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Not Not Fun label-mate Xander Harris has released “Urban Gothic,” the most overtly Carpenter-influenced modern electronic album to date. While Harris cites a laundry list of influences, new and old, it is Carpenter’s distinctly chilly synth-based sound that is most evident here. Although just as Umberto and Ensemble Economique mixed an array of genres ranging from African tribal music to disco into their reimagining of the horror soundtrack, Harris also draws inspiration from 80s synth pop and d…
On a personal note, I remember vividly when Hitoshi Kojo told me with excitement about a transhumance through UK with the specific purpose in mind of doing sessions with some of the great drone masters over there, namely : Colin Potter, Jonathan Coleclough and Paul Bradley...Retrospectively, I think I was as stirred as him.The resulting collected material has been shelved for years (7 actually !), and I began to fear this estimable musical heritage could get lost...this was not taking into accou…
Two key 80s moments from Peter Brotzmann – split together here on a heavy LP! First up is material from the album Low Life – hard-handed work from the duo of Peter Brotzmann on reeds and Bill Laswell on bass – a set that's kind of a side project of the Last Exit quartet, and one that comes across with a similar sense of power! Laswell's handling a fair bit of basses here, often with a bit of processing – thanks partly to producer Martin Bisi – and there's a dark, electric undercurrent to the who…
Faitiche is delighted to present Jan Jelinek's Music for Fragments / Music & Birds (faitiche08). This Mini-LP is the first of four vinyl compilations that bring together a highly diverse range of Jelinek's works - including commissioned pieces, live recordings, collaborations with other musicians, as well as unreleased material from the past five years.Side A / Music for Fragments: Music for Fragments developed from a collaboration with Canadian choreographer Sylvain Émard. Two excerpts of music…
After the 1960 independence, the Orchestre Regional de Kayes was founded in order to reinvigorate the local cultures from the Mand and the Kasso regions and turn some traditional themes into modern songs. Under the guidance of bandleader Harouna Barry, they evolve as one of Mali's finest orchestras. In the early 1970s, like most modern bands of Mali, the orchestra evolved into the Sidi Yassa de Kayes, named after Sidi Yassa, a late great singer. In 1977, they release one eponymous LP in 1977 on …
Some of the most amazing work we've ever heard from this legendary bassist – a set that's not based around music from a wooden flute, but which instead refers to the instrument in its title – as an illustration of the very organic approach of the work within! A 8CD box set of all previously unissued recordings by world-renowned bassist-composer-bandleader William Parker, a 2013 recipient of the Doris Duke Foundation's Artist Award. Parker is a wonderfully prolific composer, and over half of t…
The most impressive, but also the most overlooked of all the bands that lurched around the mutant extremes that trail through Gang of Four, the Mekons, and, ultimately, the Pop Group, the Glaxo Babies' debut album was actually cut following the collapse of the original band -- both vocalist/songwriter Rob Chapman and drummer Geoff Alsopp had departed, with saxophonist Tony Wrafter explaining the reason for the rift. "Rob was into songs and we weren't." Too true! Under Chapman's aegis, Glaxo Babi…
The Voice of the Turtle is one of the most beguiling albums from one of America's most legendarily beguiling musicians. Originally released in 1968 on his own Takoma label, Fahey credits some of the compositions and performances to the fictional guitarist Blind Joe Death, and some of the songs are actually rumored to not be Fahey at all but in fact obscure blues 78s. Whatever the case may be, it's one of Fahey's most adventurous and beautiful LPs, with the three lengthy improvisational pie…
Every new Richard Youngs LP is in some way an event – his modus is so restless and yet his muse remains so distinctively personal that it’s always a thrill to see where he’s gonna dive in next. Amaranthine puts his vocals way up front for a series of four ecstatic bardic/future folk classics that ride in on wave after staggering wave of free form percussion, clanging household objects, shakuhachi and fuzz guitar. The vocals fall into the classic post-Summer Wanderer style of endlessly rep…
"A selection of rarities from 2008-2009. Track one originally released on an OPN/Outer Space split CS (Arbor, 2009). Track two originally released on Ruined Lives CS (Young Tapes, 2008). Track three and four originally released on Transmat Memories CS (Taped Sounds 2008). Track five and six originally released on A Pact Between Strangers CDR (Gneiss Things, 2008). Track seven originally released on Young Beidnahga CDR (Ruralfuane, 2009)." Includes a digital download code.
