New Arrivals
Signs of a perfect disaster
**Limited edition of 300 copies on acid yellow wax with photocopied A4 insert** Rome, Italy's Sea Dweller make a gorgeous racket on their heavenly 2nd album of shoegaze dreampop. Returning to Upside Down Recordings after 2008's 'Underwater Town', they've seriously refined their sound in line with their too-obvious-to-mention influences. Head-flossing melodies made from reverb-effected and delayed guitar treatments swoon about vintage Alesis drum machines in clouds of old Crumar synths and…
Musica Endoscopica
In its constant pursue of the lost treasures of the Italian avant-garde music, Die Schachtel in collaboration with the University of Padua has recovered from the ashes one of the lost and truly shining diamond of the early electronic/digital scene of the 60s and 70s. After more than two years of painstaking research and audio restoration, Die Schachtel is proud to present a new release dedicated to Teresa Rampazzi, a seminal yet very little known female Italian composer/musician, Founder of …
Irregularity/Homogeneity: Emerging from the Perturbation Field
one-sided lp of recordings from the installation of the same name (from a series of works, started in 1991, using fluorescent lamps). Description: an irregular state, when it surrounds us, makes us unable to identify individual things, or to find any law of variations within it. We usually regard it as having no significant nature more than the specific nature from which emerges repetition. It seems homogeneous rather than heterogeneous because we feel it as a form of flatness without spec…
Red, Black And Green
Originally produced and issued by charles 'bobo' shaw himself, red, black & green, by the band "solidarity unit, inc." documents what happened at "the bag room" in st. louis, mo, the day jimi hendrix died. shaw & the ten piece group produce a raw, teeming clattering sound, captured in a gloriously blunt low-res recording as stark as the b&w cover art. lake & bowie were by this time already powerful soloists, & both declaim fervently and damn near relentlessly over shaw's swaggering themes. de…
Frequency Conquistadors
Words are more often then not the point of departure for many works of Das Synthetische Mischegewebe. The track - titles here stem from ‘El Mundo Alucinante’ de Reinaldo Arenas, which itself is inspired by François-René de Chateaubriand’s ‘Mémoires d'outre-tombe’. It is about time rather than history and about being in history. Having lost the war of time, the only thing that remains to do is being, and here we go, ‘being infiniment exigent’ in it’s means of expression. DSM began in Berlin arm…
Entertaining Physics
Poland's mik.musik agent wojt3k kucharczyk bugged his robotron family. "entertaining physics" is a poetic and secretful electroacoustic work that sounds like a gathering of digital clocks in the waiting room of an abandoned building. mechanical ants are crawling over piles of paper next to protesting copy machines and sadly shaking faxes. quiet industrial diseases spread in the attic and the doors clap in a-synchronicity. in between, interplanetary melodies are humming in retired telephones. all…
Beyond Civilized and Primitive
he new solo album by American maverick trumpeter Peter Evans, titled after a thought provoking essay by philosopher Ran Prieur, NY trumpeter Peter Evans uses the studio as a compositional tool via overdubbing and looping to create epic virtual duos that push the trumpeter to the extreme. "Titled after a thought provoking essay by philosopher Ran Prieur, it is a heavyweight pressing and comes housed in hand screenprinted wrap around sleeves featuring the forceful brushwork of 15 year old artist O…
Live in Japan - Part one
Two seperately released live albums form Fenn O'Berg, featuring recordings taken from their 2009 Japanese tour. It features Christian Fennesz, Jim O'Rourke, and Peter Rehberg. Both recorded during the group's 2009 Japanese performances.
Puech Gourdon Bremaud
Mindblowing totally acoustic drone record, musicians are Jacques Puech (cabrette), Yann Gourdon (hurdy-gurdy) and Basile Bremaud (violin). This totally acoustic set is a variation around two bourrées in triple time, both themes are taken out of the tradionnal Mont d'Auvergne repertoire. Hand made, spray painted cover
Spirit Of The Positive Wind
featuring Brian Sullivan & Nate Nelson (Mouthus), Pete Nolan (Magik Markers, Spectre Folk) and Karl Bauer (Axolotl). The LP features two side-long tracks of bubbling, meandering noise-drone collages. "What the hell is this madness? After the Georgia Sea Island Singers took me somewhere nice it’s up to this super-group to drag me back to the fierce, nightmarish industrial landscape from whence I came. Then again this isn’t the sound of Bradford. I don’t know what it’s the sound of actua…
Rocket Ship Rock
...a set of totally twisted sides called Rocket Ship Rock featuring Yochanan 'The Outer Space Vocalist' (with his demented Saturn 45 Muck Muck/Hot Skillet Momma) and his way out friends backed by Sun Ra and his Arkestra! Atomic outer space genius from yet another Norton turban headed star!"
