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This is a duo album by Toshimaru Nakamura, a mixer player based in Tokyo, and Martin Taxt, a tuba player living in Oslo. Instead of a conventional tuba, Taxt plays a custom-made “microtonal tuba” capable of producing microtones. In this album, Nak…
'Sonatina no. 1' (2016). 'Sonatina no. 2' (2016). 'Sonatina no. 3' (2016). 'drones' (2014). Carson Cooman, organ. Eva-Maria Houben has been performing works for the organ for more than 30 years. As she is related to the “wandelweiser-group” of compos…
Beat Keller (Electric Guitar) Philipp Bowee (Electric Guitar) Recorded in Mellingen and Winterthur, Switzerland Recording: Philipp Bowee All tracks are composed (2014-2016), mixed and mastered by Cem Güney Special thanks to: Antoine Beuger, Sylvia …
Presented live in Los Angeles. Source material originally developed as part of mas gestos y mas caras, a collaborative performance with Rafa Esparza and Yann Novak, presented at the Hammer Museum on July 8, 2016. Robert Crouch is an artist and…
In 2000, The Wire wrote of Richard Chartier’s work: “it’s worth stretching the ears in search of Chartier’s sequences of exquisitely sculpted sonic events, as gorgeous detail bodies forth out of the shadows”… the same holds true today. Formed over …
Wojciech Blecharz is somewhat an exhibitionist. An emotional one, of course. With his music, he doesn’t create a vision of the contemporary world burdened with disasters, being neither a “digital indigent” nor a fan of algorithmic passages. He’s no…
Besando el Tiempo is a piece that was composed in 1995 in the space of four days. It was written in an automatic script that Maria de Alvear uses for many of her pieces. The work was originally composed for the flautist Caren Levine, who also gave …
University of South Carolina experimental music workshop, Greg Stuart (director). Kallam Ashmore (objects), Brian Bethea (saxophone), Erik Carlson (violin), Eric Dennis (objects), James Easteppe (guitar), Jürg Frey (clarinet), Michael Halbrook (objec…
The transcontinental collaboration of Arcata shoegaze abstractionist Brian Pyle and spectral Russian songstress Galya Chikiss began in Berlin, where the former was on tour and crashing with the latter, then finished in Northern California. Despite su…
Daniel Menche is best known for his assemblages of visceral, industrial-strength noise. In such head-rinsing recordings as Vilké (2013), Deluge (2003), and Fields of Skin (1997), Menche's compositional directives instigate and exacerbate the physiolo…
Thalassa is the avant-drone project of Aaron Turner (Sumac, Isis, Mamiffer, House Od Low Culture, etc.) and William Fowler Collins. In his many guises, Turner articulates a chimerical aesthetic that intrepidly explores beyond the scope of sludge, har…
Works for Percussion and Electro-Acoustic Devices is the second album of the Polish percussion duo Milosz Pekala and Magda Kordylasinska. The compositions Renaissance Gameboy #1 and #2 (2011) by Felix Kubin were originally written for violin, sax…
Limited to 100 copies on funeral violet vinyl. A stunning Piero Piccioni score for the soundtrack of the homonymous film released in 1972 and directed by Al Bagram (a pseudonym used by Spanish filmmaker and screenwriter Alfonso Balcázar). Jazz-noir …
Drone Records is proud to present the first ever collaboration release of these two cosmopolitan sound artists from France and Japan (residing currently in Taiwan and Belgium), based on a variety of field recordings, ‘concrete’ material improvisation…
Wound_Burner is an audio project based on field recordings which took place in various locations in New York, USA, Gotland, Sweden, Rio De Janeiro, Brazil, and the Greek countryside. The project consists of three main parts, and moves along high f…
Outside of Ontario, some of us had to actually work yesterday. So, now we are in the mood for Weird Tuesday. Here’s something to totally mess up your work day: ‘Best Suit’, the excellent techno, ambient, avant garde album from Jason Zumpano’s The Cyr…
The brilliant third album from Mike Westbrook – a sharp-edged, two volume set with a scathing anti-war theme! The work is Westbrook's first total-concept album, and it's still one of his best – written with an edge that's free from some of the mo…
Three Days Afterwards is the fourth solo release from Arek Gulbenkoglu. Within manifests a disorientating assignment of tones, textures, and voice. Hovering around the key words below there is an unsettling psychedelic music - ready ripe and raw f…
Three British albums produced by Peter Eden and released in one year – 1970-1971 – are the matter of this attractive box set, with contributions from legends of British jazz and indeed classical giants – bassist Barry Guy (born 1947) has since mad…
In the bulletin 103 of the Casa de las Americas, published in the second semester of 1984, there is an article by Peruvian composer and musicologist Aurelio Tello, offering a full-scale view of what by then was the last generation of Peruvian comp…