New Arrivals
Your Bliss My Joy
2025 stock With “Your Bliss My Joy” - Sex Magick Wizard’s debut for Rune Grammofon - this young quartet take a big step forward from their promising first album, “Eroto Comatose Lucidity”, released in 2019 on the small Finito Bakalao label. Since then Ingvald André Vassbø (Kanaan) has taken over the drum duties from Axel Skalstad (Krokofant) and forms an explosive and fine-drawn rhythm section with bass player Henrik Sandstad Dalen. Saxophonist Sigrid Aftret has been making waves on Oslo’s ferti…
Skjulte Motiver
2025 stock Welcome to your next jazz favourite, Skurkar. This is the young, fearless and exploratory all-Scandinavian quartet consisting of baritone saxophonist Jenny (no), alto saxophonist Amalie (dk), double bassist Oda (no) and drummer Emma (se). In addition to being an interesting line-up, they also put the somewhat unexplored genre of “detective jazz” on the map. The band was formed in the autumn of 2018 at the prestigious Jazzlinja in Trondheim, and has since made its mark at the Copenhage…
The Time Has Come
Offering some of her first original compositions, ‘The Time Has Come’ was a break from tradition in more ways than one for Anne Briggs. Where previous recordings displayed the unaccompanied melodies of her voice, this album - originally released by CBS in 1971 - brings additional instrumentation in the form of guitar and bouzouki. The result is that her vocals are not submerged but heightened - the plucked strings providing the perfect foil for her crystalline inflection.
‘The Time Has Come’ i…
2 Songs
2025 stock "Water Damage's follow-up to 2022's widely acclaimed Repeater is another minimal/maximal collision with two songs (hey!) clocking in at 19 and 22 minutes respectively. Hence, 'Fuck This' and 'Fuck That'. On Two Songs, the original septet of Nate Cross (USA/Mexico/Marriage), George Dishner (Spray Paint), Thor Harris, Travis Austin, Mike Kanin (Black Eyes), Greg Piwonka and Jeff Piwonka are joined by Mari Maurice (More Eaze)." "More Water! More Damage! The second proper LP by this Texan…
In E
Volume, repetition, volume, repetition, volume and repetition, this is the sonic mantra of Austin, Texas's Water Damage. On their new double album, Water Damage continues to scorch the earth with walls of punishing sound. It's no secret that something truly special can happen to the psyche when you are being pummeled with trance inducing drones, you can transcend time, you might laugh, you might cry but hopefully you look inward, letting a calm wash over you with metric tons of distortion. Water…
Crystallization
A beautiful album re-emerges from realms of mystery! The long-awaited vinyl reissue of a Japanese neoclassical/experimental/new age/electronic music classic, originally released in 1978. ”Crystallization” is a work of unwavering perfection, whose sparkle has become even more brilliant over time, in the midst of the new age music revival that has emerged in recent years and the rediscovery of Japanese environmental music so-called Kankyō-ongaku. This was SAB's first and only solo album, recorded …
Syr 5
""Donald Duck, kill Minnie!" These words, ordered with urgency against a circular series of drum strikes and manipulated guitar/electronic textures, come over three fourths of the way through the album known as SYR 5 (aka "Olive's Horn"). While the words and sounds taken on their own may shock, their appearance within this collaborative effort between Kim Gordon (Sonic Youth, Body/Head, solo efforts), Ikue Mori (DNA, solo) and DJ Olive (We, solo) by this point in the album are not surprising. Ta…
Nahuel Jazz Quartet
The group's debut album, recorded in May 1963, was to prove a great incentive to many other Chliean jazz acts, not least the Chilean Jazz Messengers and the Village Trio. However, the album proved more that just a motivator and inspiration to others, it stands by itself as a solid, tight jazz album. Recored for the independent label Ediciones LR Ortiz and engineered by Rafael Hidalgo, it was a genuine milestone by being the first full jazz album recorded in Chile by a professional Chilean group.…
Aborted Towns, The Deadly Silence Before Utopia
Sigillum S have been exploring unknown territories among extreme electronics, fringe acoustics and occultist noise since 1985. With an original line-up of Italian experimental electronic composers Eraldo Bernocchi, Paolo L. Bandera and Luca Di Giorgio, throughout their 40-year gestation, the noise merchants have worked with musicians including Ain Soph, The Sodality, Gerstein,Iugula-Thor, Out Of Body Experience, Bill Laswell, Zu, Crisis, Thomas Felhmann, Gudrun Gut, Toshinori Kondo, SH Fernando …
You Never End
You Never End is the third album from Valentina Magaletti, Tom Halstead and Joe Andrews (Moin) out via AD 93 on the 25th October. Its title alone expresses the teetering and shifting nature of both the album and band. This record marks the Moin’s shift into a new phase with vocal collaborations across the album from Olan Monk, james K, Coby Sey and Sophia Al-Maria.
