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For decades, Ludger Brümmer has represented a unique, courageous, and often instantly recognisable voice in electronic, algorithmic, and computer music. He develops structures that lead to aesthetic experiences normally found, if at all, only in the most expressive of instrumental works.
Ludger Brümmer’s music is dominated by processes. All processes are on a trajectory towards a climax or evolve from a climax to a minimum. Ultimately, a complete lack of orientation is to be achieved in the clim…
*2024 stock* Live recording of the piano recital for the eightieth birthday of composer Hans Otte that Philipp Vandré and Elmar Schrammel presented at the Akademie Schloss Solitude in Stuttgart. A selection of John Cage's "Sonatas and Interludes" for prepared piano was interwoven with selections from Hans Otte's piano cycles "Das Buch der Klänge" (The book of sounds) and "Stundenbuch" (Book of hours). This concert experiment, conceived by Ingo Ahmels, paid quiet homage to the "beautiful piano so…
*2024 stock* “Don’t ask me what I mean, ask me what I’ve made.” - Alvin Lucier
The American Alvin Lucier is one of the most significant composers of New Music in the twentieth century. Being one of the first representatives of live electronic music, he explored in his works the nature and the effect of sound phenomena such as resonances, echoes and interferences, with the boundaries between installation, performance, composition and science becoming blurred.
In the present documentary film by Vi…
"Materia Breve" is composed of residues. Fragments of field recordings; still images of small landscapes, enlarged to show their grain. The simple gesture of gathering what remains, stirring the embers.
A new art book covering similar themes and ideas as Black To Comm's At Zeenath Parallel Heavens album. Plus a free to download new Black To Comm track collaging various elements from the last album into a 13-minute aural trip.
• Open thread binding with fold-out 4-page cardboard cover• Thick tip-on cardboard backcover• Green thread• Size: 13 x 17 cm, 88 full-colour pages + 4 cover pages• 1st edition: 100 copies
This is a lovely handmade edition made by a quality printhouse - thus the slightly h…
* Double CD set containing both albums - Music for Save Rooms 1 & Music for Save Rooms 2. First edition of 150 copies * John Also Bennett’s Music for Save Rooms 1 & 2 compiles two volumes of minimal music conceived as infinitely looping and morphing compositions for “save rooms” - temporary safe spaces within video game maps. The compositions primarily stem from a week spent at work in a former military barn in the Marin Headlands just north of San Francisco, spurred on by multimedia artist and …
** Deluxe Vinyl Version Vinyl 180 gr. remastered from original analogue tapes. Single cover with 30cm 8-page booklet. ** From Gleam Records, one of Italy's most engaging imprints dedicated to the outer reaches of jazz - comes a true marvel: the first ever vinyl reissue of Modern Art Trio's lone self-titled LP, originally released by Vedette in 1971. A rare and thrilling artifact that utilizes serialism and 12 tone technique within the idiom of freely improvised jazz and hard bop, its absolute s…
**17 CDs, 1 DVD and 250 pages of histories, chronology, testimony and commentaries by the band, sundry contemporary documents, and rare photographs – in a sturdy box.** This collection brings together in an inexpensive and definitive edition the full contents of all earlier releases, with the addition of a further 60pp booklet of newly unearthed, or commissioned, band commentaries, pictures and other documents prepared specifically for this box - as well as re-mastered versions of all the studio…
2024 stock. Released in 1976, Rhythmania and Other Electronic Musical Compositions spotlights the sounds of a specially assembled Moog Synthesizer (a type of analog synthesizer). The variety is impressive: from birdcalls and the sounds of machines in a factory to waltzes. Pieces such as “Cosmic Dance of Shiva” and “Hear the Clock Tick” are “composed of natural sounds recorded through a microphone,” rather than generated electronically like the “Triptych” fugues. This album also highlights electr…
2024 stock. On this one-of-a-kind record, Jim Nollman showcases his experiments with "interspecies communication." Using a variety of instruments and vocalizations, Nollman improvises with turkeys, wolves, and orcas. The interactions are sometimes funny, often surprising, and always fascinating. The liner notes include essays by Nollman on his environmental theories and experiences trying to communicate with animals.
