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* This second volume contains 12 new scores in full colour and in b&w as well as an insert poster score! * Welcome to the second instalment of Graphème, a publication for experimental and graphic music scores. As in the first edition, we find new ways to talk about organised sound and creative solutions to artistic questions and endeavours. In publishing a work like this, we hope to offer an alternative outlet for composers and performers to express, explore and publish their ideas in a direct …
2019 Small repress. LP version. There's a myth about music critics according to which they are frustrated wannabe performers. Evidence to the contrary: Vivien Goldman. The London-born, New York-based Goldman is one of the foremost chroniclers of the perfect storm of reggae, punk, hip hop, and Afrobeat, but between 1979 and 1982, she was also a working musician, creating songs that, years later, would be sampled by The Roots and Madlib. These rare girl grooves are now collected for the first time…
Come in un'Ultima Cena is the title of the sixth studio album by the legendary Italian progressive rock band Banco del Mutuo Soccorso, released in October 1976 on the Manticore Records record label. The disc includes nine previously unreleased tracks. For sale the exclusive 2022 reissue in high quality engraved 180 gram vinyl.
Come in Un'Ultima Cena is the last "classic" Banco album. After an instrumental album with orchestra (Di Terra, 1978), the band would favor a more commercial approach thro…
Dietmar Bonnen (b. 1958) is a German composer, pianist and singer whose music moves between the cornerstones of art rock, chamber music, blues, and new music. He has extensively collaborated with a large numbers of musicians in his hometown Cologne as well as internationally.
"Fries" (German for frieze) was previously released on CD on Bonnen's own label Obst Music and is presented here on vinyl for the first time. Bonnen states that the piece's structure is "visually inspired by the wall frieze…
Dead Dead Gang is a musical piece composed by drummer Peter Orins, inspired by the 2016 novel Jerusalem by British writer Alan Moore. The music is forged during a residency in 2022 with the Muzzix collective at La Malterie in Lille, and is nourished by the proposals and initiatives of Barbara Dang (piano), Maryline Pruvost (voice and Indian harmonium) and Gordon Pym (electronics and amplified objects).A true world-story, disproportionate and monumental in size and time, Alan Moore’s novel is an …
The Bren't Lewiis Ensemble's first full-length 2023 is a table scrap pâté of junk percussion, recycled sounds, roasted tapes and electronics, surrealist soliloquies, and decontextualized lyrics squished through the meat grinder and smeared into a professionally replicated compact disc (not a CDR).
After-hours sessions at Musiclandria in Sacramento in late 2021 — at the time freshly upgraded to a mammoth instrument lending library with a stream-ready live venue, a recording studio, and a communit…
Tanzprocesz CEO Jo Tanz (Femme, Opéra Mort, Placenta Popeye, Reines D'Angleterre) unloads an electropsychedelic opus dripping with emotional intensity. Blurry synth slow-cookers, baroque abstractions, vibrating static spasms and Jo’s trademark lethargically possessed vocals ooze over 12 inches of vinyl divided into 5 self-contained movements via forward and reverse cut grooves and intercut double grooves. Translucent neon pink vinyl with hand screen printed inner sleeves featuring groove maps t…
*2023 stock* Resolve is a followup to Campfire stories and features fragmented field recordings as inspiration for improvisational piano and ambient pieces. It's designed to be a gapless, single listening record and explores dreams, the unconscious, and the way we perceive and recall memories/experiences.
In his debut release with Constellation Tatsu, Andy Aquarius takes us on a journey from the forest to the sea. Aquarius was in the process of writing another album, the follow up to ‘Chapel’ (Hush Hush, 2021), when multiple voices emerged, each of them holding a distinct energetic signature. Those incantations became ‘La Force Aquarienne,’ a collection of intuitive prayers.
The first track, ‘U Lisi’ (Ukrainian for ‘In The Forest’), represents the connective and grounding tissue of our shared dim…
*2023 stock* Paisajes Imaginarios is a collection of piano-based and lo-fi sonic frequencies made with tape manipulation. The idea was to create something that transports the listener and helps instill reflection and enable retreat from everyday life.
Tip! *120 copies limited edition on chrome tapes* Haudat is one of the most promising new noise acts in Finland at the moment. Debut tape was self released last year and it was noticed quickly in the noise scene. Sound is juicy reel-to-reel driven textural harsh noise with expertised focus in the making. Fans of H.Ö.H. and Barstool Mountain (Altar Of Flies) will want to check this one out.
*120 copies limited edition on chrome tapes* Corral Shut is back on Satatuhatta with new tape and three tracks of uncompromised harshness. Scrap metal elements are still there but focus is more on textural side, breaking the signal and driving it to the max, while sheets of metal are squealing in the background.
*Chrome tape ltd to 120 tapes* Zalhietzli and Dressing team up for this exciting split release on Satatuhatta. Both projects work in the realm of tape noise and while Dressing's approach is more hands on tape manipulations on the recorded sounds and surroundings, it sounds that Zalhietzli operates on circuit level, fusing the sound source and breaking the sonics with constant electronic shocks. They both have mastered their approach for textural broken sound and compliment each other perfectly o…
A delicate and mysterious vinyl LP release of two works for chamber ensemble in which Reymolds addresses the dualistic nature of aural perception, approaching the elusive territory between the polarized pair and the unified whole.
**Original 1984 copies, still sealed and log time stored (copies may have minimal wear on covers)** Joel Chadabe, computer/synthesizer; Irene Oliver, soprano
In Settings for Spirituals Chadabe uses a computer programmed to follow the soprano's voice in every nuance and to generate "settings" to expand the musical quality of the vocal sound. In Solo, Chadabe uses a computer-music system that determines the notes of a melody and its accompaniment chords. Chadabe performs the piece by moving his h…
Brimming with equal parts humor and rigorous art, iDEAL Recordings delivers one of the most fascinating and historically important archival releases that's aver graced our hands, Charlie Morrow, Sten Hanson, and Carles Santos' “The Heavyweight Sound Fight”. Documenting a never before released performance staged in NY during 1981, three seminal artists join forces for a battle in sound, delivering raucous vocal utterances against the backdrop of dualing band and wild experimental interventions, m…
With Discreet Music (1975), Music for Airports (1978), and Thursday Afternoon (1985), Brian Eno invented a new music genre, ambient music, which he defined as "able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting." These versions performed and arranged by Dedalus Ensemble, according to the musicians and the critics who listened to it, goes beyond what you expect from it. A mental base that takes you far away. One…
Puce Moment is part of the French contemporary music scene. Their music is climatic, often inhabited by a strong emotional power. A procession of harmonic structures organized in a ritual way, sometimes close to trance. It can be written or improvised, vocal or instrumental. The electronic and electroacoustic arrangements summon new spaces and abstract landscapes, which can go from the purest sound to the most raw distortions. Vast, slower, deeper - distant echoes of half-faded things - and when…
"I started Void Ov Voices in 2006 to create ritualistic music for the moment, to play only live performances while capturing and interfering with the energy of the space and the time of the location. The first time I travelled to Lebanon was in 2008 for one particular reason: to visit the Trilitons and the giant Monoliths of Baalbek. I was deeply impressed by the level of ancient civilisations engineering technology and the intense magical atmosphere of the whole area. I have been fascinated by a…