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United Bible Studies is an experimental and improvisational folk band from Ireland, with members in the UK. There are a few core members such as David Colohan as well as a host of incidental contributors on both the live performances and studio albums. Pastoral psychedelia and traditional song have remained the cornerstones of the band's style, alongside collective improvisation that can take the form of extended drone-works or explosive outbursts of ecstatic noise. The lineup currently in…
"Communist Dub is Pan Sonic member Ilpo Väisänen's second solo album for Editions Mego (Asuma having appeared 2001). This striking new release is a statement against technocracy and the erosion of human community. Whilst Jamaican dub and ska are often cited as an influence on Väisänen's work, this album utilizes dub as strategy as opposed to genre -- the precise manipulation of sound and the removal of all extraneous material to create a disorientating landscape of austere spaces. Pulled in…
Fabio Borgazzi – aka Fabio Fabor – played literally every known style of music, from baroque to “satanic” electronic, in his library music albums released during his career which lasted almost seven decades. Born in Milan in 1920, Fabor was one of the great artisans of post-war Italian popular music. Author, arranger and conductor with a classical background, he started writing songs (in the 1950’s and 1960’s) for popstars such as Nilla Pizzi, John…
Electronic musician and Buchla extraordinaire, Todd Barton, has returned for his second release with Ultraviolet Light. On this tape he focuses solely on compositions for the Hordijk analog synthesizer designed by the legendary synthesis guru, Rob Hordijk. 3 color fluorescent silkscreen cassette cover. Edition of 150.
Kyle Eyre Clyd began her solo noise project using unclaimed electronics left behind at her residence, Brooklyn’s Silent Barn. Since then, her semi-outsider status—as a Southerner among the Northeast’s local scenes, a non-musician amongst musicians, a woman amongst men—has allowed her to develop a unique voice, tangential to the harsh noise genre. On "Eaux", her debut release on Ultraviolet Light, Clyd combines ARP 2600 synthesizer performance, mixer feedback, tape/digital manipulation and field …
"Lescudjack" is one of the finest moments in Michael Chapman's epic discography. Originally featured on 1978's "Life On The Ceiling" album, the instrumental track melded the British guitarist's distinctive finger picking style with throbbing synthesizer lines and heavy space rock influences. Famously a favourite of Daniele Baldelli, and a long-standing secret weapon of Kosmiche-minded DJs, Chapman's peerless original version is joined here by a brilliant Lexx edit that subtly extends it into a m…
The Brown brothers emerge from the depths of California with a new collection of oozing drone centred on ‘heavy visions of negative west coast mythology.’Darkness is never far away from a Robedoor session, and their first album in four years finds Alex and Britt Brown dealing with ‘multiple seismic life events.’ Naturally this results in quite a powerful listen, Robedoor’s sludge even denser and mired in more pain and crepuscular mysticism. The brothers craftily let the gloom seep in slowly over…
"In this double album named after the famous Beatles' album but having little or no artistic relationship to the same, we have decided to throw aside all preconceived notions of what music has been and recreate the wheel in a rocking fashion, utilizing a myriad of miscellaneous and sometimes famous musicians to put together a concoction of je ne sais quoi. There is a giant spider picking away at and eating your face one piece of flesh at a time, Larry. I like slow songs, and I like fast songs. I…
First ever re-issue of this mythical Maurizio Bianchi tape from 1980. Mörder Tape was recorded in Milano at Mectpyo Studio using concrete sounds and radio waves. Another very fascinating M.B. early experiment. Limited edition of 150 copies in digipack. Cover images are original M.B. artworks from 1980.
