New Arrivals

Available again for the first time since 1970, Lobo’s melancholy masterpiece epitomizes the experimental evolution of MPB. With new liner notes by Edu Lobo. Released in 1970, Cantiga de Longe is a defining record in the career of Brazilian singer, composer, and guitarist Edu Lobo and a significant contribution to Música Popular Brasileira (MPB). Created during Brazil’s military dictatorship, the album reflects the subtle, poetic strategies that artists use to convey meaning while subject to cens…

Sewer Election is an act which at this point requires no introduction - a mainstay of the Swedish and International noise community for decades. "Cadavres Électroniques" is a new collaboration between Sewer Election and Aziza - a hidden gem in the Gothenburg underground that emerged out of the scene around Longest Night a few years back, creating pitch black, cold and slow moving ambient music reminiscent of Maurizio Bianchi at his bleakest (read: Endometrio and such). A surreal blend of rudimen…

Post city music from Sound & Company (Christian Stadsgaard + Hannes Norrvide) with Rosa Anschütz. Grey electronic palette accented by tenor sax contributions from Jim Slade.

"Drift was a relatively short-lived project created by Gabriele  Giuliani. Better known through his notorious nom de plume, Dead Body Love. Within the course of only a few short years, Drift released a dozen sought after releases on such legendary imprints as Slaughter, Old Europa Cafe, SSSM, Harmonie, and his own Less Than Zero, before fading behind the curtains Exile was not only the debut release by Drift, but also the beginning to a trilogy of cassettes released on Slaughter Productions. It …

"Second in the trilogy of Drift albums released on SlaughterProductions, The Beyond takes on a minimal yet darker approach, sheding the dense cavernous aspect of the preceding album, Exile. Replaced, is a more introspective Autumnal Dark Ambient style, which will become Drift's trademark on following releases. However, Gabrielle Giuliani never abandons the isolationist atmosphere he previously established. The result is a masterwork in Ambient Industrial Noise.  Winds howl, rain soaked leaves ar…

"On Earthquake, the third and final cassette released on Slaughter Productions, Drift takes on a slightly different angle to the previous  two cassettes. Where as The Beyond and Exile were firmly planted in pitch black ambient territory, the desolation on Earthquake is Saharan. Bright, Sirocco, and sun scorched. Afterall, who said Dark Ambient needs to be cold? In a sense, the listener is transported to an abandoned archaeogical dig while faint middle eastern tones waver in and out of the surfac…

*2026 stock. 100 copies limited edition. CD + 2 x A2 posters, offset, 80 gr uncoated paper* Composed, performed, and recorded by Christian Di Vito with a self-built synthesizer.

Shimmering and deeply inward-looking, A New Life finds Florian TM Zeisig tracing grief, anger and stillness as one continuous current of sound. Harp, saxophone and cello drift through long ambient chords, shaping a 41-minute spiral that treats emotion not as rupture but as radiant, integrated presence.

A collection of previously unreleased material (between '75 & '90) by Enno Velthuys.Compiled by Hessel Veldman.

Haunting Lithuanian folk songs and luminous choral frames, Merope’s Salos folds ancient melody into a modern hush. Centered on Indrė Jurgelevičiūtė’s lead voice and the Vilnius chamber choir, the suite drifts through seven pristine scenes folk, minimalism, and subtle electronics yielding an intimate, non-sentimental pastoral that rewards close listening.

On Towers Of Silence, Adult Fantasies’ Belgi‑dirge pop blooms anew: slow‑burn songs where Nico‑ish ennui, Coil‑like dread and late‑night guitars seep through perfectly sequenced, woozy mixes that feel like memories you’re sure you never lived.

On Spoki, Ingus Bauskenieks cracks open his private sonic world: homemade electronics, odd pop instincts and spectral melodies that refuse consensus, turning “ghosts” into solitary songs built strictly on his own terms.

On Music Compilation: 12 Dances, TRJJ turn disguised authorship into groove: twelve slow, zoned, sample‑rich “dances” that treat anonymity as a filter, stitching African and American folk, free improv and loner ambient into one beautifully crooked continuum.

On State Music, Laurent Güdel turns his fascination with classic electronic studios into a political instrument, folding EMS, KSYME, Radio Belgrade and Columbia CMC into a critical sound‑essay on funding, soft power and the uneasy bond between DIY dreams and state apparatus.

