New Arrivals
Woo Lae Oak
Original 1983 edition of Carl Stone’s of the beautiful absolute minimalist classic first album on Joan La Barbara’s Wizard Records
Vision Soundings
Rare original 1985 private release by Malcolm Goldstein of intese sound explorations, never re-issued.
Playback (Book + Dvd)
Hard cover Edition, large format. Long out of print. One of the pioneers of performance and multimedia work, constantly cited as key to the burgeoning postwar genres now considered standard fare in art galleries and museums, Robert Whitman's work of the 1960s and 1970s has long been inaccessible because of its ephemeral nature. This publication and the exhibition it accompanies are the first to reexamine his seminal early work, begun under the influence of Allan Kaprow in the late 1950s. Early p…
47 Gates
The first collaborative work by Ernst Karel and Bhob Rainey. Four tracks. 6-Panel Digipak with one CD.
Wovenland 3
"Wovenland became a band. But we never do live shows. Our band activities are mainly editing in a studio. Our goal is to focus on acoustic experiments. No more and no less. We have been active for a total of about 10 days, including meetings, in 7 years. We are now disbanding." - Toshiya Tsunoda & Taku Unami
)))(((
This album contains three new works by Italian composer Giuliano d'Angiolini, ')))(((', '7 flauti', and '100100', following his previous three albums: 'Simmetrie di ritorno' (Edition RZ, 2010), ‘Cantilena’ (Another Timbre, 2016) and ‘Antifona’ (Another Timbre, 2020). ')))(((' was composed in 2023 for four flutes and sheng or accordion, or six clarinets, and the version here is for four flutes and six clarinets. It is recommended to listen at high volume. '7 flauti' was written in 2010 for seven …
Reaching Intestinal Scenery
“Electronic music’s equivalent of dragging an unwilling teenager to a family function” - Richard Foster, Louder Than War
Remix Ready Mix
Huge Tip! Hand-numbered edition. Remix Ready Mix reimagines the soundtrack to artist Lucy Raven’s immersive film installation Ready Mix (2021), commissioned to inaugurate the new Dia Chelsea exhibition space in New York. Created in collaboration with the composer Deantoni Parks, Remix Ready Mix merges field recordings from a concrete and gravel plant in central Idaho with nonsynchronous sound arrangements
This record is a series of cuts: component extractions from the admixture of sounds that co…
Sprokkelhout
**Numbered edition of 25 copies only** Bart de Paepe has released several solo albums of psychedelic soggy murkiness on Vohu Manah, Beyond Beyond Is Beyond, Kerm whistling through the leaves and branches adjusting in/out of focus at random as we drift between reality and perception. Some of his resonance wood can be enjoyed in Ilta Hämärä (with Timo van Luijk), Wendingen 1918 (with Raymond Dijkstra), Bombay Lunatic Asylum (with Koen Vandenhoudt and Louise Landes Levi), Fort Bedmar (with Dave Col…
Archaeoacoustics
Limited edition The Matar Project is a collaborative venture between Adi Newton and Michael Esposito which began in early 2016 and has been steadily progressing and developing since. This research and developmental Audio Visual project is based on Archaeoacoustics and aims at finding aspects of Archeological and astrophysical theories in relation to Ancient systems
of Spirituality, Metaphysical beliefs and concepts and explores these relationships with psychoacoustic technology, with the use of …
Folio #5
Brûlez les meubles is a dual-headed jazz project led primarily by Éric Normand (Rimouski) and Louis Beaudoin de la Sablonnière (Montreal). Born from their mutual passion for each other’s eccentric musical worlds, this duo is known for collaborating with experimental improvisers and renowned artists. Their music is abstract and meditative, both modern and simple, drawing inspiration from jazz guitar legends such as Jim Hall, Bill Frisell, René Thomas, and Brandon Ross.
Their fifth album, Folio #5…
Master Of Disorder
Almufaraka brings together the breath and voices of Gaëlle Debra, Patrick Guionnet, and Maryline Pruvost, alongside the sound textures of skins, wood, and metal played by Peter Orins. This quartet explores all technical means to create a music that is both archaic and avant-garde, drawing inspiration from a mythical primitive tradition. By recreating a form of serenity, the music immerses us in an original sonic imagination. The recording offers a journey through the full sound spectrum, from th…
So Little Sorrow
A new album by Simon J Karis, the follow up to 2017's 'Madrugada'. Widely available digitally and in a limited CD edition, housed in a deluxe bound A5 book of watercolour illustrations by Andrew Chalk. Mastered by Kane Ikin.
Party/After Party
180g black vinyl 2LP boxset w/ booklet. Carl Craig’s Party/After-Party (2020) lives on past the sound installation at Dia Beacon in this two-disc vinyl set. Recorded live at the museum, the album includes four tracks of studio versions from the artist’s commission and live recordings from Dia Beacon that highlight the acoustics of the space. The LPs are supplemented by a sixteen-page booklet of liner notes with an introduction to the project by commission curator Kelly Kivland, a note on the wor…
Issue 10
It probably goes without saying that here at Soundohm, we’re huge fans of all things Lasse Marhaug. Since the early 90s, he has remained one of the most radical and ambitious creative musical voices working in Norway, spanning the fields of noise, free improvisation, jazz, rock and, metal, producing a remarkable catalog of solo work as well as collaborations with Joe McPhee, Paal Nilssen-Love, C. Spencer Yeh, Okkyung Lee, Otomo Yoshihide, Merzbow, Jim O'Rourke, Mats Gustafsson, and a slew of oth…
Merzbow, Masonna, Solmania, C.C.C.C., Monde Bruits, Incapacitants, Violent Onsen Geisha, Dislocation
Noise ForestTip! A classic compilation that emanated out of Osaka, "Noise Forest" brings together a powerhouse of early 90's Japanese noise stalwarts: Merzbow, C.C.C.C., Solmania, Dislocation, Monde Bruits, Masonna, Violent Onsen Geisha, and Incapacitants. The ultimate Japanoise collection, originally released in 1992 on the cult Les Disques Du Soleil label / record store on CD-only, and now impossible to find. Remastered and presented here on deluxe 2LP in matt-laminate gatefold sleeve (first time on vinyl…
High Tide
Able Noise are a cross-continent duo based between The Hague (NL) and Athens (GR), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glistening post-rock an…
Estradas
Drummer-composer and multi-instrumentalist Valentina Magaletti’s explorative percussions join Afro-Portuguese artist Nídia’s singular beat-making for an exciting new collaboration in dance music. From the first beat, listeners are drawn into a world where rhythm reigns supreme and movement is inevitable. The album explores a diverse yet universal musical language through syncopated drum patterns, pulsating marimba lines, and melodic interludes.
Bottling House
When the quartet of Luke Martin, Gabriel Salomon, Klaus Janek and Andy Graydon gathered to record an afternoon of sessions in Andy's studio, it was both the result of years of cultivation and an afterthought. Klaus and Andy had been long-time, and now long-distance, collaborators since their shared years in Berlin. That city was also where Andy was introduced to Gabriel at one of his solo performances by their mutual friend, the painter Paul McDevitt. Years passed, and cities. After meeting and …
Danger: Diabolik
In 1967 Morricone was at the peak of his career, and his score for Diabolik can be ranked among his most spectacular achievements. It is quite amazing that no official album was ever released. Only a couple of bootlegs saw the light, based on the soundtrack of the movie, providing a fairly faithful account of the movie's atmosphere and of the music content. Their approach was paradoxical however: carefully taking out the parts of the music which were covered over by dialogue, but also adding dia…