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As a sax player, Junji Hirose has been a prominent figure on the free jazz-improvised music scene since the 1970's. But he has another side: he collects everyday odds and ends and puts them together to create instruments which he uses in noise performance. Hirose calls these noise instruments SSI (self-made sound instruments). In 2013, he released the CD SSI-4 (hitorri-997). This is his new release, SSI-5. To make the SSI No. 5 instrument, he put together about 30 vinyl chloride pipes and, using…
"The trajectory of Alex Cobb's music over the course of the last decade could be viewed as a distillation of tone and atmosphere to arrive at Chantepleure, his most optimistic and sanguine musical statement to date. The album, however, was created at a time of heartache, isolation, and emotional upheaval and acts as a balm of tender tones where abstract guitar lines circle and suspend in a kind of refined elegance. Noise, once a hallmark of Cobb's music, has not been entirely removed, but manife…
Recorded in Antwerp. Winter / spring 2012 - 2013, and spring 2015. Inspired by a poem of Percy Shelley, mid 20th century radio plays, and – of course – an island. This cassette is a revised version of the eponymous LP, released two years ago. A playwright visits an uninhabited island. He takes a rest in an abandoned lighthouse, nods off and enters the island’s mind. Through transfiguration into the isle’s forms – rock, shrubs, water, its fauna and flora, … he becomes the island.
Sensational!!! 4LP box set with printed inner sleeves, black vinyls/black labels, ltd ed 75 copies only numbered. "second and last volume; including their earliest available recordings from 1985 (not available anywhere else)!" (ep) Fog and Fire #51: rec. January 8, 1994 at Northwoods Studios, Michigan, originally released by Arc on CD; Branches #52: rec. 2000, originally released by Entropy on CD; Spinning #53: rec. June 7th & 8th, 1996 at Northwoods Studios, Michigan, originally released …
Inspired by the American Southwest, "How could you believe me when I told you that I loved you when you know I've been a liar all my life" is the new album by American musician Celer, aka Will Long, now living in Japan. Sourced from an electric piano and wooden flute, tape loops were copied to sun-baked cassette tapes, and a warped vinyl tester, using the most basic format-inherent effects. Based on an idea of primitive Americana, it can be seen as a mediation on the different sides of music and…
"Recorderd in 1968, here we have a very rare South African jazz album, only two copies known in the whole wide world: one in the hand of a SA prime minister and the other one in the hand of an art gallery owner (= original it's practically impossible to find ?!). this new edition had been re-mastered and cleaned, with different art on cover but by the same fine artist. a very unique record with such an unusual instrument combination, all songs written by Mr. Nxumalo who is surely an origin…
Limited to 66 handnumbered copies with different cover (as the limited 22 version) on front and back. On black vinyls and including black labels and black deluxe padded inner sleeves. the same session, personnel and recording date as the Charles Tyler 4et's 'At WKCR' one-sided LP, but with totally DIFFERENT music. Two copies available, outstanding performance
It’s no secret that former Battles member Tyondai Braxton is one of the most talented musicians around today, but as displayed on the bloated and indulgent Central Market that isn’t always beneficial. Thank goodness his new collection HIVE1 is so clinical, near utilitarian in its approach. Using his highly acclaimed ensemble performances from the past 12 months as a starting point HIVE1 has the impression of a variety of ideas conversing, heading into impossible tangents only to agree with each …
Mid-eighties recordings by Dutch poet and writer Hans Plomp together with musicians and friends. Hans was involved in the Provo movement of the sixties and later on he squatted a village near Amsterdam with friends called Ruigoord, which still exists today. He is also an expert on psychedelics, hence his book 'Uit Je Bol' is a cult classic in The Netherlands. This tape features him reading his poems in English and Dutch. Also included is a recent scandalous interview. 100 copies.
Génération Sans Futur (Generation Without a Future), Art Zoyd's third LP originally released in 1980 through Atem Records, returns to the sound (and lineup, plus Daniel Denis (Univers Zero)) of the group's first album, Symphonie Pour le Jour où Brûleront les Cités (SR 330CD/LP). The 17-minute "La Ville" is a powerful epic, featuring Thierry Zaboïtzeff's prehistoric grunts, complex time shifts, and a tribal/ritualistic feel once again close to the spirit of Magma. But unlike "Musique pour l'Odys…
Bringing together two of Finders Keepers leading artists, longtime critical favourites and out-and-out pioneers of the French conceptual rock scene that we at FK HQ often refer to as the No-No years, Cacophonic are proud to present this rare collaboration between Jean-Claude Vannier and Michel Magne along with pianist Martial Solal for the pioneering Electrode album from 1967. As the creators of the albums that launched both our Finders Keepers and Cacophonic labels respectively it is plain to s…
Archival discovery of supremely endearing bedroom electronic msuic conceived in '80s Manchester Andy Popplewell's T.R.A.S.E., or Tape Recorder and Synthesiser Ensemble, is one of the loveliest reissues to have emerged from the Finders Keepers camp in recent times. Due to the diligent research of Andy Votel, it was only recently coaxed out of Popplewell, who is nowadays a renowned sound engineer/editor and vintage tape baker who's worked for everyone from Alpha Brussels to ZZT. This double LP wor…
The dark interpreter Stephen O'Malley ov Sunn O))) presents his towering orchestral composition Guidés, commissioned by French 35-piece improv orchestra ONCEIM -- l'Orchestre de Nouvelles Créations, Expérimentations et Improvisation Musicales -- and released thru Demdike Stare's DDS label. In early 2014 O'Malley was approached by pianist and composer Frédéric Blondy to write a work for the orchestra, which is made up of exceptional musicians from the fields of contemporary, jazz, experimental, i…
Never before published interview with Patti Smith by Michael Köhler from ’77 in which she talks about her influences and the art of performance. As an added extra there is her full performance at P78, in Paradiso. Cover by Harry Hoogstraten. Edition of 100 copies.
'Behind e-SaxBow is Florent Colautti on e-string and François Wong on electrified baritone saxophone. I have no idea what an electrified baritone saxophone is, but in none of this one can easily recognize the horn or anything with a string that is supposed to be the e-string. The latter is played using electromagnetic bows, which he pilots from his computer. The saxophone is also transformed by computer means and thus the five pieces, which last thirty minutes in total, sound like nothing even c…
Recorded in Kuala Lumpur, Malaysia and Nantes, France - between January and May 2015. Mastering BruitBrutStudio, Nantes, France.Goh Lee Kwang : no input mixing board. Julien Ottavi : tamtam (gong), bass drum and computer (Puredata and Apodio10).
"In collaboration with Nigel Cross's Shagrat label, and Glenn's own Snow Star concern, Feeding Tube is tickled to release the 40th Anniversary Deluxe edition of Glenn Phillips's first album released under his own name, Lost at Sea. Originally issued by Snow Star in '75, then licensed by Virgin in the UK, after Peel started playing it, LAS has long been a favorite of people of true refinement. Glenn had joined the legendary Hampton Grease Band while still in high school. He played with them their…