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On Onions is a photographic study of onions by Israeli-born artist Elad Lassry (born 1977). Characteristically highlighting the spectrum of hues and shapes for the vegetable, Lassry’s selected taxonomy includes sections on red, yellow and white onions, each of which possesses its own distinct taste and benefits. On Onions is Lassry’s first artist’s book, and the work will exist only in book form; it is at once wry, refreshing and disorienting in its biology workbook style, which makes fru…
After the mind-erasing and shamanic Amaranthine released in January 2012, MIE is ecstatic to be working with Richard again on a true magnum opus of the Youngsian experimental catalogue. Regions of the Old School is an epic and proudly sprawling collection of instrumentals and songs. In a conceptual nod to the long out of print Festival, released in 1994 by Table of the Elements, it features five extended tracks scored for a diverse array of instruments with guest vocals by Madeleine Hynes and ad…
‘Rising From The Red Sand’ was one the most comprehensive compilations of early 80’s industrial, wave and underground music, spanning a total of five cassettes, compiled by Gary Levermore for his own Third Mind Records label (which has also recently been revived). The original five tapes are now released as a 5xLP set, following several months of tracking down as many artists as possible to obtain their permission to reissue their material. Almost all were found, although nine tracks are missing…
Dirter Promotions presents another volume of Cut Hands material, containing reworked and remastered versions of some tracks from his Afro-noise project. Comes in a beautiful special edition on 180 gram vinyl mastered by Noel Summerville and featuring the magical vévé artwork of Mimsy DeBlois, in a one-off pressing of 750 copies. The entire 750-limited pressings of Volume 1 and Volume 2 sold out on release day, so don't miss these! A reclamation of the conscious through 16 pieces (split betwe…
Twenty tracks made on 20 synthesizers spanning 20 years, accompanied by a 60-page color book with a foreword by Robin "Scanner" Rimbaud, Twenty Systems is Benge's acclaimed concept album, first released in 2008. His 10th solo album, this ambitious project combines an audio CD of new music with a hardbound full-color book containing photos and diagrams of the electronic instruments used, along with a detailed history documenting the development of synthesizers between 1968 and 1988. The purpo…
This Tim Hecker release is composed of sketch pieces recorded in 2010 in preparation for what would become the Ravedeath, 1972 album. All of the compositions are piano driven and minimal in nature. This is not a new Tim Hecker album, but rather a peek behind the curtains into the working process. That these pieces stand on their own as compelling soundworks is a testament to the fact that Tim Hecker is at the absolute top of his game at the moment, and has been for years.
Limited double LP version. Recorded live on December 8, 2006 at a memorial event for James Tenney at California Institute of the Arts, Perhaps is Harold Budd sublimely distilled. Striking in its restraint and simplicity yet profoundly resonant in its depth and message, it is both eulogy to a departed friend and defining statement from an artist at the apotheosis of his career. Originally available only digitally (and only from Samadhisound's web site), Perhaps sees its first-ever and much-de…
A record as weird and wild as the cover – filled with really tripped-out sounds from the obscure Flipper sound library in Italy! The music follows strongly in the best style of the rock-driven sounds from Italian horror films – but there's also a more compact approach too, with some funky elements that really make the whole thing sparkle – and a restrained approach that's far less indulgent than the prog styles that Italy was famous for at the time. The whole thing's great – a wicked mi…
Do You Love Me? is an extension of Lutz Bacher's videos of the same name, in which Bacher interviews curators, artists, friends, and family about Bacher the person and Bacher the artist. Though Lutz Bacher is the starting point, the interviews often reveal more about the people being interviewed than Bacher herself. The publication takes the form of transcripts interwoven with images of Bacher's artwork from the 70s to the present as well as photos, letters, and ephemera.
