New Arrivals

'Magda MAYAS and Christine ABDELNOUR  SEHNAOUI both play acoustic music that is diametral, a space they conquered by changing the traditional ways of their instruments: modern alchemy. Together they express a strong physical experience. MAYAS is a master of sparse fragments of motion and SEHNAOUI works in a flux of changing sounds. The multiple layers of their performance create a shivering moment of existence, which reminds me of the words of the Danish artist Malene Bach: 'Art finds its own re…

CD, 3-panel micro-wave carboard cover, pyrography on the front side and hand-stamped inside, ltd. 500ex. Produced and recorded for Dwars@vpro by Berry Kamer, Amsterdam, October 27, 2008.

Vainio is back with his fifth album for the esteemed Touch label! Currently based in Berlin, was one half of the minimal electronic duo Pan Sonic from Finland, (with Ilpo Väisänen). Before starting Pan Sonic in the beginning of the 90's, Mika Vainio has played electronics and drums as part of the early Finnish industrial and noise scene. His solo works, under his own name and under aliases like Ø, are known for their analogue warmth and electronic harshness. Be it abstract drone works or m…

Amish is pleased to officially announce a new release from Humboldt County's finest contemporary experimental unit, Starving Weirdos. A couple of years in the making, Land Lines documents a vital step in the evolution and refinement of Starving Weirdos' freeform improvisational practices, as well as its infamous and highly disciplined studio practices. Land Lines chronicles Starving Weirdos' most focused and structured release to date, with pieces that import a distinctly European flavor…

Fifth and final release by Far East Family Band (if you include the 1973s Nihonjin released under the Far Out banner), Tenkujin was the first of the bands albums to be released in the US on the small and short-lived Calfornian-based All Ears label. Without Kitaro, who by this time had departed to persue a solo career, the band reverted to its earlier balled-based sound, this time supported on drums by former Samurai alumnist Yujin Harada. The expected Pink Floyd influences appear in abundance, a…

Athens weirdcore trio Harvey Milk is a blessedly difficult band to “know.” They frustrate category, aesthetic response, and heavy music scene politics in estimable, admirable ways. On the heels of their feedback-saturated return to recording – first the somewhat tentative Special Wishes and then 2008’s Life . . . the Best Game in Town – they return with A Small Turn of Human Kindness, an album named after the very first track on their 1996 debut. A seven-part dirge, this album continues …

Originally released in 1976 by Nippon Columbia, this is the final album by legendary Japanese space/psych-rockers Far East Family Band. Droney and far-out electronica influenced by German producer/electronic music composer Klaus Schulze is more pronounced, merging prog rock with electronic music to create something rather weird and wonderful. Although Schulze oversaw the production of the album rather than playing on it (which he definitely didn't!), the synth star here is Masanori Takahas…

The collaborative efforts of Athens native Savvas Ysatis and New Yorker Taylor Deupree were well known in the early and mid 1990s through their work as SETI, Futique, and Arc, as well as their soundtrack to Japanese architect Toyo Ito's famed Tower of Winds building in Yokohama, Japan. After going their separate ways, Ysatis to recording for Tresor in Berlin, and Deupree to founding the 12k label, they have united again for their first project in nearly 10 years. Almost all of Ysatis and Deupree…

Alto saxophonist Masayoshi Urabe and percussionist Toshi Ishizuka recorded this extended improvisation at Tokyo's Apia Club, quietly ferocious music with a unique physicality.  "Thrilling, blood-shaking, soul-scraping and defiantly non-sexless improv set from two Japanese titans. Recorded live at the Apia club in Tokyo in December last year, this set showcases Urabe's uniquely physical approach to improvisation -- ferociously concentrated, contorted, sweating and eruptive with physical power. Hi…

Saddleback is the solo project for producer Tony Dupé. In many ways, with its warm and exploratory craft, Everything’s A Love Letter is the culmination of the varying strands in Tony’s musical life.Tony first came to notice in Glovebox, who put an ethereal, ambient twist on the indie-pop scene as far back as the early ‘90s. Glovebox’s swirling sound has been as unhurried as its release schedule, though no matter how spare their output, each album has always found a warm reception. The group were…

