We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Massive discount on a curated selection of items from the Students of Decay catalogue until stocks last!

New Arrivals

Autofonia (Il Clangore Della Propria Voce Nell'Orecchio)
Big tip! *30 copies limited edition. Remastered reissue of the original*  "Autofonia (Il Clangore Della Propria Voce Nell'Orecchio)" cassette, self-released by Massimo Toniutti in 1986. Sound material, collected and composed from February to September 1986 by Massimo Toniutti. Digitalized in 2018 from the original master tape cassette, and remastered by Giuseppe Ielasi in 2022. After 39 year this masterpiece is again available in a proper form! "My archive of sound recordings began to assume an …
The Beginnings of Japanese Electroacoustic Vol.1 - Electronic Music Room 1955-1968
Big Tip! “Oto no Hajimari wo Motomete” is the NHK Electronic Music Archives. The NHK Electronic Music  Studio was established in the mid-1950s as the world's most advanced electronic music studio. The sound origins started in 1993 as a memorial to the studio's creator, Hiroshi Shiotani. Currently  blasting ahead towards the 70th anniv. of electronic music in Japan in 2025! This limited LP version was planned to commemorate the 70th anniversary and forward next generations. A second series is pla…
Not Around But Through
On "Not Around But Through", Portland-based experimental musician and tape wizard Amulets
 navigates the process of acceptance and the tumultuous journey of looking within. Over the course of 8 tracks he explores the emotional path of moving through rather than circumventing, in the process soundtracking a purposeful desire to face trauma and vulnerability. Infusing his trademark ambient soundscapes with ambitious blends of post-hardcore, emo, and metal, "Not Around But Through" connects the dot…
Amazoom
Collector's edition of 30 copies, each accompanied by an artist's multiple: a sculpture inspired by the seeds of Parartocarpus venenosa from the Amazon jungle, used by monkeys as combs and now objects to be mounted on the turntable while listening. The edition contains a text/score by Luca Trevisani. Xing presents the first LP by Luca Trevisani, AMAZOOM, sixteenth release of XONG collection - artist records. The release is on white vinyl, in a limited and numbered edition of 150 copies, includin…
Gran Trotto
Edition of 100 copies. A travel diary, in sound. Ezio Piermattei: tapes, field recordings, voice, harmonica, organ, bells, objects, piano, etc. Recorded in Tallinn, Scanno, Helsinki, Santo Stefano di Sessanio, Vilnius, Rosello, Brighton, Campo Imperatore, Jūrmala, Barreiro, Ortona, Budapest, Civitella Alfedena. Many thanks for their contributions to: Mamma, Nonna, Barbara Gileno, Emiliano Tenaglia, Angelo Barbati, Paola Marcocchia, Felice Sciorilli, Meridiana Barbati. Unintentional appearances: …
Ninulla
Edition of 100 copies. Lullabies wrote and sang for, with, and by their son Arion. Composed and recorded by Jonida Prifti and Stefano Di Trapani. Produced by Antonio Giannatonio and Acchiappashpirt. Edited by Antonio Giannatonio. Mastered by Giuseppe Ielasi. Cover artwork by Re Delle Aringhe. Jonida Prifti: vocals, toy keyboards. Stefano Di Trapani: gears, field recordings, Casiotone, piano, vocals. Special vocals: Arion. Includes "Ai miei figli e ai miei nipoti", a poem by Dania De Vincenzi.
Industrial Sponge
Edition of 200 copies.  Slithering out the fertile depths of Olympia, Washington circa 1985, Industrial Sponge “released” a lone 90 minute cassette onto the unsuspecting public. And by “released” we mean they would gift wrap the tape and leave it around Olympia and nearby Aberdeen at bus stops, on the sidewalk or in coffee shops, waiting for their bizarre manifestations to be discovered by whoever was in the mood for a mysterious free present. Industrial Sponge was spearheaded by “Fearless” Fran…
First Step
Big Tip! Born in Donauwörth, a small town in Bavaria in 1951, Götz Tangerding studied piano to concert level at the Leopold Mozart Conservatory in Augsburg. In the 1970s, he started to make a name for himself on the local Munich jazz scene and traveled through East Europe with drummer Rudi Roth. In 1976, he came to New England Conservatory of Music in Boston to study compositions with George Russell and Jaki Byard with whom he played in the New York Big Band in 1978. In 1980, he returned to Muni…
The Third of May
Kim David Bots and Lyckle de Jong met in the water-basin of one of the earliest concrete structures in the Netherlands, a bunker that was part of Amsterdam’s defensive line, built around the 1890’s. Something that used to house water was now empty. For three days they recorded improvised music that is still on a hard drive somewhere. Since then they have performed and recorded together, with a bunch of releases still to come. The third of May was written and recorded in 2020 over the course of s…
A Peak In The Signal: Live 1979-1980
Pioneers of the Los Angeles underground art damage electronic music scene, Grey Factor have been more myth than legend for over 40 years. The band recorded two experimental synth/post-punk EPs and gigged sparingly before disbanding. None of their recordings have been officially released in physical format until now.
