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*2023 stock. 100 copies limited edition* Senko Issha Records established in 2014 in Taipei. Named from legendary Japanese musician Tomokawa Kazuki's song. In 2022 the related record shop relocated to another building. This compilation, made to celebrate the move, is a collection of tracks from friends who donated their sound for the cause. Includes a drink token you can use if you happen to visit the store in Taipei.
*2023 stock. 100 copies limited edition* Collaboration between Ken Ueno: Extended voice & megaphone and dj sniff: Turntable & electronics. Recorded December 20, 2017 at GOK Sound, Tokyo. Recording & mixing by Yoshiaki Kondo.Cover Art: 北山Q男
*2023 stock. 100 copies limited edition* Recorded at Vital Sounding festival; Nu Space Chengdu. collaboratioin between Yan Jun: open input feedback and Xiang: ableton live, contact mic.
*2023 stock. 100 copies limited edition* "Few words about Anzi: somehow, for me, she tells the meaning of "new music". She has daily job now and for a while she was a house wife. She is not active as an artist. She is quiet and looks weak. We had some collaborations and from those she influenced me so strongly. The recording on this cassette is from miji concert 57. You can check the video from a link on subjam.org for understand more (of course not for Chinese language but other aspects)." - Ya…
Tip! *2023 stock. 100 copies limited edition* Kaoliang Brothers Live at KLEX (Kuala Lumpur Experimental Film, Video & Music Festival) 2018, RAW Art Space, Kuala Lumpur. Collaboration between Taiwanese pioneer of experimental electronics Dino on no input mixing board and Malaysian tenor saxophonist virtuoso Yong Yandsen.
*2023 stock. 100 copies limited edition* This Split is a cooperation of Taiwan Artist Yingfan (a.k.a. black wolf, Yingfan-Psalmanazar) and K2 (草深公秀, Kusafuka Kimihide). Handmade in high quality, with download link included. Cassette is wrapped in a O-card and put in a plastic medicine bag. Side A recorded at Oncosonik Laboratory, Mar-Apr 2018. Mixed on Apr. 01 2018. Side B recorded in Taipei, Taiwan between Jan and Mar 2018.
*200 copies limited edition* Hydromedusae is the new project of long-time friends and collaborators Jessica Bailiff and Annelies Monseré. Their debut self-titled LP as Hydromedusae was patiently sketched through years and over seas, and comprises of eight minimal songs that weave darkly hypnotic melodies with drone-folk structures. On some songs the repeating vocal patterns, whispered, close-by and offset by distant guitar, create an diaphanous fog. Other tracks are harder edged, with garish key…
First-time vinyl reissue is limited to 750 numbered copies. Comes with booklet. Terry Fox was a first generation Bay Area conceptual artist. Beginning in the 1970s, he worked extensively with sound, especially the use of piano wires detached from their native instrument and anchored between opposing walls of the performance space. Linkage, Fox's first album, was originally released in 1982 to accompany an installation at Kunstmuseum Luzern in Switzerland. The record would mark Fox's first attemp…
*2023 stock* "The Trondheim band’s third release marked them as weirdos to watch in 1993. An ambitious, eclectic double album, it saw them transition from a run-of-the-mill grunge outfit into progressive magpies willing to throw everything into the pot. Demon Box remains a curious, conflicted and contradictory affair, lurching almost randomly from creepy folk to pounding metal to the left-field sonics of then-member Deathprod. To love it requires strenuous effort, and the splurge of uninspired m…
Paal Nilssen-Love Circus emerged as a direct result of the travel restrictions caused by the corona pandemic. The Oslo World Music Festival asked Nilssen-Love to put together a new band of musicians based in Norway. He came up with players from different camps, experienced in various styles: ethnic, classical, contemporary, jazz, free jazz, noise, pop etc.
