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If I were to look at the ideas promoted by the Experimental Studio against Ma e Instrumenty's practices, I would refer to the concept of music which is - for certain reasons - 'impossible' studio electronic productions, preparing instruments, using and editing tapes - all those practices once broadened the perspectives of the art of sound. However, the 'unreachable' sound combinations produced by Ma e Instrumenty could also be considered as an attempt to overcome the 'impossibility' in music. Ho…
In all respects, Andrzej Biezan (1945-83) was an original and creative composer. His main means of expression were intuitive creation based on general assumptions and well balanced improvisation respecting proportions typical of traditional narrative.According to Biezan's approach, music that is written down is 'music about music'. True creation is only possible in the present moment - neither in the past nor in the future. It is an activity performed in real time. Any reference to the r…
In May 2013, Disembraining invited Mattin to Australia to conceive a series of works addressing the question What is not music? The question refers respectfully to the long-running Australian experimental festival What is Music? reframing it as negation in order to investigate -What sounds remain impossible to assimilate? What isn't music ? Mattin responded by creating the 5th edition of his songbook series: an ongoing work that uses 'improvisation as a way or exposing structural clichés in pop-…
**Singular 35 minute piece of analog modular composition** "Thomas Ankersmit is a musician and installation artist based in Berlin. Since 2006 his main instrument, both live and in the studio, has been the Serge analogue modular synthesizer. Acoustic phenomena such as sound reflections, infrasonic vibration, otoacoustic emissions, and highly directional projections of sound have been an important part of his work since the early 2000's. In the winter of 2011-2012 Ankersmit was invited by …
Ultralimited, comes as transparent red vinyl. Re-issue of industrial music's 'holy grail', released back in 1984 on Eskimo Records. Not much is known about this obscure Japanese band, White Hospital are a duo, Jun Konagaya of Grim and Tomo Kuwahara of Vasilisk. In the early 80s Jun formed White Hospital together with Tomasada Kuwahara. They released one album called “Holocaust” in 1984 and a 7″ “We Wish You Are Merry X’mas”. Kuwuhara moved on to Vasilisk, while Jun released a number of solo r…
Re-issue of Japanese tribal/industrial pioneers, released back in 1988 on Eskimo Records. Originally recorded and mixed in Tokyo from December '87 to May '88, now remastered with additional bonus track. Comes as transparent blue vinyl.
Re-issue of Japanese tribal/industrial pioneers, released back in 1987 on Eskimo Records. Originally recorded and mixed in Tokyo from December '86 to March '87 now remastered with additional bonus track. Comes as transparent purple vinyl.
Kapital is an encounter of two artists that usually penetrate different musical genres and ideas. It is an encounter of two musical worlds: psychoactive electro-acoustic music generated with electronic instruments and found objects and extreme psychedelia based on the sounds of processed guitar. Zio?ek and Iwan'ski worked together for the first time during recording sessions of improvisational group Innercity Ensemble formed in 2011. In August of 2013 they recorded in Bory Tucholskie their debut…
2014 repress. Recollection GRM is one more label within the Editions Mego family of labels. Its aim is to make available on vinyl the vast archives of Groupe De Recherches Musicales (GRM). Being released in batches of two every three months, it will present both known and lesser-known works. All releases will be re-cut at Dubplates & Mastering and packaged in new artwork by Stephen O'Malley, featuring bi-lingual (French/English) texts. Some of these pioneering works have been out-of-print …
'Music for Stocking Top, Swing and Staircase' is a spellbinding archival discovery documenting a performance by one of the missing links in experimental electronic and prototypical industrial music. John Lacey is one of the background players in British electronic music and conceptual performance art. He was an early collaborator with Chris Carter and Cosey Fanni Tutti and a crucial member of COUM Transmissions alongside Throbbing Gristle's Genesis P-Orridge. Lacey contributed technical directio…
Recording during concerts in Chicago by Mikolaj Trzaska - saxophones, bass clarinet; Steve Swell - trombone; Per-Åke Holmlander - tuba; Tim Daisy - drums
This, Majkowski's third solo double bass release, is an album comprising of two pieces, which in their own way explore the relationship between stillness and momentum. The spectrum and resonance of particular sustained frequencies, and the atmosphere which they create is also at the core of this work. Majkowski captures these aspects via specific and highly detailed playing approaches, sustained over extended periods of time. We hear an inner pulse in slow melodies, and floating, almost frozen, …
Wire Magazine's official King of All Skronk Mats Gustafsson is back with his partner in time Paal Nilssen-Love for a new duo record this week. I'm rather struck by the creepy skeleton on the front cover, and I'm also gleaning enjoyment from the textural bubble'n'squeak madness on the disc. There are quite a few droney periods on this one, with Gustafsson eking soft moans and primal howls and jagged rasps from his saxophone, with the drums often puttering around amorphously, but there are also mo…
Mats Gustafsson, aka King Skronk, aka Skronkmeister General, aka The Skronk Controller, aka Squeaky Pete, aka Skronkmaster Flash, joins forces with another experimental giant Lasse Marhaug (aka The Ear Destroyer, aka Mr Skreee, aka Electro Crunch Bastard, aka Testicle Hazard) on this sanity-obliterating collaboration. Squeaky reeds go head to head against fluttering, hissing, rotting reels in a shrill, broken, fluttering noise experiment. It sounds horrible, of course, and if you're looking at t…
Stones & 20 Action and Destruction Films 1965-1979. “If I had to name a single Austrian filmmaker who to this day has not received the international recognition deserved for the artistic level his work attained, I would unhesitatingly name him. When he died in 1988 at the early age of 50, Ernst Schmidt Jr. left behind a body of work that could hardly be more multifaceted, including experimental documentary films, material films, expanded cinema, abstract films, project films, conceptual films, …
Atsushi Reizen, living in Japan, uses electric-guitar-based sound sources with drone, noise and minimalist techniques. In 2007 he formed the ambient quartet Nerae, but he has now left the group to focus on his solo music. This LP features two newly recorded tracks based on the concept of 'differing speeds', and a track recorded live at Fylkingen in Stockholm.
Kye is proud to present a new 7' coupling from Philadelphia's Good Area, expanding and refining the signature sound first heard on 2013's 'French Antarctica' LP. 'Cubic Zirconia' offers a coarse instrumental homage to the cubic crystalline form of zirconium dioxide. 'Bad Karlshafen' delivers a stark, text-based rumination on the breakfast habits of the Huguenots, collapsing ice-rinks and astral photography, bundled together in a viper's nest of non sequiturs. 'Cubic Zirconia' b/w 'Bad Karlshafen…
Ralph Cumbers' Bass Clef debuts on PAN with four pieces of fluent modular acid. The most substantial dancefloor drop on a tour of duty which has seen him release on Public Information, Punch Drunk, Alter, and Mordant Music (as Some Truths) in the past 6 months or so, his 'Raven Yr Own Worl' EP carves a dead English dance sound from his favoured Bug Brand modular system, made by Tom Bug of Bristol. For want of a more concise phrase, it's a Radiophonic Dub Rave style, coming off like the eager off…
This is our hommage to a great musician (1958 - 2013). A CD full of music, that had been never published, Karkowski made with different musicians around the globe. Not only 'a piece in memory of' but some real music played with him! Get yourself a glass of some good wine and blast your head off with this! In Karkowski's spirit ! Cheers man !! With Daniel Buess, Sin:Ned, Lars Akerlund, Julien Ottavi, Ilios and Kasper T. Toeplitz.