On Clandestine Anticipation, Krisma leave Italo-disco behind for a humid, video‑age dystopia, nine songs where synthetic funk, proto‑industrial atmosphere, and tropical mirages collide into one of the strangest Italian pop artefacts of the early 80s.

Copenhagen-based multi-instrumentalists Jason Dungan and Johan Carøe didn’t set out to make an album. Instead, as the title ‘Routine’ suggests, they found their way there through a process of habitual making and listening, developing an intuitive musical language to reflect the dreamlike meanderings and creative play of life's quiet moments. ‘Routine’ blends pop orientated sounds, Avant-garde minimalism, folk and new age with the emotive depth of film-score. Their meeting was not entirely coinci…

Nicely assembled compilation with some early Miles plus specific collaboration with Sonny Rollins, Michel Legrand, Gil Evans & Cannonball Adderley

Stern Records is proud to present Our Broken Time Machine, welcoming back Bug Bus Piano with their second full-length release on the label. As a freshly assembled puzzle swells, countless connections begin to bubble within the slowly buckling square. Some sections fall into the shadows of the new mountains, which consist of five or six bits and rising. And meanwhile there's fissures, the pieces are twisting. A thick paperboard nub tears off, held by a socket as its trunk drifts away. Moments bec…

Mitsuru Tabata began his musical career in 1982. Since then, he has played a key role in many of Japan’s most influential underground and experimental groups, including Noizunzuri, Boredoms, Leningrad Blues Machine, YBO2, Zeni Geva, Acid Mothers Temple, and Gaseneta, as well as projects related to tributes to The Stalin centered around Jun Inui. Alongside his work in these seminal bands, he has toured internationally, participated in numerous collaborative sessions, and released a series of home…

Latest release by Rollo. Limited to 10 copies

2026 stock. Very last copies around. Long understood as the realm of advanced composition, plumbed only by a small handful of adventurous listeners, the spirit which began the history of tape music and musique concrète, is too often overshadowed and lost. This incredible movement, kick-started by Halim El-Dabh, Pierre Schaeffer, and Pierre Henry, shortly after magnetic tape became widely available following the Second World War, was quickly adopted by many of the most noted composers of the day,…

2026 stock. Sold out at source, very last copies around. The record is accompanied by a 24-page booklet illustrated with Knud Viktor’s photos, as well as an extensive essay. Only a few weeks ago, with their incredible 10", rescueing long lost works by the artists, Lene Adler Petersen, we were singing the praises of the Institute for Danish Sound Archaeology, one of our favorite imprints in the contemporary landscape of sound. Over the last couple of years, with an array of releases by Knud Vikto…

Double LP reissue, remastered. Two original albums - Ambiances and Images (early 1970s) - collected on one set. Includes inlay with the original liner notes and a selection of Viktor's paintings, photographs and film stills. Institut for Dansk Lydarkaeologi / BIN.

3/3 is best known as the precursor to Friction, one of the most influential bands in the history of Japanese rock. Despite the fact that their only album was originally selfproduced in 1975 in an extremely limited run of just ten copies, it has since come to be recognized as one of the most important and legendary recordings in Japanese rock history. For decades, the full scope of the album remained shrouded in mystery until P-Vine reissued it on CD in 2007, finally bringing this elusive recordi…

Radically exploratory, Raphael Loher’s Figuren is an album shaped by process and experimentation. Guided by intuition, listening, and a deliberate distancing from his primary instrument—the piano—, the LP marks a decisive step in the Swiss pianist and composer’s artistic development, expanding his sonic vocabulary while maintaining a distinct and personal language. Figuren draws on ten intimate concert recordings from Keemuun—Loher’s debut for Three:four Records—created during the pandemic and p…

Lindwurm were formed in 1972 in Uelzen and played a somewhat rough-edged progressive rock. The reference to Hanover, which you sometimes come across, is not accurate. Nor should they be confused with the jazz-rock group of the same name from Jork-Moorende on the Lower Elbe (LP Im Windschatten, 1981). In 1976, the much-loved Lindwurm singer and guitarist Klaus Arndt was struck by a car on the motorway and killed. The band dissolved immediately and, in his memory, released an LP that is now pricel…

