New Arrivals

On Everything You Giveaway, Pablo’s Eye turn Richard Skinner’s seaside vignette into a drifting meditation on loss and camouflage, where a missing jade earring becomes a quiet parable about hiding what hurts in the very element that once held it.

On Mood Programs – Extended Play, Ron Trent’s LA MARR project turns two long pieces, “Good Magic” and “Clear”, into living rooms of sound: ambient‑leaning, rhythm‑conscious environments where synth, dub space and hi‑fi warmth shape mood as much as melody.

A 2015 meeting between Hijokaidan and Nasca Car, the Osaka electronic project of Nakaya Koichi. Two studio tracks and two live sets across more than forty minutes, the King of Noise's wall of sound crossed with Nasca Car's pulsing acid-house and new-wave electronics. On Alchemy.

The 1982 debut of Osaka's Hijokaidan, the self-styled King of Noise, here in a 40th anniversary edition. Compiled from 1981 live recordings of their notorious early shows, it is a primal document of noise's violent youth, predating the debut LPs of Sonic Youth and Swans. On Jojo Hiroshige's Alchemy.

Harsh noise at full saturation from Incapacitants, the duo of Toshiji Mikawa (Hijokaidan) and Fumio Kosakai. No melody, no rhythm, no let-up, only a dense and strangely psychedelic block of electronics pushed toward ecstatic overload. One of the defining names in Japanese noise, on Alchemy.

Princess Mononoke (1997) is set in a mythic late-medieval Japan of iron foundries and forest gods. The young prince Ashitaka, cursed while killing a boar god maddened by hatred, travels west and finds himself caught between the people stripping the forest and the wolf-raised girl San who defends it, a story Hayao Miyazaki refuses to resolve into simple sides. Joe Hisaishi's music met that scale with his grandest and grimmest writing for Miyazaki to that point. The film score, recorded with the T…

A Sudden Burst of Noise is a study in the equivalence between rotational frequency, material structure and sonic form. Following the core idea of the Brutalism project, architecture and infrastructure are treated not as backdrop but as structural agents. The radio telescope, its reinforced-concrete body, its rotating mechanics and its scientific function, serves as the compositional framework: rotational movement becomes rhythm, structural tension becomes texture, measured cosmic data becomes so…

Moses Yoofee Trio, the Berlin group of pianist Moses Yoofee, drummer Noah Fürbringer and bassist Roman Klobe, came up through clips of their jams posted online, which drew a following and led to the 2023 mini-album Ocean on LEITER and a German Jazz Prize for live act of the year. Their 2025 debut album proper, MYT, expanded the improvised concept with fuller arrangements, landed on year-end lists and a German Jazz Award nomination, and sent them touring through Asia, the US and Europe. Chasing L…

Night Sky marbled vinyò edition. 350 copies. Discovery Zone is the project of JJ Weihl, the New York-born, Berlin-based musician and former member of Fenster. In 2023 she was commissioned to perform inside the dome of the historic Zeiss-Groß Planetarium, and rather than carry over her usual rhythm-led sound she rebuilt the project from the circuitry up, composing in Ambisonics, a directional form of spatial audio, played back across a mosaic of forty-nine speakers. Written for live performance, …

2026 Stock. Alan Vega, born Alan Bermowitz in Brooklyn, had spent the 1970s as one half of Suicide, the New York duo whose drum-machine menace unsettled audiences a decade before anyone thought to call it synth-punk. By the mid-1980s he had set out, against every expectation, to chase the mainstream: Saturn Strip (1983) took him to Elektra under the wing of Ric Ocasek of The Cars, a long-standing Suicide champion, and Just A Million Dreams followed in 1985, again produced by Ocasek with Chris Lo…

Sharper Than A Needle unfolds as a sound space where textile machines transform into instruments. Silky basslines, delicate thread-like melodies, and a pulsating sewing machine synthesizer reveal surprising new tonal colors between noise, sound art, and experimental pop, as every movement of needles and every turn of spools takes on musical meaning. The project was initiated by Stephanie Müller and Klaus Erika Dietl, known for work such as Sewicide and beißpony, and for the international collect…

This is not a Ben Vida, Booker Stardrum, and Will Epstein record; it’s a Play Time record. That’s a subtle but important distinction, for a couple reasons. One, the sound of Magic Object—a polymetric blend of improv and pulse minimalism for saxophone, drums, and Moog—doesn’t really sound anything like any of their many other ensembles or respective solo projects. And two, it was only while making Magic Object, their debut album, that Play Time realized they were a band at all. Let’s back up. The…

*2026 repress* Recorded at St Georges Church, Carrick On Shannon, Leitrim on a cold early January with a William Telford Organ. Built in 1846, it is reputed to be the second oldest organ in Ireland. Track 1/Side A: 'Pour Upon The Sky' is a story told by the two voices of cello and organ. Influenced by the rhetorical style of 18th century vocal music, the inspiration for this piece came naturally to Eimear who has a background in early music and has performed alongside the organ in a variety of s…

