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*200 copies limited edition* Past Inside the Present is proud to reissue James Bernard’s landmark 1994 ambient masterwork, Atmospherics, remastered and packaged with a brand new, track-by-track interpretation of the entire album by friend and collaborator, bvdub. While these versions are separated by an ocean of musical and technological change, together they form a cohesive image of adventurous musicianship, melodic and textural richness, and stylistic timelessness.
On this new LP Harry Bertoia shows why he may have been the first industrial musician. Bertoia often referred to his sound sculptures as a "collaboration with industry" and on this new LP Bertoia is intentionally creating heavy, rhythmic music he described as "mechanized," "mechanical" and "factory like." This first edition is packaged in a full color sleeve with metallic inks. Mastered by Tom Eaton at Sounds & Substance.
Recorded in 1971, percussion and repetition emulate the pounding rhythms …
Big tip! American percussionist and composer Michael Ranta is a legendary figure who has worked with some of the most significant names of 20th century music but despite this and impressive body of work of his own, he has remained an obscure figure....
Important Records and is pleased to present Transits: Volume 1 the first in a series of releases by composer/percussionist Sarah Hennies documenting never before heard chamber works mostly composed in the 1970s while Ranta was living in Taiwan.
B…
Building on their long-standing efforts to illuminate the historical Ambient and New Age movement’s connections to minimalism and experimental electronic music, the venerable Important Records returns with the astoundingly ambitious “Agartha: Personal Meditation Music”, gathering an incredible body of music produced by Meredith L. Young-Sowers during the mid-1980s to aid meditation and spiritual healing. Resonating deeply with the work of Eliane Radigue, Pauline Oliveros, Stuart Dempster, Brian …
This month's Electronic Sound cover stars are the fabled White Noise – Delia Derbyshire, Brian Hodgson and David Vorhaus – and we're bundling the magazine with a fantastic seven-inch featuring previously unreleased Radiophonic Workshop remixes of two killer tracks by the pioneering electronic supergroup.
Radiophonic Workshop mainstays Derbyshire and Hodgson formed White Noise with offbeat American musician Vorhaus in 1968. We've interviewed the band's two surviving members for our cover feature…
Foster, Wick and Bennett each subvert the traditional expectations of their instruments in favor of a timbrally rich palette of unconventional sounds. The interplay on these improvisations is sympathetic; they communicate fluently in their own collective language.
Composer/Performer Zeena Parkins announces the release of two multi-part compositions, inspired by discoveries she made combing through the Walter Benjamin archives in Berlin. “Past Turned Space” features virtuoso players William Winant/percussion and Brett Carson/keyboards navigating a set of vignettes, flickering in response to Benjamin’s intimate descriptions of childhood memories. “Dam Against the Spring Tide” is graced with an all-star band of composer/performers, including: Zeena Parkins/a…
Horizons Held Close is the first unadorned Trance Map release featuring only Evan Parker and Matthew Wright since their 2011 debut. The sounds are strange but utterly compelling. Parker's soprano snakes its way through Wright's turntables, software, and processing/sampling.
Living on different continents, the possibilities of linking up were few and far between but we did keep in touch and perform when the occasion presented itself. The software SonoBus solved the problem of distance and we recorded, Mark on the edge of a desert in San Diego and me in the middle of three Australian deserts at Alice Springs. A selection from these sessions you hear on this CD.The duos were recorded direct to stereo live.On the last track you will hear our most recent guest Vladimir …
Recorded seven years before their only duo release, Ornery People (1998), in Parlour Games we can hear the beginnings of all that would follow in the work of Tim Berne and Michael Formanek.
Edition of 33 copies. The Jooklo Duo has transformed into an electrifying quintet, featuring Virginia Genta on saxophone, Michele Guglielmi on keyboards, Otto Willberg on bass, David Vanzan on drums, and Andrea Davì on percussion. Spontaneous tunes bursting with vibrant jazz vibes, mind-bending fusion discoveries. Recorded in Italy between october 31st and november 2nd 2023
Following a run of chamber recordings, Samuel Reinhard returns with a suite of electroacoustic collages. "Movement", the New York–based composer’s latest offering, is built from notes softly held. In his ongoing investigation of musical duration, perception, and attention, Reinhard deemphasizes progress through an embrace of repetition and negative space, inviting listeners to linger in time. Instrumental recordings are arranged according to a predetermined system, iterating fragments of sound i…
Electroacoustic composer Claire Rousay (US) presents her new album, ‘The Bloody Lady’, featuring the reimagined score she wrote for Viktor Kubal's 1980 eponymous animated film. Kubal (1923-1997), a pioneering Slovak animator, is considered one of the most influential animation filmmakers of the 20th century. Known as a singular artist who challenges conventions in experimental and ambient music forms, rousay crafted the score in her home studio immediately after moving to LA over the course of 2…
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knu…
Tip! ** 2024 repress ** Dark Entries present the first ever official vinyl reissue of Space Museum by Solid Space. Solid Space was the British duo of Dan Goldstein (keyboards, vocals) and Matthew 'Maf' Vosburgh (guitar, bass, keyboards, vocals) formed in 1980. Dan and Matthew met at the age of 11 while attending school in north London. In late 1978 at at the age of 14, they formed Exhibit 'A' with Paul “Platypus” and Andrew “Lunchbox” Bynghall. They recorded two EPs in 1979 and 1980, self-releas…
Born April 1966, in Marseille, Jérôme Noetinger discovered experimental music under the influence of the Déficit Des Années Antérieures in Caen. He is a composer/improviser/sound artist working with electroacoustic devices. Composing sometimes musique concrete in the studio, and performing improvised music using electroacoustic devices such as: the reel to reel tape recorder Revox B77 and magnetic tape, analogue synthesizers, mixing desks, speakers, microphones, various electronic household obje…
Camila Nebbia and Angelica Sanchez form a remarkable duo with an immediate affinity that is truly striking. Sanchez's austere lyricism beautifully complements Nebbia's highly expressive language, resulting in duets that showcase their creative and profoundly interactive nature.
This foursome is resolute in its acceptance of communal responsibility and creation. Vocalist Kyoko Kitamura sings and speaks in wordless flurries, matching and Taylor Ho Bynum’s brassy exhortations on cornet. Cellist Tomeka Reid and guitarist Joe Morris worry and pluck their respective strings, applying speed and torque in the loosing of spidery cascades of crinkled and crenelated tones. Pitch and timbre differentials are a big part of the interplay with instruments juxtaposed in bursts of acti…
Using 'everyday' objects to prepare the instrument in a simple way structures this "Prose Métallique", in which each piece offers a poetic approach to language and textual references. Recorded in one day, these close-miked solo pieces for alto saxophone explore the area where voice and instrument converge.
"These three artists don’t need volume or soloing to get their message across. Their message is inscribed in elegant lower-case and rarely used aural fonts. You will find yourself leaning forward because not a note or whisper should be missed..." - Brian Morton