New Arrivals

“All music by Sharif Sehnaoui – no cuts & no overdubbing. Recorded by Fadi Tabbal on the 9th of june 2009 at Bustros palace, Beirut. Mixed & mastered by Fadi Tabbal at Tunefork studios, Beirut. Artwork & design by Mazen Kerbaj. Produced in Lebanon by Al Maslakh.” label info

Recorded live in concert at the Abrons Arts Center, NYC on October 15, 2009, Saturnian documents master saxophonist David S. Ware's triumphant return to performance following his kidney transplant in May 2009. This performance prompted features in The New York Times and on NBC Nightly News.Ware, in full peak of form, performed three extended pieces, each one on a different horn. "Methone" is on the saxello and "Pallene" features the stritch.  David has played these lesser-known members of the sa…

Live composition for portable radios, FM transmitter, 4 corner speaker PA, found sound textures, & Shruti drone box. Sound is all around us. An ethereal tapestry of invisible radio waves and sound pressure waves fills our world. Live in concert, Phoenix and Phaedra plays with our sense of place and scale, by using a surround sound speaker system in combination with a short range FM transmitter which broadcasts to a collection of hand held radios located within the audience. The concert is perfor…

Susann Wehrli (flutes, melodica) with Karin Ernst (laptop, live electronics).DUE is playing. A beginning, a tone, a noise, a sound. Listen. Act, react. No ready-made concept, no intended form. Awareness. Liability. Instant composing, where what has been connects with the here and now and the yet to come. DUE is a formation that joins an acoustic instrument with electronics in a unique way: two women, each musician doing her own thing on her own instrument; but at the same time, the flute music i…

Two contrabass players here, Andrew Lafkas, of whom I not really heard I think and Michael T. Bullock, of whom I did hear before, and know as someone who likes his improvised playing to be minimal - to say the least. I think Bullock at times also uses electronics, but I am not if he uses any of that here. Its not mentioned on the cover, nor the fact that this is perhaps a live concert. I do however think this is a live recording, however one with no audience, but a direct-to-track recording of t…

The IMO is a very large improvisors ensemble, founded in september 2010, that  usually gather about 35 musicians per concert, from all switzerland and beyond. From the, expected, mess of the first concerts emerged a collective consciousness and involvement from the impressive number of musicians included in this ambitious projet. After a year - and 7 concerts - 40 of them met during 3 day during the 2011 summer, marking a sensitive step in the orchestra progression. Working deeply a certai…

Beautiful boxet with 5 CDs "It would be an understatement to say that Iannis Xenakis, who passed away nearly ten years ago, marked the whole second half of the 20th century. Whether or not assisted by computer, he built vast musical architectures, which diverge resolutely from what was being done at the time and is still being done: another world of sounds, combined according to a different, but never gratuitous, approach resulting in something magical. The listener is surrounded by sound, immer…

first ever legit reissue of THE UNITS. This genre-defying band, from San Francisco's barely-documented synth/punk/art underground of the late ‘70s and early ‘80s, combined sarcastic humor with deadly serious cultural critique, and synthetic experimentation with the bombast of punk. Includes the most sought-after early singles and selections from their first LP, Digital Stimulation, along with unreleased demos, and more. Remastered audio. Packaged in gatefold LP style sleeves with 32-page booklet…

Brian Cook (TERMINALS) & wife Maryrose make up this long-running project who's releases on Ajax/3 Beads of Sweat & Siltbreeze have continued to tread a line between haunting country-esque ballads & the brand of noise-rock for which the Terminals is known.

'Performed, recorded by Juntaro Yamanouchi. Five years recordings 1992-1996. No overdubs. No EQ. No effect. As final tribute.'

