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*Limited to 70 copies* "Electric Shahi Baaja and Gaz recordings from southern France. Pushing out towards the reaches of stringed-instrument technique. Playing with structure and typical/a-typical sound. Based in tradition processed to confuse." - Sound Holes
*Limited to 100 copies* "Al Jones and Zach Rowden played a series of gigs down the west coast of Canada & the US last year. Here are a couple of those tape mangled sets." - Sound Holes
*Limited to 60 hand-numbered copies* "Ali Robertson used to be an improviser but he's not anymore. Ask him for the score for this tape so that you can play along at home." - Sound Holes
*Limited to 100 hand-numbered copies* "This is the first recording in 10 years after a hiatus of activities asBurried Machine, and also be the first release under my real name, Shin Chida. This is a collaboration release with Tom Karlsson who is a Swedish artist and also experimental musician, for the second time since my last release as Burried Machine in 2013, Stoned Mirror." - Shin Chida
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
William Parker - double bassHugo Costa - alto saxophone Philipp Ernsting - drums
Recorded at Codarts, Rotterdam, October 11th, 2023 by Philipp ErnstingMixed and mastered by Arūnas Zujus at MAMAstudiosCover art by Martynas IvinskasPhoto of Hugo Costa by Rui SilvaPhoto of William Parker by Peter Gannushkin / downtownmusic.netPhoto of Philipp Ernsting by Florian CramerDesign by Danas Mikailionis
"Innervoice is perfection filled with beauty, power and grace of the celestial blues where the changes are happening all the time; the tonic is love; the seventh is the absence of war; peace is the melody redefined moment to moment; all are guided by the inner voice" - William Parker
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…
*300 copies limited edition* Inside Automatic Popular Music there are two people sitting in a room, their backs to each other. One plays a piano with no particular attention to detail and tuning of the instrument, and another, sitting behind him, claps his hands on his own legs. They do not see each other, they never look at each other, they can only listen to each other, look around. The room is large enough, it is daytime, there are four windows through which enough light enters to illuminate …
Augustin Soulard is a French composer, sound artist and sound engineer born in 1992. His practice is grounded in experiments in modular synthesis, computer music, sound design and live performance. Trained in algorithmic music and computer composition, Soulard studied with Yvan Etienne and Bastien Gallet. He later met Fransisco Ruiz de Infante and became a member of « Blue Sky ». His research focuses on diverse modes of sonic phenomena, the ambiguity between the synthetic and the organic, and me…
We continue our deep-dive into US Prog Classics with Lift’s one-time wonder Caverns Of Your Brain. Previously released on vinyl as a bootleg, this 1977 4-track sonic labyrinth is packed with the quintessential ingredients of an instant classic. A never-come-down, fast-paced haven of complexity, with abundant mellotron/moog doses and inventive rhythmic shifts that evoke a eureka moment on every corner. This is the first official vinyl edition, featuring new and band approved cover artworks, bonus…
A serious obscure object of desire ! Amazing collection that gathers some of the rarest Persian 45s. Such an eclectic mix of styles, from garage rock to cool Persian beat, exotic rock&roll and astonishing prog/psych numbers. Featuring female drummer & singer Zangoleah with some killer garage/rockin' tracks, obscure bands like Takkhalha doing a fab cover of the Stones 'Play With Fire' and an amazing take on the Persian traditional song 'Mastom, Mastom', Golden Ring-styled beat by Big Boys, exotic…
Big tip! 'Music for a Bellowing Room' is a collaborative durational work by musician Sarah Davachi and filmmaker Dicky Bahto, both based in Los Angeles. With a performance/running time of three hours, 'Music for a Bellowing Room' is an exercise in resolution, inviting the audience to shift their concentration and perception through gradual changes in sound and image. This piece was originally commissioned by the Museum of Modern Art in New York, and received its premiere performance in September…
"Rubbish Music embody the elevating and transformative action of imaginative involvement with discarded materials. In the process they give audible expression to our ability to resist pessimistic resignation and to realise creative redeployment. Long may they recycle!” — The Wire
Persistence of Sound presents the second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music. “As we go about our daily lives, malodorous monsters are const…
Angelo Bignamini is a musician and sound artist from Italy. His musical research focuses its attention on the relationship between sound and its deterioration. For this purpose he uses analogue devices (especially tape recorders and feedback) as the main tools for manipulating digital sound. He recently returned to the acoustic guitar as an implement for inner investigation through improvisation on open tunings. His works are published by independent labels all around the world. Angelo Bignamini…
De L’Angle Mort Trio is Claire Bergerault, Patrick Charbonnier & Lionel Marchetti. The three musicians collaborate for the first time as a trio. Their music explores new aspects of electroacoustic music, combining improvisational musical techniques with live electronics and dance music forms.
“Aigue – Marine” consists of three compositions based on voice, electronics, accordion, and rhythmic elements. Claire Bergerault, Patrick Charbonnier & Lionel Marchetti improvise in a spontaneous way, creat…