Jim Donadio's debut Psychedelic Black album as Prostitutes came out in 2012 and ended up on many year-end lists, fitting in somewhere between the post-noise abrasive techno of Pete Swanson, Container, Nate Young, etc., the roughened post-punk hues of Powell and the more precision-built constructions of the Raster-Noton label. Donadio's follow-up, Crushed Interior, arrives via Digitalis and picks up where he last left us, taking us through to the next, blackened layer of re-formulated techno te…
"Good old free music and the best one: never too wild but always outta sight. I liked it from the very beginning 'cos it's DIFFERENT & UNIQUE." EP/Sagittarius A-Star. Sabir Mateen - Tenor saxophone, Sirone - Bass, Andrew Barker - Drums. Recorded June 30, 2008 by Andrew Barker in Brooklyn, NYC. Cover painting by Karl Francke.
In Format, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's gracefu…
Active Recovering Music (ARM) is a slide whistle ensemble led by sax player Masahiko Okura. All of the members play the slide whistle. Okura debuted ARM in concert with a five-member formation in 2008. He's since continued the group's activity (though their live performances are infrequent) with changing numbers of players. This is the recording of a performance by ARM--this time with eight members--which took place at Ftarri, Tokyo, in February 2013. Each of the three pieces was composed by Oku…
We're thrilled to announce the next release available from OTOroku! Recorded in October 2011 - 'Spontaneous Combustion' splits the second set of the first night of Decoy's two day residency with special guest Joe McPhee across two sides of heavyweight virgin vinyl with two colour artwork by Oliver Pitt.'a show that surpassed all expectations to become one of the very best things I've seen this year.'The Liminal Alexander Hawkins, hammond B3. John Edwards, double bass. Steve Noble, drums. Joe M…
These seven volumes represent a strong listening base, as incomplete as it may be, the basis for a near-infinite exploration through one's self, in the present tense.All in all, if I add up all these tracks, there are 176 of them, created between 1921 and 2012, for a total of almost 18 hours of music. The sphere of geographical propagation was kind of programmed at the start (between 1952 and 1970 there have been over one hundred national studios, mostly tied to radio, on all five continents), b…
Live recordings from Barcelona, summer 2009. Frankensteins Ballet features Mik Quantius (Embryo) speaking-in-tongues and Thomas Hopf on drums. Other members have played with Damo Suzuki, Michael Karoli, Michael Rother etc. Some serious damaged krautrock jams happening on this one, not to mention the weird dub space some of this is floating into. Edition of 70 copies.
The Smegma & Blood Stereo collab LP "Guff Vout Mulch" on Nashazphonehas finally landed. Old fashioned postal collab finished up in 2009, sweet printed colour sleeves and bonkers liner notes by the noise soulman John Olson.Good old fashioned Trans-Atlantic postal collaboration LP between Smegma and Blood Stereo, recorded in Brighton, Pasadena and Portland. The whole shebang was finished in 2009, but Cairo's Nashazphone label didn't think you dinks were ready for it then, now they reckon yo…
As per usual, Hundebiss delivers a sick record for us to choke down before we even know what’s in it (like your mom used to do at the dinner table). Problems, by Primitive Art, to these ears, represent a warped union of dub, industrial and even chillwave/hypnagogic pop. Reminds of that solo Avey Tare record, albeit dub-ified with the corners melted down and the beats rendered with more vintage care.
A new 7" from Sissy Spacek on Wendy. If you have asked yourself this you know how this new vinyl sounds.Short crazy blast of terror, insane fast drums, screaming vocals, feedback and shards of noise. Play it loud. Play it at 45rpm. Flip side. Do it again. This time SS are John and Charlie. Essential lineup.
Beautiful new work from Lawrence English. Pressed in an edition of 500 copies.Somewhere after dark, before dawn, in a place where natural light is shunned and organ is singing. It's voice is that of an arcing clouds of tone, emerging and falling with an uneasy sense of pace and direction. The voice warbles, a vibrato of shifting pulse and subtle variation. The room around it is filled with a dusty ash; smoke in haze like proportions. Eyes are blood shot, sunken below the rim of a glass. …