New Arrivals

The Preservation label presents Nuojuva Halava, the debut album from Helsinki, Finland’s Ous Mal. Ous Mal is the recording project for 22-year old Olli Aarni. With previous CD-R releases for both Finland’s 267-Lattajjaa and the UK’s Under The Spire, Ous Mal has already gained fine notice for his expansive sound, further developed in widescreen ways on Nuojuva Halava, his first full-length. Finding common ground between the dusty tenor of old-school hip hop cassettes and the fog of deep ambience …

You already know about Arthur Russell from disco classics like "Is It All Over My Face" and "Go Bang" (maybe you even watched the recent documentary), but do you know about all the early/mid-80's work he did on his own Sleeping Bag label? This awesome compilation collects the gems you might've slept-on or never came across. Whether its early hip-hop boogie (Sounds Of JHS 126 Brooklyn's "Chill Pill(1)"), left field electro beats (Bonzo Goes To Washington's "5 Minutes(2)"), or underground disco ba…

Reissued on Fledg'ling in 2005, originally released in 1965 by Decca. An experimental recording conceived by Austin John Marshall bringing together Shirley's haunting traditional song with Davy's guitar improvisations. Folk Roots, New Routes opened the door for Fairport Convention's Liege and Lief and Pentangle's debut. For this carefully remastered edition, Fledg'ling have restored the original artwork, added a new sleeve-note essay as well as previously unpublished photographs.

Final solo alto sax blasting from the late legendary Japanese underground hero Kaoru Abe. Abe was an inspiration to free/jazz and Japanese noise lovers world-wide, lived a fast and hard life and ripped his guts inside out on each and every of his many releases. Extreme music for those who need it.

"Active in electronic composition since 1971, Creshevsky delights in presenting extreme and unpredictable juxtapositions in which the integration of electronic and acoustic sources and processes creates virtual "superperformers" by using the sounds of traditional instruments pushed past human capacities. Creshevsky uses the term Hyperrealism to describe his electroacoustic language constructed from found sounds, handled in ways that are exaggerated or intense. The second Tzadik CD by this modern…

Nigeria Afrobeat Special is the fourth addition to the Nigeria Special series, a project initiated by Miles Cleret, owner of the Soundway Record label back in 2004. Cleret’s ambition to distinguish the blossoming music scenes of 1970s Nigeria has lent to an indispensable series of CD and LP compilations documenting the influence of western blues, rock and disco amongst artists and musicians versed in the local musical styles of highlife and juju. It was Fela Kuti and his musical and politi…

Lost and found all of a sudden, this album is the exploration made with the chanting voices of unknown nature. Choral fragments were decomposed and restructured, arranged with the effects and atmospheric shifts, creating the mysterious soundtrack to the otherworldly ceremony. These echoing voices are going directly from the lost memory or the daydreams, nobody can tell you where they are from, where they are calling you. Here are some words of the author, giving you just the hint but not t…

Zbeen is an electro-acoustic project by Gianluca Favaron and Ennio Mazzon. Zbeen’s improvisational approach is developed from the human-machine paradigm which  is represented by the interaction with digital instruments specifically designed and developed for this project.  K-Frame, Zbeen's debut EP, was released by Ripples in January 2012.  Unlike K-Frame, which was developed as a sonic counter-part to the linear algebra concept of an ordered set of ‘k’ linearly-independent vectors, Stasis elabo…

"‘Golden Worry’ features new drummer Emmanuel Nicolaidis and is huge step forward from 2008’s ‘Terrible Two’. The band has kept busy touring with Beach House, Celebration, Dan Deacon, Zomes, Battles, Mi Ami, Jason Urick, and Future Islands. The CD version comes in a four panel mini-LP style gatefold package. "

Doomgaze. Is that a thing? In ancient times "Songs Of Flowers & Skin" might have done time on 4AD, Creation, or even Sarah. Except of course, for the slender demonic tail woven into the melodies, which would have left a smoldering pile of pointy shoes in its wake. Though the tracks here are not metal, there is no lacking of heavy. The songs (yes, songs) simmer to a point just below explosion. Aidan chooses to excavate with atmosphere in lieu of caterwauling electricity, filling the spaces…

