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**Gatefold double 180g vinyl LP, with 12" booklet of liner notes and photos**Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, f…
A mammoth, fifty-person enterprise featuring the cream of the early-seventies jazz-rock brigade, Centipede's 1971 album 'Septober Energy' proved to be an exercise in both gargantuan excess and instrumental brilliance. Naturally, opinions on the release are divided. The line-up is far too numerous to list here, though it did include the likes of Soft Machine alumni Marc Charig(cornet), Elton Dean (sax), Roy Babbington(bass), Robert Wyatt (drums), Nick Evans(trombone), John Marshall(drums,…
Special vinyl set collecting the first two incredible solo albums from Bruce Gilbert - not to be missed* In 1979, after completing their third and final group masterpiece, 154, Wire dissolved, leaving Bruce Gilbert and fellow traveller Graham Lewis free to explore their interests in minimalist electronics across a series of solo and collaborative projects. Originally released on Mute in 1984, 'This Way' was Gilbert's first solo album and was primarily made up of work commissioned by choreographe…
Whereas previous works by Mika Vainio have utilised guitar Life (… It Eats You Up) is the first to use the instrument as its primary sound source. A fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of Vainio's previous works with some stunning surprises, such as his cover version of The Stooges' 'Open Up and Bleed'.Tracks such as ‘Mining’ hark bark to the banging beat exces…
It's a great honour for us to be able to present conrad schnitzler's last work. endtime will be released as dlp, cd and download. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. it's like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young art…
Double LP version. Originally released in 2004 on the Les Disques Du Soliel Et De L'Acier label and now reissued by Type, this is the debut release by On -- the collaborative duo of Chicago-based percussionist Steven Hess (Haptic, Pan American) and French composer/producer Sylvain Chauveau. The concept behind Your Naked Ghost... is simple: the duo record an album in the studio, and then place it in the hands of a third party. The resulting work is then "remixed" (for want of a better word) and t…
"Recorded in April of 2008, Weight/Counterweight, the new release by Bill Dixon marks his return to small group playing, his first trio since the Dixon/Taylor/Oxley Victoriaville recording. The group, assembled by Hall at Dixon's suggestion, marks a new direction in Dixon's instrumentation with no untreated trumpet whatsoever and a barrage on pitched and unpitched concert percussion creating landmark skeletal architecture which Dixon pushes out from into unmediated solos of gravity and we…
Decades before his time, political and musical revolutionary, Sun Ra, developed a new plane of cultural existence where black people were all-powerful beings from outer space, sending their intergalactic message through jazz music. Recorded live in 1975 at Cleveland's legendary jazz club, the Smiling Dog Saloon, when Sun Ra and his Arkestra descended on the city for a week-long residency. You can imagine how the uninitiated's jaw must have dropped when Ra and his 15 musicians marched out onto th…
In some ways, Commitment was typical of many bands of their time. Between 1978 and 1984, they enjoyed a modest success by the subterranean standards of the Lower East Side. They struggled for gigs during the waning years of the New York loft scene, enjoyed higher profile gigs at several Kool Jazz Festivals, made one short European tour, and recorded one LP. But their music is more significant than this story might indicate. Hwang was among the first improvisers to emerge out of the Asia…
While Grail’s studio records are expertly crafted affairs, full of expert production and cinematic flair, but the Black Tar Prophecies series has been the set of songs which has brought Grails to the forefront of the instrumental scene. Lo-fi and bared back, it gives the band a place to experiment outside of the norm. Volume 4 of the Black Tar Prophecies series utterly drips in dark atmosphere; opener I Want A New Drug starts with a tape recording which slowly descends into warbling, becom…
"I want to be a rocker. everybody else has walked away from rock. I wantto walk towards it." - Henry Flynt Taste the magic! Nova’Billy is another edible audible from Henry Flynt's dusty lower Manhattan bunker and it stands as one of the fullest, most beauteous document of Flynt's tenure with a full working rock band to date. For less than one calendar year between 1974 and 1975, Henry Flynt's hard driving, heavy jamming agit country rock band, Nova'Billy embraced bareknuckled deep fried groove a…
