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Tip! *150 copies limited edition* Macronympha's Joseph Roemer solo prpoject. Originally released in 2000 on double CD, and now reissued in it's intended format on Input Error Records. Delving deep into heavily collaged tape edits, found sounds, industrial textures and psychedelic harsh noise across two LPs. Remastered from the original tapes, and presenting the full cover and insert artwork, finally shedding a light on a lost MSNP classic.'
*200 copies limited edition* And if we thought we couldn't top a line-up, here's this unique quartet who brings a totally different experience. While Garuda Trio with special guest Rodrigo Pinheiro musters a fine balance between classic free jazz and improvisation, this quartet dives deep into the fantastic realm of pure improvisation and textural dialogue : the electronics of Carla Santana, the subtle horn contribution of José Lencastre, Maria do Mar drawing linear lines on the viola and the ev…
*200 copies limited edition* Truly an honor to have these 4 exceptional artists on our label. Hugo Costa already graced our label with his outstanding duo album with Philipp Ernsting but here with Garuda Trio he's in company of some of the top players from the Portuguese free jazz scene : Hernãni Faustino on the bass, João Valinho on drums and the fantastic Rodrigo Pinheiro on piano. "Listen how these four move around each other, and work with volume, density, textures, iridescent atmospheres an…
*200 copies limited edition* Our 2nd release in the Axis series, graced with the beautiful b&w photography of Martina Verhoeven, is a special one. When José Lencastre came over last year for a recording with Dirk Serries (a pending release somewhere), we did this last-minute trio concert for the Jazzblazzt series in The Netherlands. With Martina Verhoeven on the electric crumar piano, this trio became something else. Tryptophan Suite represents the very first notes this new trio played togeth…
Death Is Not The End's contribution to the Blowing Up The Workshop mix series, subsequently given a cassette release on the label in 2019, finally receives a limited vinyl LP pressing. "A trip across the frequencies of Bristol's pirate radio stations via cut-ups of broadcasts, taken from the late 1980s to the early 2000s ~ also a love-letter to my childhood, an audio document of the years I spent growing up in the city."
The title of Staś Czekalski’s debut translates as ‘Adventures’. It’s fitting for an album that invokes feelings of exploring, roaming, ambling through bustling cities and changing seasons, around castles and swaying fields, down the pixelated paths of old computer games, and all the way home. We get the sense of being on some carefree yet critical quest, with Staś taking on the role of narrator as much as composer. Part fable, part Moomins, part seek and you shall find, these boppy, wide-eyed an…
The mission continues! ᚾᛟᚢ II // ᚦᛟᚦ ᚷᛁᚷ, a very special & bleak collaborative project by Nordvargr & Trepaneringsritualen, is going to strike again! "Gamma Ænigma" is third chapter in that special trilogy. A full range of Dark, Northern, Ritual Sounds. A deep dive into spirituality and darkness. After Hair and Teeth, the sounds & art-work for this third chapter are devoted to Finger/Nails. As for the first two chapters also this CD comes in a DVD/A5 sized Digipak.
English Edition, 314 pages. Symphony No. 1 is an entire symphony of 3 movements, described in text so the music unfolds itself as music for the inner ear, challenging the dicta above, by claiming that Music begins when words begin. The reader becomes the listener, that will become co-composers by creating music with their inner ear. The symphony is released by Forlaget Vandkunsten Finishing the symphony back in the spring of 2016 and after having 4 different layouts the symphony finally found i…
2024 stock Dieter Roth left his mark in Lucerne: close, long-standing friendships and traces in his works. Tränen in Luzern (Tears in Lucerne) complements the volume Inserate 1971/1972 with material for the original version of the Tränenmeer (Sea of Tears) project that – with its instalments and different stages of development – counts as one of Roth’s major literary projects. An in-depth essay by Stefan Ripplinger places Tränenmeer within Roth’s œuvre as a whole, and an entertaining interview …
*2024 stock* In 1970 a meeting took place in an empty loft on the Lower East Side of Manhattan between R. Buckminster Fuller, the revolutionary architect and inventor of the geodesic dome, and six ex-gang members who called themselves “CHARAS.” After a few hours, they found themselves having an earnest and important conversation, and the young men of CHARAS decided to begin implementing Bucky’s ideas. They wanted to create a program that would develop a sense of community autonomy, reclaim publi…
Fonstret is a project of Stockholm’s Edition Festival for Other Music focused on publishing new works and surfacing material from the festival’s archives.
