New Arrivals
La Vierge de Nurembourg
\'La Vierge de Nurembourg\' 4 x 7inch red vinyl with Vomir, Safe, The Rita, Torturing Nurse. Very limited edition (100 copies only).
All about Mimi
Ernesto Rodrigues, viola. Ricardo Guerreiro, computer. Christian Wolfarth, cymbals. Recorded 2012 in Lisbon.
2nd Wave
In a fair and reasonable world, Roland Haynes would have compelled more attention than he did when his jazz-funk record 2nd Wave appeared on Black Jazz in the mid-1970s. Not to say the keyboardist was totally neglected back then, but he and other plugged-in pianists of his stylistic inclination (such as label-mate Doug Carn, Hampton Hawes, Don Grolnick, Larry Willis, and Gordon Beck) existed in the deep shadow cast by jazzman-turned-jazz-funk powerhouse Herbie Hancock, whose records with the H…
Body waves
On 22 February 2011, an earthquake measuring 6.3 on the Richter Scale hit Christchurch, which combined with a series of massive aftershocks destroyed huge swathes of the New Zealand city. At its epicentre in the port of Lyttelton, sound artist Jo Burzynska (Stanier Black-Five) grabbed a recording device as she ran from her home, leaving it running on her doorstep capturing the aftershocks that ricocheted though her house and the disaster unfolding on the street outside. This unique recording of …
Spielt Noise Boys
This is Electro 80's minimal punk at its very best - think Grauzone meet D.A.F. meet Suicide!Stephan Eicher recorded the totally 7 songs (only 5 were later released on the debut 7") on a simple dictaphone recorder with no overdubs or mixing and purely with 'stolen' equipment (after the Police stormed the Spex club where Stephan worked, and where the band that was supposed to play had to leave behind their equipment.).With almost no equipment he tried to reproduce tracks by his short living first…
Grapes and Snakes
Grapes and Snakes is the first collaborative work of two of the most respected American underground experimental/noise artists, Aaron Dilloway and Jason Lescalleet. Using purely analog synths and tape manipulation, they build a foggy psychoacoustic mass that lies between dynamic yet patiently treated tape-music and industrial howl. Aaron Dilloway has been releasing and recording music since the age of 16. He was a member of experimental bands Couch, Galen and Universal Indians. He is a form…
Future Slip
For her fifth solo album, Samara Lubelski finds a new home on Ecstatic Peace, with label boss Thurston Moore taking on a role as producer, even roping in his band's drummer (the estimable Steve Shelley). Moore recruited Lubelski for violin duties on his own solo LP, 2007's Trees Outside The Academy, and set about coaxing her into recording a different type of record from her established Social Registry output. Future Slip certainly diverges from the more baroque folk tendencies of her recent wor…
Old Punch Card
Taking inspiration from early music concrete and electronic music, the BBC Radiophonic Workshop, Nuno Canavarro, Raymond Scott, David Behrman, and free improvisation, Old Punch Card is a beautifully noisy, jagged, yet stately album of synthesizer music. The ideas and implementation of Old Punch Card (the album title alluding to the electronic, faintly mechanic origins of the music) were the result of an entirely new challenge: to do something completely different from anything else he's…
Black Tie
LP version. Includes mp3 download and full-color poster. After two bone-chilling full-lengths for the Type Recordings imprint, Erik K. Skodvin has embarked on his first journey for his own Miasmah label with Black Tie. While originally conceived as a soundtrack to an installation by Norwegian artist Marit Følstad, Skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. Split into two distinct movements, "Black Tie" and "White Noise," we are exposed to the y…
Mantle
Mantle is Pixel's fourth release on Raster-Noton since his debut in 2003 and a further exploration of his approach to rhythm-driven electronic music. The overall atmosphere which is produced by the fragile but nevertheless complex sounds is gloomy and quite threatening. Deep, pulsating basses are accompanied by ominous and fierce tones which emerge like flashes of light or shock waves, giving the impression of being warning signals. The few calm moments are constantly disrupted by dark dr…
Yird Muin Starn
A sonic map of the artwork and cosmos, Yird Muin Starn is at once funny, moving and informative, surging from singing to hymnal pockets of throbbing space where scale is both tiny and boundless'. The third element in their new public artwork 'Yird Muin Starn' (old Scots for Earth Moon Star) this album of cosmological songs and sonified constellations is Matthews McIntosh second space related release. Composed and engineered by Matthews from field recordings gathered all over the Galloway f…
Spectrum ripper
CD was produced in 1997. LP is from 2013. The extreme collage sound and insane vocals of Maso Yamazaki, one of the worlds leading noise musicians. Brutal frequencies and rabid screaming vocals mix to create the finest album Masonna has ever produced. Divided into 25 tracks, this is being considered the last word in noise recordings! Ltd x 300 copies on brown vinyl in a full colour sleeve. Comes with CD version in a card sleeve. Mastered by Denis Blackham.