Back in 1999, on the forefront of the Japanese electronic/acoustic microsound scene, was the then two-piece live improvisation band Minamo (two more members were added in 2001 to make the current four-piece lineup). Their live concerts helped pioneer this hybrid of delicate and natural instrumentation with microscopic electronics and subtle digital processing bringing an organic richness to a genre that threatened to remain coldly digital. Fans of Minamo not lucky enough to see them create their…

Finally available on CD. Ranked 3rd best album of 2008 in The Wire magazine. Intensely psychedelic and mixed for maximum hallucinations, this marks a pretty heavy departure from the Hospitals of old. Heavy tranced-out riffs, weird pop, cracked folk, disorienting noise, paranoid vibes. Main Hospital Adam Stonehouse with Rob Enbom & Rod Meyer from Eat Skull and Chris Gunn from The Hunches. The most forward-thinking album of 2008 but also an album of songs with actual emotional intensity. Not a par…

All music by Charbel Haber, recorded mixed and mastered by fadi tabbal at tunefork studios on the 16th and 17th of January 2012. all track titles are taken from roberto bolaño's novel 'nazi literature in the americas'. artwork and design by mazen kerbaj. produced in lebanon by al maslakh

NEW SERIES FRAMEWORKAn extension of our CONCRETE ELECTRONICS NOISE,a brand new mix-up of unusual conceptions of sound material by young unknown composers, well known not-so-young composers and old but clever composers.Benjamin Thigpen, nomad, born in the United States, immigrated to Paris at the age of 31. He studied music, literature, philosophy and esthetics. He now composes in European studios such as GRM, EMS, Visby and STEIM, as well as in his bedroom and in the train. After six years as a …

After a series of CD-R re-issues, Klanggalerie are now proud to present you a new silver CD edition of one of the most obscure records ever to be recorded: Konstruktivists' "Black December" is a highly neglected gem in the history of Industrial music. Not as noisy as the band's masterpiece "Psykho Genetika", this record is a classic full of stunning music that doesn't fit into any categoriz…

Seductive but perilous, he Kilimanjaro Darkjazz Ensemble's new session under the Mount Fuji Doomjazz Corporation name is a new combination of drones and jazz. Creating sensual, murky and dark atmospheres, “Succubus” the evolution of this band, with stronger horns and a focus on hypnotic, soundtrack-like material. A deep, dark and yet seductive trip again for the corporation.

Debut album by Seattle's Rafael Anton Irisarri, released in 2007 on Deaf Center's Miasmah label. A splendid but pitch black album based on long piano melodies, distant drones and even more distant glitches, "Daydreaming" is a particularely sad and introvert CD, which takes the most emotional and melancholic side of the other Miasmah releases, but expresses them in a very direct and stripped down way. Splendid.

A striking collaboration took place between Andrea Belfi on drums and assorted small percussion and Rutger Zuydervelt on guitar and organ. Together they produce the 'pulses' and 'places' mentioned in the title. Organic yet partially improvised, it resembles a kind of sonic geography. The listener is taken away for a journey of mild drones, soft yet outspoken percussion. A strong release.

This CD is the soundtrack to the film AUN, directed by Edgar Honetschlger. With stills from the film in the full colour 28 page booklet, the artwork is designed by Philip Marshall. Intention : 'AUN Ð the beginning and the end of all things' tells the story of mankind's quest for the future, his desire to create the tomorrow, his fear of and loathing for the apocalypse. It spins the Faustian theme twice and lays bare open the inexhaustible Judea/Christian believe in progress, which by the…

'A 2-CD set containing four very different settings all featuring Paul Rutherford (trombone & euphonium): two festival solos - one with electronics and the other without;a festival brass quartet with George Lewis (trombone), Martin Mayes (french horn) & Melvyn Poore (tuba); and a studio trio with Paul Rogers (double bass) & Nigel Morris (drum set). The electronically enhanced solo and the brass quartet are unlike anything else in Rutherford's discography. All previously unissued.'