Necks pianist Chris Abrahams teams up with electronic artist and sound artist Alessandro Bosetti for six introspective and mysterious tracks that mix Necks like progress with ambient electronics and curious monologs, and one waltz.The piano recital format number one: a pompous italian tenor, his round belly almost exploding inside his tuxedo, stands beside the gigantic grand piano, holding a hand on it while protruding forwards. Outside the stage, an imaginary oceanic audience is seated on hundr…

Fifth and final release by Far East Family Band (if you include the 1973s Nihonjin released under the Far Out banner), Tenkujin was the first of the bands albums to be released in the US on the small and short-lived Calfornian-based All Ears label. Without Kitaro, who by this time had departed to persue a solo career, the band reverted to its earlier balled-based sound, this time supported on drums by former Samurai alumnist Yujin Harada. The expected Pink Floyd influences appear in abundance, a…

Stephan Mathieu's latest work transforms music made for Gustav Flaubert's titular play. First published as part of the book Trois Contes (Three Tales) in 1877 and translating to 'A Simple Heart', the text, a modern rereading of an old tale, makes for a neat analog to Mathieu's sonic practice - augmenting recordings of obsolete formats - wax cylinders, 78s - and early instruments by computer processes. Using pieces written by early renaissance composer Guillaume Dufay (1400-1474) and performed in…

Robert Horton’s musical exploits are diverse, heady and spans over three decades. From his early punk days to joining various groups in pursuit of free jazz, drone and even psychedelic hillbilly, Horton is happily hard to pin down. He also makes his own instruments. One found regularly across the 30-plus releases he’s been involved with since 2005 is the ‘boot’, a four-stringed instrument that plays like an otherworldly dobro or slide guitar. Tom Carter has been a lightning rod-like figure…

A split album with Volcano the Bear and La STPO. VTB tracks 1-5 and STPO tracks 6-9. Bears and Birds, oh my! One side keeps the hot hot. And the other keeps the weird weird. VTB’s typically atypical entomological set scratches like a hive that has evolved just to the point of thumping out tribal fealties to its giant insect God-Thing. Environmentally ritualized sub-rhythms mix musique-concrete with actual concrete, forming freakishly minimal foundations for the hive of whatevers to swarm within.…

the new creature by M.Gabola (A Spirale, Aspec(t), ASp/SEC_, Strongly Imploded) and Stefano Ferrian (psychofagist, Udus, FFATSO, de-noize). Razoj moves to the limits (ExtremeMetal/Elettroacustica/Free Jazz/PowerNoise, see the individual experience of the two musician); reduce the reality and generate the unthought, the chaos;

A brand new album from one of the most revered and acclaimed ambient composers of our time, Vivian & Ondine takes the form of a single, three-quarter hour piece, once again constructed from William Basinski's signature style of tape loop manipulation. While the narrative ebb and flow is largely pinned to a single tape fragment, Basinski merged a further "dozen or so" that sunk into the mix in just the right way, adding to the aura of fluctuation and continuous evolution that's so essential to th…

A true experimental music classic by Maurizio Bianchi, originally released as private cassette in early 80's and then later bootleged on tape. This is the very first official re-release on CD of this incredible sound-material!!! This is the most intense M.B.: raw and experimental! Released on 1:1 high quality new generation CDr -> same quality and 99% same 'look' of a glass mastered CD. Digislim package.

'Architeuthis rex. Leviathan. King. Magnificent sea dweller and haunter of the dreams of Italian artist Antonio Gallucci.  Dark of the Sea is that dream, each of the seven recordings an aperture into a horrific underwater world filled with the fear of what lies outside. Together, the album is a kaleidoscope of Don Cherry's Brown Rice, backward masked King Tubby acetates, strange strings, outer space broadcasts of unholy funeral rites, Native American percussion and metaphysical drone. Illustrati…

Alessandro Bosetti provides voice and electronics on words & text from a variety of writers, as performed in a trio with drummer Ches Smith and fretless guitarist Kenta Nagai; fascinating and perplexing expression.  Alessandro Bosetti: voice, electronics. Kenta Nagai: fretless guitar. Ches Smith: drums. Music and texts by Alessandro Bosetti. Dead Bird text by Alessandro Bosetti on words by Alasdair Campbell. Istruzioni text by Alessandro Bosetti on words by Jerry Mandel, George Dippel, Howard…

First in the 'Neither Speak Nor Remain Silent' series of three CD EPs by this new project founded by Irish singer Clodagh Simonds. Contributors incl. Brian Eno, Roger Eno, Laura Sheeran, Lydia Sasse, Cora Venus Lunny, Toby Arnott, Carter Burwell and Andrew McKenzie of The Hafler Trio. The CD comes in a beautiful embossed cover in an edition of 2000 copies.