Lummer is the Swedish name for the now protected family of vascular plants (Clubmoss/Lycopodiaceae). Lummer grows slowly and the spores with which it reproduces can take 12—20 years to develop. These spores, known as Nikt in Swedish, were once ground into an extremely flammable light yellow “old woman’s gunpowder” that was used for early theatrical pyrotechnics. Volatile and explosive, Lummernikt requires careful handling. There is something of the small scale dangerous in Finn Loxbo’s Lummernik…

Formed in Taipei in 2013, Scattered Purgatory (破地獄) has occupied a liminal space between drone, ambient, psychedelic folk and ritualistic kosmiche experimentation. Their early work, including ‘Lost Ethnography of the Miscanthus Ocean’ (2014) and ‘God of Silver Grass’ (2016), blended dense instrumental drones, improvisational guitar, and ambient textures rooted in the heat, humidity, and urban pulse of Taiwan. Over the years, the duo-turned-band has drawn on Krautrock, minimalist electronic music…

Created for the Centre for Fine Arts Brussels, "Sumerian Star Creatures" premiered in 2017 as a part of Spencer Clark (The Skaters / Monopoly Child Star Searchers / Pacific City Sound Visions) and Xavier Garcia Bardon's "Imagineers in the Underworld" Film Series. Typhonian Highlife and Corum made a slithery soundtrack to intersperse between the stories of South Africas former National Laureate, Credo Mutwa; who's early work magically catalogs folk histories of the Zulu people, and later, begins …

Arriving right on time for its 20th anniversary, Faun Fables’ musical theatre work The Transit Rider returns in a lovely 2xLP vinyl edition that dimensionally burnishes the bristling performances and elevated chamber/cabaret folk sounds of the original CD-only release. At once a work of theatre, allegory and autobiography, The Transit Rider amplifies Faun Fables’ distinctive electroacoustic wash of Anglo-European folk sounds, shimmering allusively from traditional to Kurt Weill to folk-rock and …

Three first recordings of works for saxophone quartet by Colombian composers Juan Antonio Cuéllar, Carolina Noguera and Rodolfo Acosta, performed by the Madrid-based Sigma Project in composer-supervised sessions.

Caught at the exact moment the young trumpeter steps fully into his own. Recorded July 2, 1962, at Rudy Van Gelder's studio, released in 1963 on Impulse!, this is Hubbard with technique to burn but warmth to match - every line sculpted, every phrase rhythmically alive. Around him a ridiculous cast: John Gilmore (yes, the Sun Ra tenor man) shadowing Hubbard's lines with that crooked, unmistakable tone, Curtis Fuller and Tommy Flanagan filling out the harmony, Art Davis and Louis Hayes locking dow…

One of the great small-group dates in the Impulse! book, and a quietly perfect one. Cut February 5 and 8, 1962, produced by Bob Thiele, with an across-the-generations cast: drummer Manne steering with the lightest touch, the mighty Coleman Hawkins in a late-career surge that reminds you exactly why he invented the tenor saxophone as we know it, Eddie Costa and Hank Jones trading the piano chair, George Duvivier anchoring the bass. The whole thing breathes - duet, trio, quartet, the group shrinki…

Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…

500 units, deluxe remastered edition. Some records are made in the present tense. The Civil Surface was made in the past perfect - a band returning from its own ending to commit to tape the music it had never quite managed to record. By the time these sessions took place at Worthing's Saturn Studios in the summer of 1974, Egg had already been finished for two years. The trio - organist Dave Stewart, bassist and horn player Mont Campbell, drummer Clive Brooks - had cut two singular albums of orga…

Recorded 1984-87 in Brooklyn and never before on vinyl, jazz pianist Masabumi Kikuchi's Rokudai cycle - Earth, Water, Fire, Wind, Air, Mind - turns synthesizers and a Shingon Buddhist framework into improvised electronic music. Remastered by Taylor Deupree. Complete six-2LP set.

Documentation of a live solo performance at the Old Church, Stoke Newington on May 29th 2026, for the Ukrainian label and promoter ШЩЦ [shshchts]'s London showcase.

First recordings of two long microtonal works by Kraig Grady, The Molten Wind and Crow on the Dark Side of Gloss, built from individually recorded single notes played by an international group of soloists in Grady's just-intonation tunings.

Created by correspondence between Christchurch and London, Nebular pairs Roy Montgomery's decaying post-rock, folk and drone guitar with Martha Skye Murphy's wordless, glossolalic voice. Stems traded by email at nocturnal hours, raw emotion launched into a time capsule for the stars.

Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi…