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Gatefold sleeve. Controlled Bleeding announces its first proper studio album since 2002. Larva Lumps And Baby Bumps is a startling record: it somehow flawlessly mixes industrial noise and prog rock into a beautifully stream-of-conscious work that i…
After several tape-only releases in 1984, Controlled Bleeding released its first album on the then-brand new Dossier label in Germany, a label with which Controlled Bleeding would collaborate closely over the next years. Experimental, noise-laden …
Unreleased before, and quite different from the Broken Flag tape!! "Released on Gary Mundy's Broken Flag label in 1984, the first Controlled Bleeding album was Distress Signals, an almost impossible to find cassette-only album of brutal powernoise…
CD version. Here's another Gong album no one seems to know about, as this is basically Gong plus poet/musician Dashiell Hedayat (otherwise known as Melmoth). Evidently the lyrical content (especially on the suite "Eh, Mushroom will you mush my room?"…
"This 'translation' of absence through song is called këngë kurbeti, migration song. Its drone-based polyphonic form is prominent south of the river Shkumbin—in an area that includes Vlorë and other villages from which thousands of Albanians have lef…
One-sided lp commissioned by m hka - museum van hedendaagse kunst antwerpen as part of the exhibition Bruises and Lustre, 16 october 2015 - 17 january 2016.
"I'm Gonna Live Anyhow Until I Die" is the 4th soundtrack from Stockholm-based visual artist Johanna Billing. The underlying 15-minute film installation is playing in Ostia, Rome, and formulates the utopia of free access to informal learning environm…
This vinyl record is part of the exhibition Keeping Time, April 11 June 12, 2016 at Villa Groce, Genova, Italy curated by Ilaria Bonacossa. In cooperation with Hollybush Gardens, London, Kavi Gupta, Chicago and Laveronica Arte Contemporanea, Modica.
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Eleven field recordings of some of the last remaining MUZAK sound-systems operating in Helsinki, Finland. Recorded in public locations, such as restaurants, malls and parking garages by local film-maker/artist Mika Taanila. These sonic snapshots – ”f…
A long space with a long history: for 20 years, "Brueckenmusik" has invited the cream of international sound art crop to wrest new artworks from the acoustically over-saturated environment of the aging Deutzer Bridge. The works created there are as …
"Having basically dropped off the face of the earth fifteen years ago, Juntaro Yamanouchi gives Moenai Hai a sense of enigma: some contextual food for thought, and some inconclusive ideas. The sudden, low-hype release of Moenai Hai leads one to belie…
There is not much to say about the music composed by James Bernard for the Dracula Hammer Films. Everyone knows what we are talking about here. And this version is probably the definitive edition. The new revised artwork includes a rare picture of th…
From the 2013 remasters taken from the original analogue tapes Back to Black is proud to present Scott Walker’s fourth album. This was his first record to be entirely filled with his own compositions. Songs were credited to Scott Engel and the mood b…
Philip Corner (b. 1933) studied composition with Henry Cowell and Otto Luening and musical analysis with Oliver Messiaen. During the 1960s and '70s he was an active member of Fluxus, a founder (along with James Tenney and Malcolm Goldstein) of the…
Finally, Ectoplasm Girls's long awaited second album is here!!! The Stockholm duo of sisters Tanya and Nadine Byrne is making an unique blend of post techno, industrial and esoteric pop. This is truly honest, dreamy, dark, evoking music and the he…
Joke Lanz travels down memory lane! Two decks a mixer and a dozen of old Sudden Infant vinyls to spin, scratch, manoeuvre, loop and juggle into a narrative new composition. Recorded and mastered by Rashad Becker in Berlin, this album combines Joke …
This is the completing release to John Duncan's masterful 'Bitter Earth' LP (iDEAL129). Here, Duncan is covering songs by Gladys Knight ('This Bitter Earth'), Pere Ubu ('Final Solution') and Jule Styne ('I Fall In Love Too Easily'). Beautiful vers…
Double LP version. Gatefold sleeve. "'Every time I hear their recordings, I'm reminded that they are one of the greatest rock bands to ever pick up a guitar and attempt to play it wrong. Listening to The Dead C causes me to think differently. It b…
Daunik Lazro, alto saxophone, Joëlle Léandre, bass, voice, George Lewis, trombone, toys. Recorded at Dunois in Paris on January 8, 1984, by Jean-Marc Foussat.
A double CD loosely following on from their ‘Trajectories’ release. This is further work from the recordings about a trip Phil Mouldycliff and Colin Potter made to Australiato play some music at the Horizon Planetarium in Perth. A piece of music to '…