Since her Sacred Bones debut last summer, ZOLA JESUS' profile has risen exponentially. Her next full length isn't due 'til 2011, but we feel pretty certain this will tide you over until then. Recording her vocals for the first time with professional instruments, Nika's voice is brought to the powerful forefront of the mix, unleashing emotions that previous work only hinted at. It's a siren song for the apocalypse! Industrial progress is a good analogy for the changes that occur through each cons…

CD edition, 'House' is the 2nd official full-length offering by Cleveland, Ohio duo MIST featuring Sam Goldberg (of Radio People) and John Elliott (Emeralds, Outer Space, Imaginary Softwoods etc) after 2009's self-titled debut effort on Amethyst Sunset. A suite consisting of 7 complex, layered compositions shows new progression in composition and melody from the duo. From the lightning fast, bittersweet crescendo of 'Twin Lanes' to the dramatic chord progressions of 'I Can Still Hear Your Voice'…

Awesome compilation in a limited edition of 300 hand-numbered copies. With Sébastien Roux / Eddie Ladoire, Rafael Toral, Elio Martusciello, David Toop, Terry Day, Matt Davies, Skoltz / Kolgen, Scanner, KK NULL, Alvin Curran, Efzeg, Eddie Prevost / John Butcher, Lawrence English, Rhodri Davies / Joe Williamson / Stefano Tedesco, Olivia Block...."We, the 'kids' (whowe?) should listen more to classical music. At least that's what Deutsche Grammophon wants, since they want us to buy their CDs. B…

2011 release. Satoko Inoue is an experienced performer of Ferrari’s works and had a lively exchange of ideas with the composer, who was also present at the recording sessions. No wonder then that precisely those ideas of open work and its “anecdotal” interpretation were the ones that were most important to him – as such sounds were to him always abstract at the core, even if he first illustrated them in a very visual and associative way. Satoko Inoue writes: “We discussed, he explained ab…

Originally released in a tiny pressing of just 200 CD-Rs by Digitalis Industries, this early James Blackshaw release is brought back in print by the Tompkins Square label, who on the back of last year's 'Cloud Of Unknowing' are intent upon reintroducing the guitarist' back-catalogue to his growing legion of fans (of whom there is almost certainly more than 200). 'Lost Prayers And Motionless Dances' is a single thirty-five minute composition, opening with droning harmonium passages and only…

Nicholas Christian - Matt Milton - Dddie Prevost - Bechir Saade, recorded on sunday 17th of june 2007 at Atomic Studio London. “Spontaneity is not mere impulse… It does not imply undeliberated behaviour or feeling. Spontaneity is behaviour, feeling and thought that is free of external constraint, of imposed restriction. It is not an an uncontrolled effluvium of passion and action. Insofar as the individual removes the fetters of domination that have stifled her or his self-activity, she or he is…

Originally released in 2001. A long overdue compilation of Australia's incredible post-punk history, featuring the finest selection of bands from the period 1978-82, with many previously-unreleased tracks. This is a fantastically inventive and dynamic time in Australian music history, a time when Australia stepped out of the shadow of overseas influence and asserted its own musical identity for the first time. All of the bands on Can't Stop It! released their music independently, either t…

Composed and produced by Marc Behrens in 2007-2008 in Bergen, Oslo and Frankfurt am Main. Basic material recorded in Gloppen, Bergen, on Utvær island, at Brenndalsbreen glacier and close to Rosskleivvatnet lake, Norway. Sleppet originated from a sound art project in 2007, when six renowned artists (Natasha Barrett, Bjarne Kvinnsland, Steve Roden, Chris Watson, Jana Winderen and Marc Behrens) recorded sounds on a 10-day trip through the Norwegian Westlandet region and used the nature exper…

With the saxophonist player Bertrand Gauguet, the trumpet player Franz Hautzinger and the analogue synthesizer player Thomas Lehn, this is a trio with three european musicians who are invested in the improv and new music. Gauguet-Hautzinger-Lehn works to surimpose different sonic spaces : acoustic, amplified, natural or electronic, works to build temporal structures or architectures and works to generate the modulations of an open and combinatory 'chamber music'.