The master of atmospheric magick and nuance, Brian Pyle a.k.a. Ensemble Economique returns to Denovali with the latest findings of his endless search in the shadows. With In Silhouette the revered artist and engineer commits some of his sharpest, most absorbing synthesis at the service of a cryptic, underlying narrative which never fully gives up its secrets but keeps you guessing by way of adroit inference and suggestion. Quite crucially it all feels somehow fresh yet deeply timeless, distillin…
Finnish multimedia artist Jan Anderzén returns to Alter in characteristically singular style under his Tomutonttu guise. Kevätjuhla (translated as "Spring Celebration") is his second release for the label following a split 7" with Oneohtrix Point Never in 2010 (ALT02) and his first vinyl long player since 2011. Lately Jan has been busy within visual art, making mosaics, quilts and creating installation work for which the music of Kevätjuhla was initially composed. Inspired by the multitudes of…
Sophomore album from minimalist improviser, Ben Vince. Monuments comes into an age of global uncertainty, demanding a response. From an axis of improvisation, Vince’s saxophone works embrace the contours of more dynamic, emotive landscapes where rich motifs coalesce and feel their way around each other. In a departure from the more rigid looping of his debut, The Purge, this album explores much more progressive minimalist structures that undulate in and out of phase whilst not being afraid…
"Gente Di Rispetto"is a dramatic 1975 film directed by Luigi Zampa and starring Franco Nero, Jennifer O'Neil, James Mason. Rotten atmosphere surrounding a young teacher who moves from Sondrio in Sicily. Here the young woman finds a home at the powerful lawyer Bellocampo’s house and she has a love affair with Professor Belcore. Her life is in constant danger after being finished in the gears of a very dangerous human society ...
Ennio Morricone has been able to perfectly represent in mus…
Swirling guitars and proto-ambient electronica sounds from many light years away! The Astro-Sound of Magnificence, from Beyond the Year 2000...a unique capsule of a funky, psychedelic rhythm section jamming, with snarling, stabbing and swooshing cranked-up-to-infinity electric guitar voyages piloted by Wrecking Crew veteran Jerry Cole, polished and primed for takeoff with a string section playing eerie, beckoning melodies in unison. These are the sounds of epiphanies concerning the future, …
After the success of their debut EP, post-punk art rockers Y Pants performed regularly in NYC and other East Coast venues. In 1981 they toured Europe for six weeks and upon return went into the studio to record their only LP, Beat It Down, released in 1982 on Neutral Records (Sonic Youth, Glenn Branca et al). The album extends the band's signature pared down rollicking minimalism. The 10 songs are varied, using surprising and inventive instrumentation. The music is at once filled with a s…
"'In the late '70s and early '80s everyone had very fluid art identities. One day you were a filmmaker, the next day a musician, and Y Pants was very much a part of it... The lyrics are ironic without being callous, the voices are sultry, the music is repetitive and trance-like... [with] a sense of urgency - like something being driven out.' --Kiki Smith. Y PANTS were a three-woman New York band: Barbara Ess, Virginia (Verge) Piersol and Gail Vachon, all visual artists. They played in clu…
In the late 1950s, when Mexican-born Space Age Pop avatar Esquivel was in his prime, orchestra leader/composer/arranger Bob Thompson was his American stylistic counterpart. They recorded for the same label (RCA Victor), employed many of the same musicians and vocalists, and experimented with sound in the same Los Angeles studios.His RCA albums, Mmm, Nice!, Just for Kicks, and On the Rocks, embody 1950s orchestral pop: brimming with sparkle and sophistication, an appealing soundtrack for the…
It seems bizarre that this LP’s original copy was pressed in such low numbers in 1969 that it has become an unusually expensive and wanted collector’s item that hasn’t been repressed on vinyl (and never released on CD) until now. Soulset were, after all, in the late 1960s one of the most popular pop groups in Finland. Their recorded legacy is relatively short, and when this split LP was released, Soulset were already about to call it a day. Here Soulset perform five fine cuts of jazzy Fenno-soul…
Agrim Agadez is a compilation of contemporary field recordings of guitar music from the Sahelian empire of Niger. Focusing on guitar music throughout the country, from meditative starlight ballads, fuzzy Hendrix covers, rag tag wedding bands, to political minded folk guitarists. A beautiful encapsulation of the diversity of guitar as it exists today, recorded over years of travels. Like most of the Sahel, the guitar is found in every corner of Niger. Whether acoustic, electric, or built …
After 40 years since its theatrical release, presented here for the first time on vinyl is the phenomenal soundtrack for Il Gatto dagli Occhi di Giada (also known as ‘Watch Me When I Kill’) - directed by Antonio Bido (director of THE BLOODSTAINED SHADOW). This top-notch score is undeniably catchy, yet has its creepy moments.The film’s score was created by a supergroup specifically formed for this project and consisted of Adriano Monteduro (vocals and guitar; known for his 1974 record in which h…