2024 stock. "Ingenious use of echo, artificial reverberation and electronic alterations gives the music in this category a weird, spooky futuristic, 'out of this world' quality, well-suited to super-natural happenings of any kind. Piano, drums and electronic instruments are used to achieve the strange atmosphere and spatial sounds." Vaclav Nelhybel crafts a supernatural world, describing nebulae, meteors, star clusters and craters on Mars with sounds natural and manipulated to tell the story of …
** 2024 Repress. The complete official lifetime releases of This Heat: This Heat, Deceit, Health and Efficiency, Made Available and Repeat, re-mastered and re-packaged, with a substantial (48pp) book of interviews, recollections, information, documents and photographs in a sturdy box, PLUS a new CD of concert recordings ** This Heat were born in the years immediately preceding punk rock. Severe young men Charles Bullen and Charles Hayward were making things go pish-ding-whoosh on London’s free-…
Tip! These Rites are designed (realised and situated) – through/in – the saxophone, as:
(conic) vessel,text,structure,lens,‘kitchen’,nexus,body/organ(s),rhythm,ecology/knot,speculative (entrepreneurial) invention,(and shadow).
For the first time ever, the Bobby Wellins Quartet albums – Jubilation and Dreams Are Free - expanded with bonus tracks. The original albums, and the extra tracks, were all recorded by the same quartet in 1978 or 1979. Released in partnership with Spike Wells, the drummer in the quartet, who provided the extra recordings from his own tape archive, and wrote the booklet notes as well as providing many previously unseen photographs, Fiona Wellins, Bobby’s daughter, and the bassist in the quartet A…
Prompt 1: Pascal Comelade's toy piano falling down the stairs , Hector Zazou pushing from behind, laughing Prompt 2: Cool jazz played on antique mellotron, low in fidelity, and sad, Glenn Miller‘s grandma crying silently Prompt 3: A hippie commune version of jazz as played by a cheap computer fed by Chat GPT with medieval buisine fanfare information and samples, trained on the entire Amon Düül II history, heavily looped yet unsynchronized Prompt: 4: Same, but flutes and synths and trance and cha…
*150 copies limited edition* Nate Scheible makes amorphous music that evades easy classification. Whether working with electronics or as a drummer, his fascination with tone and texture results in a sense of playful exploration, undercutting the stoicism that defines so much contemporary ambient music and free improvisation. Sounds quiver at the edge of existence, flickering imperceptibly between presence and absence. The boundary between the familiar and otherworldly blurs as he approaches the …
This album is the sonic representation of diverse episodes experienced by a being called Sameer during their life. Chronologically, the music heard in this work was created before such events, without conscious awareness of those who produced it. This is also the recording of the first time Felice Furioso, Jorge Nuno and Felipe Zenicola played together. All tracks were arranged and produced by the 3 musicians.
"Cloud at rest" is the long-awaited debut record from the trio formed in 2016 by Pedro Alves Sousa on tenor saxophone, Rodrigo Pinheiro on piano and Gabriel Ferrandini on drums and percussion. The music is the result of a five days residency at the Goethe-Institut Lisbon in 2019, where the band tried to find a different approach to its playing in order to distance themselves from the fast and highly energetic music normally associated with them. This record shows a different perspective of thei…
Hyper.object was formed in 2019 by three veterans from the Lisboa free improvised scene (Rodrigo Pinheiro on the piano, Hernâni Faustino on the double bass and Carlos Santos on the electronics) and by two young musicians (João Almeida on trumpet and João Valinho on drums). Since its beginnings. the group had frequently joined for rehearsals but as soon the pandemic hit, the gatherings were restricted to only when there was an opening on the frequent lockdowns. During one of these openings "inter…
Born in 1974, Giuseppe Ielasi grew up in the south of Italy and now resides in the outskirts of Milano with his family. He has been making music and touring since the late nineties (he tours much less nowadays). He mostly plays solo, but also in Bellows (with Nicola Ratti), Rain Text (with Giovanni Civitenga) and in duos with Enrico Malatesta, Kassel Jaeger, Andrew Pekler and collaborates regularly with film-maker and photographer Armin Linke (also editing his films). He has released (short) rec…