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A project by the german artist Franziska Koch, edited by Fink Edition, Zurich. "The cleaning of the piano in the house Franziska Koch - Once a year - recurring as of spring cleaning . On this is both spontaneously and passionately played in their living environment for young and old . In the resulting recording is heard, like the piano cleaned, is rubbed and wiped. Knocking noises and random poking against the instruments body give the piece its own rhythm, so as to connect by wiping over the …
This album is a return to brutality for Drumm and a continuation of the intense lo-end evil of Wiese. Needless to say it is amazing and an essential purchase for noise fans, Mania-inducing heavy waves of suffocating bass frequencies with ripping and tearing, hissing and speaker-destroying hell-storm; at times these guys indulge in noise in the service of the metal that has influenced them via hi-end frequencies, but for the most part this is an expansive record that will immensely satisfy fans o…
"1st time ever that two of the most legendary figures from the Turkish jazz scene (Okay & Ertunc) play/rec. together, so really an historic event ! classic pn trio + some more ethnic/otherworldly moments. special front cover artwork by Huseyin, who's an acclaimed painter (he designed also the old Intex front covers...), especially in his own country."Label press
**Digitalis debut from Koenraad Ecker, one half of Opal Tapes' Lumisokea, highly recommended if you're into Vainio, Joachim Nordwall, The Haxan Cloak. Initial copies on transparent red wax** Belgium's Koenraad Ecker swiftly follows his 'Apophenia' LP as part of the Lumisokea duo for Opal Tapes with a personalised invitation to his shadowy solo zones for Digitalis. Inhabiting space between slow techno and electro-acoustic dimensions, 'Ill Fares The Land' surveys similar soundscapes to Mika…
Probability A collects three pieces composed by William Hutson between 2009 and 2012. Over the past seven years Hutson’s project Rale has evolved to incorporate more negative space into the music. The three pieces herein contained were recorded as proofs-of-concept; they are tracks that Hutson made to loop indefinitely in his house as he built up the courage to use long silences in what is supposed to be a noise/drone act.
William Hutson began recording and performing as Rale in 2006. He …
Peter Becker is one half of famous Eyeless in Gaza. In 1979/80 Peter Becker and Martyn Bates formed their own label called „Ambivalent Scale Recordings“ in order to release their own music as well as projects of friends like Kevin Harrison or Bron Area. Peter released two Solo-Tapes called "They brought the Statosphere" (ASR04) and By Train to the Coast (ASR10, which also found release on Ian Dobson's Flowmotion Label)
Peters recordings from those two Solo-Tapes contain a wide variety from athmo…
Instability between sound and silence, between stagnation and air pressure; or else digital phantoms, remanences of what has not occurred - and the live electronics that sculpt this matter. Instruments increased to excess or, to the contrary, reduced to the flimsiest breath, distorted and exploited by themselves as much as by the teeming immobility of the dancer, body to hear. A slowness always in imbalance with abrupt accelerations, a stasis filled with electricity, a wall of sound.
After much deliberation and work, Install is proud to unveil its first vinyl release: Milieu's Phosphene Weather LP. Notable for also being the first time Milieu's work has appeared on the vinyl format, Phosphene is a special affair, limited to 150 copies on randomly colored vinyl inside custom silk screened sleeves with hand-numbered inserts, sporting a modern design by David Tagg. Musically, Phosphene Weather inhabits a similar universe as previous Milieu ambient output, such as A Warm Wooden…
Originally self-released in 1984 on Pterodactyl Records, No Visible Means is the work of Canada's own Lou Champagne. Lou Champagne was active the Ontario music scene and also performed with other local musicians from that region as well. The Lou Champagne System was the real-time guitar synth solo act of Lou Champagne. Due to his knowledge of electronics, he was able to link his guitar, synth, and synthetic drums into a working one-man solo act that was playable with floor switches and …
This is Electro 80's minimal punk at its very best - think Grauzone meet D.A.F. meet Suicide!Stephan Eicher recorded the totally 7 songs (only 5 were later released on the debut 7") on a simple dictaphone recorder with no overdubs or mixing and purely with 'stolen' equipment (after the Police stormed the Spex club where Stephan worked, and where the band that was supposed to play had to leave behind their equipment.).With almost no equipment he tried to reproduce tracks by his short living first…
