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CCTK Music combines Gabriella Isaac's exploitative use of laptop as feedback loop / sound source / physical device and James Fella's electro-acoustic / tape as instrument approach. The duo incorporates each other's material in real time (on Side A), cutting the content onto 6 singles-sided reference lacquers. The lacquers were used to assemble a collage in a performance setting in late 2019, and again in a studio setting for Side B. The result is a record that is both scathing but at times harmo…
Recognized as a skilled and sought after collaborator, Ted Byrnes solo albums cast a wide net that capture Byrnes' adventurous and omnivorous approach to solo percussion. An alumnus of Berklee College of Music in Boston, MA, Byrnes has made his home in the center of a Venn diagram that includes free improvisation, studied electro-acoustic work, fearless new music and harsh noise. Recognizing the porous borders between these modes, Byrnes' work on Moving My Body Through Space is a flailing medita…
*75 copies limited edition* "After several stand out collaborative releases, including a duo LP with Mark Shippy and another duo LP with Claire Rousay, violinist Alex Cunningham returns to solo form with As Slow as the Stream, an album made up of one 33-minute cat and mouse game titled "As Slow as the Stream Cuts the Dirt from Beneath." If you've ever watched a cat sneak up on a mouse, you've seen the cat making its way towards it's prey so slowly that you barely even notice the cat is moving at…
“A set of spry, pastoral Aecoustic Guitar and errant Electronic pieces that harken back to libraries by Teisco, Vittorio Marino, and the like, yet mapped in an alien manner unlike any known lanes. Unusual, and uniformly excellent.” - Keith Fullerton Whitman
*In process of stocking* Like its predecessor, Philos, The Gleam is a completely solo work, all the music composed and played by Park Jiha on the piri, a type of oboe, the saenghwang, a mouth organ (shown on the album cover art), the hammered dulcimer known as the yanggeum, and glockenspiel. There’s a stark clarity to the sound, yet it’s never spare or empty. There’s a searching warmth to what she does. It’s minimal without being minimalist, occasionally presenting itself with the formality of t…
Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.
Tip!! Italian duo Rosso Polare 2nd album, originally issued by Ototoku, following the wonderful 'Lettere Animali' album, which was one of Oto highlights of 2020. Cani Lenti is a collection of duels, some may say. As the two minds of Cesare Lopopolo and Annna Vezzosi converge, a dichotomy of harmonious and contrasting sounds ebb, swirl and clatter in and amongst themselves. Using techniques from call and response improvisation, tape manipulation, experimental music and free-form folk, their appro…
*2022 stock. 200 copies limited edition* Distorted Nude is the new project of Glenn Dick who previously played as Find Hope In Darkness and is part of the experimental ambient duo Klankdal. Where as Find Hope In Darkness his music was all computer based with some space for field-recordings, as Distorted Nude he has changed to using the guitar as instrument. For The Sprawl he improvised several sessions with guitar, effect pedals and laptop. These recordings were used as starting point to compos…
*2022 stock. 200 copies limited edition* “Shade Of Impulse” is the first album for Frank Crijns on Moving Furniture Records. For the music on this CD Crijns has coined the term “N-bient”: ambient that refers to nature (here Water) and acoustics (here passages by classical ensembles). On the album several characters of sound collide, combine and interact with each other. A “N-bient“ sound canvas of (mechanical) sound-fields, natural ambient, electronic textures and acoustic ensemble playing, all …
With each composition, Annesley Black embarks courageously on a new experiment with an open future; while at the beginning of the compositional process the material can still mean many things, it gradually ceases to do so. And at some point, all ambiguities are cleared up: the piece stands. The paths that have led to this point are ultimately paradoxical: they are “immensely labyrinthine and completely logical at the same time” (Black). In their own unique way, the pieces gathered on this CD pre…
*2022 stock. 300 copies limited edition* Find Hope In Darkness is the moniker of 15 year old Glenn Dick from Ghent, Belgium. Locked So Tightly In Our Dreams is his first CD release after two download only releases. Where on his download releases he searches for a combination of broken beats and post-rock for Locked So Tightly In Our Dreams he explores his own boundaries in drone music and the darker sides of the ambient atmospheres. Close your eyes and drown in the deep dark sounds of Find Hope …
*2022 stock. 300 copies limited edition* The fourth full length record by Machinist, Of What Once Was, comprises of two tracks with a combined running time of 55 minutes. The diptych consists of the tracks ‘mono tone in d’ and ‘of what once was’. ‘mono tone in d’ is inspired by the concept of the ‘Monotone Symphony’ (1949) by French artist Yves Klein. In this composition a chamber orchestra plays only one note for twenty minutes, followed by an equal measure of silence. Machinist takes up this c…
*2022 stock. 300 copies limited edition* "I don't know exactly what the instrument is. It's probably a kind of zither; that's how my dad described it to me when he first told me about it. I was immediately fascinated by his description: a set of strings on the left side that was blocked into eleven chromatic 'chord banks', each adjustable between major, minor and suspended fourth via little levers at the front that literally tightened the string by a semitone; on the right, three octaves of note…
*200 copies limited edition* Music for Modified Melodica by Japanese composer Kaori Suzuki was born out of two explorations: one of tuning (and subsequently degrading) the small reeds of a melodica, and the other to modify it playable with foot pumps, allowing for the sustained excitation of the reeds. Playing with the highly resistive foot bellows introduced massive ‘volumes’ of air to the reeds, overblowing them to vibrate loudly. This aspect led me to work with the sound potentials of combina…
*2022 stock* A moody, detailed and wide-ranging work, in which atmosphere and dramaturgy lead the ear into a suspended world, like being entrapped within an Arctic ice shelf... Philippe Petit is interested in soundtracks; even if he creates original music he'd rather be introduced as a "musical travel agent" than a composer. Since the early 2000s he has been performing the world, playing festivals all over Europe, Canada, USA, Mexico, South America, Australia & Asia... Feeling lucky to release o…
Castles in Space is thrilled to present a timely new album from Keith Seatman - his first “extraordinary adventure” since 2020’s “Time To Dream But Never Seen”. “Sad Old Tatty Bunting” is another multi layered, deeply psychedelic construction which contains collaborations with Jim Jupp (Ghost Box, Belbury Poly) and Douglas E. Powell (Broken Folk).
** Limited Edition 300 Copies ** "La revolución y la tierra" is a Peruvian documentary film that became an unprecedented success in Peru, after its premiere in 2019, turning into the most-watched Peruvian documentary of all time. Directed by Gonzalo Benavente Secco and produced by Autocinema, the film offers a vision of one of the defining chapters in recent Peruvian history: the Agrarian Reform, a law enacted by the government of Juan Velasco Alvarado in 1969 (within the context of the so-calle…
"The curious fact about this 52-minute improvisation by Rene Lussier (guitar and daxophone), Érick d'Orion (computer and electronics), Robbie Kuster (drums), and Martin Tetreault (turntables and electronics) is that, as far as we know, it was just the second indoor concert held in Canada after the pandemic started in March 2020, the second concert of the 2021 edition of the Festival International de Musique Actuelle de Victoriaville held in May of this year. As such, it was the first time that t…