Taku Sugimoto : metronomes, mandolin... Taku Unami: computer, mandolin... Recorded live by Taku Unami at Loop-Line on May 2 and October 16, 2008. Mastered by Taku Unami.

'Six tracks. Recorded at the studio of Extrapool in Nijmegen for a series of 'Brombron' project in October 2009. Mixed and produced by Kazuyuki Kishino at Prima Natura Studio.' label info

Arrington de Dionyso is a multi-instrumentalist who plays guitar, synths and bass clarinet, does Tuvan throat singing and generally sings with the intensity of a madman. And despite being an America, on Malaikat dan singa he sings in Indonesian, which, thanks to his idiosynchratic singing style, makes him sound particularly demented. As it happens, the lyrics are adapted and translated lines from poems by William Blake. Not that you would understand a single one of them unless you know Indonesia…

Spend any amount of time in the company of Keith Rowe and the names of certain painters will arise in conversation with some frequency. Caravaggio, Twombly and, among others, most definitely, Mark Rothko. Just as, long ago, he'd imagined what the guitars in Braque's cubist painting might actually sound like, so, I think, he did with Rothko, often referring to the way the "tinged" the space in which they were hung. For some time, in the early oughts, Rowe tried to place his music in a similar are…

“The cold ice burns like the hot fire” wrote Max Beckmann in 1948 in his letter to an imaginary female painter. The extremes of fire and ice have always been a popular metaphor for the opposites of ardent passion and unfeeling frigidity, of flux and torpor – extremes which, for all our polarizing way of perceiving them, are very similar. This is also true, especially so in fact, in the acoustic field: in terms of their behaviour and dynamics, the sounds we associate with fire and ice – as create…

No guitars and fuck two-second gaps. A collection of six 7"s (Gutter Splint, Fortune b/w The Eyes Of Men, Epistasis, Vacuum, Vanishing Point, and the split with Agathocles). Performed by CHARLIE MUMMA, CORYDON RONNAU, JOHN WIESE. The only band to make a Milton and a Mentors reference on the same album. Typically I think noisecore is best in small blasts, but for those who can't find or play the records, this collection is still pretty terse, don't worry.

    On their seventh studio album, Sightings don’t make any radical breaks from their past. Instead, Richard Hoffman, Jonathan Lockie and Mark Morgan continue the slow evolution of their vision, a sort of "industrialization" of rock. On 2007’s Through the Panama, the trio achieved their best amalgamation yet. City of Straw doesn’t really up the ante, but it stays right there. These 39 minutes run the gamut from chittering electronics to punk chaos. When saying "industrial" in reference to …

Back in 1988 Arbeit Group label released obscure industrial-noise release by project called TRAIT. A-side of the tape includes several different arrangement for inspiration in battle. B-side included several of those arrangements combined together for temporary unified action. 45 minutes of most primitive analogue destruction, leaving no place for easylistening or relaxing moments. Even with the atmopheric and dark moment, sound is extremely decayed and coarse sound of tape loops, manipulation a…

Ben Frost and Daníel Bjarnason are two composers used to shrugging off the distinction between experimental sound-art and deeply felt melodies. frost's vast, blackened post-industrial works often crystallize in moments of quiet beauty before disintegrating in pure visceral noise; bjarnason's orchestral music marries brutal modernism to classical aesthetics one moment and soaring ethereal harmonies the next. and yet here, on the tail of two widely acclaimed releases; bjarnason's procession…

Deleted scenes, the debut album by Marion Wörle aka Frau W (Laptop) and Maciej Sledziecki (Guitar) uses the vocabulary of sound-art just as instinctively as it does elements from psychedelia, noise and Krautrock. The electronic music of the 90s and 2000s is also bursting through every crack on this record. Refreshingly non-academic and equipped with a fine sense of humor they bring great diversity to the day. No one track compares to any other - each has its own very individual character. PIRX i…

In March 2006, Idea Fire Company made their first appearances in Europe. Core members Karla Borecky and Scott Foust linked up with Frans de Waard and hit selected hot spots in The Netherlands, Belgium, and Germany. Adding de Waard (Beequeen, Shifts, Kapotte Muziek, Freiband, etc) was a brave gamble that paid off handsomely. Armed with only a tiny digital keyboard (Borecky), a radio/cassette boombox and small echo unit (Foust), and a sawed off MS 20 (de Waard), the trio captivated audiences large…

