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Trost continues its Trost Jukebox Series of 7"s. Okkyung Lee - cello; Lasse Marhaug - electronics. Recorded at Lasse's studio in Oslo. No overdubs, minimal editing. Mastered by Martin Siewert. Artwork by Lasse Marhaug.
Trost continues its Trost Jukebox Series of 7"s. Chra - electronics; Pita - modular synthesizer, electronics. Mastered by Martin Siewert. Artwork by Lasse Marhaug.
CD Edition. Mental Experience present first ever reissue of AK Musick, originally released in 1972. Radical, freaked-out sound with hints of free-jazz, improv and avant-garde, AK Musick was an improv collective assembled by clarinetist Hans Kumpf to "make music in a very democratic way". The five players had a classical education but they were also influenced by avant-garde composers like Helmut Lachenmann and Johannes Fritsch. Their only album, AK Musick, was recorded at the famous Bauer Stud…
During the 1970s, Tilahun Gessesse enjoyed a successful career in his native Ethiopia. Blessed with a sublime voice, he specialized in creating popular hybrids of hot American styles - most notably soul and jazz - with traditional Ethiopian styles. Sima!, which is named after one of his most revered 7" singles, gather together music from numerous releases throughout the 1970s. It boasts numerous gems that see Gessesse combine his bold, snaking vocals with rocking rhythms, modal jazz mysticism, a…
First House is the final recordings from free jazz legend and Birmingham, Alabama native, Arthur Doyle. The LP was recorded live at the Stone July 11, 2012 and these six pieces are backed by His New Quiet Screamers, a Brooklyn-based ensemble adding muscle and movement to Doyle's always already free, non-linear saxophone, flute and vocal lines. Born in Birmingham in 1944, Doyle studied Music Education at Tennessee State University in Nashville. In his early years, Doyle worked with a wide array o…
Colin Newman’s 3 classic early 80’s solo albums originally released on Beggars Banquet / 4AD re-released on his own new imprint Sentient Sonics. "These albums were recorded and released between 1980 & 1982 in a “post 154” rush of activity. While all the albums bear the name Colin Newman they differ in that A-Z & Not To were recorded as “band” albums with Colin being joined by Wire’s Robert Grey, Mike Thorne (who also produced, as he had the first 3 Wire albums) & Desmond Simmons on A-Z and Rober…
An early minimal masterpiece "Secrets of the Blue Bag" was titled for a Chinese description of the sky, and was originally recorded (and released) in 1972, at a time when Anthony Moore's experiments were still known only to a select few cognoscente. Of course his work with Slapp Happy and beyond, as a solo artist, vastly increased his audience, although it will be the hardcore fans alone who will truly return to this album on a regular basis. Primarily instrumental, the music is based around the…
A straighter album than some of the early experimental work of Jards Macale – but maybe a greater album as well – and one that really shows the singer coming into his own, and finding a way to nestle his fresh ideas within the best settings of 70s MPB! The shift's a bit like the maturation some of his contemporaries were going through at the time – like Caetano Veloso or Gal Costa – reaching for a new level of sophistication in his arrangements, which might tie him back to older historical modes…
“Cathedrals” (pietroriparbelli.bandcamp.com) is a sound archive born in 2006, conceived and developed by Pietro Riparbelli. Opened to many artists and researcher’s contribution, up to now it has tens of hours of field recordings, captured inside cathedrals and other sacred places of Christian tradition. A selection of the field recordings of cathedrals, basiliche, Italian shrines, edited by Riparbelli himself, gives birth to “Italian Cathedrals, Sound Archive 2006 / 2014”.
"Half-human, half-div…
An inner study of fog. A slow descent through a hazy interior lined with various horns, scraps of breath, looped feedback, and layers of tape hiss.
Matthew P. Hopkins (Australia, 1978) is an artist based in Melbourne, working with sound, visual art, and writing. His audio work sits loosely within the realm of concrete music.