Langt Fra Jorden
*250 copies limited edition* "Langt Fra Jorden" is the result of the dialogue between the Spanish photographer and artist Irene Zottola and the Danish musician and artist øjeRum initiated by IIKKI, between June 2024 and November 2024. øjeRum is Copenhagen based musician and collage artist Paw Grabowski. In his øjeRum guise, he plucks and strums his treated acoustic instruments, sounding at times like church bells, at times like angelic harp, at time like drones, and suspends the listener in the …
How to Rescue Things
Restock due on February "Charlie Parker's first album with a string section landed in 1950, ten years after his debut recordings. Although the overtly lush arrangements of Charlie Parker with Strings were Parker's idea, the record must've been something of a relief to producer Norman Granz, especially when the sides went on to become Bird's best-seller, by a long shot. The record (and its follow-up) sparked something of a jazz-strings virus, infecting Nina Simone, Paul Desmond, Clifford Brown, a…
All at Once
Sunfear returns to Dark Entries with All at Once, her sophomore LP. Sunfear is the project of Turkish multidisciplinary artist Eylül Deniz. Since 2017, Deniz has been working as a composer, performer, and DJ, with a focus on different facets of ambient and experimental music. Deeply steeped in both music theory and history, Deniz explores electroacoustic techniques, utilizing piano, guitar, voice, and synthesizer. Her aim is self-expressive; these experimental tactics are her narrative and world…
Alfredo
Mr. Bongo proudly presenting our reissue of a bona fide Latin classic from 1979 by the Cuban-born violinist Alfredo De La Fe. Based in New York and Colombia, Alfredo worked with some of the greats in Latin music including Eddie Palmieri, Willie Colon and Roberto Roena, alongside disco and soul icons like Sylvester and Aquarian Dream. His debut album, Alfredo, is sublime and comprises two distinct halves. The A-side is a fine outing of Latin dancefloor workouts, with Alfredo innovatively incorpor…
The Original Sound Of Mali 2
Following the success of ‘The Original Sound of Mali’ compilation, we return with another explorative delve into the wonders of Malian music compiled by French writer, journalist and Grammy-nominated compiler Florent Mazzoleni and Mr Bongo’s very own David Buttle. Restoring, reissuing and contextualising iconic tracks from Ousmane Kouyaté & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystère Jazz de Tombouctou and many more, the second compilation in this series dives ever fur…
Sonic Youth
Recorded in late 1981 at Radio City Music Hall and originally released on Glenn Branca's Neutral label, this remastered and expanded vinyl reissue includes the self-titled debut record plus live material from '81 and a track from a previously unheard studio session. Includes liner notes by original Sonic Youth drummer Richard Edson, Glenn Branca and Byron Coley.
Realistic IX
Realistic IX, the third full-length by the duo of Michael Jones and Turk Dietrich aka Belong, is both an expansion and excavation of their signature acid-washed songcraft. Bleached guitars, metronomic drums, and buried voices rev, swirl, and seethe across shifting gradients of haze and hypnosis, alternately driving and diffuse. Melodies surge closer to the surface, flexing their form before resubmerging into quickening currents of feedback. Elsewhere the elements dissipate into a dusk of murk an…
Road Extends
Road Extents, the latest offering from Cadaver Eyes on Orthodox, is a bold and challenging release from the veteran duo of drummer/vocalist David Opp (Barbara, Carnation Dingthang, Heart & Crossbone Records) and no-input-mixer virtuoso Eran "Zax" Sachs (Dumitrescu's Hyperion Ensemble, Asher.Zax). Over the past two decades, Cadaver Eyes have been exploring the experimental terrains introduced by John Cage and Gordon Mumma, using unpredictable electronic systems to crack apart and access sheer cos…
Skaeliptom
Sincere dysphoria is a disarming tonic, and 'Skaeliptom' is steeped in it, if not fortified by it. Quietly appearing on the Periferin label in 2013, Varg's debut recording presents with grave intent filtered through a pacifying melancholic haze. A remastered version now arrives on Northern Electronics. Originally disclosed on cassette with a ziplocked excerpt of a cindered church, 'Skaeliptom' is a depressive tour of Varg's early experiments. As if bleached unconscious by northern winters, his t…
Recollections I-II
During the Soviet era, art often had to align with propaganda, seemingly fostering a symbiotic relationship between the state and its people. Consequently, in the realm of “Social Realism,” most forms of artistic experimentation were strongly discouraged and even punishable. With few exceptions, 20th-century Georgian classical/chamber music remained quite conservative; however, when faced with dysfunctional cultural phenomena, there will always be gaps in societal walls through which oppressed c…