was to be Ayler's last studio album, recorded and released before his death in November 1970. The album was initially judged as too difficult by Down Beat, then recognized by the most as “an important portrait of a man facing a life and death inner struggle beyond the bounda…
Horizon
"Imagine it’s late afternoon, you’re outside by the lake, and there’s sunlight on the water. This is the peaceful and contemplative scene that Matt Gold and Resavoir set on their collaborative LP Horizon. Across 10 lush and exploratory tracks, it’s the product of two Chicago-based musicians—Will Miller, the acclaimed trumpeter, composer, and producer who’s worked with SZA, Whitney, and more, and Gold, a seasoned multi-instrumentalist and accomplished guitarist—effortlessly combining their distin…
Second
“Second” is the title of the second album of the Alsatian group Wlud This French band is composed of Philippe Wendling on keyboards, Bernard Labroche on guitars, Gigi Untersinger on bass and Gianni Drago on drums. Wlud is the acronym of the musicians' names, W for Wendling Philippe, L for Labroche Bernard, U for Untersinger Gigi and D for Drago Gianni. All compositions are by Wlud. The original vinyl record released in 1979 was as successful abroad (notably in the USA and Japan) as in France. Th…
Carrycroch'
"Carrycroch'" is the title of the first album by the Alsatian progressive rock band Wlud. This French band is composed of Philippe Wendling on keyboards, Bernard Labroche on guitars, Gigi Untersinger on bass and Gianni Drago on drums. Wlud is the acronym of the musicians' names, W for Wendling Philippe, L for Labroche Bernard, U for Untersinger Gigi and D for Drago Gianni. All compositions are by Wlud. The original vinyl record released in 1978 was as successful abroad (notably in the USA and Ja…
Fields
The summer of soul collides with the acid rock revolution in this 1969 opus originally licensed by MCA sub label UNI (roster of talented artists such as Strawberry Alarm Clock, Hugh Masekela and Fever Tree). The sole album by US power trio Fields is a majestic blues rock effort, arranged by cultish producer Gene Page (Blacula soundtrack, Aretha Franklin, Elton John, the Whispers, Gladys Knight, etc.). The short-lived Los Angeles band was clearly influenced by the likes of Cream and Vanilla Fudge…
Kokkyou Junreika
Tokyo playwrite, director and artist J A Caesar sprang to prominence in the early ‘70s largely through his work with Shuji Terayama’s Tenjo Sajiki Theatre, specializing in vaguely sinister music. The Kokkyou Junreika release, often considered Caesar’s finest work, was culled from the 5 hours of music written for the original play distilled down to an album’s worth of ageless chants, Budhist mantras, heavenly invocations and fuzztone guitar vamps supported by Caesar’s droning electric organ and …
Deep Feeling
One of the British progressive era’s most intriguing but overlooked groups, Deep Feeling were an obscure short-lived band from Kent. Their one and only album from 1971 contained six tracks that showcased their dazzling harmonies and superior musicianship. Highly collectable amongst UK progressive rock aficionados, the record has been finally officially re-issued.
How Do I Know If My Cat Likes Me
Inspired by minimalistic icon La Monte Young and guitarist Allan Holdsworth, Nightclouds is a powerful collection of jazz pieces for solo pipe organ. Over long improvisation and shorter compositions, Swedish composer and installation artist Ellen Arkbro employs her usually epic chord structures and adds in a more self-reflective tone than previously.
The Return Of
Every ATA project is marked by collaboration - some over a few weeks and some over decades. When drummer Sam Hobbs and bassist Neil Innes decided to make The Return of the Flying Hats they were building on twenty years of playing together; Innes’s years of nightclub residencies and love of Afro-American dance music, and Hobbs’s intensive exploration of the links between American soul and R&B, Jamaican rocksteady and roots, and the music of the wider Caribbean from Cuba to Trinidad and Brazil. Or…
NERR - Filling Open Spaces
This is a recorded document performed by Mark Holub, Johanna Pärli and Sofía Salvo.
s/t
Aside from spending the last couple summers teaching music on a remote New England island, David Alexander Shapiro has spent the rest of his time playing with various New Haven heads such as Headroom and Center, as well as accompanying the legendary Kath Bloom at local and various regional tours. To showcase his unique style on a variety of stringed instruments, David presents here, a side of banjo tracks, and a side of mandolin tracks. Continuing on his long tradition of untitled, or barely tit…
Reise der Schatten
Reise der Schatten(»Journey of Shadows«) is the soundtrack to the eponymous debut feature-length animation film by Swiss artist Yves Netzhammer. Composed by Anthony Pateras and released as a stand- alone album through Hallow Ground, the 29 pieces are based on »weird folk melodies ornamented with electro-acoustics to give the film a more fantastical, fairy-tale feeling,« as the composer puts it. His extensive international recording sessions with a slew of guest musicians results in a record imbu…
Night Keeper
Night Keeper is a collaborative album by New York City-based artist Aaron Landsman and former Swans guitarist Norman Westberg that is based on the former's eponymous play. Westberg recorded it together with performer Jehan O. Young for the Swiss Hallow Ground label, with Landsman serving as the record’s producer. The original piece was first performed in the Spring of 2023 at The Chocolate Factory Theater in Queens and filled the stark industrial space with spoken text, choreography, projections…
Ouroboros
On Katelyn Clark and Mitch Renaud's Ouroboros astronomical and astrological phenomena, concepts and symbols such as the Great Year or the Eternal Return serve as the starting points for sonic explorations and experimentations. Focusing on a uniquely tempered range of frequencies, from low-enddrone rumbles to airy pipe swirls, the duo develops a minimalist and highly evocative sonic universe on their debut album for Hallow Ground.
Working as composers, improvisers and curators in Canada's vibrant…
Solhverv
Bomb! Danish pianist Tom Prehn was one of the first Europeans to deeply explore free music. With his quartet featuring Fritz Krogh on tenor saxophone, Poul Ehlers on bass, and Finn Slumstrup on drums, Prehn recorded Axiom in October, 1963, for Sonet, though it went unreleased until 2015 because the band felt that their music had moved beyond it already. To hear the music they were talking about, one could only turn to two privately-made reel-to-reel tapes, Centrifuga and Sohlverv, recorded in Au…