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American Vibraphonist Dave Pike may not be as well-known as contemporaries Gary Burton and Bobby Hutcherson, but recordings with Bill Evans, Herbie Mann, and Paul Bley evince Pike’s pedigree. His MPS albums from 1969 through the early 70s have become minor classics.
Underpinned by funk and fusion, Infra-Red ventures into country rock on Suspicious Child and trips through fractured iridescent landscapes on Attack of the Green Misers. Raga Jeeva Swara is a rock meditation and Send Me the Yellow Gu…
‘Anima Latina', Lucio Battisti's ninth studio album. It is considered one of the most beautiful and important records in the history of Italian music.
The album was conceived after a trip to Latin America and marks a clear break from previous production.
Released in 1971, it is Lucio Battisti's first album composed entirely of unreleased tracks. The record is a concept album that explores the concept of love seen from multiple angles. Among the musicians who participated in the recordings are members of the future Premiata Forneria Marconi.
Audio remastered at 24Bit/192kHz from the original tapes. White vinyl mix red 180 gr.
Prolific Norwegian trumpeter and ECM veteran Arve Henriksen returns with Estonian guitarist/composer Robert Jürjendal in tow, matching his idiosyncratic shakuhachi-style melodic condensations with Jürjendal’s glassy electro-acoustic soundscapes and sonorous percussion. Fans of Jon Hassell & Brian Eno, Daniel Schmidt and Badalamenti, this one’s for you
First Terrace are thrilled to present the new album Lucid Dreams from the prolific Japanese artist Chihei Hatakeyama on January 24th 2025. Renowned ambient composer Chihei Hatakeyama is set to release his latest album, Lucid Dreams, an evocative sonic exploration that invites listeners to drift between the waking world and the dreamscape, to experience “dreams you are aware that you are dreaming”. Known for his deep atmospheric textures and minimalist approach to sound, Hatakeyama’s new project …
'Quintela', the debut album by Carme López, a performer, teacher and researcher of traditional oral music from Galicia, is a new experimental work for Galician bagpipe. Influenced by the approach of composers like Éliane Radigue or Pauline Oliveros, the Spanish composer creates slowly modulating sound environments, and stretches the sonic the possibilities of the bagpipe to its absolute limit. 'Quintela' is structured in four movements, plus a prologue and an epilogue, which serve as a link to t…
2025 Repress. Meitei (冥丁) is a Japanese artist from Hiroshima, who started out as a freelance composer, making various kinds of music across genres. Having done it for eight years, his goal was to eventually release his own original music as an artist. Living in Kyoto for the past two years has deeply influenced his current sound, which is a focus on musically crafting a “Japanese mood” called Meitei (冥丁 (thus, his name). Rich in history, Meitei wanted to borrow this lost “Japanese mood” and inc…
For Lullaby, Norwegian trumpeter Mathias Eick draws on the quartet formation in a programme that includes some of his most exploratory and improvisatory qualities, with a cast of ECM familiars Kristjan Randalu and Ole Morten Vågan on piano and bass, and new arrival Hans Hulbækmo on drums. There’s a sense of abandon within these melodic songs, as the musicians flow smoothly between harmonies, collectively building momentum from within the forms. Eick’s immediately recognizable and soothing tone i…
Eight years after Blue Maqams, Anouar Brahem returns with a poignant project, titled after a line of verse by poet Mahmoud Darwish, which asks “Where should the birds fly, after the last sky?” Graceful chamber pieces for oud, cello, piano and bass subtly address the metaphysical question and its broad resonances in a troubled time. While drawing upon the traditional modes of Arab music, Brahem has consistently sought to engage with the wider world, too, and found inspiration in many sources from…
You probably don't need us to translate ELEKTRONISCHES DEUTSCHLAND for you. But to expand on that a little, we're heading back to the 1970s and a country then known as West Germany for this month's Electronic Sound cover story. We're bundling the issue with an exclusive orange vinyl seven-inch by kosmische pioneers Cluster too.
Our cover image is based on the artwork of the debut album from Harmonia, krautrock's first supergroup, and you will find five connected articles inside the magazine, inc…
*200 copies limited edition* Church Shuttle “ESP Grifter / Junk Oracle” is an 8 track LP of alien abducted industrial music. Specifically Pure Michigan soundscapes Chris Durham has unveiled to us for over a decade.