Book sewn with open spine. 170 x 239mm. 192pp. 1+1 Pantone 546C, 120 gsm offset paper inside, 300 gsm offset paper covers.
Text by:
Johan Arrias, Elsa Bergman, Nadine Byrne, Erik Carlsson, Scott Cazan, Jon Collin, Mats Dimming,Niklas Fite, Marta Forsberg, Joel Grip, Mats Gustafsson, Carl Michael von Hausswolff, Isak Hedtjärn, Karin Hellqvist, …
This issue explores the crossroads, contacts and contrasts between two fields of musical knowledge: ethnomusicology and popular music studies.When ethnomusicology tackles music that is produced in recording studios in both the North and the South, when queer performances venture into Asturian folklore, when bureaucracies produce world music, when raggadub and punk from Marseille are observed from the radios, restaurants and streets they have stemmed from, when Mandingo music is analyzed as a mai…
* 2024 stock * Dieter Roth & Dorothy Iannone – an unusual lovers’ and artists’ relationship that began in June 1967, when the couple first met in Iceland, and which remained a lifelong friendship even after their separation in 1974. This book presents a comprehensive overview of their artistic activities and brings the dialogue between their works to light.
In all those years, Dieter Roth wrote postcards to his lover and companion, his “Lioness”, which accompany their relationship with a voice …
“He said ‘who the fuck are you?” so I said, “I’m the bass player”. And all he said was “Well, we’ll see about that, won’t we?” When Tubby Hayes arrived at the Hopbine, Wembley’s popular jazz pub, one evening in the spring of 1965, his career was in a state of flux; still topping polls and casting an impressive shadow over the British jazz scene, he nevertheless remained frustrated. The elongated free-flights of John Coltrane and Sonny Rollins now held his fascination and although actively search…
French filmmaker Agnès Varda was a trailblazer who broke new artistic and cinematic ground for nearly seven decades. Although closely associated with the French New Wave, Varda established her groundbreaking visual style in her 1955 debut film La Pointe Courte, well before other milestones such as François Truffaut’s The 400 Blows and Jean-Luc Godard’s Breathless. Varda impacted cinema from her first feature film through her final works, with an expansive oeuvre that includes Cleo from 5 to 7 (1…
Sketchbook, September 1977 is an early journal by Greer Lankton written during her time as an art student at the School of the Art Institute of Chicago. It offers key insights into the artist’s mind before her move to New York in 1978, where she would go on to have a prolific career making lifelike dolls, theatrical sets, photographs, drawings, and paintings.
Containing drawings, behavioral diagrams, and occasionally confessional writing, the journal is a record of imagining the body and mind re…
“It was only with Partch that a music began to take shape that could do equal justice to the physical desire for rhythmic pulse and a curiosity for new, unheard sounds; a music that enthralls us despite, or rather, precisely because of its unfamiliarity. A music for which we have no category, and which has no location, and yet in a strange way is grounded.” – Heiner Goebbels
The American composer Harry Partch (1901-1974) is considered a pioneer of the Just Intonation movement and was far ahead o…
*2024 stock* At the end of the 1960s, a group of excellent musicians formed in Germany that soon attracted the attention of the music world. They all not only came from different countries of the world, but also had different musical backgrounds: musicians from the Berlin Philharmonic played with musicians from Africa, South America, Asia. They came together to compose and improvise together. What happened musically was (according to a German expression) "between all stools", hence the group cal…
*2024 stock* “Between stood and still stands for the simultaneity of things that are really mutually exclusive” (Peter Michael Hamel, 2005). “Originally we wanted to call the project B.A.C.H.,” Peter Michael Hamel re-calls, when, in 1970, they were looking for the most unusual name possible for a extremely unusual formation. “Naturally we chose in it in part in allusion to the immortal baroque composer of that name, but above all the letters stood for “Between All Chairs.” That’s exactly how we …