Awesome compilation in a limited edition of 300 hand-numbered copies. With Sébastien Roux / Eddie Ladoire, Rafael Toral, Elio Martusciello, David Toop, Terry Day, Matt Davies, Skoltz / Kolgen, Scanner, KK NULL, Alvin Curran, Efzeg, Eddie Prevost / John Butcher, Lawrence English, Rhodri Davies / Joe Williamson / Stefano Tedesco, Olivia Block...."We, the 'kids' (whowe?) should listen more to classical music. At least that's what Deutsche Grammophon wants, since they want us to buy their CDs. B…

 Mayas frames her instrument not as 88 keys arranged in tidy scales, but as a sonorous tangle of wood and wire, she produces sounds with a wide dynamic range, playing the whole piano, inside and out, including dramatic percussive effects from banging and scraping the frame of the instrument and the strings. Abdelnour has developed extended techniques and complex patterns of sound production, exploring the microtonal aspects of the saxophone and its high-pitched tones. she employs subtle tonguing…

Kraut-rock at heart, this is a brtual, cosmic melange of sound & rhythm, where Terry Riley-like keyboard motifs entwine w/ intense Battles-esque drumming, clouds of audio detritus, gamelan gongs, rewired synthesizers, & clashing feedback guitars. Oscilating between pools of crystal-clear ambience & miasmic clouds of dense noise, it spans entire decades of musical exploration: the fractured psych dreams of The United States of America, the dense weave of Stockhausen's Hymnen, the intensity of Con…

Reissue of a very obscure free music document, recorded in Cambridge, MA, sometime in 1970. Notable for it's Saturn-esque paste-on cover artwork (eloquently reconstructed here), and general cosmic vibe, this record harkens back to days when "out" was merely a place people went to buy a sandwich. A trio, led by drummer Ertunc, with Michael Cosmic (as, cl, fl, bcl, sop, piccolo, organ, perc.) & Phill Musra (ts, ss, fl, zurna, cl, perc.). The albums features long tracks: "The Creator Spaces"…

Chris Rose's Robust Worlds has impressed us since first glimpse. He was actually barefoot, if you can believe that, and his set had the feel of a way more lysergic Kevin Ayers. It was freezing fucking cold and I'm pretty sure he wore a Hawaiian shirt. His debut LP is called Emotional Planet, and it's deceptively simple. Voice, guitar, some noisy shit, whatever. His playing is sick: fluid, unforced, warm, soothed and soothing. It's a bath you don't want to exit. Seriously, if yr going to play gui…

Air Museum blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, …

Originally released in 1976 by Nippon Columbia, this is the final album by legendary Japanese space/psych-rockers Far East Family Band. Droney and far-out electronica influenced by German producer/electronic music composer Klaus Schulze is more pronounced, merging prog rock with electronic music to create something rather weird and wonderful. Although Schulze oversaw the production of the album rather than playing on it (which he definitely didn't!), the synth star here is Masanori Takahas…

Pimmon is the alias for electronic composer Paul Gough. In the last decade, Pimmon has forged an international reputation for creating dense, challenging and engaging electronic music. Smudge Another Yesterday is Pimmon’s first full length release in five years. This release picks up and goes further from the point where the acclaimed Secret Sleeping Birds left off. Smudge Another Yesterday is an exploration of the song behind the noise; the secret whispers hidden in the static. Within these vas…

Luca Di Mattei is one of the Afe resident artists since the early days of the label. During the years he had several releases under four different aliases: Leeza, Hendy Van Morris, Jabba and Bill Catez. Leeza is his most well-known and prolific incarnation. Generated using laptop computer technology, Leeza's music has its main roots in what was once called Intelligent Techno, and is clearly inspired by the great records published during the '90s by labels such as Warp, Rephlex, Skam, etc.After t…

A brand new album of minimal, cryptic & static sounds. The inexistence is the aplanatic condition of what is not existing, therefore doesn't subsist in the shot reality. Transferring this entomologic concept to radical music, we're consequently asking: inexistent sounds for existing people or existing sounds for inexistent people? Without schizoid presumption, "Inexistence" is replying to this existential question

'Performed, recorded by Juntaro Yamanouchi. Five years recordings 1992-1996. No overdubs. No EQ. No effect. As final tribute.'

