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*2023 stock* Coverscaping focuses on the semiotics, poetics, and rhetoric of album covers. Working from the assumption that record sleeves may represent a visual genre in its own right, the essays engage in various ways with what one might call the pictorial component of recorded music. The contributors run the whole gamut from close readings of individual covers to more theoretical or philosophical explorations of the aesthetic nature and artistic value of album covers. Coverscaping aims to car…
*2023 stock* As the 1960s ended, Herbie Hancock embarked on a grand creative experiment. Having just been dismissed from the celebrated Miles Davis Quintet, he set out on the road, playing with his first touring group as a leader until he eventually formed what would become a revolutionary band. Taking the Swahili name Mwandishi, the group would go on to play some of the most innovative music of the 1970s, fusing an assortment of musical genres, American and African cultures, and acoustic and el…
*2023 stock* Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and em…
*2023 stock* Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio that Thomas Watson heard through the first telephone; he then traces the histories of science, media, music, and the arts to the 1960s…
From Yann Novak In Greek mythology, the legend of Theseus describes how the king-founder of ancient Athens rescues the children of his city from King Minos’ minotaur on the island of Crete. In commemoration, Athenians began a pilgrimage to honor his victory, taking the ship of Theseus and sailing it from Athens to Delos. It was with this tradition that a philosophical paradox about the historic ship was raised: As the ship was repaired, piece by piece, until it was no longer composed of any orig…
The live performance recorded in the ancient Church of S. Giuliano, in Vercelli, encompasses some of the music conceived and written over the last few years, which Francesco Aroni Vigone spent in Valle d’Aosta. The recording location was chosen for its particular acoustics, perfect for a saxophone ‘solo’ and its aptitude for meditation. The performance took place during worship hours to have an unusual ‘audience’ in an unusual ‘liturgy’. The pieces are monodic songs that can be traced back mainl…
"This is the whole improvisation session we had on the evening of 25 April 2014, after a day spent recording some duets for Enrico’s project “Girotondo”. In the afternoon I had recorded with Mario Arcari “La prostituta e il soldato”, one of his compositions. The next day I was going to record my song “Il soldato e la cameriera” with Alberto Mandarini. So, during the evening break, after years of not playing together anymore, a little bit on my insistence, because Enrico seemed to want it too, we…
Born in 2012 when the three were living in the same apartment building in Cairo's Agouza district, the trio's instrumental improvisation-based explorations are propelled by Louca's North African percussion loops and shimmering keys, Shalabi's West African tinged free jazz guitar and grounded by Bishop's driving Krautrock-style acoustic bass.
High Tide in the Lowlands was recorded in Brussels at Les Ateliers Claus on September 5, 2017 and is quite an intense experience. Most performances and reco…
"After two and a half years of refining, calibrating, and reconceptualising their approach, pianist Darius Heid, cellist Emily Wittbrodt, and double bassist Jonas Gerigk are now releasing their debut CD. With great enthusiasm, the trio met frequently for playful and dedicated rehearsals, improvising freely then observing and discussing the resulting phenomena, delving further into the depths of their music. A long and involved process - creating trialogues that weave through constant re-examinat…
impakt Records presents the new record by Huhn | Schönegg | Mahnig "Was ficht dich an?" with Leonhard Huhn (alto saxophone), Stefan Schönegg (double bass) and Dominik Mahnig (drums).
impakt Records presents the new record by T.ON "plays Herzog | Muche | Nillesen" with Constantin Herzog (double bass), Matthias Muche (trombone) and Etienne Nillesen (extended snare drum).
"Kuden is a method of communicating information verbally in Japan. The word also refers to the knowledge of secret techniques traditionally passed on orally, be it from martial arts or from music and the performing arts. An apt title for this exceptional, non-arranged meeting of three musical experts who tell each other about the rich vault of their sound treasures in order to enrich it with something new through this musical dialogue, which is immediately passed on to the spellbound, amazed aud…
Fo[u]r Alto is the quadrupling of the alto saxophone as a unified body of sound. Since the ensemble was founded in 2008, the four Berlin saxophonists Frank Gratkowski, Christian Weidner, Leonhard Huhn (until 2018 Benjamin Weidekamp) and Florian Bergmann have found an unmistakable sound language characterised by artistic uncompromisingness and continuous musical research. In autumn 2012, they released their first CD "4 compositions by Frank Gratkowski" on the English label Leo Records. Now follow…
*300 copies limited edition* With three studio albums, four live releases and a number of tours, the Belgian-British Kodian Trio has built up quite a reputation within the European improvisation scene. The trio unites the attention to texture and detail often associated with the 'English school' with the fierce urgency of the 'fire music' of the sixties and seventies. The result is a wringing cocktail on the seesaw between European free improvisation and witty free jazz. Dirk Serries' disordered…
Next up on Africa Seven is the second edition of our "African Funk Experimentals" LPs. With these we took some of our favourite African artists, choose the most funky we can find and then put together a compilation of their choicest and funkiest tracks. Of course that may not be their most popular or best selling tracks… but that's just fine. We are digging for the funk.
Tip! A Phil Blankenship/John Wiese maelstrom at maximum pressure. The duo behind LHD continue their five-year White Gold cycle, unleashing a blistering new cascade of deafening sound, desiccated crumble, and rusted shriek recorded in 2022, featuring over forty minutes of heavy electronics for shredded speakers.
Sissy Spacek is known for their extended approach to sound and performance. Founded in 1999, the group (since 2013, primarily a duo of Charlie Mumma and John Wiese) have released a broad range of work, from grindcore to musique concrète, with a considerable gulf of experimentation in between. Their performance at Empty Gallery in Hong Kong and its peripheral documentation is an example of the band’s abstracting style and approach. Recorded on the occasion of Takeshi Murata’s “Infinite Doors” ope…
Abstrakce recover this lost gem recorded in 1999 and published by Keliehor himself in a very short-run CD named "Create Music", which had almost no diffusion.
A limited edition of 300 copies of this 1985 masterpiece, remastered and presented in a renewed artwork. Berlin School synth sequences, American minimalism vibes, new age and oriental influences, guitar-synthesizers, genius arrangements... A masterpiece exploring the emerging MIDI technology of the time. A transportive selection of calming ambient soundscapes punctuated by glassy synth work and meditative drum patterns.
300 copies limited edition* Desert Dictionary navigates sonic territories oscillating between language and landscape, between notation and noise. Voices responding and contributing to a complementary narrative, connecting personal memories, political considerations and psychological effects of a landscape seemingly empty and quiet. Adjacent, beneath and intertwined a modular synthesizer score based on field notes – a synthesized soundscape appearing as imaginary field recordings, at the same tim…