A sublime bit of Morricone experimental side, all in all this is pure genius! Cinedelic Records present a reissue of Ennio Morricone's soundtrack for the 1968 film Eat It (Mangiala). Even if you find the film Eat It, a film bit too weak-willed of social satire and advertising, the first and last of director Francesco Casaretti, you cannot miss out on the soundtrack from the two-time Academy Award winner Ennio Morricone, composed during his most prolific and experimental period, available for …
It will always be difficult to pinpoint where free jazz started, but it´s reasonable to say it was shaped and cultivated in New York in the late 1950s and early 1960s. Albert Ayler and Cecil Taylor were important players, as was Ornette Coleman. Axiom has significant historical importance by being what is quite possibly the first European free jazz record, even if it was not released at the time. Recorded in Copenhagen in October 1963, it should have been Tom Prehn Quartet's debut album for…
This double DVD release presents for the first time a selection of the cathodic experimental works from the seminal Italo-american artist Aldo Tambellini, a selection of classic documents of one of the first pioneers of video art and audiovisual experimentation from New York east side scene of the 60s and 70s. Unreleased and classic works available for the first time. Curated by Pia Bolognesi e Giulio Bursi. This is the first release of the Classic series by Von Archives.
A never-heard live session from the great Eje Thelin – a mid 70s set that has the trombonist working with a cool quartet that includes some Fender Rhodes from Harald Svensson – who makes a wonderful partner for Thelin's long-blown lines! Eje had already grown tremendously as a musician in the 60s – from bop to modern to avant in the space of a few short years – and here, he moves back into more soulful territory which opens up perfectly next to the Rhodes – with these very fluid, open solos that…
This split LP is one of several collaborative projects between Zbigniew Karkowski and Lars Åkerlund, which took place during the years 2012–2013. The collaboration between Karkowski and Åkerlund goes back to the 1980s, with projects like P.I.T.T. and the Dreamers and Onge-4-X. They continued during the 90s with an opera setting of Dostoyevsky´s The Idiot and a trio with Dror Feiler, among other things. Collaborations during recent years include the CD Horology, which Karkowski and Åkerlun…
In the wake of the star-filled A Minute To Pray A Second To Die, The Flesh Eaters' frontman Chris D. assembled a leaner, meaner band to deliver his next unbound vision. Forever Came Today, the group's third full-length album, was originally released on Ruby Records in 1982 and features Don Kirk on guitar, Robyn Jameson on bass, Chris Wahl on drums, Steve Berlin on sax and Chris D.'s unmistakable voice."My Life To Live" and "Shallow Water" are masterfully wrought punk tunes, reverberating with he…
Japanese noise legend Hiroshi Hasegawa has begun his improvisation with his voice and percussion in early 80's and in 1989 he formed the amazing noise band and performance art act C.C.C.C. (Cosmic Coincidence Control Center) which's concept was improvisational mass-noise with very loud sound. Also he has begun his solo unit Mortal Vision with guitar in 1990 as well as playing in C.C.C.C. and then he has…
This is one of the most obscure and beautiful collections of Italian library ever released. Originally conceived in the early eighties as a soundtrack for TV specials about space, aliens and other thrills, the songs included on this LP are true masterpieces of esoteric electronic music with heady hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. A must have for fans of Tangerine Dream, Brian Eno, Neu!…
"Weird and wonderful electronics from the Italian scene of the early…
Sublime Frequencies presents the second of three volumes of contemporary field recordings recorded by Hisham Mayet in Burkina Faso during three expeditions from 2013-2015. Volume 2 spotlights Mossi, Bissa, Bwaba, Fulani, and Samo music. One side one, riveting string instruments such as the Mossi and Bissa koundé accompany gnarled, primal vocal epics extolling the virtues of kings and the common man. On side two, the otherworldly sounds of the thianhou (reed zither) and the lolongo (bow-shaped mo…
Sublime Frequencies presents the third volume in a three volume set of contemporary field recordings by Hisham Mayet recorded in Burkina Faso during three expeditions from 2013-2015. Volume 3 includes regional instruments such as the Donso ngoni (hunters harp). The Donso hunters are a mystical animist sect living in western Burkina, Faso whose music is a source of protection and strength for the hunt. The Dioula are represented by one of Bobo-Dioulasso's premiere ensembles, Fassobolomba, who fus…