“A depressed Whitehouse” - Tyler Hicks, Creode
*200 copies limited edition* Technicolor Band is a revolving-cast, cross-genre improv unit based in Bloomington, IN. The group, initially instigated by multi-instrumentalists David Brown and Caleb Hickman as a regular gathering to explore improvisation behind closed doors, eventually made its way into public via a residency at a 50 cap bar called Orbit Room. Over the next two years a core lineup formed around the quintet of Brown (keys, percussion, tape manipulation), Hickman (alto sax, electron…
2025 stock We would like to introduce a new Polish- Austrian quartet led by the trumpeter and composer Piotr Damasiewicz and his Viennese connections- the meticulously passionate saxophonist Krzysztof Kasprzyk, Viennese-to-the-bone, versatile bassist Thomas Stempkowski, and the jazz and electronica drummer Alex Yannilos.The music of the quartet is best described as “(…) expressive, free though very rhythmic and melodic, manic at times, always lovingly passionate.” It goes back to dear to our hea…
Four pieces by Estonian composer Arvo Pärt, a pioneer of “holy minimalism.” The album centers around a never-before-released rendition of “Silentium,” the second movement of Pärt’s most famous concerto, Tabula Rasa, performed by Boston-based chamber orchestra A Far Cry. The group plays “Silentium” at nearly half the speed of the best-known version, released on ECM in 1984. The piece, known for its healing properties for the dying and often used in palliative care facilities (one patient famously…
Perila returns with a contemplative spiritual successor to her album »7.37/2.11«, which was also released on Vaagner’s sister label A Sunken Mall back in 2022. Featuring a collection of 8 pieces produced between 2021 and 2023, the album carries a serene vulnerability that underpins each work, drawing the listener in while gently grounding them amidst a drifting, ephemeral motion of echoing voices, droning guitars and sonorous soundscapes. Like a whispered conversation in the quiet moments of the…
Tip! 'Celesta’ marks Barbarelle first foray into composing and producing her own music; a debut that reveals the intimate, heartfelt territories of her creative universe. The culmination of years of composing for herself - ‘behind closed doors’ - ‘Celesta’ is a deeply personal, self-guided masterstroke of beguiling, free-flowing ambient soundscapes and DIY electronics. With ‘Celesta’, Barbarelle artfully transitions from ardent music aficionado to fully-fledged artist, unveiling an enchanting so…
A dynamic and sublime work rich in emotion and sensitivity, From Where You Came unspools as a series of nocturnal transmissions, altered-state refinements, and vivid stories, rich in vibrant, illuminating qualities. Drawing together 19th century programmatic music, mid-’70s jazz, and her distinctively colourful and multi-dimensional approach to composition that embraces improvisation, Coverdale alloys synthesis with live instrumentation in a genreless yet distinctly identifiable gesture of recon…
In 1977, for Brian Eno’s Obscure Records, I made a version of Irma. These notes arise from that experience and explore how the piece can be performed. Irma is an unusual score—printed on a single 50cm x 50cm sheet. Its notation consists of verbal fragments from Tom Phillips' A Humument, referencing “libretto,” “decor and mise-en-scène,” or “sounds.” These categories are arranged separately, with stave notation at the bottom. At first glance, it appears indeterminate—requiring preparation before …
The Machines, created between 1967-1972, mark a shift from the traditional narrative style of Gavin Bryars other works. »I define a machine as a structured process that governs musical actions within a specific sound world, shaping how listeners perceive it. For example, Welsh Rarebit is a Machine that manipulates how bread and cheese are heard.« »Autumn Countdown Machine« features six pairs of bass melody instruments, conducted by percussionists who adjust a bell-metronome's timing, creating in…
A split album by Christopher Hobbs, John Adams, and Gavin Bryars, released in 1975 as the second title on Brian Eno's imprint Obscure. The album includes two pieces by Hobbs and one each by Adams and Bryars. Side A opens with the experimental compositions of Hobbs, followed by Adams’ spoken-word and orchestral work, while Side B concludes with Bryars’ dissonant, frontier-classical ambient piece, featuring contributions from Brian Eno and Derek Bailey. "Aran" and "McCrimmon Will Never Return" (19…