New Arrivals
Navajo sunrise
Daniel Carter's relaxed phrasing moves naturally between Parker's earthly bass sound and Ughi's sensitive drumming. This trio's music seems to be possessed by a light and welcoming spirit. A constant flux of energy, a three way dialogue consumed within the time and space of one breath. Telling the story of the trio's origins, the musicians talk about dreams and desires while the body of this music takes shape within the human connection of the band's relationship which has grown over time, throu…
Gagged In Boonesville
French globe-tourist High Wolf has hand-rolled his way up Mount Fuji, trainspotted every corner of Europe, hitch-hiked across America and Australia, chugged Ganges water, and crouched on all manner of smoke-stained prayer rug since first looping a bongo back in ’09. His apprenticeship in the House of Wah nearly complete, he’s hinted at a potentially seismic shift in the High Wolf third eye doctrine lurking in the near future; perhaps his Away Team exfoliation moment is nigh. Fortunately, …
Monorails and Satellites
180 gram vinyl version. Tracklisting: Space Towers, Cogitation, Skylight, The Alter Destiny, Easy Street, Blue Differentials, Monorails and Satellites, The Galaxy Way. Recorded at Sun Studios, New York 1966 (a home recording).
Nothing Is Forever
Recorded at Forest City Gallery, London, ON with help from John Clement. 'The NSB was formed in 1965 by a group of people who enjoyed music and wanted to play in a band. There was no desire to learn to play traditional instruments so kazoos were bought and assorted noise makers modified or built from scratch. The band started playing regularly every Monday night in 1966 and has just carried on. The personnel has stayed the same. John Boyle (artist) kazoo and drums, John Clement (MD) guitar…
Scarcity
During drummer Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro Brazil, he was joined on stage by Arto Lindsay performing on electric guitar and voice. The result is this 180 Gram LP, one side at 33 RPM and one at 45 RPM presenting two improvisations from these powerful improvisers. Of the performance Nilssen-Love writes: The gig was organised by the guys running Audio Rebel i Rio... fantastic guys who's also musicians. Gig was amazing and we we're both drench…
Sung In Broken Symmetry
Describing the music of Aquarelle's Ryan Potts is a difficult task indeed. It's related to the hazy, heavily treated output of musicians such as Fennesz and Tim Hecker, but one would be remiss to locate it solely within the realm of electronic ambient or drone, as there are often strong organic, rhythmic and composerly elements to Potts' work. In fact, the title of his last record, Slow Circles, might offer the best point of access into the Aquarelle aesthetic, in which compositional trop…
Great Dose Of Monotonous Techno
Calling someone "ahead of his/her time" is straight out of Music Marketing 101 and is a claim that rarely holds much merit. On occasion, though, it's a phrase that is entirely appropriate and accurate. Joel Brindefalk was as integral a part of Sweden's premiere off-kilter dance label, Börft, as anyone outside its founders, Jan Svensson (FRAK, etc), Birre Isgren (FRAK, etc), and, eventually, Joachim Nordwall (Skull Defekts, etc). While Brindefalk's work under monikers such as Contemporary …
Rv8
With RV8, the Osaka-based producer and musician Aoki Takamasa continues his long-term project that focuses on the modulation of rhythms and grooves. It began with his first EP Rhythm Variations in 2009, released as part three of the Unun-series. Besides his collaboration with Raster-Noton, he released records on several labels like Commmons, Progressive Form and Op.Disc, produced remixes for well-known musicians like Ryuichi Sakamoto and Yoshihiro Hanno and played performances at Elektra/Mont…
In Israel (II)
Iancu Dumitrescu 'Plutonian frenzy' for ensemble and electronic. 'Galaxy III' for tape and electric guitar (soloist Stephen O'Malley). 'Hyperspectres I' (for three doublebasses, and percussions). Ana-Maria Avram 'Textures liminales II' for ensemble and live electronics. 'Textures liminales I' computer assisted music. Contemporary music ensemble under the direction of the composers with Stephen O'Malley, Maya Dunietz, Ilan Volkov, Ronald Boersen, Yoi Silver, Eran Bril, Eran Sachs, Assaf Ta…
Live! At The Butchery
Three guys in South Africa obsessed with Can, Red Crayola, Pere Ubu & like sounds, a disdain toward apartheid, & the means to record themselves make one fantastic 200+ press LP in 1981 which disappears in obscurity. S.S. Records gives it a second life. Underground DIY classic which belongs on the NWW list (if they only knew about its existence!). 330 pressed.