The seven unique voices were gathered around common musical ideas and ways of thinking and a shared understanding of musical freedom. Each mu…
New Map is based on open-form “cells” of concrete ideas, notes and directions that the musicians had to respond to. The 22-minute title piece swings - sometimes, literally - back and forth between subtle percussive games, mysterious and sensual orchestral-chamber dynamics, anchored by harpist Krüger, accordionist Kalle Moberg and trumpeter Köster, and raw, noisy and abstract improvisations led by sax players Lea, Klaus Ellerhusen Holm, Kristoffer Berre Alberts and Finnish electronics player Tomm…
On Clusterfuck, Nilssen-Love used graphic notations. The 24-minute title piece pushes the Large Unit to urgent and ecstatic blowouts but this powerful sonic adventure is often punctuated by playful, or subtle and reflexive, improvised solos. Eventually, the Large Unit exhausts its whole energy in the explosive coda before letting Moberg and Keränen end this piece. Nilsson-Love, second drummer Andreas Wildhagen and percussionist Celio de Carvalho navigate “Bubbles” to even more intense and energe…
"At first glance this new CD on PNL looks like familiar territory - a trio recording with two known collaborators of Nilssen-Love: Accordionist Kalle Moberg have become a steady and important voice of the Large Unit sound over the last ten years, and Frode Gjerstad truly needs no introduction - him and Nilssen-Love have played together for 30+ years.
And while this trio is a new constellation, a combination that is good news in itself, "Time Sound Shape" offers another, bigger surprise: this is …
*2023 stock* Over the years the fantastic, genre-defying Norwegian label Rune Grammofon has published a few books mostly celebrating its own snazzy design aesthetic and rich history, but a gorgeous new volume by art historian Johannes Rød focuses more on the music and artifacts that have influenced label owner Rune Kristofferson, who penned one of the forwards for Free Jazz and Improvisation on Vinyl 1965-1985 (there’s a second one by notorious “discaholic” and reedist Mats Gustaffson). Rød deli…
Evil in Oslo represents the Hedwig Mollestad Trio at a critical juncture in their musical development. It was released on the same day as their studio offering Black Stabat Mater. Though both are comprised of Mollestad compositions, they couldn't be more different. Black Stabat Mater is tighter, its musical terrain is more easily discerned as jazz-rock. Evil in Oslo is a different beast. Recorded in two clubs, its tracks feature jams from Mollestad's first three albums in four medleys. It's a si…
*2023 stock* Geir Sundstøl has made a name for himself as an innovative session musician on hundreds of Norwegian and international albums. 2015 saw the release of Furulund, the first self-composed long player from this Master of Strings. Langen Ro, Norwegian Grammy winner Brødløs and St.Hanshaugen Steel, followed soon after. Now, the stage is set for something quite different. The Studio Intim Sessions, Volume 1, Sundstøl's fifth solo album, has taken a trip on its own, away from the cinematic …
*2023 stock* "Trond has been compared with guitar calibers such as Bill Frisell and Ry Cooder among a number of reviewers. "Bedehus & Hawaii" locates Trond Kallevåg at the right height on the heels of Ry Cooder and Bill Frisell. " - Jazzaroundmag.
On "Fengselsfugl" (prisonbird in english) Trond takes the listener into musical landscape inspired by his job as music teacher in Oslo Prison. Isolation, hope, darkness and the ballads inside the prisons in the 18th century are some key words that desc…
On occasion of its 25th anniversary, the Staubgold label proudly presents Velvet Serenade. Sonic Youth’s Lee Ranaldo and French maverick Pascal Comelade relive The Velvet Underground - a non-nostalgic reinvention of a musical legacy that takes an influential past into the future.
Rare 1st edition from 1986. Nearly 400 pages, large size, paperbound, smythe-sewn. Texts, scores and ideas of 7 American composers using language in composition: John Cage (Mushrooms et Variationes), Robert Ashley (Improvement), Yoko Ono, Laurie Anderson, Charles Amirkhanian, Michael Peppe, and Kenneth Atchley.
Published by Burning Books, 1986. Edited by Melody Sumner Carnahan, Kathleen Burch and Michael Sumner. Introductions by Charles Shere and Frances Butler.