Incorporating wildly coloured orchestrations and unusual performance actions, set against intense monochromes of noises and whispers, Vellus is a collection of chamber works that obsessively deals with the privacy of ritual, memory and the self. Diverse takes on instrumental concrète by this young Australian composer. 'Lucas Stumbles' (2007) for percussion (Eugene Ughettti, Greg Sully, Mathias Schack-Arnott, Anna Webb) and electronics (James Rushford). 'Respite in the Woodland' (2007) with Aviva…

Rusalka is a female noise artist based in Vancouver with past works on What We Do is Secret, Ruido Horrible and Dead Audio Tapes.Under Foot is worship. The worship of women and sound. It is sacred filth. Based on the novel ‘Venus In Furs’ about sexual cruelty, servitude and female dominance, Under Foot strips away illusions. It is a complete submersion into disharmony. The disharmony of desire for degradation. The disharmony of a woman wielding the whip. The desire to be sonically and spirituall…

Fledg'ling's 2004 reissue of one of the highest-regarded British folk-rock albums, featuring Sandy Denny. Originally issued by Island in 1970 (previous Hannibal CD long o/p). With additional artwork and bonus tracks. Fotheringay's beautiful debut album was recorded in 1970, and has long been regarded as one of the greatest achievements of British folk-rock. Sandy Denny, Trevor Lucas, Jerry Donahue, Pat Donaldson and Gerry Conway created a magical ensemble sound and one of the finest albums of…

The latest from microsound pioneer and LINE boss Richard Chartier is a re-imagining of probably his best-known work, 2000s ‘Series’, which incidentally was the inaugural LINE release. Since 2011 Chartier has worked on revisiting elements of ‘Series’ and reworking them into ‘Recurrence’, which was intended to be able to be performed in the live environment. One of the drawbacks of ‘Series’ was that its character left it almost ‘unperformable’, so this re-visitation of the source material was out …

The piano trio is probably one of the most common ensembles to be heard in jazz, and truth be told, I am a little weary of them, preferring the expressiveness of a horn section. Yet once in a while, a piano trio comes forward that has something new to tell. When I listened to WHO Trio's "The Current Underneath" (Leo Records) a couple of years ago, I was immediately enchanted by the sheer musicality of the project. This one, "Less Is More", is even better. The trio consists of Michel Wintsch on p…

3rd highly anticipated album in solo guitar circles by critically acclaimed CUL DE SAC founder. This guitarist/composer claims a lengthy, rich relationship to what his longtime friend John Fahey so famously dubbed "American Primitive Guitar." He is able to discover & project wide-screened cinema from just 6 & 12 strings, coaxing vivid panoramic images from his sparkling fingerstyle playing. This also features Jones performing solo on 5-string banjo for the 1st time on record, exhuming the spirit…

Pierre-Yves Macé is a young French composer, he was born in 1980, but has already released four albums on respected labels including Tzadik and Sub Rosa. Miniatures - Song Recycle is his second album for the Parisian imprint Brocoli, following the acclaimed Passagenweg. Miniatures - Song Recycle, as the title suggests, alternates musique concrète studies and songs in the form of lieder, where the voice is made of recycled, chopped and transformed a cappella vocals from YouTube, accompanied…

The Boats are a duo consisting of Craig Tattersall (ex-Hood, The Remote Viewer, and owner of the Cotton Goods label) and Andrew Hargreaves (Tape Loop Orchestra) as well a rotating roster of guest musicians and vocalists. While Ballads of the Research Department is their 12k debut, it follows up a string of critically acclaimed and genre favorites such as Sleepy Insect Music (Flau/Home Normal, 2010), Words Are Something (Home Normal, 2009), and limited editions released on their own Our Small Ide…