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Following on from early 2015’s exercise in dissonant formalism “Sarava Exu”, “Machine to Machine”, Donoso’s newest full length work sees a return to a more melodic sound. “Machine to Machine”, continues to bridge the gap between Ricardo Donoso’s more rhythmic and melodic work alongside his more experimental, loose and dissonant side yet still maintaining his unique signature feel; “WTF”-polymertric rhythms, elegant cinematics and spine chilling tension. Recorded over the last two years …
Berlin-based Italian/Belgian duo Lumisokea present Mnemosyne, shedding the bass-heavy rollers found on 2014's Apophenia (Opal), and welcoming space and tension into the fold. Most of the groundwork for the record was made during a week-long residency the duo (comprised of Andrea Taeggi and Koenraad Ecker) rimprovised with a collection of synthesizers from the '60s and '70s at the Worm studio in Rotterdam; edited and combined the resultant sound with heavily-processed recordings of gamelan bell…
The recording of this formidable piece of religious music dates back to 1988, though Passio had its Munich premiere back in 1982. The piece is an interpretation of the Passion as given account by St. John's gospel, which is here performed by The Hilliard Ensemble. At the core of the piece is the dialogue between Pilate and Jesus, as played out between tenor and bass vocalists, respectively. One of the key elements to the emotive success of Passio is the punctuation of the piece, with the …
LP version. A Gathering Together is Ron Morelli's second full-length for Hospital Productions, a "techno" cacophony brought to its granular detail and reduced to its most elemental tonal depths. A cohesive fusion of surreal and feverish déjà-vu loops, brittle noise, fucked rhythms, scrap-metal percussions, pro-one metal synths, and an injection of near-buried DrÄÂno vocal samples, it's a fearsome celebration of brokenness and of amplified surroundings, with stereo-shifting drones and dr…
The last time we checked in with Italian musician Teisco aka Rimauri, aka Marco Melchiori, was quite possibly also the first time many of you checked in with this most singular of characters. For The Roundtable imprint’s reissue of his blasted ‘70s Italian library classic, Tuscan Castle & Country Seat, managed to be both a blast of fresh air for the library and soundtrack palate, and a defining moment in early 21st century reissue culture. But Tuscan Castle only tells part of the story. Enter Mu…
Ultra-limited early Robert Turman archival release, Macro was originally going to be titled Roots, because it really goes back to what I was doing 40 years ago, just more modernized technique. I had always taken small snippets of tape and records, repeated them, slowed down, modified, and layered etc, Macro was all done on the computer. I'd been thinking about how in the old days, pop songs were always between two and three minutes long. Most of my music has always been longer extended pie…
“I grew up on my grandfather's farm in the Muddy Creek basin of North Carolina. My grandfather was Hubert James Slater and was the most important man in my life. As an interesting coincidence we share the same birthday, June 8th. Living on the farm was extremely hard work but at the same time an amazing place to grow up, there were animals of all types and acres and acres of space where two young brothers could very easily find trouble to get into. My favorite place on the farm was the pon…
Antwerp-based nonconformist Dennis Tyfus debuts on PAN under his Vom Grill moniker with the Knerpen! (bevel) LP. Tyfus's dealings in unstable media -- spanning paintings and illustrations, films, radio transmissions and more -- reflect the freeform, sometimes parodic nature of his sonic output, which has been archived on his own Ultra Eczema imprint alongside many outsider, weirdo, and noise underground artists. Knerpen! (bevel) is a jarring collage of skewed electronics, tape loops, and tr…
140-gram LP version. Having partnered with Bill Kouligas in 2015 to relaunch his Lost Codes imprint as Codes, Visionist takes a defining step forward with the release of his debut album, Safe. The South London artist born Louis Carnell broke during a period of experimentation in UK music when, with the disintegration of the dubstep scene, emerging producers began looking to juke and Chicago house for inspiration. A pair of EPs on Lit City Trax (and a collaboration with Fatima Al Qadiri) in 20…
A magnificent concoction of freak beat, baroque pop, heavy rock, LSD exotica, and other mind-melting oddities from the Italian soundtrack/library scene of the 1960s/1970s. Featuring legendary composers such as Bruno Nicolai, Luis Bacalov, Piero Piccioni, The Sparrows, The Pawnshop, Gianni Marchetti, Roberto Righini, Riz Ortolani, Romano Rizzati, Lallo Gori, Carlo Pes, Alessandro Alessandroni, Berto Pisano, Jacques Chaumont, Giorgio Gaslini, Guido & Maurizio de Angelis, Florenza Mormile, Franc…