The album’s collaborators all have voices that are alluring in their own right whilst hard to pin down: from james K’s ethereal, rev…
Spirit
2025 stock! Spirit is the debut album of Brede Sørum Quartet, with Sørum himself as the frontman. The young quartet offers acoustic music that blooms with pure youth, but with a maturity and musical excess that will make even the most experienced jazz listeners open their ears. The written music is based on the band's ability to create and maintain energy over time with strong musical passion and an energetic interaction. The music opens up, and in good jazz tradition this allows the musicians t…
Step!
A memorable first album by the very accomplished yet restrained artist, Naosuke Miyamoto. Thrilling straight-ahead jazz with Takashi Furuya and other Kansai-based members!
Green Caterpillar
Previous album, "Brow Up," which made it known to the jazz world, this is Isao Suzuki's second album. You can enjoy the interplay with the Watanabe Kazumi, ...etc. This is a masterpiece of one creature.
Babylonia Wind
A deep and mysterious groove that makes you hesitate to give in to it. Kiyoshi Sugimoto is a guitarist who has sharply shot through the heart of the times. This is the highest point of his achievement.
Kiyoshi Sugimoto is a guitarist that Terumasa Hino longed for and Akira Ishikawa fell in love with. His cutting-edge and diverse sound has always been at the forefront of modern jazz and jazz rock, and has sharply shot through the heart of the times. There is no doubt that this work, "Babylonia Wi…
Drum Method
The raging drums scorch the times. Accompanied by a whirlwind of young talents, Takeshi Inomata proudly heralds the arrival of the golden age of jazz-rock. Takeshi Inomata, a drummer who led the jazz scene in Japan with his precise stick work and musicality that looked ahead to the times. At the end of the 1960s, he was influenced by brass rock, which was flourishing at the time, and formed Sound Limited.
"I want to fuse jazz and rock and bring together young musicians to do music with vitality,…
Kiso
"Kiso", "Asama", "Hakuba" and "Hida". He recalls the landscapes of his past and carefully weaves his feelings and emotions into the music. This work is one of the pinnacles that Akira Miyazawa has reached.
Trio By Trio + 1
Yosuke Yamashita, Itaru Oki, Yuji Ohno, and Kimiko Kasai. An astonishing jazz workshop with a never-before-seen encounter. Japanese jazz was so sharp and original.
Debut
This is the first album by Takao Uematsu, who played in the George Otsuka Group. His blackness of blowing, spirit and technique, which are directly descended from Joe Henderson, set him apart from other Japanese players.
Midnight Sugar
This is the monumental first album by Tsuyoshi Yamamoto, who later became one of the two major artists on the TBM label along with Isao Suzuki. A groovy and heartwarming popular disc by the Japanese piano trio
Ad Hoc
Repressed! Black recycled vinyl with offset-printed covers. 'This recording was done on a four track tape recorder. Meaning the process of recording was a bit different this time around. Most of the tracks had to be recorded more or less in one take all the way through which means more room for mistakes. As I didn't have the ctrl-z option of the computer I had to try and fix my mistakes by turning them into features. This problem solving on the fly approach is why I'm calling the record ad hoc'…