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The second album of the Phantom Band is quite different to the predecessor. The line-up features the spoken word performer Sheldon Ancel on the microphone instead of bass player Rosko Gee. Whilst the debut album revealed many Caribbean or African influences and a generally positive frame of mind, "Freedom of Speech" is a somewhat darker avant-garde rock manifesto, interspersed with individual dub or reggae pieces. All they have in common are Jaki Liebezeit's inimitable monotone polyrhythm…
Jason Zeh is a hands-down master of cassette tape and cassette playback devices. Using magnets, metal, plastic, car stereo tape adapters, cassette players without tape, cassette tape loops, modified tape decks, and sand paper (among other devices), Zeh creates two tracks that swim through hiss, grit, and wavering, fractured soundwaves to create some of the most engaging audio I've had the pleasure to hear. This recording reflects not only Zeh's dedication to mastering and refining his source mat…
Half High is Lucy Phelan and Matthew Hopkins, the duo at the centre of the group Naked On The Vague. In their musical lives the two members have explored the realms of rhythm/song based music in Four Door and Lucy's recently released solo outing under the name Lucy Cliche, as well as the complete outer bounds of music in Hopkin's solo work and as a member of The Bowels and Vincent Over The Sink. Whatever they're doing it's always quality stuff. ALWAYS. Half High create eerie, disorientating pass…
Recorded in 1208 Saalfelden, 01-0209 Brest. Stephen O'Malley: Electrical guitar, Supro, Fulltone tape echo, sine wave, field recording. Originally commissioned for the Enter sound installation series at Tou Scene, Stavanger, Norway curated by Anne Hilde Neset. Appears as a 4 channel work which loops for a full day, on a cycle with 9 other artists, every tenth day, for at least two years. More information about Tou Scene and Enter can be found at www.touscene.com. Published by Ideologic Organ (BM…
Ingar Zach, percussion. Martin Küchen, saxophone & pocket radio. Nikos Veliotis, cello & video. Looper's unique combination of floating sounds provides the spectator with a suspended environment to sink in, dislocating him from the casual perception of time and space.
The Just Reproach documents the second concert given by John Tilbury and Oren Ambarchi as a duo. When they first performed together in Reykjavik, Iceland in March 2012, the aptness of the pairing was evident. When they reprised the duo at London's Cafe OTO in September the same year in the concert presented here, the city was in the midst of a heatwave. With the air-conditioning turned off to accommodate the low volume of the performance, the uncomfortable squirming of the audience members…
A beautiful little record – and one that definitely earns the "suite" distinction in the title – given the thoughtful longform approach of the set! The album's got a more composed feel than other spiritual jazz sessions of the time – not in a stiff way, but in a style that shows that leader Donald Alexander Strachan really has a strong vision in his music – not just in the compositions he spins forth on the record, but also in the way he directs the rich energy of the ensemble! The lineup featur…
Parallel/Grayscale is the first collaborative work between Italian guitarist and composer Giuseppe Ielasi and French-Swiss composer and electroacoustic musician Kassel Jaeger. It is comprised of two different improvisation sessions. The first one took place in Paris, in October of 2011. The second happened in Oreno, in June of 2012, after the first concert Ielasi and Jaeger performed together. The first session was a pure analog device improvisation, whereas the second one was more laptop-o…
Previously unreleased tracks from the legendary eccentric folk singer Jackson C.Frank. He was Sandy Denny's boyfriend; Nick Drake, Bert Jansch, Al Stewart and others have covered his songs. His first and only album was produced by Paul Simon. After being burned in a fire and the death of his son, he became an NYC vagrant and eventually succumbed to pneumonia and cardiac arrest in 1999 at age 56.
