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* Clear with Purple vinyl * Comprised of two songs that build on Om’s (Al Cisneros and Chris Hakius, rhythm section of legendary sludge and stoner rock pioneers, Sleep) use of cyclical rhythm, riff, and vocal intonation, the duo’s new album Conference of the Birds blends metal, chant, drone, dub, and psychedelia . The band’s lyrics expound upon the structure of the universe, potentiality, and freedom from the physical body.
Engineered by Billy Anderson and produced by the band, Conference of the…
*2022 stock* 'The Lennon/Ono collaborative albums were a critical part of their take on celebrity coupledom. Their first two LPs carried the series title “Unfinished Music,” a conceptual gambit with deeper roots in the aesthetic of the Fluxus art movement than in that of the British Invasion. The first set to be issued, subtitled Two Virgins, was a sound-collage set reportedly produced during their first night together. The album’s name, and the full-frontal nudity of its cover, referenced the c…
*2022 stock* "These two need no introduction, but "Cambridge 1969," which takes up all of side one, is a completely unheralded classic. For twenty minutes Yoko vibratoes her way around a single note while Lennon provides terrifying power-drone feedback accompaniment. This is the ultimate punk/metal take on La Monte Young and Marian Zazeela's Black Album (which, considering Ono & Young's history together, might be both figurative and literal). Towards the end John Stevens and John Tchichai chi…
Following the recent success of the 'Tokyo Dreaming', Wewantsounds comes with another compelling set, this time compiled by City Pop expert DJ Notoya who has dug the rich Nippon Columbia catalogue to bring a breezy selection of funky gems by Hiroshi Sato, Hitomi "Penny" Tohyama, Midori Hara, many of which making their vinyl debut outside of Japan. The 2-LP gatefold album has been designed by Optigram and is annotated by DJ Notoya with Nick Luscombe. The audio has been newly remastered in Tokyo b…
Back in print for the first time in 15 years, on traslucent green vinyl, these LPs have been remastered, with a new gatefold package that includes never-before-seen vintage photos, as well as the original artwork and insert. Awesome! An early release from the often imitated but never duplicated Melvins.
Eggnog/'Lice-All' Disc one is Eggnog, from 1991. Originally released as a 10-inch, Eggnog is a wild ride into the outer limits of Melvins-dom. The first side cuts loose with three quick blasts. …
Schoon Donker is Marceau Boré first solo album under his real name. Before known as Piano Chat, a solo pop noise project, the french musician has been commissioned to compose a film score for a documentary film by Katrien Feyaerts, Schoon Donker. The film is about two men and alot of pigeons. One of the men is a famous and silent pigeon-fancier, the other is the director's father. As the pigeons come and go, both men stay stuck in their lives.
Marceau Boré chose to play the saxophone, an instrum…
The acclaimed recording of Arvo Pärt’s Lamentate with which Onutė Gražinytė marked her recording debut is now released on vinyl in a limited and numbered 180g edition of 1,000 copies. It is supplemented with Gražinytė’s wonderful interpretation of Pärt’s piano works Pari intervallo and Für Anna Maria - Nachdenklich. “Onute Grazinyte and the Lithuanian National Symphony Orchestra under Modestas Pitrenas play Pärt’s music – especially the main work Lamentate – very expressively and communicativel…
*2022 stock* If a genius is someone whose ideas survive all attempts at explanation', writes the well-known contemporary musicologist Robin Maconie, 'then by that definition Stockhausen is the nearest thing to Beethoven this century has produced. Reason? His music lasts. With penetrating philosophical and spiritual insights Stockhausen describes, in this collection of lectures and interviews conducted in English, a whole new universe of sounds and events. Stockhausen's uncompromising attitude to…
*2022 stock* "I used my experience of The Scratch Orchestra (1969 - 72) to work with a younger generation of people. We by working with John Cage's magnum opus 'Song Books'. Then we worked with the improvisation rites in Cornelius Cardew's collective work 'Nature Study Notes'. This book documents that process and its assessment, and afterglow in some details"
Harry Everett Smith (1923-1991) was a boyhood resident of Anacortes, Washington for ten years of the Great Depression. Sounding for Harry Smith: Early Pacific Northwest Influences is a visually compelling oral history-based biography that immerses the reader in Salish Sea traditions and discord to explore the myths of a countercultural shaman whose strange impacts on art, music and film resound from studies of place to beat improvisation, through brain paintings to a Grammy Award for his folk mu…
**Edition of 23** Following the enormous success of the Revolutionary List at Glastonbury Festival in 2020 (purrrrrj004), the Museos Bomba and Soledad convened in Venice on April 23 in 2021, attending to each and every participating artist in the Biennale’s history. This double cassette release covers all of the names beginning with “A” and the sound of ‘the distant pipes’.numbered + handmade in an edition of 23 copies only with on-body screen print and eco-x slip; each copy contains a riso-prin…
**Edition of 33** The ultimate End Times stocking-filler: the New Testament’s Apocalyptic reverie read in full by a 9-year-old girl from Shropshire. This release is another example of Stanley Schtinter’s Important Books (or, Manifestos Read by Children) taking place until May 2022 at Whitechapel Gallery in London.numbered + handmade in an edition of 33 copies only with on-body screen print and eco-x slip; each copy contains a riso-printed cigarette card of Jim Ede’s St. Edmund by Schtinter; no d…
*100 copies limited edition* "Colónia" was commissioned for Walk&Talk Festival de Artes "9.5" edition in 2020."Vai e vem" is a composition that was part of the public installation of the same name by TM created for Walk&Talk Festival de Artes 10 edition in 2021.
"Colónia" composed and performed by Tropa Macaca Recorded by and mixed with Leonardo Bindilatti Mastering by Tó Pinheiro da Silva.
"Vai e vem" composed and performed by Tropa Macaca Recorded by and mixed with Noah Lennox Mastering by Ruy…
Martin Archer and John Jasnoch have a musical relationship which goes all the way back to the early 1980s when they were both a part of jazz-punk pell mellers Bass Tone Trap. Over the subsequent years they have played and recorded together occasionally, previously as ASK, and now as this no frills improvised music duo which allows both musicians to utilise the full range of their respective instrumentation. This new work was recorded in the same place at the same time, one day in July 2021. The …
"Having witnessed with awe his sagacious feline-managerial skills with music and musical psyches of many a stripe (including *cough* my own), I was certain that Andy McAuley was the right person to orchestrally illuminate my semi-inchoate ego-laced narrative. Zooming in and out of rainbow-hued classical fractal frequencies like an electronic-inculcated dervish and weaving keyboard themes (one composed by Saichairí McAuley), Udu-fronted percussion and vibraphone from the Terpsichorean Martin Pyne…
"Nick is a guitarist with a long history, most of it not troubling the charts. From the youthful pop of Polydor’s “Typhoon Saturday” through the anarchy of Dig Vis Drill, as well as working with the Comsat Angels, Neil Ardley and many, many more. He has developed an individual musical voice based around the looping and processing of a guitar. The music evokes many different moods and is both beautiful and challenging in equal measures, like theme music for films that have never been made. Every …
I have wanted to make a trio recording – that simplest and yet most demanding configuration for any saxophone player – for many years, but had been unable to decide who the other players should be. It was only when I heard Michael’s solo work that I realised that his approach to the bass, combined with Walt’s textural playing, would make the foundation which I was looking for. I wanted a trio sound where the saxophone could inhabit the music from within - as opposed to riding upfront in the role…