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Full colour digipak designed by Slavek Kwi. Limited to 300 copies. On 'Tidal' : Tidal zone is a fluid line between land and sea, a site of perpetual motion and metamorphoses. During 2008 - 2010 I collected a variety of sounds in coastal areas of Western and Southern Ireland and on the other side of Atlantic Ocean in Newfoundland, Canada: the remote fishing village of Conche, the ghost settlement of Crouse, and the St.Georges peninsula. I recorded underwater : crackles of decapods, dolphins, mink…
Avast! was created from field recordings made between 2009 and 2012 in Lyttelton, a volcanic harbour on the South Island of New Zealand. Sounds were captured at sites around the natural ampthitheatre of this extinct caldera: from abandoned wartime bunkers on the top of the crater rim to the port and its cacophony of cargo ships, tugs and workshops. The work is also haunted by the resonance of buildings such as the Timeball Station, which were destroyed when the town was at the epicentre of a maj…
Tape-warped phantom band Rangers finally unleash the lush, soaring, expansive prog-pop opus we always knew was floating inside the fretboard (and imagination) of multi-instrumentalist mystery maestro Joe Knight. The north Dallas-raised, San Fran-residing head Ranger grew up taking classical guitar lessons from a dude who claimed to have 'toured with the Dead,' and some of that brain-wonked jam agenda obviously seeped into the young Knight, who began recording his own loose, lo-fi jangle s…
The Voice of the Turtle is one of the most beguiling albums from one of America's most legendarily beguiling musicians. Originally released in 1968 on his own Takoma label, Fahey credits some of the compositions and performances to the fictional guitarist Blind Joe Death, and some of the songs are actually rumored to not be Fahey at all but in fact obscure blues 78s. Whatever the case may be, it's one of Fahey's most adventurous and beautiful LPs, with the three lengthy improvisational pie…
In our ongoing quest for music from the home of Alain Neffe and Insane Music Contact, we are extremely proud to release this CD. For about thirty years now, we at Plinkity Plonk have been great fans of the music of Pseudo Code, a trio of Alain Neffe, Guy Hinant and Xavier S. Electronic, minimal, desperate, lonely, frightful, and simply beautiful. Music that can only be fully identifief as Potlatch Music. Over the past thirty years a number of releases have been available displaying their unique …
Arghiledes' is a brilliant homage to Greek Rebetiko music of the early 20th century by No Neck Blues Band's David Shuford aka D. Charles Speer. It's his 2nd solo LP under this moniker and a deeply researched, beautifully executed effort replete with in depth sleeve notes and paste-on cover. Coming from a Blues playing American of Greek descent, the project reflects the syncretic nature of Rebetiko music, itself made up of the many disparate elements which formed Greek urban folk music (European …
Founded 40 years ago in 1972 “Otherworldlyâ€Â is the first Pyramids’ album in over 35 years. They released three albums before splitting up in 1977 – albums that made them one of the most mysterious and legendary of all the spiritual cosmic jazz collectives of the early 70s. Reunion? Re-Incarnation!!!