The Preservation label presents From Here To There, the debut album from San Francisco’s Ben Swire. While From Here To There can sit snugly in the canon of electronica, it’s played out with expansive vision and immediate warmth. Woven together with a deft sense of minimalism and melody using double bass, interlocking guitars and crisp percussion, the use of live instrumentation against densely layered field recordings finds great balance between elasticity and deep ambient underpinnings. The acc…

CD version: Leon Dufficy is primarily known as guitarist in the hippie-jam outfit, Hush Arbors, but now he steps into his own as the driving force behind Winter Drones. Sounding like the perfect combination of fuzzed-out ambient drift, shoegaze swirl and propulsive pop sensibilities, Winter Drones have slowly gained attention in their native U.K. with a handful of obscure CD-R/cassette releases and compilation appearances. Earlier this year, the band's debut album, Blood In The Coffin, ca…

Things get dislocated, gather themselves, spread across areas of varying intensities. More intimate or more complex song. closer to the sacred, left untouched by mediation, even slightly incomprehensible, though mostlyambivalent and reality-piercing. At times, the music seems to lead us to a meaning that is deeper than the textual level. or is it the depth of another possible song? That's when the music takes us to areas that seem perpetually urging, more than their simple addition of voi…

A journey to the Chinese Qinghai province (Tibetan culture region of Amdo) was commissioned by the Goethe-Institut China. Its purpose was to experience the province and to produce art works to be presented at The Third Guangzhou Triennial, subtitled 'Farewell to Post-Colonialism' in the same year. The sound installation Unit and a series of photographs called Cutting Qinghai resulted from this journey, during which I took photographs and made audio recordings. The installation was presente…

Fifth and final release by Far East Family Band (if you include the 1973s Nihonjin released under the Far Out banner), Tenkujin was the first of the bands albums to be released in the US on the small and short-lived Calfornian-based All Ears label. Without Kitaro, who by this time had departed to persue a solo career, the band reverted to its earlier balled-based sound, this time supported on drums by former Samurai alumnist Yujin Harada. The expected Pink Floyd influences appear in abundance, a…

The cracked, pinched, squeaked, and scraped sounds of the twin trumpets of Mazen Kerbaj and Birgit Ulher and the damped, scrubbed, and rasping sounds of Sharif Sehnaoui seem surprisingly familiar these days. Now that so many players have incorporated these techniques into their vocabularies, it allows one to focus on how they‘re used interactively rather than simply as sounds in and of themselves. Kerbaj and Sehnaoui have gained some visibility as core members of a group of free improvisers base…

“The work of People Like Us rests gingerly between two dangerous positions: on the one hand, the risk of fashioning merely stylish pastiche out of borrowed finery for the sake of self-conscious kitschiness; on the other hand, the risk of making simplistic, heavy handedly "topical" audio-jokes at the expense of one's raw material to a smug effect. If the lounge creeps uncritically snack on their sonic ingredients and coast on being "groovy", the cads of pseudo-critique take cheap shots at straw m…

Recorded on March 8th, 2008 at Alte Gerberel, St. Johann in Tirol/Austria at Festival ArtActs 2008. Features on trombone Johannes Bauer, drums Paal Nilssen-Love, analogue synthesizer Thomas Lehn & reeds Ken Vandermark.

Malpais is the first collaborative effort between William Fowler Collins and Gog. With both musicians based in the American Southwest (WFC in New Mexico and Gog in Arizona), the music is layered with hallucinatory visions of abandoned mines, atomic bomb blasts, genocide, and space travel. The listener is taken to a place that feels as though it could be the surface of the moon or a scorched earth strewn with bone dust and ash. Photograph by Max Aguilera-Hellweg.

Scelsi Edition volume 2: three rarely recorded orchestral works, Hymnos, Hurqualia and Konx-Om-Pax, played by the Carnegie Mellon Philharmonic under Juan Pablo Izquierdo, with selections from Canti del Capricorno sung by Pauline Vaillancourt and Douglas Ahlstedt.