Sweeping and rustically romantic neo-classical and drone flights seemingly dropped from the sky on the wonderful Students Of Decay label "From the very first seconds of “Within/Without,” listeners familiar with the output of Aquarelle, the nom-de-plume of Madison, WI-based sound artist Ryan Potts, will find themselves in territory that is at once familiar and new. This opening salvo explodes into being with the surging, analog fuzz blooms and preternatural sense of rhythm that endeared many to …
Cry was recorded in a shed at Taieri Mouth between 1998 and 2000 and then released by Emperor Jones on CD in 2000. Alastair has always been one of the most admired yet paradoxically ignored musicians from the New Zealand underground since he first started out in The Rip on Flying Nun Records in the early 1980s. Having already worked with the incredibly talented New Zealander otherwise known as Michael Morley, it seemed natural for MIE’s next step to go on to work with Alastair on getting …
After the 1960 independence, the Orchestre Regional de Kayes was founded in order to reinvigorate the local cultures from the Mand and the Kasso regions and turn some traditional themes into modern songs. Under the guidance of bandleader Harouna Barry, they evolve as one of Mali's finest orchestras. In the early 1970s, like most modern bands of Mali, the orchestra evolved into the Sidi Yassa de Kayes, named after Sidi Yassa, a late great singer. In 1977, they release one eponymous LP in 1977 on …
As a duo Tim Catlin and David Brown aka Candlesnuffer come together as 'Helium Clench' and boast long histories in the Melbourne and international avant-garde music world. Both have independently developed a fascination with microtonal sound, in particular through Catlin's construction of harmonic overtone guitars and metal rod instruments tuned in just intonation, and in Brown's case through his explorations using the quartertone bass guitar. 'Sieve', their first duo recording is a stud…
A project by the german artist Franziska Koch, edited by Fink Edition, Zurich. "The cleaning of the piano in the house Franziska Koch - Once a year - recurring as of spring cleaning . On this is both spontaneously and passionately played in their living environment for young and old . In the resulting recording is heard, like the piano cleaned, is rubbed and wiped. Knocking noises and random poking against the instruments body give the piece its own rhythm, so as to connect by wiping over the …
Hand-stamped edition of 500 copies** Blackest Ever Black present recordings of Black Rain's riveting performance at Corsica Studios in October 2012. It's the first release by Stuart Argabright (Ike Yard/Death Comet Crew) since BEB compiled and reissued their seminal cyberpunk missive 'Now I'm Just A Number: Soundtracks 1994-95' on LP, and offers a murky glimpse of what to expect from the Black Rain album due in early 2014. There are few others who do this sound with such authenticity and …
Dirter Promotions presents another volume of Cut Hands material, containing reworked and remastered versions of some tracks from his Afro-noise project. Comes in a beautiful special edition on 180 gram vinyl mastered by Noel Summerville and featuring the magical vévé artwork of Mimsy DeBlois, in a one-off pressing of 750 copies. The entire 750-limited pressings of Volume 1 and Volume 2 sold out on release day, so don't miss these! A reclamation of the conscious through 16 pieces (split betwe…
This has gotta be a piece of history right here. These 12 songs comprise Alan Lomax's first recordings of the legendary Fred McDowell in an incredible, on-the-spot document of his soul-stomping, spirit-wrenching blues. Fred is joined by Miles Pratcher on second guitar for a number of songs, and accompanied by Annie Mae McDowell's vocals and Fanny Davis on hair comb, running through a repetoire of spirituals and original songs. We're by no means Blues experts, but you don't need to know jack sh*t…
Kevin Drumm is a musician not only known as a one-man-orchestra exploring the boundaries of music, but also a star under the banner of inestimable Bocian Records label. This time we were granted with access to his kitchen. The LP is limited to 34 minutes, consisting of 2 pieces, originally recorded in 1996 yet fully remastered in 2012. Side one piece slowly opens a kitchen door. Smooth, equilibrious and loopy sound fractions that surpass those requirements ambient music is bound to meet. F…
Nate Young airs two of his alter egos on this great split LP: Demons, featuring Steve Kenney (oh you know, Steve Kenney - he's in those well-known beat combos The Pterodactyls and Isis & Werewolves.... No?) and Hatred, which combines Young once again with Kenney, but this time with the added presence of Spence Bryant. The Hatred side sounds like the motor on your turntable is continually breaking down, as if some perpetual Technics power-down effect was causing all manner of primitive pitch-slid…