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Red Horse is the blistering free-post-everything project of drummer/multi-percussionist Eli Keszler and guitarist/mad-scientist Steve Pyne. While both musicians are active in a number of different projects (you probably wouldn't believe Pyne's day job even if we told you), Red Horse catches them working with a distilled sense of focus and is for many their breakthrough project. Red Horse (not to be confused with the similarly-titled debut) is the duo's second album, and follows the rush of…
Inspired by the likes of the largely unknown first wave of continental European minimal electronic bands of the early ‘80s (Absolute Body Control, Twilight Ritual, Martin Dupont, Snowy Red), the seminal early industrial bands, as well as the emphemeral, psychedelic atmospheres of the British shoegaze bands of the 1990s, Xeno and Oaklander perform using entirely analogue synthesizers, sequencers, and drum machines to produce a highly-crafted, complex of form of moody, electronic pop music that is…
With their recent split with Naked on the Vague acting as a dip into pop's waters; Wet Hair's follow up, In Vogue Spirit is practically a jump into the pool. The band's most accessible batch of tunes to date boil with Krautrock rhythms, buzzing synths, and a new focus on vocals that has previously been mostly absent in the band's back catalog. It's not all motion and melody here though, the band still retains their experimental spirit, giving the record plenty of teeth to sink into any of …
"Recorded in concert by Milo Fine (May 16, 2008) at the Ritz Theater (as part of the Heliotrope V Festival), Minneapolis, MN. electronic piano (electronics), voice, Acme whistle. Design and screen printing by Cork Leg Nelson." - Mutant Music
OUTSTANDING NEW ARRIVAL Vinyl Lp, edition of 300 copies. Three years after releasing his first solo record, 'Miniaturen' on his own label 'choose', Berlin-based Konrad Sprenger (aka Jörg Hiller) now releases 'Versprochen' on the Italian 'Schoolmap' label. As if coyly playing off the various connotations of the title, which could mean 'pledge', 'promise' or a 'slip of the tongue' in German, Sprenger delivers a more mature product. Rather than going for the short, abbrieviated, cut-off statements …
RESTOCKED, very last copies... Brand new LP by the So-Cal recluse responsible for the recent "Matrix Metals" cassette on NNF. This one is deeper into the Vodka Soap-style ritual electronics zone.
Musician, composer and radio producer Felix Kubin has spent the last 5 years investigating, tracking down and collecting a stunning selection of hitherto neglected recordings from archives and private collections. With an eye for the antique curiosity, and an ear for the curious dusty beauty of abandoned transmissions from the past, he is now proud to present this first collection of historical recordings. The recordings presented here offer many and diverse pleasures from the analogue rea…
Day two of this rare live concert at the Storyville finds Ra and a 19-piece Arkestra again giving the audience a lesson in jazz with tracks like Rodgers and Hammerstein's 'My Favorite Things', Tadd Dameron's 'Lady Bird' and Miles Davis' 'Half Nelson', as well as a taste of his own classics ('Englight(en)Ment' and 'The Satellites')." Clear red vinyl in clear plastic sleeve with blue lettering (limited edition 500 copies).
Beautiful new collaborative work from Jozef Van Wissem & Jim Jarmusch between Dutch lutenist Jozef Van Wissem and American filmmaker & guitarist Jim Jarmusch. Jarmusch's previous collaborations with Wissem have not prepared the eager listener for the expressivity and emotional depth of his playing on these duets. Respectful of one another's space the pair weave layers of melody and waves of feedback while acoustic guitar and lute wrap together with a subtle depth expemplifying an austere u…
RESTOCKED!! Brand new full length from Cleveland's Emeralds recorded Aug-Sept 2008. Proper follow up to their debut LP 'Solar Bridge', 'EMERALDS' takes the thick drone sound of that LP and transforms it into an even more abstract and strange place. Visual music that lifts the listener up and transports them through tubes of sound occasionally to be swept into the opposite direction by an unexpected entrance into another world entirely. An intense journey that drops you off in a place just be…
Gary War's thick synth-heavy psychedelia occupies a space between spacey bedroom experimentalists like R. Stevie Moore or the more contemporary Kurt Vile & the abrasive proto-punk of Chrome & Debris. This album expands on the more stripped down sounds of his "Zontag" single, plying layers of warm fuzz & feedback on top of psychedelic pop song structures.