Masami Akita alias Merzbow, the king of noise music, the defender of the vegan cause, the animals lover is coming back with a cosmic and devastating magma, a spinning metal tapestry-work with loops of echoes in a whale rutting way. As usual, to be listened to very loudly. Mix realized at Munemihouse in Tokyo during the month of April in 2011.

Bruce Russell has an MA in Political Studies, and works as an information designer. He has previously worked in the field of archives management, during which time he ran the National Radio sound archive. As a sound artist Russell is known mainly for his involvement in New Zealand's longest-running improvisational 'post-rock' group, the Dead C., although he also works in the field of radiophonic composition, and records as a solo artist and with the trio A Handful of Dust. He performs wit…

This rare collection of recordings from the 1970s features Anthony Braxton at the height of his power and makes an indispensable contribution to his discography. Personally selected by esteemed Italian musicologist Francesco Martinelli from long forgotten cassettes stored in the saxophonist's home, these six tracks were not released commercially until 1999. While the sound quality is mixed, the music is some of Braxton's best. There are two solo performances ("Composition 8G" and "Composition 8C…

Icelandic cellist Hildur Gudnadóttir presents a new album, Leyfdu Ljósinu (trans. "Allow The Light"), recorded live at the Music Research Centre, University of York, in January 2012, by Tony Myatt, using a SoundField ST450 Ambisonic microphone and two Neumann U87 microphones (NB -- it was not played in a concert environment and there was no audience). To be faithful to time and space -- elements vital to the movement of sound -- this album was recorded entirely live, with no post-tampering …

Excellent first recordings by Mani and Luigi Archetti.Far away from Mani's space rock releases these are great improvisational postpunkish ethnic jazzy rock masterpieces "Integrating themselves into the sound of nature, or stretching out their feelers, reaching the chaotic realms of unheard soundwaves surrounding us, they may also become devouring monsters, eating up your guts, brain and ears like roaring chainsaws through inventions and delicate discoverings make it a pleasant journey in wonder…

the first title in yasunori saito’s exhaustive survey of the music of masayuki takayanagi via his jinya disc imprint... the arrival of these discs in the mms catalogue has been a long time in the making; extremely glad to have these seminal documents of free-scrape/noise-guitar crossover in stock !!!this disc features takayanagi on solo “tabletop guitar” as recorded “aug 4, 1990 at ‘new direction for the arts, regular concert vol.69’ jean jean tokyo” - nothing at all like fred frith, keith rowe,…

The second 12k sampler CD features 12 songs chronologically looking forward to early 2012 and back to the recent releases and clocks in at over 60 minutes. It offers a sneak-peak at upcoming music plus a re-cap of the past year. The CD is being sold for only $4/$6 (USA/INT'L respectively) and that includes shipping. It's an inexpensive way to familiarize yourself with the latest on 12k. 12k welcomes two new artists to the roster: The Boats (UK) bring their electro-acoustics into song-stru…

Bob Rutman has invented what may well be the largest stringed instrument ever made. with a bow made of fishing line, he bows the suspension of a gigantic steel sail and in this way creates drones whose volume is not unlike the noise of a plane taking off. we might be reminded of russolo and 'the art of noise' by the futurists, or of machine music or industrial. and we're right and wrong there. of course, simply the look of rutman's steel cello gives a martial impression. so, it's not surp…

Originally released in 1981 as an untitled mini album on Zick Zack, "Dub & Die" completes our re-issue programme of the band's earliest works. Recorded at SADW's Cassettencombinat studio in Berlin, the original 8 tracks represent the first release by this German Avantgarde/Industrial group that was once a member of the "Geniale Dilettanten" movement. Again, comparison with early Einstürzende Neubauten is permitted, altho…

Following on from their highly acclaimed appearance on the Treader Duos, here is a whole CD devoted to the highly compatible and innovative duo of saxophonist John Butcher and percussionist Mark Sanders. Their varied improvisations are heard at two afternoon concerts - one at the 2010 Freedom of the City festival in London, the other nearly a year later at Southampton University