New Arrivals
Requiem for a baby grand
Final piano music for 8 hands and tools. A film by Pavel Borodin documenting the performance by Hans W. Koch, Thomas Lehn, Ben Patterson and Jozef Cseres.
United States of America Triptych (I)
Voice by Pete Simonelli, guitar by Miron Grzegorkiewicz, bass Guitar by Michael‚ Biela, turntable by DJ Lenar. Text excerpted from 1939 Southern Recording Trip Fieldnotes by John Lomax and Ruby LomaxAudio quotes excerpted from their recordings.
Frequencies
Nicolas Bernier’s Frequencies (Synthetic Variations) is his first piece made entirely of synthetic sounds. Having evolved within the musique concrète and field recording traditions, Bernier wanted to break with habit — the result being 15 short movements of warped and crackling textures, vividly articulated sine waves and rhythmic bursts of pattern. The piece is designed to be listened to at random (the sound sample above is such a sequence), offering a new duration and dynamics with every heari…
Broken iteration
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…
The Dusted Sessions
"Date Palms revolve around the core duo of Gregg Kowalsky (keyboards, electronics) and Marielle Jakobsons (violin, flute, electronics). They employ traditional rock instrumentation to create music informed by Indian classical music, country, minimalism, and spiritual jazz, arriving at a style that is wholly their own. On their third album, The Dusted Sessions, the duo expanded the line-up to include Ben Bracken on electric bass, Michael Elrod on tanpura, and Noah Philips on electric guitar…
From The Ground
Very special vinyl edition cut at Dubplates & Mastering in Berlin, includes a bonus track and a hidden locked groove, together with new artwork. limited copies!* The sister of office favourite Peter Broderick, Heather Woods Broderick steps into the limelight with this hugely impressive solo debut. On 'From The Ground', Heather is ably assisted by her multi-talented sibling, who records, produces and contributes various instrumental elements to the songs. These two are regular collaborato…
Sane Men Surround
Following up their warmly-received 2011 Alter debut, The Letter (ALT 005LP), Sane Men Surround is the second album to emerge from Southend-on-Sea's Liberez. Like their debut, the nine tracks here continue to savagely EQ percussion, guitar, violin and electronics into abstraction with tracks like "A Warning and My Madness Offends," bearing the industrial and almost ritualistic atmospherics of its predecessor, while "Nema Te" and "What's Mine Is Mine" introduce a new style of composition and songw…
Amniocentesi / Envoise 30 05 82
Two unreleased long tracks recorded in 1982. These tracks were originally submitted for the Mail Art Music Project compilation LP. Only one minute of each track was published on the now extremely rare compilation album.Remastered from original master tapes. Cover photo taken in 1982 in Milan. Numbered edition with paste-on cover.
Trente belles annes
Triumphal new CD, the first new recordings in an age, from one of the greatest bands on the goddamn planet, the trio of saxophonists Jim Sauter and Don Dietrich and guitarist Donald Miller aka Borbetomagus: this is a roof-raising performance, recorded live at Instants Chavires, France, 19th December 2009. Borbetomagus combine the elevated amplifier violence of Jimi Hendrix at his most combustible with the spontaneous free music polyphony of Ascension-era Coltrane and the ‘guitar smashing’ h…
Self Title
There are no words to say how amazing the Heinz Hopf's debut album is. They are a harsh noise duo consisting of Matthias Andersson and Dan Johansson. The first is the mind behind the label Release the bats, and the second is the man behind the moniker Sewer Election. The result is 32 minutes of pure, brutal and uncompromising harsh noise. Comparisons with Incapacitants is too easy, their love of the Japanese noise is too evident. Comparisons that do not lead to the cloning of a sound. Thei…
Rising from the red sand Volumes I - V
‘Rising From The Red Sand’ was one the most comprehensive compilations of early 80’s industrial, wave and underground music, spanning a total of five cassettes, compiled by Gary Levermore for his own Third Mind Records label (which has also recently been revived). The original five tapes are now released as a 5xLP set, following several months of tracking down as many artists as possible to obtain their permission to reissue their material. Almost all were found, although nine tracks are missing…
The Alan Lomax Recordings
This has gotta be a piece of history right here. These 12 songs comprise Alan Lomax's first recordings of the legendary Fred McDowell in an incredible, on-the-spot document of his soul-stomping, spirit-wrenching blues. Fred is joined by Miles Pratcher on second guitar for a number of songs, and accompanied by Annie Mae McDowell's vocals and Fanny Davis on hair comb, running through a repetoire of spirituals and original songs. We're by no means Blues experts, but you don't need to know jack sh*t…
A Birthday Tribute - 75 Years
Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton. The first track from 1993 brings all musicians together for a 29 minute work of great dynamic and dialog. The following track present a quartet with Oxley, Bailey, Thomas and Wand from the same session, and the final 1993 track is the duo of Oxley and Rutherford. The first '77 tra…
Avast!
Avast! was created from field recordings made between 2009 and 2012 in Lyttelton, a volcanic harbour on the South Island of New Zealand. Sounds were captured at sites around the natural ampthitheatre of this extinct caldera: from abandoned wartime bunkers on the top of the crater rim to the port and its cacophony of cargo ships, tugs and workshops. The work is also haunted by the resonance of buildings such as the Timeball Station, which were destroyed when the town was at the epicentre of a maj…
The love robots
Jim O'Rourke, guitar. Paal Nilssen-Love : drums. Lasse Marhaug, electronics. Recorded at Gok Sound Tokyo by Yoshiaki Kondo February 2011. Mixed by James Plotkin. Coproduced by Pica et PNL. Gatefold cover. 500 copies. Housing, parasites and hammering textures.
Berlin
Rhodri Davies: harp. Mark Wastell: violoncello. Simon H. Fell: double bass. 'One day, I hope, the story will be written. The story of the group IST and its relationship to the birth of the music that subsequently became variously known as New London Silence or Lower Case Improv (and yes, I use those upper case letters intentionally). Perhaps the learned critics (who seem very rarely to actually ask the musicians) will tell us just what our place is in this history. Certainly we were not the firs…
Footnote(s)
Originally published as a cdr in 2005, limited to hardly any copies on Feater one's Nest, in the period Joshua Burkett visited Europe for the first time, it was about time these beautiful recordings saw some day light again on wax! I've met various people on other planets that i could compare to friends closer to home, Bill Nace calls himself a "fat Vaast Colson", Vladimier looks like Phillip Quehenberger, Tarp's Conrad Capistran's laughter sounds simular to W Ravenveers grinning and so on…
Ritual
gorgeous LP of this obscure live recording, an ethereal vortex of electric moon-sounding mandolin and slow bass (luca massolin), spacy keyboards (david vanzan), primitive astral soprano sax and voice (virginia genta). atmospheres for the end of the earthly. handmade collage cover art. limited edition of 280 numbered copies.
Leave/Trace
Formerly operating under the name of Mites, Shakhnes has been recording and performing in Tel Avi, Israel since 2008. His work has been issued both privately in limited handmade CD-R editions, and internationally though Alamut Records (Jerusalem), Mystery Sea (Belgium), and Copy For Your Records (NYC). Consider 'leave/trace' a graduation ceremony, as Shakhnes steps away from pseudonymity and into the bright lights of his own exceptional music."leave/trace" offers a compelling display of mu…
Chiapaneca
A great, vivid recording of some wild playing, using the entire kit, rolling about on the various skins and cymbals. Recorded at Festival El Nicho Aural by Daniel Goldaracena at Centro Cultural España Mexico D.F 12 mayo 2012Mastering and cover design by Lasse Marhaug