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"A previous member of the band UN, Tara Burke (aka Fursaxa) is now one of the epicenters and key collaborators of the North American free-folk movement, along with such luminaries as Jack Rose, Charalambides, Ben Chasny and the Jewelled Antler Collective. With her hypnotic, echoey church bell chanting, Burke possesses a power-filled vocal sound that harkens back not only to those other polar queens of disaffected freakout psychedelia Nico and Barbara Manning, but she is also akin to and i…
Like all pre-war recordings and all of Rose's releases, this album was recorded live. It was not created using overdubs but rather by recording a few 'takes' and selecting the best performance out of those. Rose stated, 'I wanted the songs to have an immediacy and spontaneity as they were being recorded. All the musicians chosen for the record know how to play the songs without overworking the material, but at the same time creating memorable accompaniments on the spot.' Several of the so…
This slab of gripping sound was brought about by Jack Rose's exuberant love of lowdown music. Inspired by the Mordicai Jones/Link Wray 3 Track Shack sessions, the idea for this collaboration was germinated while Rose was traveling through the heartland on a tour with D. Charles Speer & the Helix in spring 2008. Musicians used to the road are familiar with the phenomenon wherein a certain tape or recording becomes the thematic soundtrack to the tour at hand. In this case, daily doses of 'Scorpio …
Destined to be one of the top album of the year, finally Joanna Newsom releases her first album since late 2006's Ys, making up for lost time with a disc for 2008, one for 2009 and one for today. Featuring Ryan Francesconi and Neal Morgan from Joanna's Ys Street Band, Have One On Me is an extravagantly packaged (and extravagantly nicely-priced) collection of fantastic new Joanna Newsom songs -- her most colorful record to date.
** LUCKY FIND, LONG OUT OF PRINT ** Yep, just scored few original copies of this long time unavailable masterpiece...Having recorded a significant body of work under various guises including A Broken Consort and Clouwbeck, Richard Skelton returns with a brand new and long anticipated album under his own name. Following on from 'Marking Time' (originally released via Preservation in 2008 only to be reissued on limited vinyl by Type over the summer), 'Landings' is an album steeped in the wil…
Harte Recordings, together with the estate of Alan Lomax, and in collaboration with The Library Of Congress and the The Association for Cultural Equity, present Alan Lomax In Haiti -- a chronicle of Lomax's 1936 Haitian recording expedition for the Library. This 10-CD box-set, in the modern tradition of those lovingly created by Revenant and Dust-To-Digital, is curated from over 50 hours of field recordings by the pre-eminent Haitian scholar, Gage Averill. Besides the CDs, the set contain…
BOOK + CD: A novel by Joseph Mattson featuring music by SIX ORGANS OF ADMITTANCE. Available in First Trade Paperback Edition with CD soundtrack and as a limited edition vinyl LP soundtrack with Large Format Book. “Here I was, doing ninety on the Santa Monica Freeway with a quart of whiskey shoved into my crotch and my dead neighbor in the trunk. It had come time to leave Los Angeles.” Thus begins the pre-apocalyptic, cross-country race with death to bury the murdered past in Joseph Mattson’s Emp…
Spectacoular 4LP box on Honest Jon's called Open Strings which features 2 LP's of 78's from the MIddle East circa the 20's (we're talking Egypt, Iraq, Iran, Turkey) and 2 LP's of more contemporary folks who are clearly inspired by such greatness. Thems being the likes of Richard Bishop (no longer calling him a sir as I don't believe the queen has chinned him with her sword), MV/EE, Ricky Tomlinson, Steffen Basho Junghans, Six Organs of Admitance, Micah Blue Smaldone, Michael Flower, Charlie Parr…
A split single to be listened and heard (and more importantly, bought) with the compilation Whar the Pig Gaed on the Spree. Tradition-minded singers Alasdair Roberts, Karine Polwart, and Drew Wright do the honors. A-side: "Captain Wedderburn's Courtship" performed by Alasdair Roberts and Karine Polwart B-side: "The Dowie Dens o Yarrow" performed by Drew Wright
Listen through Sir Richard Bishop’s six readily available solo albums, and you get the picture that the worldview of the former Sun City Girls’ guitarist is not only complex, but also more than a little ambiguous. What exactly is Richard Bishop? A dealer in the exotic? A dabbler in esoteric mysticism? A “traveling salesman”? The Freak of Araby doesn’t make Bishop’s worldview any simpler for us, but it does clarify it some. He is, first and foremost, a traveler, picking up inspiration as he roams…
A new 7" by Christina Carter which serves as the opening ceremony for our new 7" series of solo performances 'Alone Together'. A loan voice, the tangled bells, the caw of a crow, a plane passing overhead… A fortuitous overlapping of sound moments, trapped in amber by Christina for us to bear witness. Much like her early CDRs 'Hand & Mind' or 'Human As Guitar', 'Obelisk/Tholos' is an act of white witchcraft, a healing spell that defines time with the merest of tools: bells, voice, a microp…
Based on four years of fieldwork throughout the state, the Florida Folklife Program released the two-album, 27-track LP Drop on Down in Florida: Recent Field Recordings of Afro-American Traditional Music in 1981. The album was intended to highlight African American music traditions for a statewide public audience, particularly blues and sacred traditions. When the Folklife Program sought the opportunity to produce an expanded reissue of the album that would include previously unissued field…
James Blackshaw once made Michael Gira cry. Not by sucker-punching the poor guy. It was something much simpler: Blackshaw reduced the former Swan frontman — a menacing presence even as he eclipses AARP eligibility — to tears through nothing but a finger-picked acoustic and minimal, melancholic chords. It's easy to understand why. As Gira wrote in a press release celebrating Blackshaw's signing to his Young God imprint, the widely-acclaimed 12-string maestro writes "absolutely beautiful and spell…
Very Friendly is a comic book project that subjectively collects its material from the world of experimental electronic music and will mix stories of an autobiographical nature with historical accounts. In other words; the reader will get a chance to meet some of Sundin's musician friends and colleagues as well as take part of some historical events where a classic recording or performance took place. The first issue of Very Friendly, released in April 2009, presents over 52 pages three main sto…
Yeti in it's 10th issue with a 23 track VA CD including Starving Weirdos + an interview with Robert Scott and Amelia Gray, plus stories and graphic art - a beautiful package.
It seems as Campbell Kneale (within his Love Will Destroy The World project) aims to discover any darkest and most dangerous corners of the modern experimental music. As an experienced and dedicated hunter, he doesn't walk the empty tracks, rather he's interested much more in rich bushes and impassable thickets. The A side's track is “Glittery Skin”, it shows Merzbow-like pulsating electronic noises, but the main energy-giver is obscure and doomy heavy guitar riff. Sick, anarchic, trancesending …
A lovely vinyl reissue on Etude Records of a long obscure Climax Golden Twins gem. Originally issued in 1995, on cassette, Eerie Fragrance or Eyeless Fabrication or Exclude Frank or Eat Fuck or etc (forever) was Climax Golden Twins second official issue after a self-released double seven inch gatefold record. Cassettes-the cockroach of the industry-were a necessity at the poorer end of the music spectrum prior to CDRs and file sharing... the good old days... EF was a collage of noise, found soun…
“23 Frequencies Panoramas - Urban and peri-urban sound-images of Lyon, Saint-Etienne and in between. This record contains about twenty sound images: recordings, or edited recordings, which have been carried out for a few years in Lyon, Saint-Etienne and in betweens. The used recordings have never been distorted or transformed, except a slight filtration when necessary, to reduce some undesirable frequencies, or to reinforce others, which are highly desirable. These sound images deal with …