New Arrivals
Pleasures That Kill
A key component of the 1990s Birmingham techno sound, and co-founder of the downwards label, Female's music is as important for everything it doesn't tell you as it is for the pummeling rhythms it forces you to engage with. One of the few remaining examples of an artist with a palpable sense of mystique, female conjures a world that evokes film noir, or even something out of a Burroughs story. The language of this music will be familiar to those who listen to "dance music", but the bare building…
The Temple of Sadism
Tip! Jumping Tiger consists of: Richard Ramirez (vocals, feedback) and Dominick Fernow (electronics, metals). Studio versions of two tracks from the now infamous Demo and one unreleased track. "As both old and young entered the temple they were forced to undress and photographed in front the of swordsmiths."
I Get Along Without You Very Well
Ellen Arkbro and Johan Graden embody the limitless curiosity and fearless innovation of the Swedish and Berlin new music scenes they inhabit. Arkbro is a composer and musician whose work has been presented around the globe at prestigious institutions such as the Barbican in London, GRM in Paris and the Kölner Philharmonie in Köln. Graden is one of Sweden’s most sought-after pianists, moving freely between classical music and the European contemporary jazz scene. Currently living in Amman Jordan,…
Headdress
'I’ll set the scene – we’re all passed out face-down in the lawn of the first Bush term, scratching our heads after 9/11 and wondering how much more dystopian it’s about to get. Ash hangs in the air as we march toward endless war, and the activities of the post-hippie, post-beat, post-punk, post-jazz, post-industrial, post-experimental bohemian underground flail against the avalanche with a mystic fire you can’t get your arms around, let alone bottle up for consumption. Jars of tears, rockets fr…
In/Out/In
In mulling over their career, it’s staggering to realize that Sonic Youth not only delivered a healthy slab of releases as a unit but also have a myriad of shelved material still waiting for broader ears. While the group’s current Bandcamp abode lays out a generous amount of it, a bunch more has yet to surface. And it’s a massive mountain to chip away at in the sense of the group output alone; individual members’ projects are a whole other game, needless to say. "In/Out/In" ably delivers a new s…
The Age of the Russian Avant-Garde - Futurists & Traditionalists
Modernity in Russian music emerged despite its struggles with the Soviet regime in the early 20th century, with the mystical vision of Scriabin’s musical legacy providing a foundation on which to build. In these acclaimed albums we discover Medtner’s life affirming Sonatas, and hear Lourié’s journey from Impressionism to pioneering Cubist conceptions. Mosolov’s works are bold and complex, while Roslavets new tonal system brings ‘fi re and ice’, and Stanchinsky’s sophisticated virtuosity anticipa…
Travel
Tip! Travel, the 19th studio album by Australian improvisational trio The Necks, documents their recent practice of starting each day in the studio with a 20-minute trio improvisation. The recordings offer some of their most ecstatic and captivating music cut to tape. As bassist Lloyd Swanton puts it: “It’s a really nice communal activity to bring us together in focus each day, and some lovely music has resulted from it.” Although a straight “live” improvisation has never been recorded in the st…
Inland Lake
This is the second Room 40 release of collaborations between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti, after ‘The Last Days of Reality’ in 2018. This release consists of two pieces: Inland Lake (le lac intérieur) (2019), and La Patience (2020). Working with Lionel is magical. Inland Lake was devised with the ensemble when Lionel visited Australia in 2019. As he sometimes does, he came with an ‘partition concrète’ that was part score, part ensembl…
Long Drove
‘Long Drove’, the title of Scott’s first edition for Room40, is a location in the Fens close to the home of British composer, multi-instrumentalist and mastering engineer Simon Scott. It is the connective pathway between two nature reserves, called Holme Fen and New Decoy, and both sites are part of a habit restoration project called The Great Fen Project and is close to where Scott grew up as a child. This area first became a location of compositional inspiration over a decade ago, when Scott c…
Geomancy
*2022 stock* An obscure tape release discovery by Red Light Radio founder and close friend of the label, Orpheu de Jong, led to Music From Memory’s latest release. This two track 12” highlights the work of electronic music pioneer Joel Graham, a San Francisco based artist who self released two cassettes in 1984/85.
Originally recorded and performed live on pre-MIDI analogue equipment in 1982 as an outline for a live performance, these visionary tracks provoke much of the same sensibilities found…
Lo-Fi India Abuse
*In process of stocking* It takes several different record labels just to release the incredible amount of material Bryn Jones recorded in his lifetime. This disc was recorded in 1998, some tracks are "pure" Muslimgauze and some are re-mixs of tracks from Systemwide's "Sirius" cd (see also Systemwide meets Muslimgauze "at the City of the Dead" 12"). Nearly all of the tracks have hand percussion in varying tempos and intensities and at least 1/2 make use of electronic noise surges. The sound is…
False Currency
*100 copies limited edition. In process of stocking* Tsss Tapes presents False Currency by Clinton Green and Ian Andrews. Recorded in Melbourne and Sydney using automatic/aleatory systems, 2021-2022
Bruitsss
*120 copies limited edition. In process of stocking* Produced & assembled by Jean Néant: SP-404 x tsss tapes 1-29 (& a few other samples). Dedicated to beloved drummer, Joni Sadler. Thank you to Francesco & the label's artistsss
Everything Lost In The Image
*100 copies limited edition. In process of stocking* Declan Synnott is a Wexford-born, Cork-based musician, prodigiously active in the Irish underground since the mid-2000's. Current activities include noise/dirge-rock Band of Synnotts Síoraí Geimhreadh, hardcore arm wrestling champions Horse, synth noise project Mvestle, insurrectionary electronic duo Bodycam, and no-fi noise trio Power Acoustics. In his solo guise, he makes primarily analogue synthesiser based music with an emphasis on low res…
Das Lebacher Orgelwerk - Weihnachtsoratorium (LWV 156)
*In process of stocking* Recording of the premiere performance of the "Weihnachtsoratorium" (Christmas Oratorio), an organ concert composed and played by the four hands of Daniel Löwenbrück & Fabian Löwenbrück. Performed December 26th, 2006 on the Hugo Meyer organ of the Evangelische Kirche in Lebach, Germany.
blondie - thanks for sharing
*In process of stocking* "I go out every day with a tape recorder and a new tape all the time, i record daily things, but i also give it a little break every now and again and switch tools to my super 8 camera or drawing or collages etc, and come back to tape recording with fresh perspective and new ideas etc, for this album its a mix of different things, the first two tracks were part of a five song recording i made in june 2022 using an amp and sk-1 keyboard, and microphone, i came up with lyr…
Débordements
Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.
Recorded Yesterday And On Sale Today
A pair of contemporary music giants re-release a long-lost 2003 live recording, previously available only as a CD-R.
Annular Silhouettes
With Annular Silhouettes, Brad E. Rose traces an undulating pathway through ideas of place, memory, and intergenerational exchange. The edition is a mediation on how perspective is shaped, and reshaped, in time. More so it explores how change is simultaneously incremental and accumulative. This is reflected in the compositional strategies he deploys. Elements arrive and pass with an almost subconscious logic. Their pace is measured, but entirely fluid, creating a sense of breathing or perhaps ev…