Guts
Deluxe 2LP version. More voraciously bestial soundwork coming from Daniel Menche -- this time, his chosen theme is the piano, in which he attacks, investigates and dissects with the precision of an autopsy surgeon, adding a whole new meaning to the concept of prepared piano, or should we say, unprepared piano, for an all-out assault. Guts lays out quite possibly some of the finest slabs of Menchian sonic mayhem to date. Slightly different track sequence over CD and vinyl formats due to time…
KK Null + The Noiser
KK Null (computer, kaospad, voice, member of Zeni Geva). The Noiser (machines, kaospad, voice, member of Formanex). For few years now KK Null and The Noiser had been playing together through Europe giving their best version of a new noise and contemporary music mixing critical beats, electroacoustic composition combined with improvised sound poetry and extreme post-punk. This first album of their collaboration, released by Monotype Records, is a glimpse of their relation to live acts and studio …
Music Of The Modern White
2009 issue "The album begins with a percussion intro that sounds more like a gunfight than any sort of recognisable drumming routine, and continues to get weirder and weirder from there on. New York avant-garde-ists Zs might be seen as a kind of post-modern free-jazz ensemble, combining sax, guitars and live kit sounds with all the tumult of contemporary electronic drone music. This LP absorbs the impact of no-wave, industrial music, Merzbow and (on the ornate rhythmic figures of 'MMW I…
Mercury time
Komora A - The trio founded by Jakub Miko ajczyk, Karol Koszniec and Dominik Kowalczyk exists from the fall of 2004. Stylistically Komora A locates itself close to ambient but not that one of smooth muzak and background music origins but that full of pulsating anxiety, reaching the black heart of the genre. Profound drones, delicate percussive intrusions, stately whizzes of analogue and modular synths, industrial interventions, multilayered structures - these are only a few ofÊ elements used by …
Nonagon knives
CIP is pleased to present the debut pro-pressed solo CD by Jason Soliday, one of Chicago's finest sound creators - manipulators - disentigrators. I've known Jason for coming up on 13 years- -his gunshop duo was one of the first live noise performances I saw when I moved to Chicago, and over the years I've witnessed many of his projects. In the last few years, though, I feel Jason really hit a stride with his home-built - customized analog synths, and this disc reflects his sensibilities: sharp e…
Record Store Record
If you cant come to our shop, then maybe our shop can come to you. no, this is not a collection of in-store performances, there are no bands or artists trying to impress you with their skillz and technique - this is a collection of location/environmental recordings made inside our record stores, just the sound of regular everyday customers looking at records, talking about records, buying records - oh yeah, and record store owners boxing up records for mail-order customers - audio verite, sound …
Knot Invariants
Rotated and submerged. Drawn tight below the surface. Remnants of hair, string and wood.Tied across and back. Knot Invariants is Helena Gough’s third album. It was created using source material derived solely from recordings of cellists Anthea Caddy and Anton Lukoszevieze.
Dawn In 2 Dimensions
After the dark conceptual ambience of Beyond the 4th Door, the members of Eternal Tapestry decided the time was right to do an album embracing their live show - blistering psych rock filled with lyrical guitar soloing and a caveman approach to rhythm, an oddly euphoric state where melancholia is blasted by ecstatic noise. Compiled from a variety of sessions at Tapestry Space throughout the spring of 2011 (some of this material first found a home on the two fall tour tapes), this set of so…
Freedom Of Speech
The second album of the Phantom Band is quite different to the predecessor. The line-up features the spoken word performer Sheldon Ancel on the microphone instead of bass player Rosko Gee. Whilst the debut album revealed many Caribbean or African influences and a generally positive frame of mind, "Freedom of Speech" is a somewhat darker avant-garde rock manifesto, interspersed with individual dub or reggae pieces. All they have in common are Jaki Liebezeit's inimitable monotone polyrhythm…
Patagonian Field Recordings
Carlos Casas is a filmmaker and visual artist from Barcelona. His work is a cross between documentary film, cinema, and contemporary visual and sound arts. In 2001 he started a trilogy of works dedicated to the most extreme environments on the planet, Patagonia, Aral sea, and Siberia, with a particular interest on how humans relate with the territory they occupy. These tracks comes fro…