Back when I was about six months older than I am now, I used to see these bumper stickers around town that said, "There is Nothing Like a Grateful Dead Concert." My first reaction was to say, "Thank fuck," since the last Dead show I saw (Jersey City 8/6/74) pretty much blew. Then I remembered that last goddamn Dead show anyone saw was almost 20 years ago (Chicago 7/9/95) and it makes me wonder what kinda stupid pills the cars' occupants have been snorting. 'Cause Jesus, there're all sorts of thi…
Remarkable subterranean radicals have been getting to enter the stage since mid-late 2000's via the label Lust Vessel and the lineage, which are actual first ever fulcrum of genuine industrial cassette culture and the actuality in Japan, after a long period of the mostly scorched ground for that culture from the far east. This is a document of an aspect of thee lust-age and the assembly, featuring six assassins which are true to themselves and standing on their own territories.
Tongue Knax ; a h…
Rob Aiki Aubrey Lowe (Om, 90 Day Men) swiftly proceeds his stunning 'Timon Irnok Manta' side for Type with a humbling, stripped down suite crafted almost entirely from his own vocals, subtly layered with some synth work. 'Lítió Fólk' feels at once vast and intimate: Lowe's vocals resonate deeply, instinctively - quavering notes and curling overtones centre the sound within the body - while the layered and sustained drone structure seems to draw the spirit ever outwards, drawing enchanting melodi…
arthur doyle- tenor sax, voice; vin paternostro- roland 505; ed wilcox- percussions; leslie q- bass ;rec. march 26 & 27, 2004 at springwater tavern & artswatch...the final available rec. i have left of Arthur, unfortunatly ?! i kept it for the last since i find it a really special goody: a more intimate 4et live dates from 2004
2013 repress. Exact repro vinyl version of the debut Richard Hell album, originally issued by Sire in 1977; 180 gram vinyl . "Hell formed the Voidoids, whose unwavering individualism kept the group out of the big time while producing a demanding and impressive corpus of work. 'I was saying let me out of here before I was even born.' That lyric sums up Hell's attitude, which he expanded and perfected on Blank Generation with a new version of the title track and such powerful statements as 'Love C…
Two days before the 2012 rebellion in northern Mali. Soldiers are everywhere. Guns mounted on pickups; low-flying surveillance planes. Several thousand people have gathered outside Timbuktu to celebrate the music and culture of the Sahara at the 12th edition of the Festival au Desert. Three months later, Sharia descends on northern Mali. A millennial history is suppressed. Shrines destroyed. Secular music banned. Before, the streets were alive with music. Weddings, baptisms, celebrations …
Emily Faryna is a Canadian artist and singer known so far only by real fans of Minimal/Synth-related Wave-music and cassette-culture collectors. Like most singers, she started doing small gigs, slowly making a name for herself. By 1984, she was working under the MoDaMu Records label out of British Columbia in Canada. Her debut album, I’ve Got a Steel Bar in My Head, was released that year (MoDaMu10). The Track Doomed to Fail was released on the Underground Vancouver 1984 Compilation the same yea…
In March of 2012, nearing the end of a tour together through the Netherlands and Belgium, Celer, Machinefabriek, and Jan and Romke Kleefstra gathered in a country studio, spending an afternoon improvising to record Gau. Recorded by the old hardcorerocker Jan Switters at the Landscape studios in Gauw, situated in the countryside in the midst of Friesland, the place was surrounded by green fields with idle tractors, few trees, buzzards and only massive farmhouses dotting the horizon. From the almo…
KK Null (computer, kaospad, voice, member of Zeni Geva). The Noiser (machines, kaospad, voice, member of Formanex). For few years now KK Null and The Noiser had been playing together through Europe giving their best version of a new noise and contemporary music mixing critical beats, electroacoustic composition combined with improvised sound poetry and extreme post-punk. This first album of their collaboration, released by Monotype Records, is a glimpse of their relation to live acts and studio …
It's been nearly two years since we've heard new music from Gary War and we are excited to announce the release of his inevitable breakthrough 'Jared's Lot'.Through the years we have heard the developments from the D.I.Y. psychedelia of New Raytheonport to the more current electronic acid-prog tracks we heard from Horribles Parade and the most recent Police Water EP. Jared's Lot brings the years of laboring and hard work full circle, with every facet of the project dialed into perfection.…