Born in Japan and a resident of New York since 2001, Aya Nishina is a very special and beautiful spirit whose work touches upon nature, spirituality and the deepest human emotions. Five years in the making "Flora" is a brilliant suite of pieces for the human voice. At times layering hundreds of voices at the same time, the music is lush, orchestral and healing. Meticulously written, rehearsed, guided and recorded, this is a fabulous debut CD by a unique composer who has worked with Ryuic…
COH is the moniker used by Ivan Pavlov from Russia for more than a decade. COH is also the Russian word for \'sleep\'. Yet, do not be deceived - RETRO-2038 is much more of a deep space than a deep sleep. The second COH release on Editions Mego is a true delight to behold, inviting as it does its exploration of electronic sound in minimalism, futuristic pop and the uncharted territories inbetween. Ranging from digital updates of Giorgio Moroder\'s pulse experiments to menacing lingering LF…
Some will find it hard to believe that a glamrock band with a gritty urban veneer came from Texas and stuck together long enough to release this milestone record. Indeed, I was startled to learn that they're from Texas and not NYC or London. Clearly the underground music scene throughout Texas is fertile with talent and enough socio-cultural diversity to support any genre, including mid-70s glamrock. Metz take on glam includes some of the associated clichés like heavy chunks of chord strokes and…
John Oswald (Plunderphonics) returns with two fourteen-minute-plus tracks of sliced and diced audio assemblage. Pre and post versions of Plexure out in 1993 on Avant, 'PrePlex' (1982 - 1992) and 'Plexure concentrate' (1992 - 2009). Here some feedbacks: 'Highly recommended. Imagine playing Ôname that tune' at 5 times the speed of your ears' ability to recognize familiar sounds. This composition, made up entirely of pop music samples, deserves five stars because of its meticulous organizatio…
Minimal Wave presents a full length album by cult French band In Aeternam Vale. Having made over 200 recordings, I.A.V. were one of the most prolific bands of the French underground scene. Headed by Laurent Prot, the band released many cassettes all featuring his wonderful collage work. Their sound is extremely original, overflowing with character, and crossing between genres: electro, minimal, noise, and even garage. “With the passing of time, In Aeternam Vale’s work remains astonishingly power…
During drummer Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro Brazil, he was joined on stage by Arto Lindsay performing on electric guitar and voice. The result is this 180 Gram LP, one side at 33 RPM and one at 45 RPM presenting two improvisations from these powerful improvisers. Of the performance Nilssen-Love writes: The gig was organised by the guys running Audio Rebel i Rio... fantastic guys who's also musicians. Gig was amazing and we we're both drench…
After Sound Effects and Le disque contre l'insomnie (hypnose), Audio Technic Catalog is the third release of a series that reinvents sound library. With this one (LP + DVD with videos and audio, in a gatefold sleeve) the visual artist musician Vincent Epplay tackles the category of didactic records and movies (education, method, technique, instruction of use), with a lot of humour, weirdness and poetry. Like the first two releases, the graphic design, the texts and the music are combined…
2013 repress. Born in Osaka, Kouhei Matsunaga is a musician and an illustrator. He started drawing during childhood under the influence of his grandfather. He grew up listening to hardcore techno and hip-hop, studied architecture and has been mainly making music since 1992. Under many different aliases (NHK, NHKyx, Internet Magic, Koyxen) he has released numerous albums on labels such as Skam Records, Wordsound, Raster-Noton and his first-ever album Upside Down on Mille Plateaux in 1998. He …
2013 release "From the time we started Latitudes, we’ve held a secret wish list of bands that we intended to lure into our studio. We’ve cut a major notch in our bedpost by finally scoring with Arbouretum, a band that meets universal approval at Latitudes HQ. Arbouretum offer up four cover versions of the brilliant Gordon Lightfoot, the oft-overlooked Canadian singer-songwriter who helped define the folk-rock sound of the Sixties and Seventies. The highlight of the session is unsurprisingly the …
"It's been a while since Scorces sorceress, Jandek collaborator, and Volcanic Tongue branch manager Heather Leigh has ventured out on vinyl under her own name. And it may be a while longer, as Jailhouse Rock is in fact a wax reissue of a long OOP 2006 cassette classic on Michigan crud factory Fag Tapes. It was a fave of ours that year (and every year), so it feels extra celebratory to be able to offer up a freshly remastered (by Pete Swanson) LP edition of the album for global re-appreciation. S…