“If stained glass windows could sing they would sound like Josephine Foster, and her interpretations of the songs of Víctor Herrero are as artful and finely detailed as motes of dust falling through shafts of light in the libraries of your childhood, engrossing in their restraint. Josephine's naked voice an echoing truth in repose against the existential question mark of Víctor’s guitar. In a world that can feel bewildering and relentless, this music is shelter. Adormidera is the sound of a hypn…

The music on this album can be described as drone / ambient / improv. The legendary guitarist Nils Wohlrabe is the initiator of this unique meeting of three musicians from different genres. Nils has a background in punk, noise and industrial music. Karin Johansson is a pianist and composer in improvised music, free jazz and contemporary music. She works with alternative techniques and prepared piano. Hasse Westling is a jazz bassist with a wide range of genres; he plays free improv, 50s/60s jazz…

Futuro Ancestrale, the ensemble around saxophonist, composer, and multi-instrumentalist Giuseppe Doronzo, was born from the idea to combine contemporary improvisation and non-western music traditions. In Elsewhen, electronics play a central role along with ancestral instruments borrowed from Chinese, Albanian or Chadian traditions. Doronzo's concept of convoking those sounds and cultures in the same musical space is a way to celebrate, and to create a vibrant dialogue between histories.

Netherlands-based artists Tomo Katsurada (Ex-Kikagaku Moyo / Future Days Radio) and Jonny Nash (Melody As Truth) combine forces for an exploration into the sonic potential of the guitar duo, rooted in their experiences performing together over the last 12 months. Friends and admirers of each other’s work for a decade, their musical collaboration began in 2024 with Katsurada asking Nash to contribute guitar to his debut EP ‘Dream Of The Egg’. Sensing the need to explore this further, they spent t…

On God Spill, Victoria Mingot drags folk guitar through faulty circuitry and hissed devotion, stacking rough improvisations, blurred vocals and glitched drones into a slow, translucent act of repair where presence and disappearance keep trading places.

On Kantamoinen, Mika Vainio under his Ø alias tilts his brutal minimalism toward memory: sparse, physical electronics wrapped in a more romantic, concrete atmosphere haunted by childhood summers at his grandmother’s house in Artjärvi.

Alia works from an unusual set of inheritances. Through her father, the Lebanese percussionist Jamal Mohamed, she grew up around Levantine jazz and a wide range of other musics; she studied raqs sharqi, the dance better known in the West as belly dance, alongside Arabic music, and learned the kacapi from the Indonesian pandit Ade Suparman. She took up the theremin after seeing the Iranian-Armenian musician Armen Ra perform in Los Angeles, drawn to an instrument she describes as "like a human voi…

Soundway collects ten rare sides from Trinidad's revolutionary decade, when calypso, jazz and heavy percussion carried the charge of the Black Power years. Kaiso Power assembles music made for the dancehall and the steelband yard, its politics built into the rhythm rather than spelled out.

Library of the Occult gathers, on a single 12", the two remixes that close Magick Knives' debut album: Justin Robertson and Hawksmoor each taking the desert band into a different shade of after-dark.

A vinyl collection of Koji Makaino's background music for the 1979-80 television anime Lady Oscar, the series that, more than almost any other, fixed Japanese animation in the Italian imagination.

Music Collection from 80's Japanese Hero Sci-Fi TV anime serie Kotetsu Jeeg . All music composed by Chumei Watanabe. Chumei Watanabe, whose name is also read Michiaki, was the defining composer of Japanese robot and superhero television, scoring Mazinger Z, Getter Robo and a long line of Toei productions. Steel Jeeg, created by Go Nagai and Tatsuya Yasuda and produced by Toei, ran on NET across 1975 and 1976; like much of Nagai's work it reached Italy at the end of the decade and stayed there, a…

*333 copies limited edition* BGM Music Collection from classic Japanese Super Robot TV series.

Trunk Records lifts a single from one of American private-press music's stranger corners: Gary Schneider's home-made version of Green Tambourine, a 7" that has drifted for years through the hands of collectors who prize the homemade and the unclassifiable.

First-ever release of Ted Dicks's jazz score for Clinic Exclusive, the 1971 British film later shown as Sex Clinic. The man who wrote Bernard Cribbins's Right Said Fred turns in a restrained after-hours set of piano, brushed drums and vibraphone.

Big Tip!  This is one for the faithful. An Afternoon With Victor Dimisich gathers a set of recordings that until now existed only as rumour - an unearthed afternoon from the legendary pre-Flying Nun underground of Christchurch, New Zealand, surfacing more than four decades after it was first committed to tape, and never issued in any form before now. The Victor Dimisich Band took shape in 1980, when Stephen Cogle and Peter Stapleton broke away from Bill Direen's Vacuum to follow their own songwr…

On Tinderbox, Myer U Clark leans into what he calls “musical jank”: loose‑limbed indie‑folk where wiry guitars, Harold‑and‑Maude whimsy and ghosts of English folk and Delta blues wrap around love songs that stumble, blush, and somehow land on their feet.