Nihtes niht
'The music supposed to be a soundtrack for lonely ice-soundscapes... when you stand there on lonely wide inhuman places and feel lost, but you still stand on ice...' - Baraka[H] The newest collaboration between masters of evocative noise/drone ambient is divided into four long tracks, four directions of nothing. The tracks are entitled in middle ageindo-german language, for north, east, south, west. And the album title means nothing from nothing - very weird notion, as it doesn't exist anymore i…
My Brother The Wind
A pretty darn incredible record from Sun Ra -- with a soulful, spiritual approach that's missing from most of his other albums of the time! The album features Ra playing a good deal of organ (dubbed "intergalactic organ" in this case!) -- grooving soulfully on some short tracks that almost hit a soul jazz mode, and which recall the late 60s experiments of organist Freddie Roach.
Japlan
Der Plan were invited to Tokyo in 1984 to play six concerts for Seibu, a Japanese department store chain. Seibu were staging a “German Week”. But how did they come to choose Der Plan, of all bands? Why not an Oktoberfest combo or the Scorpions? Moritz Reichelt explains: “German New Wave was really popular in Japan. They knew more about it than people here at home. Catalogues and magazines detailed every obscure record and depicted the covers. This particular department store chain was linked …
Berlin
Ernesto Rodrigues, viola. Chris Heenan, alto saxophone, contrabass clarinet. Alexander Frangenheim, double bass. Ofer Bymel, percussion. Recorded 2010 in Berlin.
A Red Score In Tile
Composed in 1979 and inspired by James Elaine's painting of the same name. First released on Three Poplars on LP in 2003. Cover picture: A Red Score In Tile (L'Apocalyse des Animaux), detail, James Elaine, 1979. Canvas, acrylic paint, taxidermied animals. 112" x 120". Title on disc and inner face of back insert: "a red score in tile (1979)".
In emptiness there is truth (Call no man happy until he is dead)
A soundwork commissioned for the 2010 edition of the Ravello Festival, curated by Achille Bonito Oliva, Stefania Miscetti and Gianluca Ranzi. Voice: Seijiro Murayama. Voice recording engineer and EQ: Stefano Pilia Original stereo mix: John Duncan. All other sounds, recording, editing and mixing by ALH.
“In relation to this soundwork, the extended overtones created by the clashing frequencies of the ‘ghost chorus’ could indeed be read as faint glimmerings of a sublime imperative. This imperative,…
333 Loops (Volume 1)
333 Loops (Volume 1) is the first chapter of a CD/DL live series, which documents the sound events generated by the homonymous modular system, designed in 2011 by the Italian musician Emiliano Romanelli.
The system is composed by an archive of 333 pre-recorded sound loops, produced between 2008 and 2011 by a sound synthesis software played in different acoustic environments, and documented mainly with internal microphones of several digital and analog portable recorders. Subsequently, by a custo…
Nothing Is Forever
Recorded at Forest City Gallery, London, ON with help from John Clement. 'The NSB was formed in 1965 by a group of people who enjoyed music and wanted to play in a band. There was no desire to learn to play traditional instruments so kazoos were bought and assorted noise makers modified or built from scratch. The band started playing regularly every Monday night in 1966 and has just carried on. The personnel has stayed the same. John Boyle (artist) kazoo and drums, John Clement (MD) guitar…