Italian films of the 60s were filled with jazzy grooves – no surprise, given that a good number of the scene's best composers got their start working in postwar combos! But the jazz scope here is way more than just the usual blend of bop, swing, and trad – and instead, lots of these tunes have a core jazzy element, especially a key solo – but often take off in more ambitious, expressive styles – as we love in the Italian film scene at the time! There's lots of cool effects, unusual arra…
Recordings of ambient music proliferate like cancer cells, and many merely consist of the innocuous burblings and the banal meanderings of stunted imaginations. Obsolete Systems by Red Math (Nashville, Tennsessee producer Lance Dibblee) delves deeper and soars farther out than the work of most musicians working in the beatless realm. Dibblee began as a drum & bass producer in the ’90s, but his recent output is eons away from the uptempo propulsiveness of that style. Reference points for …
Double LP version. "Steve Hauschildt's new album is his first since the late 2012 release of Sequitur. Although Where All Is Fled sonically harkens back to his earlier albums such as Rapt for Liquid Minister and Tragedy & Geometry, it slowly becomes apparent that it is also a divergence from those recordings. Both the artwork and the music on this new work were heavily inspired by surrealist landscape paintings, early alchemical emblems, and recurring visions Steve had from dreams. The resul…
**never before released archival material from Chicago's answer to Germany's 70s kosmische/electronic scene, longform excursions of minimal synthetic music reissued for the 1st time** VCSR existed between 1978 and 1984. They weren't a band or a group so much as it was a collective. They never had an official release but recorded over 60 reels of tape from which cassettes were mixed down for their own use or to give to friends. They were to be the first record on the Waxx Traxx label with Al …
Bundle includes Liquid Liquid's three classic records (self-titled, Successive Reflexes, and Optimo) in their original 12-inch format as well as an archival LP of rare recordings by the pre-LL bands, Liquid Idiot and Idiot Orchestra.
Liquid Liquid emerged from New York City's vibrant Downtown scene in 1981. Formed by drummer Scott Hartley, bassist Richard McGuire, vocalist Sal Principato and marimba player Dennis Young, the group cut their teeth in underground clubs and street art circles bef…
Hide Before Dinner is an extraordinary LP from a group comprising Carla dal Forno (Tarcar), Samuel Karmel, and Tarquin Manek (Tarcar,LST). Deeply drugged, synth-daubed death-folk and DIY electronics of the highest order; acutely psychedelic, inscrutable but emotional, sunken but prone to soaring, with flashes of horror too. Beautifully conjures the mirth and murk of childhood summers... a relatable surburban gothic... grazed knees, hide-and-seek, nettle-stings. Trampled flowerbeds and failing l…
Leslie Winer is an artist and author living and working in France. Earlier releases include Witch (recorded in 1990, released in 1993), & That Dead Horse (recorded in 1994, released in 2010), Always Already (2011), and the retrospective compilation Leslie Winer &c. (WHO 003CD, 2012). She has collaborated with Jon Hassell, Bomb the Bass, Mekon, and her words and voice were heard on a track on CI by Diamond Version (Carsten Nicolai and Olaf Bender) (2014). As of 2015, she is co-editor and co-execu…
"Sorcerer of Sound" or "S.O.S." is a concept album by Justin Wright of Expo '70. A collection of analog improvised experiments that harken back to the early days of private press releases. LP to be released on Polytechnic Youth late Summer. Cassette version will be presented in hand dyed outer shells in an edition of 50. Long-term devotees to Wright’s recording career will no doubt dig that although aspects of the recording equipment and improvised approach here may alter slightly, the …
Just 10 years ago, Down to the Bone was released by Les Disques du Soleil et de L'Acier - a Depeche Mode acoustic (piano, clarinet, cello, viola) tribute album on which Sylvain Chauveau went back to singing after several years exploring intrumental landscapes. 11 tracks that the musician reclaims in the sober style he is known for leaving just the bare bones of the originals. With the Nocturne ensemble, Chauveau redefines the contours of these hits we all know to provide an intimate and highly p…
Pinkcourtesyphone sends you a Sentimental Something from the depths of its obsessed heart. A sonic love note of smudged ink. Joined by the otherwordly Evelina Domnitch, friend and former cover model and vocalist on the acclaimed 2014 Description of Problem CD, which also featured contributions from Cosey Fanni Tutti, Kid Congo Powers, AGF, and William Basinski. On the central core, "Tears of Modernism," Miss Domnitch wields her dark magic on theremin, weaving a mournful kiss on the envelope fr…