New Arrivals
12 clarinets in a fridge
This was a project a long time in the making - Xavier Charles is a not a person you can rush; he has very clear objectives that need the time that they take. When he took interest in the sounds of the appliances in his kitchen, daily sounds that remain unnoticed to most of us, he was to explore listening and perception as part of his music making. Typically, Xavier has worked here with the ambient noise in his recording environment, something he has been exploring and refining for many years now…
Ld2i-(3)
1.The condition was chosen that there should be an interval of at least 1.5 hour in between recording sessions.2. The recordings were made during the daytime (11am - the earliest-6pm - the latest).3. The sound sources were selected by activity - the most active of them were recorded.4. The places where recordings were made were sky photographed by a mobile phone camera as a light source.5. Every sound recordings has its own photo of lightness at that particular moment.6. 24 recording situations …
The Black Album
'Masami's and my conversations look like heroin addicts talking : A phrase. A five minute silence. Another phrase. A five minute silence. A question. A five minute silence. Another phrase. A five minute silence. An answer. Et cetera.The BLACK ALBUM shows what's going on in our heads.' - John Duncan
Mensch Mensch Mensch
Berlin based composer-performers Liz Allbee and Burkhard Beins team up for some electro-acoustic explorations, utilising synths and field recordings, trumpet and percussion. Informed by their musical backgrounds ranging from industrial / noise via musique concrete to free improv, the two players create interactive fields of an imaginarchic nature. Many lesser oddball talents make the proud boast that they will invite you into their strange mental world and amaze you thereby. Allbee not only make…
Equivalent XI
Following the publication of the extremely limited single-sided 12" record “Surfaces”, which occurred just a few months ago and is now hopelessly sold-out, Gianluca Favaron returns on 13 with a new solo work released in the prestigious "Private Sounds" series. Besides having published a few solo works, Favaron is part of Under The Snow along with Stefano Gentile and collaborates with Ennio Mazzon on the Zbeen project. In the past he has released music as Ab'she and was part of Lasik Surgery alon…
Qui vicino
Born in the province of Taranto, in southern Italy, after many years spent in Naples and now based in Berlin, Fabio Orsi sits among the most interesting names of the European electronic and experimental scene. Following his early output on A Silent Place and Smallvoices, his music works have been published by many other labels worldwide, including Last visible Dog, Porter Records, Boring Machines and Silentes. His talent has become an estabilished reality thanks to his abilities in finding a nic…
Confusional Quartet Play Demetrio Stratos
After releasing a couple of albums since their 2011 reunion, Confusional Quartet is back again with an extraordinary new project; a brand new release featuring the voice of the great late Demetrio Stratos, the legendary lead singer of Area - International Popular Group. At the tail end of the seventies, the Bologna based Confusional Quartet represented one of the finest examples of the Italian new wave scene. A complex and energetic mixture between experimental rock, jazz and fresh sounds…
A Way To Nowhere
Maurizio Abate is a self taught guitarist active since 2000s, with a dinstinctive approach to experimentation. Since 2006 he has made several recording sessions, released on some LPs under his own name and other collective groups, he collaborates with David Vanzan and Virginia Genta (Jooklo), Makoto Kawabata (Acid Mother Temple), Luca Massolin (Golden Cup) and many others He is currently involved in the project Eternal Zio and plays live in the project BeMyDelay. The records aggregates many infl…
Quintet, Sextet, Duos
The final night of Otomo Yoshihide and Sachiko M's first residency in 2009 saw the pair joined by the long-running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko and joined the quintet for a rousing sextet: stunning twin saxophone interplay, the unparalleled openness of the Marsh/Edwards rhythm pairing, Sachiko's deft high-frequency interventions and Otomo's guitar at the center -- moving between abrasive textural …
Terra Null.