Following on from 2008's Polaris Prize-winning Andorra, Dan Snaith returns with a fresh take on the Caribou sound, working more dance-friendly structures into his work, which makes for quite a revelation given the project's tendencies towards jazz and frayed-edge psychedelia. Snaith outlined his approach to the new record by stating: "I got excited by the idea of making dance music that's liquid in the way it flows back and forth, the sounds slosh around in pitch, timbre, pan... Dance mus…
Goodiepal or Gæoudjiparl van den Dobbelsteen, whose real name is Parl Kristian Bjørn Vester, is a controversial Danish/Faroese musician and composer. The eccentric and self-made Goodiepal has influenced the course of modern music through radical excursions into computer technology and media art. Until recently he has been employed as a teacher at DIEM (Danish Institute for Electro-acoustic Music) at the Royal Academy of Music in Aarhus, Denmark. Goodiepal declared intellectual war against …
"Don't look back," repeats one of several voices within Mark Van Hoen's The Revenant Diary, his fifth solo album and first release on Editions Mego. Surrounded by weighted beats, analog synthesizer drones and granular dirt, the unidentified, siren-like female voice's advice is as much seduction as warning. Tellingly so, for as well as being both Van Hoen's most ambitious and his most accessible work, The Revenant Diary is an eloquent meditation on the allures and dangers of memory, regret …
Gorgeous double gatefold issue of two crucial albums by "the greatest living flutist of South India", T.R. Malingham or Mali to millions of South Indians, presented in respectfully opulent stye by Japan's EM reissue imprint. This is meditative, spiritual, and exotic music of the highest order, combining his two most revered recordings from 1969 and 1970 over two very special discs. Mali is said to be able to commune with birds via his playing and that's quite understabable. His virtuoso u…
Finally the fifth KTL studio album is ready for release. Whereas their previous album IV (EMEGO 089CD) was recorded and made in a relatively short period in a more traditional rock environment, V turns full circle, takes its time and tackles the complex working processes of the European avant-garde. Rooting themselves in such legendary electronic music studios such as EMS in Stockholm and GRM in Paris, Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.) have delivered …
All things must come to pass, if you love something set it free, it’s better to burn out than fade away, blah blah blah. No platitude can mask the permanent bummer of a favorite band breaking up in their prime, and such is the case with Iowa City’s most untamed civic treasure, feral-psych foursome Raccoo-oo-oon, who decided to dissolve this year after nearly half a decade of radical and galvanizing activity (tapes, tours, t-shirts, etc). Fortunately they’re generous sorts, so their parting gift …
What's in a name? Good question. On first glance, Deutsche Elektronische Musik gives the impression that the pieces for Soul Jazz's new collection were selected for how they later fed into house and techno. But then there's that subtitle—"Experimental German Rock and Electronic Music 1972-83"—one which gently reminds listeners that much of the most fertile music from Germany in the '70s wasn't electronic at all. So why not Krautrock? Well, that doesn't quite work either: A title like that…
Pantheon Of The Lesser was composed over a period of two years in Ocean's home studio in Portland, Maine. As the seasons passed each track was written, re-written, played and then re-played as layers were slowly stripped away until the true essence of the song was revealed. Once Ocean entered the studio it took another two years to deconstruct Pantheon Of The Lesser until they had found the essence of their writing. This disciplined deconstructionist approach to songwriting is how Ocean t…
It would be too easy to simply call IIRON the COH metal album, as it goes way beyond that. True, this album of classic Pavlov stompers contains more than its fair share of guitars both acoustic and electric, yet it still maintains that sense of power and purpose through electronic music which stands out as the COH ‘raison d’être’. Coming 11 years after IRON, which also tackled the sound of rock with alarming results, the new album features not only recent guitar tracks recorded at Music Research…