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Certain places are more horrifying than others, closer to the source of primordial terror, be it the netherworld, the glacial outerspace of Lovecraftian ancient evil or simply the subconscious. Such places are sources of myth and awe. For their second album, Owwl tapped into these sources. Dark Places channels the world's sinister sites. The results are minimally shifting walls of drone, oppressive and entrancing like stars in a forlorn place or the historic pitfall of ground drenched with…
Solo piano, performed by Roger Woodward. "A co-production between Celestial Harmonies and Bayerischer Rundfunk, Vom Klang Des Lebens/Of The Sound of Life features pianist Roger Woodward on a Steinway model D, playing Peter Michael Hamel's cycle of works composed for and dedicated to his wife and new son. The producer/engineer for the recording sessions in January 2006 was Ulrich Kraus. Long before he discerns the light of the world, still in the womb, nascent man begins to sense the sounds of li…
In the fall of 2011 the pianist Marino Formenti performed four one-hour solo concerts hosted by the Wien Modern festival. The so-called “Notturni” series was centered around the piano oeuvre of Friedrich Cerha. To celebrate the occasion Cerha wrote his first piece for solo piano in twenty years and dedicated it to Formenti. The pianist extraordinaire’s main objective in these performances was to contemplate the music jointly with his audience, to analyze and reanalyze the sounds of the in…
Large ensemble Sissy Spacek recordings featuring the cream of LA. The line-up: John Wiese, Mitchell Brown, Joey Karam (The Locust), Peter Kolovos, Rick Potts (LAFMS), Damion Romero, Corydon Ronnau and Shannon Walter (16 Bitch Pile-Up). All the source recordings used for Sepsis were taken from a group improv session recorded for the Dublab radio in 2008. The recordings from each individual channel were later chopped and rearranged into audio collages byWiese without any regard to preserving group…
The live music experience is what it’s all about! Let’s face it, the recording, the thing (CD, vinyl, ipod), that you’re listening to now is a luxury – a convenient form of storing and a flawed attempt at revisiting the ecstasy of the live experience. Live music is at the heart of civilization and culture. Live music is real music – the recording is simply the run out groove of time, a means to try and capture the experience. This trio is defined by live performance. The relationship between the…
"Alchemic Heart is a special project presented by Vampillia who have colored these two colossal compositions with beautiful contributions by members of the Boredoms, Jarboe (ex-Swans), Inswarm and Japanese Noise-God Merzbow. Layered strings, piano, bass, noise and voices are weaved mysteriously and expand as two magnificently parallel aesthetic worlds. Comprised of two pieces, 'Sea'/'Land,' a primitive landscape is created via listening and destroyed when the pieces are complete. Vampilli…
2009 release. Outstanding reissue covering some of the best Yuasa experimental and electronic works from the 60s and 70s: Yuasa was developing a fascination for tape music from the very beginning, and the inner journeys that such music would take him on. As he later wrote: “Tape music was [a] completely unknown field at the time. Even reversed playing of recorded sound, change of tape speed, filtering and feedback echo were totally new for the ear.” However, as Yuasa’s knowledge of technolo…
Sylvia Hallett (violin & electronics, voice), Danny Kingshill (cello, voice), Gus Garside (double bass & electronics). First formed in 1988, arc have developed, through improvisation, a collective language that draws on the European textures of the violin family (with a little bit of voice added). This is their first album to use live electronics, at times effectively increasing the group to a quintet. They previously released two albums of acoustic improvisations in 1992-3 on Uneasy Listening a…
The Preservation label presents From Here To There, the debut album from San Francisco’s Ben Swire. While From Here To There can sit snugly in the canon of electronica, it’s played out with expansive vision and immediate warmth. Woven together with a deft sense of minimalism and melody using double bass, interlocking guitars and crisp percussion, the use of live instrumentation against densely layered field recordings finds great balance between elasticity and deep ambient underpinnings. The acc…
On a mission to bring again the best works of the Italian Industrial acts of the 80s and 90s to the light, Officina Fonografica Italiana offers its first release in the form of a CD reissue of the historic "Armaghedon" by Maurizio Bianchi. Originally released on vinyl in 1984 by the author, this album has longly been his last work before his return to music in the late 90s. Conceived as a soundtrack for a movie by Bianchi himself - unfortunately never finished and now lost - "Armaghedon" is a co…
