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The Phonos ek Mechanes trio was founded in 2007 by three composers and electro-acoustic performers from Wroc aw: Cezary Duchnowski, Pawe Hendrich and S awomir Kupczak. The name of the group comes from Greek and means 'the sound of the machine' which reflects specific methods of artistic creation applied by the three musicians. They play typical instruments such as the piano, electric guitar or electric violin, often prepared and tuned for microtonal music. Sounds that are created this way do not…
Just to Feel Anything, the new album by Emeralds, surpasses all expectations, just as its predecessor, Does It Look Like I'm Here, did in 2010. This expertly recorded new album sees the band deliver plenty of their distinctive aesthetic for old fans to enjoy while offering a new range of fresh, exciting ideas for newcomers.
'Before Your Eyes' begins the record with a steady build-up, which bleeds into humid layers of synthesizer pads and warm guitar. The track sets the tone perfectly for 'Adreno…
Oxtirn 'live' documents a performance in new york city, by the new trio of geoff mullen, ashley paul and eli keszler. following a score by keszler, the group performs on an array of instruments, using three guitars, drums, voice, auto-motorized harps, tenor harp, bass harp, microphones, clarinet, alto saxophone, crotales, drums and cymbals. the music drifts in a unique way between a wide variety of sounds, from incredible density of clattering metal textures and string attacks, wall of so…
Back in stock. Helge Sten, aka Deathprod, sat through over 30 hours of live material to compile this 70 minute collection - widely regarded as Supersilent's most subdued work. Often compared to the fusion aesthetic favoured by Miles Davis in the early 70's and the post-modern compositional structure of Stockhausen, the result here is once again surprising and breahtaking, new sounds unearthed around every corner, you get the feeling that the ground beneath you is about to collapse with the sheer…
Within the four-tenth-hasty Suite February von Luigi Archetti the individual musical-acoustic events seem to have out-pulled in individual sound-pure from the being silent background. Looking for, a "Hinhoeren" and emphasizing hidden, electrifying sound particle. The attempt is to be given to the shade of the music a voice. Klangliche atmospheres through-cross feeling and conception. Fourteen ephemeren sound places, arranges for the listener a music, which reciprocates between imagination, expec…
Nature Unveiled is Current 93's seminal first album. It's been returned to its original format of two tracks, and has been beautifully re-mastered by Denis Blackham. This reissue comes with a booklet with early photographs of the group members-- who included David Tibet, Steven Stapleton (Nurse With Wound), John Balance (Coil), and Little Annie-- and original insert materials.
Alto saxophonist Masayoshi Urabe and percussionist Toshi Ishizuka recorded this extended improvisation at Tokyo's Apia Club, quietly ferocious music with a unique physicality. "Thrilling, blood-shaking, soul-scraping and defiantly non-sexless improv set from two Japanese titans. Recorded live at the Apia club in Tokyo in December last year, this set showcases Urabe's uniquely physical approach to improvisation -- ferociously concentrated, contorted, sweating and eruptive with physical power. Hi…
'Two musicians from very different backgrounds finding common ground. The first half consists of studio duets on guitar and viola recorded in New York City without any electronics, but they are not what one would expect from these two instruments. The second half is very different - recorded in concert in Geneva with a liberal amount of electronics.'
30 years of The Ex - a double album compilation featuring songs from all Ex albums from 1980 until 2006, absolutely compehensive. All songs remastered for this release by Colin McLean at OT301, Amsterdam.
"It's a generalisation, but Sylvia Hallett scrapes and Clive Bell blows. Bell specialises in reed or pipe instruments from exotic locations, principally South East Asia. Hallett bought a saw for £2.49, mounted a bicycle wheel on a spindle and also plays the more frequently-sighted viola. Bell studied the shakuhachi flute in Tokyo, then lived in Thailand, where he familiarised himself with the brittle vibrations of the khene reed-pipes. This was the beginning of his love for blown instruments tha…
His given electronic anatomy of drum machine, microphones, tapes, & MSP folded out of their hard accustomed formations, breaking out into a more cogent & vital arsenal. A finely detailed & dimensional evolution of an already unique voice.
'Japanese percussionist Seijiro Murayama has been working in France since 1999. His musical approach is based on extreme attention to the performance space, the energy of the audience and the quality of silence. He is interested in how continuous sounds and microscopic events can delicately revitalize the environment. Now established in Beirut (Lebanon), french saxophonist Stéphane Rives has spent over last ten years developing new sonic array of extended techniques on the soprano. On thi…
'Alessandra Rombolà: flutes, tiles & preparations. Rhodri Davies: electric harp & electronics. Ingar Zach: percussion, drone commander & sruti box. All music by Muta. Recorded by Fadi Tabbal on the 8th of april 2009, at Tunefork studio, Beirut. Edited by Ingar Zach, mixed & mastered by Giuseppe Ielasi. Artwork & design by Mazen Kerbaj. Produced in Lebanon by Al Maslakh & Muta.'
Susann Wehrli (flutes, melodica) with Karin Ernst (laptop, live electronics).DUE is playing. A beginning, a tone, a noise, a sound. Listen. Act, react. No ready-made concept, no intended form. Awareness. Liability. Instant composing, where what has been connects with the here and now and the yet to come. DUE is a formation that joins an acoustic instrument with electronics in a unique way: two women, each musician doing her own thing on her own instrument; but at the same time, the flute music i…
In the world of sound library and production music French Avant-garde composer Patrice Sciortino is both unique and universal. His astounding late 1960s and early 1970s recordings for the prestigious Musique Pour L’Image and PSI labels receive their first serious reissue and reappraisal here. Cellos growl and twist with an air evocative of Bernard Hermann, choirs hiss and howl like Alessandro Alessandroni’s ‘I Cantori Moderni’ and the whole thing is as dexterous and playful as Ennio Morric…
Maurizio Bianchi is more than a legend in contemporary electronica, he is beyond good and evil by now in what respects to creative effort, he has surpassed all genres and styles, has reinvented and deconstructed himself, has even recessed from doing music during years and has come back again fresh and rejuvenated. With a vast discography and extensive musical career as sound sculptor and textural colonizer Bianchi is more alive than ever. “Innervation” released by the excellent Italian label Afe…
Cold and glacial drone recorded at the prestigious EMS in Stockholm. 58 minutes of northern iciness. Moon Over Torrelorca, the second album from Keränen, serves as a great follow up to his amazing debut album Bats In Attic that Lasse Marhaug's Pica Disk released last year. In contrast to the high energy multi-layered noise- bomb the debut offered, Moon Over Torrelorca instead showcases a carefully composed drone piece from this highly skilled sound artist. It’s cold up north.
"The controversial and influential Naked City Black Box couples two of Zorn's most extreme and violent creations. Torture Garden (1991) presents Naked City's intense and groundbreaking music combining free jazz, bebop, r&b, country, funk, rockabilly, surf, metal and grindcore—usually in the same song! The rare, seldom heard Leng Tch'e (1992), released only in Japan and long out-of-print features Naked City in an agonizingly slow, brutal 32-minute assault. This special 20th anniversary ed…
Field recordings 1995-2007 by Seijiro Murayama : snare drum + objects and Éric La Casa: microphones + field recordings (1995-2007). Drawing by Tomoya Izumi. 'What makes one a musician, a composer? It happens only when one succeeds in giving life to music, a certain presence. I don't hesitate, even though I am not a writer, a painter etc., to say the same thing about them. For this composition, 'Supersedure', I met Eric. It seems to me that we share an artistic, but maybe also a general attitud…