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Third in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
Beautiful new collaborative work from Jozef Van Wissem & Jim Jarmusch between Dutch lutenist Jozef Van Wissem and American filmmaker & guitarist Jim Jarmusch. Jarmusch's previous collaborations with Wissem have not prepared the eager listener for the expressivity and emotional depth of his playing on these duets. Respectful of one another's space the pair weave layers of melody and waves of feedback while acoustic guitar and lute wrap together with a subtle depth expemplifying an austere u…
This is a very unique electroacoustic work by an unknown French artist. Two records self produced that sometimes sounds a bit like the first Lieutenant Caramel."There is an outside music to the man, the wind, the sound of leaves, thunder and birdsong. In what he hears, the man develops the idea that sounds refers to forces that exceed it. The music of nature is a communication with God. Or with gods. [...]Martial Bécheau practice montage, the assembly of this matter that is the sound. Orchestr…
Day two of this rare live concert at the Storyville finds Ra and a 19-piece Arkestra again giving the audience a lesson in jazz with tracks like Rodgers and Hammerstein's 'My Favorite Things', Tadd Dameron's 'Lady Bird' and Miles Davis' 'Half Nelson', as well as a taste of his own classics ('Englight(en)Ment' and 'The Satellites')." Clear red vinyl in clear plastic sleeve with blue lettering (limited edition 500 copies).
Black to Comm's Marc Richter is an artist that perpetually seems to be on the verge of releasing an absolute masterwork, always creeping closer and closer but never quite nailing it. Alphabet 1968 does not quite buck that trend completely, but it is an oft-brilliant and unforgettable album nonetheless. Richter's impressive artistic evolution is showing no sign of slowing.
Astromero is the psychedelic synth-noise project of Japanese pioneer Hiroshi Hasegawa (Astro,CCCC), and LA's Damion Romero (Speculum Fight). Side A is a Live show in San Francisco, a total scorcher with an immense level of energy where shifting walls of synthetic sound produced by Hasegawa are complemented by the signature rumbling low end frequencies coming from Damion's custom electronics. Side B is a new studio track, full of brain melting tones and showing the more compositional side of this…
Few copies available: this is Austrian reissue of Otto Muehl's AA Commune most sought after record from the 70's. "Musikalische Selbstdarstellungen 1974/75". Crazy group-therapy sessions, improvised music with different commune members coming forward and 'singing' about their parents, free-sexuality, mister jealousy, and how two-people-relationships kill sex-life, etc.. Record comes in fullcolour cover (reprint of the original), stamped label, plus 10-page A4 booklet with transcription of all te…
In view of the band's assertion that this is a program designed to be listened to in one sitting, it seems a little impertinent to discuss highlights. The seven tracks that make up "Throat" seem a little arbitrary in view of the overall discontinuity of the release, but in as much as this is music which has no time for a lot of preconceptions, that might be an inherent part of the band's intentions. The opening is where the Brotzmann reference comes into its own, but before the piece is o…
British free jazz phenomenon Evan Parker with electronic and tape noise artist John Wiese in a set of real-time evolving improvisations intended for maximum volume. Vinyl version of the CD released earlier this year, but slightly different containing all the final mixes and edits of the sessions with a new and more intense mastering for the maximum listening experience. C-Section finds density in scarcity - deep, glacial muck bubbles emerge beneath Parker's inhuman circular breathing, only to pl…
In the spring of 2011, Michael "Powderfinger" Morley was in the U.S. for a short visit. There had been some talk of doing a Gate show or two, but when he visited Western Mass., Feeding Tube Records decided to put use to his collaborative talents. He played one night at the Yod space in Florence with Kim Gordon and Bill Nace, then at Feeding Tube with Spencer Yeh and Meg Clixby. Both sets provided jumbo pleasure, and Michael managed to record the Yod set for our presentation to you. Kim and …