Vinyl version of Klaus Schulze's first solo album, from 1972. "After stints in the legendary bands Tangerine Dream and Ash Ra Tempel, Irrlicht was Klaus Schulze's first stab at a a solo project. He had radical ideas for the newly developed electronic music scene which are blatantly present here. Equipped with a small orchestra, 4-track, guitar, percussion, organ, and a little electronic gadgetry, he created a 'cosmic classic'. No synthesizers were used here, just a remarkable use of sampl…
Like a true psychedelic experience, one that if you've ever had, you'll know what we mean, it presents you with a fixed length window that opens into another possible perspective of our lumbering existence. Imagine 500 milligrams administered via an eye dropper filled with mercury and you're on your way. Born of a correspondence between two fellows entrenched in parallel explorations of the unknowable and imagined, there's a mystery to the source of the sounds contained in these grooves; …
The power of Andrei Tarkovsky’s Solaris is not in its futuristic sets, or in the hypnotic shots of the alien planet’s weird, fluid surface, but it’s in the way he juxtaposes his alien, futuristic elements against the intimately familiar. This is a future not just of flashing lights and video screens, but of wood and wool and leather, of dogs and horses, books and photographs. In Frost & Bjarnason’s SÓLARIS we do find the futuristic, gaseous atmospheres and pulses one might expect from a sci-fi s…
An uncanny channeling of Missing-Links-styled garage/psychedelia, Pere-Ubu-esque rustbelt trippery & the experimental post-punk spasms of The Work (SAKI)
Vladislav Delay's EP Espoo features two conceptual, rhythm-intense tracks. Whereas the groove of the opener "Olari" derives from a sound loop which is manipulated by filters and echoes, the reverse is done with "Kolari." Starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent melody, close to Terry Riley's minimalistic concepts. Both tracks share a linear increase in density, and because of their break with the common four…
Formed in 1981, Central Unit were among the first in Italy to manipulate synths, drum machines and other electronic devices (as far as we know they were one of the few bands in the world able to program a Korg-KR55 drum machine) to create atmospheric soundscapes combined with mechanical basslines and relentless bass guitar meanderings, with slothy saxophone murmurs peeping out here and there
Tokyo-based guitarist/singer Hisato Higuchi presents his fourth full-length and first LP release. Henzai is Higuchi at his most bare. Each song appears like a spectral poem -- sewn together with hushed electricity and whispers. This recording is wholly intimate, recorded in seclusion, and washes over the listener like a hazy, day-break dream. Higuchi splits these 12 torch-songs between slow-motion improvisations and the composed, yet each is sung with a mix of beautiful wordless/Japanese languag…
Surprisingly good free jazz from this Finnish combo. Very organic sound, there's something unique about them. "One of the hottest shows of recent memory was seeing this burning-free ecstatic force in TAMPERE back in 2008. One of those nights where you just feel that you are beyond this planet's laws of nature and in a world you did not know existed. Now the other foot has dropped, and what seemed impossible now can be held on this beautiful LP. Side Vadelma recorded January 26 in Helsinki. Side…
may 2009 release: label-less lp release (“private,” if you will) covering the first ever duo set between myself & geoff mullen, recorded in concert at the brendan murray-curated “uppercase sound #2” event @ pa’s lounge, somerville, ma, 02143, usa, on july 19th, 2006 ...the music is entirely improvised, with geoff sticking largely to a suitcase-electronics-based setup (although he does provide some fine guitar & pedal alterations throughout) & myself to the doepfer (ditto guitar & korg guitar-syn…