Blood & Time is an offshoot of Neurosis, featuring band members Noah Landis, Scott Kelly and Josh Graham, who take country blues into some seriously dark territory. Like, country navy blues, perhaps? As with all the releases in Southern Records' consistently excellent Latitudes series this set was recorded as a specially commissioned session, designed to capture a band at its rawest - or at least as raw as a band is likely to get in a studio environment. The results here are especially bewitchin…
This CD compiles two long out of print, obscure vinyls by People Like Us. Almost all (maybe all) were recorded as commisions for Dutch radio. People Like Us plunders her way through the wastelands of vinyl nobody buys, collages them into mostly strange, and at times funny pieces of music. Unlike other plunderphonics, People Like Us keep the voice/spoken word segments to a minimum, which I most hearthly welcome. Extensive spoken words are usually hilarious, but after repeated listening don't hold…
Lost and found all of a sudden, this album is the exploration made with the chanting voices of unknown nature. Choral fragments were decomposed and restructured, arranged with the effects and atmospheric shifts, creating the mysterious soundtrack to the otherworldly ceremony. These echoing voices are going directly from the lost memory or the daydreams, nobody can tell you where they are from, where they are calling you. Here are some words of the author, giving you just the hint but not t…
Just to Feel Anything, the new album by Emeralds, surpasses all expectations, just as its predecessor, Does It Look Like I'm Here, did in 2010. This expertly recorded new album sees the band deliver plenty of their distinctive aesthetic for old fans to enjoy while offering a new range of fresh, exciting ideas for newcomers.
'Before Your Eyes' begins the record with a steady build-up, which bleeds into humid layers of synthesizer pads and warm guitar. The track sets the tone perfectly for 'Adreno…
NEW SERIES FRAMEWORKAn extension of our CONCRETE ELECTRONICS NOISE,a brand new mix-up of unusual conceptions of sound material by young unknown composers, well known not-so-young composers and old but clever composers.Benjamin Thigpen, nomad, born in the United States, immigrated to Paris at the age of 31. He studied music, literature, philosophy and esthetics. He now composes in European studios such as GRM, EMS, Visby and STEIM, as well as in his bedroom and in the train. After six years as a …
2nd full-length from self-styled black ambient guitar overlord. Like Earth's seminal "Hex" before it, this invokes the ghosts of a lost America & drags the rotting carcass of country music through a swamp of noise & drone. The chugging, blown-out treble & isolated darkness of Xasthur is all present & correct, but there are also echoes of William Basinski & Deaf Center hidden amongst the clouds of radio static.
The IMO is a very large improvisors ensemble, founded in september 2010, that usually gather about 35 musicians per concert, from all switzerland and beyond. From the, expected, mess of the first concerts emerged a collective consciousness and involvement from the impressive number of musicians included in this ambitious projet. After a year - and 7 concerts - 40 of them met during 3 day during the 2011 summer, marking a sensitive step in the orchestra progression. Working deeply a certai…
Revisiting the treasures of Polish Radio studios (Polish Radio Experimental Studio, NEAR), the label offered Bolt miniaturized components of the composer Eugeniusz Rudnik (1933) to Lenar DJ (Marcin Lenarczyk) which reworks the way lo -fi in his studio (both guitar and bass amps, turntable, sampler loopers). Astonishing when one feels ownership playback via speaker which adds a paste, color these miniature electroacoustic "Nobody knows how many miniatures have been conceived by Rudnik. But one th…
Bob Rutman has invented what may well be the largest stringed instrument ever made. with a bow made of fishing line, he bows the suspension of a gigantic steel sail and in this way creates drones whose volume is not unlike the noise of a plane taking off. we might be reminded of russolo and 'the art of noise' by the futurists, or of machine music or industrial. and we're right and wrong there. of course, simply the look of rutman's steel cello gives a martial impression. so, it's not surp…
Effervescent songbird JANE WEAVE unveils a canon of femme-folk, laden with finger picked meandering melodies, ethereal harmonies and wistful leanings. In the same vei as acid folk such as Linda Perhacs and Karen Dalton, this decade spanning collection traces a line between the acid-soaked protest rumblings of yesteryear and the forward/backward facing revivalists of today.