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LP version. Bureau B present a reissue of Jurriaan Andriessen's The Awakening Dream, originally released in 1977. Jurriaan Andriessen (1925-1996) was a Dutch composer. Although he was actually at home in classical music, he recorded three synthesizer albums in the late 1970s, the first of which, The Awakening Dream, is an outstanding excursion into experimental ambient and minimal music. Andriessen himself, 52 years of age at the time, called it a "trance symphony". The music - perhaps su…
Bored of working for years on microsounds, crick & crocks, drones and field recordings, Matteo Uggeri launches a new project based on field recordings, drones, crick and crocks, microsounds and ignorant beats. Each of these four tracks is then built using only 1 drone, 1 field recording, 1 sampled drumbeat. Then a lot of effects. Inspired by the letters of Charles Robert Darwin to William Darwin Fox. "I am at work on the second vol. of the Cirripedia, of which creatures I am wonderfully tired: I…
The Brown brothers emerge from the depths of California with a new collection of oozing drone centred on ‘heavy visions of negative west coast mythology.’Darkness is never far away from a Robedoor session, and their first album in four years finds Alex and Britt Brown dealing with ‘multiple seismic life events.’ Naturally this results in quite a powerful listen, Robedoor’s sludge even denser and mired in more pain and crepuscular mysticism. The brothers craftily let the gloom seep in slowly over…
Finnish multimedia artist Jan Anderzén returns to Alter in characteristically singular style under his Tomutonttu guise. Kevätjuhla (translated as "Spring Celebration") is his second release for the label following a split 7" with Oneohtrix Point Never in 2010 (ALT02) and his first vinyl long player since 2011. Lately Jan has been busy within visual art, making mosaics, quilts and creating installation work for which the music of Kevätjuhla was initially composed. Inspired by the multitudes of…
Thé Déluge is the new moniker of French musician Vincent Caylet. While Caylet’s previous outings as Cankun (released on Not Not Fun and Hands in the Dark) were blissful psychedelic sundrenched jam sessions, Forest Structures sees Caylet largely jettison cosmic tropical islands and guitar twang. Thé Déluge deals in moonlit electronics and nocturnal transmission that consistently bleep into each other and overlap. Recorded mostly on analog gear and inspired by both nature and urbanism, Thé Déluge …
Live collaboration by My Cat Is An Alien and Nad Spiro with an introductory note by Mk Ibañez. Unfolding galaxies of shooting stars slowed down to my speed. Another blast from the alien void. 100 copies.
This album exemplifies the depth to which Larry Polansky (b. 1954) explores and connects different musical ideas: In Three Pieces for Two Pianos and Old Paint, mathematical models and algorithmic processes are used to set folk songs; in k-toods, simple text scores outline complex musical processes that Polansky has theorized extensively; and the Dismissions are culminations of lifelong musicological investigations. His unique compositional style is unified through diversity and a constant reexam…
Joe McPhee and Ingebrigt Haker Flaten at the Sugar Maple/Okka Fest on Saturday, June 6th, 2015. Joe McPhee - tenor and soprano saxophone. Ingebrigt Haker Flaten - double bass. Recorded live by Dave Zuchowski. Mastered by Martin Siewert in July/August 2016.
Following the death of German trombonist Johannes Bauer in May 2016, Peter Brötzmann decided to pay tribute to the many years of comradery and collaboration he and Bauer shared, from Globe Unity in the '70s to the Peter Brötzmann Group and the Chicago Tentet. This disc presents a previously unreleased recording of a beautiful live duo performance from Osaka, 1997, which had been waiting in Brötzmann's archives for a release. Peter Brötzmann: tenor and alto saxophones, tárogató, B-flat clarinet; …
Johan Berthling: double bass; Martin Küchen: tenor and soprano saxophones, retardophone, flute; Steve Noble: drums and percussion. Recorded by David Carlsson at Gula Studion, Malmö, Sweden, November 1, 2015. Mixed by David Carlsson. Mastered by Martin Siewert. Cover photo by Donald Boström.