The lonesome banjo picker returns! Recorded in one take in a de-sanctified century old cathedral in Northern Minnesota, The Uses of Infinity is a 6 part cosmic hobo’s dream suite for 23 string banjo. Cast in the drifting nebula of the whole tone scale, Paul Metzger plucks, picks, bows and spins his way through a 40 minute odyssey making for his most ambitious and adventurous musical trip to date
When Chris Corsano turned 6 years old, I already begged him on my wounded knees to record an LP for Ultra eczema. He played it cool, was clearly annoyed but remained polite. From then on (he is now 46) I would email him the same question daily. I slept in a tent in front of his house, sent him letters every week, had all his different cell phone numbers, I even gave him new clothes, though he kept wearing his fully blue outfit. Much like Michael Jackson, corsano, the last drummer on earth, alway…
Sun Ra was a innovative jazz composer, pianist, synthesizer player, poet and philosophiser who was fascinated by cosmic philosophy. Ra’s fascination with all things ‘cosmic’ combined with his instrumental ability lead to the creation of off-kilter, avant-garde and highly experimental music. ‘The Night of the Purple Moon’ originally cut in 1970 showcases Sun Ra playing the Roksichord (a then state-of-the-art solid-state electronic keyboard manufac…
Alien Column' is the first full length LP by the thick-smoke-filled-Michigan-basement duo of Chris Pottinger (Odd Clouds, Cotton Museum and the Tasty Soil label) and Heath Moerland (Sick Llama, Cygnus, Drug Abuse and the Fag Tapes label). Often described as a post-Wolf Eyes combo, Slither offer a mutant take on free jazz through their multiple electronics manipulations and dual horn tandem (alto saxophone and clarinet). An additional proof to why Michigan is currently the best place to be on ear…
Limited edition of 250, with full color 23 by 33 poster designed and painted by G.Loli. Mutamassik (= tenacity in Arabic) is the musical avatar of Giulia Loli, who merges Egyptian percussions with hardcore breaks. The result, sometimes dubbed Sa'aidi hardcore & Baladi breakbeats is a mutant, syncopated form of instrumental hip-hop. The history of Giulia Loli herself is marked by fluid borders, being born in Italy of an Egyptian mother, moving to the United States in her childhood, staying in Egy…
Brand new LP from Kawabata Makoto, his second for Blackest Rainbow following on nicely from where 2008's 'Rainbow Of Love' left off. White Summer of Love Dreamer continues to develop Kawabata's experimentation into psychedelic drone music using a variety of instruments. Across the two tracks on this LP, Kawabata seamlessly uses acoustic guitar, electric guitar, bouzouki, sarangi, tambura, organ, hurdy-gurdy, electronics, field recording, and his voice to create a stunning soundscape of hazy summ…
Ben Chasny has spent many years at this point perfecting his very personal vision of the American landscape. With his early LPs he managed to grab a groundswell of support for his distinctly lo-fi recordings, and since hitting the Drag City label with the breathtaking 'School of Flower' he has managed to extend his vision to countless others. 'Asleep on the Floodplain' continues his exploration, and while it doesn't change up the formula too much (apart from the odd analogue synth blurt here and…
The second in our series of exploration of the panAmerican funk experience, Cult Cargo: Grand Bahama Goombay is a deep overview of Funky Nassau’s redheaded sister city, Freeport, GBI. From 1969-1976 Frank Penn’s GBI studio and label cranked out a dozen LPs and twice as many singles infected with the Miami sounds drifting in over the 100 mile strait. The catalog is a fruity blend of rake and scrape, bush, junkanoo, calypso, reggae, and of course, goombay, wi…
ALUK TODOLO are a recondite creature: part okkult black metal fiend & part snide kraut menace. Dry, spare percussion grievously mines the scrapes, shrieks, & shimmer of mutated guitar & bass. Recently feat. at 2009's WFMU Fest in Brooklyn, NY
Vinyl! The sixth album from Mark Nelson's longtime solo project following Quiet City. A mix of warmth & foreboding expansiveness, neither of which is minimal nor overdone.