The fourth release by Angel for Editions Mego expands upon their singular combination of electronics, traditional instrumentation and extended technique. The musical reduction & simplicity of Terra Null. is a beautiful and brooding statement on cultural Darwinism. At a time when the dominance of capital and greed blanket our world in a singular destructive objective, Angel deploy a reductionist technique that opens a path towards a potential new reality. Slow-moving drones peer from the cracks, …
The 80's Selected Concerts
'Rimski' with Mats Gustafsson, tenorsax, sopranino. Wolfgang Fuchs, bass clarinet, sopranino. Sven-Ake Johansson, drums vocal. Recorded by Christian Fnghaus, (Audionauten) Berlin 6.9.1990. 'Erkelenzdamm' with Richard Teitelbaum, piano, electronics, and Sven-Ake Johansson, drums, accordeon. Rec. at Institut Unzeit, Berlin 1985. 'Splittersonata' with Günther Christmann, trombone. Wolfgang Fuchs, bass clarinet, sopranino. Sven-Ake Johansson, vocal, accordeon, percussion. Torsten Müller, double bass…
Scuba
Angélica Castelló, Billy Roisz, Burkhard Stangl and dieb13 are the four musicians most respected and prominent in the world working in a wide area of contexts from rock and improv to electroacoustic improvisation and other forms of experimental music. They live and work in Vienna being the protagonists of Viennese klingtorgian scene as well as travelling and collaborating with musicians from other parts of the planet. You already know all of them due to our release of 'Klingt.org: 10 Jahre Bes…
Malus
"An often inspired study in post-noise atmospherics, Malus brings together three pioneering improvisers in their late thirties. Nate Wooley deploys vocalisation and extreme extended technique to turn his trumpet into a hissing steam engine and a bubbling cauldron, channelling electricity to create groggy lo-fi textures. Chris Corsano is in a reflective, exploratory mood, dragging objects across amplified skins to create queasy high-pitched drones and dull metallic rings. Double bassist Hu…
Live in Lisbon
The Freedom Principle is an album crackling with energy. Consisting of three long tracks, none shorter than 11 minutes, the album is full of bristling creativity and expression, never feeling tired or lost. Rodrigo Amado is a musician and photographer from Lisbon, Portugal (check out his artist home page; in addition to his discography, he had a link to his pictures and a photo book, all very nice), who was involved in the burgeoning free jazz scene there in the mid to late 90's. The start of …
The Trio
Featuring two American ex-pats on bass (Barre Phillips) and drums (Stu Martin), and English saxophonist (John Surman), The Trio is a monster 2LP of avant-garde and free jazz originally released on the Dawn label in 1970. By the time this double album was recorded, the various band members had developed quite a pedigree having played with the likes of Archie Shepp, Paul Bley, Bob James, Mike Westbrook, Attila Zoller, Gong, Marion Brown, and more! Their experience and expertise are visible here as…
Architect
Three studies on what surrounds us and which remains sometimes invisible.
Takahiro Kawaguchi
mixing (guitar by katsuyoshi kou, composed by takahiro kawaguchi); skit2; tuning (tuning by yosuke yamagishi, guitar by shinjiro yamaguchi, composed by takahiro kawaguchi); skit1; watching (story by cal lyall, composed by takahiro kawaguchi); doing (improvised by giuseppe ielasi and takahiro kawaguchi). Recorded by Takahiro Kawaguchi, except 6 recorded by Attila Faravelli. Mastered by Giuseppe Ielasi, photography by Ujin Matsuo. Inspired by “Realm of the dead” by Hyakken Uchida.
L'Appel du Vide
Subterranean, nearly-inaudible restraint and a rushing, stuttering throb rule the night on this new record. Its electric moods are so resolutely alien they suggest worlds unknown rather than create them. Irregular heartbeat thumps are set against high end atmospheres explored in microscopic detail. Haunting overlays of tones fluctuate and tremble, and not one moment feels forced. The music is meticulously constructed and consistently surprising. The electronics spin away, shooting off int…
Lacing the Air
Lacing the Air finds the Baltimore-based Gene Pick in fine form, combining insistent rhythmic decay with modular screed and crackle. Lobotomized the Air spreads Gene Pick’s discreet, homespun electronics over three percussion collapses into deep gutters of glacial interference. Lacing varied tracks which retain a caustic internal consistency. The limber dynamics of Entre Vifs are a touchstone, as are the cracked, everyday electronics of prime-cut Voice Crack. Patience and deterioration across an…
Region VI
Vitrine is thrilled to announce its first release of 2014, the debut cassette from Texas duo Safe House. Region VI utilizes ghost electronics, distant voice and material repetition over a small banquet of ten tracks. The sub-basement claustrophobia found on ADN’s Out to Standard compilations and the Mask of the Imperial Family’s rhythmic torpor are soft reference points for an impressive volley of electronic sound. Tactics learned from the verdant mail-art culture of the 80s and 90s, refracted i…