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Bureau B reissues Piano Piano by German keyboardist Hans-Joachim Roedelius, originally released in 1991 on the Italian label Materiali Sonori. In classical music, "pp" (piano piano = pianissimo) is a dynamic indication of particularly soft music. And Piano Piano is a very soft, quiet album. Roedelius assumes the role of a fairytale character with his piano music, transported to a strange, fantastical landscape where, filled with awe and amazement, he tries to get his bearings. What he see…
Following a few years spent living and playing in Scandinavia, an unknown saxophone player by the name of Albert Ayler returned home to the USA to begin imposing his revolutionary style of jazz on the world. Having recorded his debut album, My Name Is Albert Ayler for the Danish label, Debut Records, this session (which took place in New York City on 24 February 1964) was his first American effort, resulting in the eventual release of two albums: Spirits (released in 1964 on Debut) and Swi…
Fantastic document of higher-minded drone ritual from a trio that features Taketo Shimada. Shimada is a shadowy figure in fringe minimalism. He worked as Henry Flynt’s assistant, put together the Yoshi Wada week at the Emily Harvey Foundation, was involved with Herbert Huncke, Alison Knowles and a bunch of other Fluxus artists. Messages is an extended investigation into the eternal music concepts of Wada, LaMonte Young, Charlemagne Palestine, Pandit Pran Nath et al, with Shimada on bass a…
Amazing release by the video & sound-artist from Brazil Marcellvs L., a four-channel sound piece titled "Klavierwellen" or Piano Waves (2011). The piano waves we hear are literally just that: while on a residency, the artist upturned a piano on a boat traveling around the canals, on which two contact microphones were attached to the soundboard and two micro omnidirectional placed between the soundboard and strings. The movement of the boat through water creates a kind of roving ambient experienc…
LP version. Pressed on 180 gram vinyl. The Diary Of The Unforgotten is a collection of recordings from the years 1972 to 1978 and was first released in 1990 (with different artwork). Between the years of 1972 and 1978, Hans-Joachium Roedelius and Dieter Moebius, later joined by Michael Rother, lived out on a country estate in the idyllic, diminutive settlement of Forst in the Weser Uplands. It was here that the Harmonia albums, legendary recordings with Brian Eno and various splendid Cluster …
Lisca Records is a no form music label dedicated to sounds generated by environmental saturation and reflection. This is the debut LP from the Tuscan drone / post-industrial / experimental quartet of Andrea Borghi, Filippo Ciavoli Cortelli, Alberto Picchi and Nichola Quiriconi. Limited to just 150 copies in special handmade packaging.
Last copies, 2009 release: Tenebroso is the result of a night of sounds played together by OmegaKaanan (The Intelligence), OmegaNene (Movie Star Junkies, Vermillion Sands), OmegaMatt (The Mojomatics), OmegaG8 (With Love), OmegaMac (Apoteosi del Mistero). This session has been recorded with an eight-track cassette recorder at Outside Inside Studio during a night in May 2008. Previously released as a free download by Clinical Archives netlabel.
An excellent compilation of beautiful early 70s folk tunes from three LPs that that legendary acid-folk hippy-goddess Collie Ryan recorded in 1973, pretty much in Fahey/Basho vein
As if the music of lysergic, lo-fi drugdub one man band Sun Araw wasn't flipped out and damaged enough, on this latest joint, those already tweaked and twisted sounds get even more far out, the vibe WAY druggier and spacier, a 26 minute blast of crumbling wah-guitar laced psychdub comedown in the form of three skull caving soul freeing innerspace excursions."Last Chants" begins with a dense swirling cloud of white noise and damaged effects, shot through with barely there melodies, and loose detu…
In its constant pursue of the lost treasures of the Italian avant-garde music, Die Schachtel in collaboration with the University of Padua has recovered from the ashes one of the lost and truly shining diamond of the early electronic/digital scene of the 60s and 70s. After more than two years of painstaking research and audio restoration, Die Schachtel is proud to present a new release dedicated to Teresa Rampazzi, a seminal yet very little known female Italian composer/musician, Founder of …
Clear and Discovery were originally released as two companion CDRs by James Ferraro (of the whole Skaters / Lamborghini Crystal / 90120 / Splash / Nirvana axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discov…
Introducing The Swifter - a new trio featuring Andrea Belfi (drums and percussion), BJNilsen (electronics) and Simon James Phillips (piano). Their debut album documents the first encounter of the three musicians. Recorded live in the Grunewald Church, Berlin, careful attention was given to capturing the unique resonant acoustic offered by the airy, stone building, exhibiting the broad palate of aesthetic qualities the group are able to create. Subtly evolving sound worlds that evoke, at times, t…
A bludgeoning mix of machine and vaudou / Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever. Songs featured in VBS's films 'Vice Guide To Liberia' and 'Mandingo'. Since 2007's Whitehouse album Racket, and after his original 'Afro Noise' mix became one of the most downloaded experimental mixes ever made, William Bennett's remarkable Cut Hands album has seen 4 long years of meticulously obsessive studio w…
Deathpile's latest power noise excursion extrapolates the mind of the Green River killer; Washington State's most notorious - and at the time of writing - unsolved serial killer case. This is harsh power electronics with sadistic lyrics delivered in a frenzied manner. Deathpile is an outlet for the twisted mind of Jonathan Canady. On G.R. he is aided by the undisputed talent of twisted musical troubadour David E. Williams who provides the lashings of non-rhythmic noise. There's a defin…
A mighty split release from two of today's most progressive underground metal bands, bringing together the formidable post-doom of Brooklyn's A Storm Of Light and the luminous sludge of Canadian duo Nadja. The real question here is whether or not the music can come anywhere close to the awesome sleeve art, and while that may not even be possible, the twenty-two minute epic from Nadja has a decent go at it. While A Storm Of Light throw everything at their plodding, Wagnerian outings 'Bro…
**Limited to 300 copies in hand painted jackets* No Neck Blues Band guy Pat Murano heads deeper into the cosmos with the latest in his head-swallowing 'Decimus' series. There's an ostensible clarity to this installment distinguishing it from previous editions, with almost baroque synth work percolating through the first side before it cascades into billowing, blown-out distortion and physically wrenched drones, like being expanded and contracted by massive gravitational forces and element…
Vinyl! The sixth album from Mark Nelson's longtime solo project following Quiet City. A mix of warmth & foreboding expansiveness, neither of which is minimal nor overdone.
This is another lost private-press gem, from a Texas singer/songwriter who is remembered for “looping, melodically through often surrealist lyrics with a strong Tim Buckley influence.” Another description drops the always-intriguing “downer” folk tag on this record, calling it “stark, edgy real-people loner vibe, reverb, acoustic instrumentation, occasional hand percussion, piano, harmonica, as that off-the-chain Texas feel that approaches solo Roky Erickson territory.” The record label, Backbea…
As supportive as Hans-Peter Lindstrøm's fans have been of his random acts of creative fitfulness, one wouldn't blame them for feeling a bit tested by his most recent string of output. Between his brilliant but impractical 2008 long-player Where You Go I Go Too and his 42-minute refit of "Little Drummer Boy", two of the Norwegian producer's recent major releases have accounted for nearly 100 minutes of music across a scant four tracks. In a scene where an elongated 12-minute re…
Limited to 500. Zak Boerger whittles a small niche all his own out of the vast trunk of bedroom psych-rock, & it's a quite stirring slow burn of a record - a steady rippling of melodic noise that cascades on your emotions, like Richard Youngs re-imagining the Laughing Stock-era Talk Talk sessions.