On Long Live Brown Wimpenny, Brown Wimpenny turn the folk revival into a street‑level commons: an 11‑piece, multi‑city collective collapsing the gap between stage and floor with roaring, communal takes on songs that belong to everyone and no one.

John Paul Bohon's Terlingua is teeming with electronic life, a record that quite literally synthesizes the veteran musician and engineer's tactile approach to sound and has resulted in a mind-expanding work possessing impossible warmth. Terlingua is equally reminiscent of the languid, electronics-focused psych of legendary forebears like Cluster and Can alongside the ecstatic sprawl of contemporaries like Bitchin Bajas and Kaitlin Aurelia Smith. Bohon constructs entire worlds on these seven trac…

Lero Lero is a collective of artists gathered around a shared core: the Sicilian Sound Archive of the twentieth century. The melodies it preserves, remnants of a magical world now almost entirely lost, are revived with a critical spirit and a contemporary sensibility. It is an act of reclaiming, reworking, and giving back to the community a heritage that has long remained suspended in time. In the voices of farmers, shepherds, and washerwomen, in songs of indignation and in lullabies, one can gl…

Following the release of Ganzfeld, the Tenerife-based octet returns with Retiro Espiritual, their fourth full-length album and the second chapter in an ongoing improvisational document recorded inside one of Santa Cruz de Tenerife’s abandoned oil tanks. Gaf & The Love Supreme Arkestra work outside conventional studio frameworks. Their music emerges from extended improvisation sessions that unfold sporadically, sometimes over several days. Built around drums, guitar, bass, modular synthesis and s…

Discrepant presents the LP edition of Tales from the Source, the original film soundtrack by Bear Bones, Lay Low and Laszlo Umbreit. Originally composed for Belgian-Congolese artist Léonard Pongo’s 2024 film of the same name, this release reworks the film's audio into a continuous, fluid listening experience. The album is built on a direct contrast between heavy electronic manipulation and raw environmental audio. Laszlo Umbreit captured the foundation of the record through field recordings and …

Grab the album 1978 by Hikashu - wild experimental rock meets synth-pop energy. You can listen online or download it easy. Tracks like "Puyopuyo" and "Dorodoro" hit hard with weird, catchy vibes. Sax, synths, and vocals go nuts in the best way. Released in 1996 but still sounds fresh. Japan's hidden gem, kinda. Not for everyone, but if you're into odd beats and electronic chaos, this is gold. Oh, and fun fact - they've been called "the Japanese Talking Heads"... which is kinda accurate? Whatever…

300 copies only. 2xLP Picture. Very, very broadly speaking, there are two kinds of Nurse With Wound albums: the sprawling, immersive, evolving drone-type recordings - think Soliloquy for Lilith, Salt Marie Celeste - and the wild, surreal freak-outs. A Sucked Orange is a prime example of the latter. Originally released by United Dairies at the end of the 1980s, A Sucked Orange has long been out of print, especially on vinyl. Infinite Fog is beyond happy to bring this singular work back as a 2LP p…

Tip. Teleportations is the debut solo album by Dan Leavers (Danalogue), known for The Comet Is Coming and Soccer96. Conceived and performed entirely by him as a continuous, journey-like piece, the album transforms personal loss and upheaval into a warm, playful science-fiction voyage that moves through celestial ambience, kosmische shimmer, space disco, liquid jazz-funk and deep Detroit house. Sequenced as a single trip rather than separate songs, it invites listeners to join a self-styled “tele…

One of the most important sound sources in history, a relic of a bygone era. Minamata is an industrial noise avant-garde band formed in France in 1984, with the methyl mercury pollution  incident that occurred in 1953 on the coast of Minamata City, Kumamoto Prefecture, Kyushu Island, Japan, as its theme. In 1985, the band became a trio, and their compositional skills and overall quality improved, resulting in the creation of Methylmercure. During this period, the noise scenes in developed countr…

Bite Handle is a Buffalo-based producer who plays with ambient through a sample-driven approach. With influences ranging from experimental icons like OPN and Death Grips, to internet beloved genres like j-core and vaporwave, as well as cloud rap and witch house, his music carries fragments of his identity. Deeply linked to place and belonging, Two Hours to Toronto, looks at the city in an aspirational loving haze. Every track samples a single mysterious artist, creating a secret thread that conn…

“Tremula Luce” is Tommaso Pandolfi's debut album under his own name, out on Window Seat. The Venice-based composer and visual artist follows fifteen years of activity as Furtherset with a new record inspired by the last pages of María Zambrano's “Claros del bosque” and her metaphysical, intimate visions of skies. Unfolding as both a continuation and a rearticulation of his sonic language, circling melodies and time-suspending ambiences here take shape anew. The album opens as a vast, melancholic…