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The original tracks were perfectly remastered for this first time ever vinyl release and the new masters received high praise from the Extreme Music owner Roger Richards. A new sleeve design was created by Oleg Galay, who is famous for his artworks for many Muslimgauze reissues. The album jacket is made from extra heavy cardboard with deluxe spot UV finish and inside print.
Tip! To get a good handle on ‘Aslope’ look no further than the intricate ‘Scattered sprinkle, no turn’, a 12+ minute collage of moonlit organ vamps, stifled voices and disembodied, robotic poems. Heaving from smeary abstraction to penetrable drama almost imperceptibly, featherlight rhythms are cut short by uncanny voices: “stop, turning, a page,” like some rogue navigation assistant, slicing into ticking clocks and xerox noise. It’s like listening to a film without access to the visuals - all th…
There is a delicacy and a passionate hardness, stripped bare of cloying sentiment. Its rawness is the exuberance of sound overflowing, basking in its self-created luxury…. It is, every bit of it, composed the same moment you hear it.
Pedal steel innovator Susan Alcorn combines Chilean folk and nueva canción with free improvisation and contemporary classical on breathtaking new album.
Maromas is the debut recording of the duo of Ingrid Laubrock and Cecilia Lopez. Recorded in April 2022, the album is a collection of improvised pieces for tenor and soprano saxophone, processing and electronics. Maromas refers to the doing of tricksters, conjurers and acrobats. The music is dark, harsh but also playful in its pirouettes. The electronics process the saxophone as much as the saxophone plays the electronics. Both voices became a third two-headed creature sometimes alienating the so…
"If you're feeling pressed by the demands of the Imaginary Empire's vicious circuitry, whether you're on the outside or a little too inside for your comfort, here's an opportunity to experience something real, satisfying, and original. Most of the world may be going all wrong, but The Fully Celebrated Orchestra are always 'Right On.'" - Brad Lingham
*2024 stock* This music is improvised and inspired by Judith Schalansky’s book "Atlas of Remote Islands: 50 islands I never set foot in and never will." The music is an echo of her writing, of inspiration by islands, entities with different and changing characteristics.
Mature Defense Mechanism is an improvised experiment in the relationships between rock and jazz characterized by whimsy amidst seclusion. It’s natural territory for guitarist Kirsten Carey and drummer Aaron Edgcomb, who are both gaining reputations for adventurous and wide-ranging approaches to music making.
We maneuver through woody sounds created by individual movements and decisions. Our cello playing is free from classical patterns, a real achievement! It is not natural to develop one's own approach to this high culture instrument. In this trio there are three multi-layered variations of personal expressive will and power.
Tip! French free vocalist Isabelle Duthoit and trumpeter Franz Hautzinger recorded these highly unusual duos to celebrate Hautzinger’s 60th birthday year. Using extreme techniques to create 11 uniquely aberrant accompaniments to your most subtle and strange dreams.
Space is the trio of Lisa Ullén, Elsa Bergman and Anna Lund based in Stockholm, Sweden.This is their second album. Their music is totally improvised and has a strong connection to the traditions of free jazz and European contemporary music.
Silver Dawn is an ethereal collection of improvised vignettes performed on solo Hardanger d’amore, a sympathetic-stringed relative of the Norwegian Hardanger fiddle. Resonant strings and wordless vocals are gently guided by the cyclical momentum of dance and the instrument’s lingering overtones, magnifying moments of transience in suspensions of time.
The ensemble is all powerhouse performers but, like a stream is one stream with one name below the confluence, though they may lend their distinctive voices, this is a singularly cohesive unit that subsumes individual style. Each musician recorded themselves separately, except Angharad Davies and Magda Mayas, who were recorded by Tony Buck.
This is the first collaboration between Australian improvisor Chloë Sobek who plays the Renaissance precursor to the double bass, the violone and New York saxophonist Time Berne.
* 300 copies, machine-printed numbered edition, 180gr vinyl *A beatiful reissue of Flavio Giurato's second album released in Italy in 1982, whose original edition usually sells for crazy prices on the second-hand market. This undervalued piece of work was perhaps too unusual during the time of release to get the full attention it deserves. The powerful image of the high diver re-emerging to the light and air after his performance orchestrates and subsumes the spirit of the whole work, in which s…
“I was born in the sun of a big country that free maybe never was, a big country of happy people, of big forests and big cities.” This is how Alberto Camerini's second album opens, and it is clear from the outset that one is dealing with something not easy to categorize, wild, but equally enveloping and fascinating. The overall sound, while diverse, retains its own continuity and comes across as a blend of Brazilian sounds, singer-songwriter songwriting, and DIY bedroom electronics, with Camerin…
Big Tip! From 1969 to 1972, Third Ear Band released three albums on the progressive Harvest label, of which "Music From Macbeth" (1972) was the best known and most commercially successful. On April 24, 1970, the Third Ear Band performed at the 2nd Essen Pop & Blues Festival. For some reason, they did not appear on the official poster for the event or in the festival program. The line-up was packed with acts like The Flock, Ekseption, Rhinocerous, The Groundhogs, It"s A Beautiful Day and the stil…
For the biggest artists to the most underground, field recordings have become the vital spark of electronic music. Whether documenting nature, sampling the city or capturing the atmosphere of archaeological sites, musicians are using found sounds to make sense of our world. Ears To The Ground explores the relationship between electronics, landscape and field recordings in the UK, Ireland and around the globe, discovering how producers and artists evoke the natural world, history and folklore thr…