Per-Ake Holmlander is born in 1957 in Skellefteå in the very north of Sweden. Holmlander received his diploma in classical tuba in 1983 at the Royal Academy of Music in Stockholm with Michael Lind as a teacher. Holmlander has always worked simultaneously with improvisation, jazz and rock music as well as classical and contemporary music.As an improviser Holmlander has worked with - Eje Thelin, Marilyn Crispell, Paul Lovens, Folke Rabe, Phil Minton, Sten Sandell, Sven-Åke Johansson, Mats Persson,…
Rurale is the second chapter of Cristian Naldi’s solo project. Cristian Naldi is an italian guitarist, graduated from the Conservatory "Frescobaldi” in Ferrara in jazz guitar, who's behind the six strings for the impro-drone project FulKanelli, the "gentlemen punk band" Ronin and the ensemble Byzantium Experimental Orchestra. He also shares with Giovanni Lami the electroacoustic project Mise En Abyme. Rurale is the second chapter of Cristian Naldi’s solo project. Original…
Milestones of electroacoustic music – from Edgar Varèse’s Poème électronique (1958) to Brian Ferneyhough’s Mnemosyne (1986) – are investigated from a music-historical perspective and presented in a contemporary 5.1 surround edition.The selection of works on this double CD mirrors the development of electroacoustic music over a period of 30 years, from the early analogue studios to the shift to digital technology in the 1980s. It includes electronic compositions and works for instruments and e…
The first ever vinyl reissue of an extraordinarily-unique space-age educational LP. Includes the oft-covered “A Shooting Star Is Not A Star” and “Why Does The Sun Shine?” Featuring Leo Leonni cover art and taken from the original atomic-era 1959 master tapes. Written by Hy Zaret and sung by Tom Glazer & Dottie Evans. Zaret (co-author of “Unchained Melody”) turned his attention to educational children’s music in the late 1950s, collaborating with Lou Singer on a six-album series called “Ballads f…
An hour long piece consisting of classical instrumentation and orchestral arrangements using cello, violin and piano, plus recordings of wind, broken urban creatures, intimate situations, insect and amphibian sounds and mutations thereof, transmogrified balloons, unconscious voices and more. Selective perception is the tendency to not notice and more quickly forget stimuli that cause emotional discomfort and contradict our prior beliefs. Selective perception is the process by which individuals p…
Alex Hubbard and Dan Mains’ Removal Technician, a compilation of the late-nineties zine of the same name that details their afterschool job at an Oregon funeral home. Removal Technician features Hubbard and Mains’ writings, drawings, and photographs along with appropriated advertisements, illustrations, and instructions from this hidden industry. While the overall effect is raw, the writing is insightful and adds levity to the difficult reality of people reduced to material remains.
Alex Hubbard…
The latest Hubert Zemler’s release entitled “Pupation of Dissonance” makes a sort of tribute to percussion music history.The title work by Hubert Zemler relates to a gradual emancipation of percussion sounds throughout the 20th century. From timbre ornaments in symphonic music, through discovering the beauty of sounds previously regarded as “non-musical”, to marriage of electronic devices with acoustic instruments. The album’s programme is complimented by Steve Reich’s iconic minimal music work …
Andrzej Chłopecki, the late critic and animator of the music scene, wrote extensively about Szymański's music as well as supporting the composer by means of his longtime role with the Warsaw Autumn festival. Chłopecki puts things thus: "the formal structure is beautiful while stylistic expression is calculated: for Szymański's music is a continual game." He then offers precedents in Johannes Ockeghem and Anton Webern, deducing that Szymański's "guiding principles would be speculation and con…
Amklon is a duo from Naples, composed of Giuseppe Mascia (electronics) and Sergio Albano (Aluminum guitar). Their music is the point of meeting of so many seemingly irreconcilable worlds: an architecture of dark synthetic sounds and avant-gard noise floating on atmospheric textures and confessional voices. The result is a complex system of unusual forms, which barely contains a substance made of organic and nonorganic sounds.The guitar sources are treated through the electronics, creating a cont…