 The new album contains 14 never before released tracks. The Pyramids’ signature sound is still percussion driven, no surprise with Nash and Speller being two of the mo…
The first vinyl document of the Dredd and MV & EE collab recordings, this is a reissue of two deep sides originally released in 2004, as companion volumes to Kissing the Contemporary Bliss, in extremely limited runs. The sessions behind this record represent a singular apex of high in the catalogs of both Dredd Foole and MV & EE, where the playing and being of each of the three individuals involved coalesces into a singularly cosmic perception and extrapolation of the blues doctors' truth…
Lyrically Freermasonry consists of a series of poems and discourses. Early on in Freermasonry during 'SOL,' the Mother allusion is referenced out of Faust Part Two. It's a small portion and short moment. Faust does an invocation to the Mothers, but the execution is as trickery through occult charlatanism and not truly believed ritual. Goethe found passages about dark goddess figures known as Mothers in the writings of Plutarch. The metaphor is ambiguous, generally associated with creative dar…
Founded in Belgium in 1970 with a remarkable line-up for a rock band: sax, organ, bass, drums and vocals - no guitar!, Mad Curry caught the attention of manager & enterpreneur Louis de Vries (the man who had arranged the very first Pink Floyd gig in Belgium) and soon debuted with the "Song for Cathreen" / "Antwerp" 45. "Antwerp" has become a club favourite ever since due to its danceable freakbeat psych rhythm. Shortly after, the Mad Curry album was released on the Pirate label, characterized by…
Fa 2012 + Fa (Mark Fell Remix). Mastered and cut by Rashad Becker at Dubplates and Mastering, Berlin, July 2012. Layout by Tina Frank. Special 12' featuring new versions of the track Fa, taken from the debut Fennesz solo albumÔHotel Paral.lel' (1997). 15 years after its initial release, Christian Fennesz gives this throbbing monster of a track a new seeing to, extending it and adding more of that magic he is so well known for. The album was always an exercise in exploring alternate means o…
It's been a little while since we've last heard from Oakland-based sound artist Marielle Jakobsons in a solo capacity, but that's certainly not to say she hasn't been busy. Last year saw full-length outings by her two duo projects, Date Palms and Myrmyr, and already in 2012 works with Bay Area drone ensemble Portraits and trio recordings with Helena Espvall and Agnes Szelag have been released. Her last major solo outing (under the nom-de-plume Darwinsbitch) came in form of the dark, comple…
Rotated and submerged. Drawn tight below the surface. Remnants of hair, string and wood.Tied across and back. Knot Invariants is Helena Gough’s third album. It was created using source material derived solely from recordings of cellists Anthea Caddy and Anton Lukoszevieze.
‘Experimental’ bands are never going to please everyone; a lot of them seem almost uninterested in being anything but show-offs and twats, and there’s occasionally no attempt to make a connection twixt music and listener. All we get is: ‘marvel at my amazing button-pushing skills.’ And then, suddenly and horrifically, you turn into your dad: ‘that’s not music, that’s noise!’ Despite the post-watershed name, Fuck Buttons have always been a more subtle and meditative addition to the experime…
Already sold out at source ! Ltd edition of 350 LP. 'Wound response' is the third solo harp release by improviser and harpist Rhodri Davies following his albums 'Trem' (2003) and 'Over Shadows' (2007) on the Confront Label. Moved by the diverse and vital music scene in the North East of England this is a weighty departure for Davies. wound response is loud, distorted and forms an attempt to work with rhythm and pitches in an open and fluid way. The album comes pressed on heavyweight transl…
Macronympha side project focusing on the heavy low end sound often the basis for Macronympha compositions. OVMN III removes the layers of sound to reveal the thick crumbling distorted base. Constantly moving forward while seemingly static, this piece is enveloped by and progresses in a wave of distortion. Recorded in 1995 by Joe Roemer and Rodger Stella with cover art by Sam McKinlay. Lp comes in a deluxe silver silkscreen on black cardboard sleeve. Edition of 99 copies w/insert.
"Roman Polanski’s 1967 film ‘Dance Of The Vampires’ (as it was originally called, but more widely known by its re-named title ‘The Fearless Vampire Killers’, or ‘Pardon Me, But Your Teeth Are In My Neck’) is a camp horror cult classic. At the time the film was marketed as a ‘farce’, which overlooked the fact that this film is fantastically eerie. The major part played by the soundtrack in giving the film this effect cannot be understated, and the cold-as-snow production did much to enhance the b…
Double LP version: Reissue of the rare LP from 1982 and additional material from various tapes of that period. Includes two long Industrial tracks in the way of Throbbing Gristle and 22 tracks of experimental minimal, comparable to early Cabaret Voltaire or Conrad Schnitzler.All composed and recorded in the early eighties by Andy Wilson, who also played with Bourbonese Qualk, released a book about german band "Faust" and nowadays plays under the name "Sunseastar" and "The Grand Erector". Limite…
Compilation of the early german dark-wave-legends with their Monogam-Hits such as „Casualties, „Radio War", „Don't tell me stories" and so far unreleased material. Very rare