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Mainliner, were a Japanese trio consisting of Asahito Nanjo (High Rise), Makoto Kawabata (Acid Mothers Temple) and Hajime Koizumi and their debut album 'Mellow Out' is considered by many to be thee CLASSIC Japanese underground album. Since it was first released in 1996 it's legend has grown and grown, and it's still talked about by lovers of all things loud, noisy and Japanese as THEE definitive Japanese noise rock statement. Upon release it was instantly dubbed 'the pinnacle of achieveme…
Pleq, Hiroki Sasajima and Spheruleus manage to overcome the sheer geographic distance that lies between them to produce a really wonderful studio album.Pleq and Hiroki Sasajima are from bustling capital cities; Warsaw and Tokyo respectively, which has naturally had an impact on their sound. Whilst Spheruleus is from a quiet Lincolnshire town in the UK, surrounded by farmland. As a result of the inspiration drawn from their different environments, the solo output from these three artists is all q…
Eyes closed, ears wide open, we are given freedom to dream the void. Sweeping, intricate, sometimes ominous yet always exuding a warmth and depth of emotion, The Stargazer's Assistant produces pure cinema of sound. For the new EP, David J. Smith (Guapo) is joined by Circle vocalist Mika Rttö', who sings on the heart-breaking 'Coral Butterfly'. David also had the honour of playing the late Finnish jazz drummer Edward Vesala's Sound & Fury collection of unique metal percussion. Ancient fore…
Probability A collects three pieces composed by William Hutson between 2009 and 2012. Over the past seven years Hutson’s project Rale has evolved to incorporate more negative space into the music. The three pieces herein contained were recorded as proofs-of-concept; they are tracks that Hutson made to loop indefinitely in his house as he built up the courage to use long silences in what is supposed to be a noise/drone act.
William Hutson began recording and performing as Rale in 2006. He …
Andrew Pekler selected 300 different covers from second-hand records and, using colorful geometric elements to cover over all titles, performer’s names, and label logos, removed traces of the covers’ original contexts. The sunsets, couples in silhouette, alpine panoramas, roses on pianos, female faces in close-up, and seascapes no longer serve as the packaging for easy listening and exotica. Instead, the romantic, bizarre and intriguingly bland images of the original covers are free to lend thei…
"The noise rock parade that defies definition, set out on a mission of pure volume worship that is the post-decade pilgrimage of NY-based Sightings. After eight instinctive albums, the Sightings guys show no mercy with endless annihilation of their newest material on Terribly Well. All parts destruction measured against their abrasive songwriting. Jagged, collapsing rhythm based mayhem, guitars that can be mistaken for a freight train being ripped for scrap metal, only to be held together …
When does modern composition become drone?  When the original elements are sunk into a sea of strings, brass and electronics, as they are on this evocative split release.  Each of the artists composes, but in a modern fashion, either by manipulating source elements or by rearranging them to make a different sort of sense.  Both pieces are based on recordings of the Antonio Lomatto choir, conducted by Davide Mainetti.  The phantoms of these recordings remain, spectral yet in…
The Watchers is a historic collaboration between Lubomyr Melnyk and James Blackshaw. These new pieces are being released as a CD/LP with material exclusive to each format. LP is pressed in an edition of 500.I first met Lubomyr Melnyk at a festival called Hea Uus Heli in October 2008. We were both scheduled to play that day and I was very excited to see him perform. Before the show I bought several LPs from him and mentioned as much. Lubomyr (more than modest and courteous, as he always i…
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
Otomo Yoshihide, guitar. Sachiko M, sine waves. Evan Parker, saxophones. John Edwards, double bass. Tony Marsh, drums. John Butcher, saxophones.The final night of Otomo and Sachiko's first residency in 2009 saw the pair joined by the long running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko (available as download only bonus tracks) and joined the quintet for a rousing sextet: stunning twin saxophone interplay, …
Mountains’ music is defined by slow builds, and subtle transformations, textures and melodic lines that evolve in a variety of ways to create grand soundscapes and acutely detailed compositions. For Centralia, the duo of Koen Holtkamp and Brendon Anderegg wrote and recorded in a way that mirrors the pace of their music. While the current trend in experimental music is towards hyper-prolificity, Mountains have taken their time on Centralia, resulting in an album that is as precise as it is boundl…
Jan Jelinek, Hanno Leichtmann and Andrew Pekler have formed a trio that can truly be called a supergroup. As solo artists, all three members are among the most renowned of Berlin's electronic musicians. When playing together as Groupshow, the three instrumentalists -- themselves largely informed by minimalist sensibilities -- engage with the idiom of free-form collective improvisation, which has a long tradition in Germany dating back to the days of Fluxus and Krautrock. Consequentially, t…
Forget what you know about the Seattle-area sound-art project Mamiffer and the Finnish hypno-rock institution Circle. Enharmonic Intervals (for Paschen Organ), the first in a proposed series of joint efforts involving these parties, contains few of the musical hallmarks you might associate with either performer. The comforts of austere piano sketches and solemn nocturnes are largely absent; the wallop of repetitive rhythms and metallic kitsch is nowhere to be found. It’s as if an unseen h…
180 gram LP version with free download code. "Antworten (meaning: answer) is the third installment in a trilogy of Qluster music, following on from the Fragen (BB 076CD/LP) (meaning: question) and Rufen (BB 075CD/LP) (meaning: call) studio albums. The fact that the music on Antworten was created before Rufen and Fragen were recorded is less of a paradox than it might at first appear. For the expansive piano fantasies of their 2007 recordings had already provided a clear answer to the two musicia…
In Format, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's gracefu…
Historical recordings made by Harold Norse when he was living with William Burroughs, Brion Gysin and Gregory Corso at the notorious Beat Hotel in Paris during the early sixties. By the time Norse arrived in Paris he had traveled extensively in Morocco and Europe and his poetry was already championed by people like W. H. Auden, William Carlos Williams and Tennessee Williams.
Together with Sinclair Beiles, Burroughs and Gysin, Norse was one of the first to apply the cut-up method. He made the tec…
Song Islands Vol. 2, released under the Mount Eerie moniker as opposed to Microphones like the original Song Islands compilation, is a sizable compendium of songs covering from the 2002 release of Song Islands to the present day. Coming in at a total of 31 tracks, Song Islands Vol. 2 continues Phil Elverum’s powerful and decidedly exploratory musical style. The compilation maintains an incredible sense of intimacy, even when the vocals get choral, which is on the precipice of being the rule as o…
A soundwork commissioned for the 2010 edition of the Ravello Festival, curated by Achille Bonito Oliva, Stefania Miscetti and Gianluca Ranzi. Voice: Seijiro Murayama. Voice recording engineer and EQ: Stefano Pilia Original stereo mix: John Duncan. All other sounds, recording, editing and mixing by ALH.
“In relation to this soundwork, the extended overtones created by the clashing frequencies of the ‘ghost chorus’ could indeed be read as faint glimmerings of a sublime imperative. This imperative,…
A beautiful little record – and one that definitely earns the "suite" distinction in the title – given the thoughtful longform approach of the set! The album's got a more composed feel than other spiritual jazz sessions of the time – not in a stiff way, but in a style that shows that leader Donald Alexander Strachan really has a strong vision in his music – not just in the compositions he spins forth on the record, but also in the way he directs the rich energy of the ensemble! The lineup featur…