New Arrivals
Chris Meets Paris Meets Chris
* 2022 stock * Futura Records presents Chris meets Paris meets Chris : Chris Woods (saxophone alto & flûte), Georges Arvanitas (piano), Jacky Samson (contrebasse) & Charles Saudrais (batterie) Recorded on 24th octobre 1973 at Bilboquet, Paris. Crédits Alto Saxophone, Flute – Chris Woods Bass – Jacky Samson Coordinator – Marianne Fernel Cover [Drawing], Design – Pierre Delgado Drums – Charles Saudrais Edited By, Mastered By – Alexis Frenkel Engineer – Jef Gilson Photography By – Christian Fauchar…
Live At The Jazz'Inn
*2022 stock* Futura Records presents Jaki Byard Trio's Live at the Jazz'inn. Jaki Byard (piano & saxophone alto), Gus Nemeth (contrebasse) & Jean-My Truong (batterie), invited on a title: Gerald Byard (batterie / drums). More two unpublished titles with Siegfried Kessler on piano, and Jaki Byard on alto saxophone. Recorded live on July 26th 1971 in Paris. Digipak.
From In To Out
*2022 stock* Futura Records presents Dizzy Reece quintet's From in to out. Dizzy Reece (trompette), John Gilmore (saxophone ténor), Siegfried Kessler (piano), Patrice Caratini (contrebasse) & Art Taylor (batterie) Recorded on 23th octobre 1970 at la Salle des fêtes de Créteil (France)
Piano Dazibao
*2022 stock* French avant-garde pianist François Tuskques's solo work released in 1970 is now available on CD for the first time with additional bonus tracks. This is a high quality work that c an be said to be the flowering of his creative and original sound world, which he has penetrated through repeated trial and error in various styles, further sharpened in the form of home recording and solo.
BMW
Tip! A screeching smash of searing grit and demolished shock from the trio of Blankenship / Mumma / Wiese, which can be identified as a distinct subgroup within the Sissy Spacek discography, responsible for such carnage as Wreck (2013), Basement (2014), and Slow Move (2017). BMW stands as a sharp-edged monument in the trio’s advancing decay, culled from a session at Blankenship's high-security Bronson studio and utilizing the equipment and environment that fueled sessions by LHD, White Gold, and…
Gong
Torn Light Records presents a new tape release by great harsh noise duo Sissy Spacek featuring John Wiese and Charlie Mumma. A treat for your ears!
Work
Chicago Research presents the latest release on tape by History of Leather.
CCTK Music
CCTK Music combines Gabriella Isaac's exploitative use of laptop as feedback loop / sound source / physical device and James Fella's electro-acoustic / tape as instrument approach. The duo incorporates each other's material in real time (on Side A), cutting the content onto 6 singles-sided reference lacquers. The lacquers were used to assemble a collage in a performance setting in late 2019, and again in a studio setting for Side B. The result is a record that is both scathing but at times harmo…
Moving My Body Through Space
Recognized as a skilled and sought after collaborator, Ted Byrnes solo albums cast a wide net that capture Byrnes' adventurous and omnivorous approach to solo percussion. An alumnus of Berklee College of Music in Boston, MA, Byrnes has made his home in the center of a Venn diagram that includes free improvisation, studied electro-acoustic work, fearless new music and harsh noise. Recognizing the porous borders between these modes, Byrnes' work on Moving My Body Through Space is a flailing medita…
As Slow as the Stream
*75 copies limited edition* "After several stand out collaborative releases, including a duo LP with Mark Shippy and another duo LP with Claire Rousay, violinist Alex Cunningham returns to solo form with As Slow as the Stream, an album made up of one 33-minute cat and mouse game titled "As Slow as the Stream Cuts the Dirt from Beneath." If you've ever watched a cat sneak up on a mouse, you've seen the cat making its way towards it's prey so slowly that you barely even notice the cat is moving at…
Child Of YHWH
*100 copies limited edition* "2020 has been a year of things coming to a head. The combined pressure cooker of modern technology, politics, pandemics, populations, as well as artistic statements and abilities have all reached breaking points that have also led to the utmost supreme shifts into truly unknown territories. It's almost ominous that the incredible sole track here, Child Of YHWH, would be recorded during the winter solstice of 2019, primed and set to lead us straight into the wild unk…
Breslin
“A set of spry, pastoral Aecoustic Guitar and errant Electronic pieces that harken back to libraries by Teisco, Vittorio Marino, and the like, yet mapped in an alien manner unlike any known lanes. Unusual, and uniformly excellent.” - Keith Fullerton Whitman
The Gleam
*In process of stocking* Like its predecessor, Philos, The Gleam is a completely solo work, all the music composed and played by Park Jiha on the piri, a type of oboe, the saenghwang, a mouth organ (shown on the album cover art), the hammered dulcimer known as the yanggeum, and glockenspiel. There’s a stark clarity to the sound, yet it’s never spare or empty. There’s a searching warmth to what she does. It’s minimal without being minimalist, occasionally presenting itself with the formality of t…
Trauma
*2022 stock* Trauma is the 1993 film by Dario Argento and one of two films he directed in the USA (The other being Two Evil Eyes) it stars Asia Argento and is a typically flamboyant Giallo from Argento featuring his trademark dizzying camerawork and gruesome over the top deaths. The score by Maestro Pino Donaggio (Carrie, Don’t Look Now & Body Double) who delivered a beautiful, nuanced & lush orchestral score which is absolutely outstanding.
Tenebre
*2022 stock* The soundtrack to Dario Argento’s 1982 giallo was written and performed by Claudio Simonetti, Fabio Pignatelli, and Massimo Morante – three musicians from Goblin’s initial lineup who were responsible for some of that band’s most memorable work. But by this point, only one of the three was still in the band; Fabio Pignatelli. In the years before Tenebrae, Goblin had changed hands and the band of old was no more.At the request of Argento, these three musicians got back together to giv…
Navigation I Inre Och Yttre Landskap
*Limited to 250 copies in handmande cover. Only few copies available, strictly one per customer.* Gothenburg scene vet Dan Johansson births another Sewer Election record into this diseased world, this time in collaboration with New York's relatively wet around the ears Charmaine Lee. The two lines of biography that accompany the record explain that this was a mail collaboration recorded pre-pandemic, which you can either view as prescient or mere coincidence. Either way, if you're to call an alb…
Sound Commitments (Book)
Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.
Composing Dissent (Book)
The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians (including figures such as Louis Andriessen, Willem Breuker, Reinbert de Leeuw and Misha Mengelberg) who were to gain international standing and influence as composers, performers and teachers, and who had a defining impact upon Dutch musical life. Fundamental to their activities in the sixties was a pronounced commitment to social and political engagement. The lively culture of activism and dissent on the st…
Terry Riley's in C (Book)
Unquestionably the founding work of minimalism in musical composition, Terry Riley's In C (1964) challenges the standards of imagination, intellect, and musical ingenuity to which "classical" music is held. Only one page of score in length, it contains neither specified instrumentation nor parts. Its fifty-three motives are compact, presented without any counterpoint or evident form. The composer gave only spare instructions and no tempo. And he assigned the work a title that's laconic in the ex…
Brian Eno's Ambient 1 (Book)
Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent. To appreciate the album's multifaceted character, Lysaker advocates for "prismatic listening," an attentiveness that cont…