2004 release ** "12k presents Every Action, the 3rd full-length release from the UK’s Motion (Chris Coode) and the follow-up to 2002’s critically acclaimed Dust (12k1019). In addition to his work with 12k (Dust, as well as a collaboration with Doron Sadja on 12k’s recent Two Point Two compilation, and an MP3 only release on 12k’s term. series) Coode has worked with Fat Cat and also released the debut Motion cd Pictures (now out of print) on his own imprint. The work on Every ActionPictures was p…

Over the course of a 12", cassette, and a stream of ace youtube vids, Maria Minerva has emerged as one of the most interesting artistes to come into leftfield-pop focus over the last 12 months. 'Cabaret Cixous' is her debut album, a coruscating water-bed of mottled '90s dance-pop memes writhing under blankets of slyly sexy new age synths while her dreamy vocals whisper and croon seductively suggestive lyrics. It's not quite aural soft porn, but there's an inescapably lascivious element to …

The Sons of God: 32 amplified iron plates. Mats Gustafsson: live electronics. Recorded by Olof Madsen on the 5th of March 2006 at Frgfabriken, Stockholm, Sweden. Reception was a sound installation at Frgfabriken (February 18 - March 5, 2006). by the Sons of God and Emanuel Swedenborg and a part of the festival Place and Space, Stockholm New Music. The festival was curated by Magnus Haglund and Magnus Andersson. During the installation period, the following guest-artists were invited for performa…

Mural's lush and inviting sound-world incorporates a wide range of percussive, harmonic, and timbral effects and suggests the vastness and mystery of time, as do Rothko's paintings. With Jim Denley on flute and saxophone, Kim Myhr on acoustic guitar, and Ingar Zach on percussion, the trio created a site-specific and improvisational work relating to, and inspired by, the Rothko murals in the Chapel. Recorded at the Rothko Chapel, March 4, 2010. (metamkine)

In "massacre" Wolfgang Mitterer presents us with a passionate analysis of a timeless threesome: power, religion and violence. An opera for five singers, nine musical instruments and electronics.Based on Christopher Marlowe’s drama »The massacre at Paris«, Wolfgang Mitterer paints an acoustic picture of destruction, conspiracy and the thrill of power. His protagonists virtually rid themselves of their identities, turning into typological representations of different points of view. The concrete e…

Long overdue second release by Renato for LVD.  As with Horse Frenzy and his contributions to the Invisible Pyramid and Crows of the World comp, Renato shows his unique vision for what music can be; drawing comparisons to virtually nothing else out there.  More varied that his previous Hoarse Frenzy, WSO integrates elements of folk, pure electronic experimentation, and even elements of jazz--building at times into highly satisfying complex structures, ebbing away creating new patterns.  For thos…

The release of this, our fifth album, coincides with the tenth anniversary of our first concert together, in Philadephia in 2000. Thanks to all the friends, fans, promoters, and producers who have made it possible for us to continue playing, recording, and touring together all these years. It’s a privilege and pleasure for us and we look forward to sharing the next decade with all of you.

Marks a significant shift in emphasis in this acclaimed musician's work, reflecting a renewed interest in jazz & acoustic performance - this is far more organic than anything he's done before.

"Sound Is, is delightfully not what I had expected when this fine disc arrived, a beautiful soundscape, awash with more layerings and hypnotic cinematic virtues than I would ever hope to find.  Though while saying that, I would be remiss if I didn’t mention the ultra fine hazy jazz that both effortlessly, and rambunctiously flows through this release, and stands not starkly in juxtaposition to the soundscape, but gives it the vibrant life necessary to keep you quietly swinging at 4 in the mornin…

This is Jun Konagaya (a.k.a. GRIM )s first solo album. GRIM released collection of complete sound sources from hanng niap records in 2009. and insanity live performance was resumed after it. And having been released this time is not GRIM but a solo Jun konagaya name. Atrocious feedback/roaring cannot be heard there. "Organ" The malformed story about floating folk song of malformation, such as "Message" of GRIM. Inner surface of the universe is filled with deep sorrow of Jun konagaya, has been ex…