Friday Group
From out of the Great Republic of Texas, and a new side project from Tom Carter (Charalambides) and Brian Smith (Iron Kite) rises a lone star called Friday Group. In a seemingly appropriate gesture, the opening scherzo of droney solo guitar twang blows dusty debris across the speakers, as if a small sand storm in a remote part of Amarillo. With wind wrestling loose gutters and flat chimes, the first movement is almost a weird paean to Ry Cooder's desolate Paris Texas score. Axe attacks ho…
III
Picking up the threads with ease, Espers III was intended to be an aural reversal of the layered sound of II. The goal was to record fewer tracks in order to achieve a stronger, more oxygenated sonic presence. Where II was almost claustrophobic in its density and darkness, III was envisaged as being somehow lighter, effervescent; perhaps even of a cheery disposition at times (whoa there! Don't go not breaking our heart, Espers). Under these auspices, recording started in late 2008 and spi…
Alien column
Alien Column' is the first full length LP by the thick-smoke-filled-Michigan-basement duo of Chris Pottinger (Odd Clouds, Cotton Museum and the Tasty Soil label) and Heath Moerland (Sick Llama, Cygnus, Drug Abuse and the Fag Tapes label). Often described as a post-Wolf Eyes combo, Slither offer a mutant take on free jazz through their multiple electronics manipulations and dual horn tandem (alto saxophone and clarinet). An additional proof to why Michigan is currently the best place to be on ear…
The Weinberg method of non-synthetic electronic rock
Reissue of an obscure electronic music album, originally released in 1968, with bonus tracks. another historic event for fans of experimental exotica: Martin Denny, Bruce Haack, Pierre Henry, Dick Hyman, Perrey & Kingsley, etc., described as "a synthetic sound revolution with great songs, like bruce haack with a psychedelic touch." from the lp's original liner notes: "the weinberg method of non-synthetic electronic rock (or the electronic rock method of non-synthetic weinberg) is a revolution in…
Luminous Night
Luminous Night is the first set of new Six Organs Of Admittance material to leap forth from Ben Chasnys' cerebral cortex in 18 months, and what a joy it is. With the release of odds-and-sods collection RTZ earlier in the year there to bridge the gap between 2007s Shelter From The Ash it doesn't seem like he's been away for long per se but for serious Chasny-heads a new album is something to get pretty excited about and with his other musical outlet Comets On Fire either on extended hiatus or spl…
Off Duty
As if the music of lysergic, lo-fi drugdub one man band Sun Araw wasn't flipped out and damaged enough, on this latest joint, those already tweaked and twisted sounds get even more far out, the vibe WAY druggier and spacier, a 26 minute blast of crumbling wah-guitar laced psychdub comedown in the form of three skull caving soul freeing innerspace excursions."Last Chants" begins with a dense swirling cloud of white noise and damaged effects, shot through with barely there melodies, and loose detu…
The Rising
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
Slime Code
Fractured bleep techno and de-composed electronics for followers of Container, Keith Fullerton Whitman, Konono No.1, Ekoplekz, Harmonious Thelonious - Edition of 500, initial copies on olive green wax* Following a pair of strong LPs for Dekorder, Dan Hayhurst (audio) and Reuben Sutherland (visuals) released 'Slime Code' on cassette for Patten's Kaleidoscope label last year - and it's a peach. The music was performed live to 8-track tape from which a digital edit was compiled and from that…
Bermuda Drain
This eagerly awaited new LP from Prurient begins with a blood-curdling scream - but thereafter all expectations are defied. If like us you've always been fascinated by the more reflective, electronic side of Dominick Fernow's catalogue - thus far restricted to the odd album track, his work with Cold Cave and a couple of choice side projects - then all your Christmases have come at once. Reportedly inspired by long drives around mainland Europe listening to minimal techno, Bermuda Drain pu…