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Faitiche is delighted to present Jan Jelinek's Music for Fragments / Music & Birds (faitiche08). This Mini-LP is the first of four vinyl compilations that bring together a highly diverse range of Jelinek's works - including commissioned pieces, live recordings, collaborations with other musicians, as well as unreleased material from the past five years.Side A / Music for Fragments: Music for Fragments developed from a collaboration with Canadian choreographer Sylvain Émard. Two excerpts of music…
Two days before the 2012 rebellion in northern Mali. Soldiers are everywhere. Guns mounted on pickups; low-flying surveillance planes. Several thousand people have gathered outside Timbuktu to celebrate the music and culture of the Sahara at the 12th edition of the Festival au Desert. Three months later, Sharia descends on northern Mali. A millennial history is suppressed. Shrines destroyed. Secular music banned. Before, the streets were alive with music. Weddings, baptisms, celebrations …
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
Bill Nace (Guitar) and Kim Gordon (Guitar, voice). "So much more than a 'likely pairing,' this is a group which manages to illuminate the best of both players while simultaneously pushing them into fresh territory. Live shows have been accompanied by slowed films, and the pair's obsession with cinema comes across in the music itself. The pieces exist as vignettes in and of themselves, all the while presenting a full-bodied emotional narrative over the course of the record's 20 minutes. It…
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…
A Sige Records repress of Mamiffer's second full length Mare Decendrii.Artwork is different from the original pressing. Edition of 600. Credits : Recorded from September 2009 to September 2010 at: Studio Litho, Aleph Studio, and London Bridge in Washington State. Produced by Randall Dunn. Co-produced by Mamiffer. Engineered by Randall Dunn. Assistant engineers: Mell Dettmer and Shawn Simmons. Mixed at London Bridge Studio by Randall Dunn. Mixing assistant: Mell Dettmer. Mastered by Mell Dettme…
"17 years after Other Places, a sophomore album from these innovative musicians. Dieter Moebius (Kluster, Cluster, Harmonia), Mani Neumeier (Guru Guru) and Jürgen Engler (Male, Die Krupps) got back together to carry on exactly where they left off in the 1990s. The long break has done no harm to their latest music, on the contrary -- as is clearly audible -- it has taken them to another level. The way they react to each other as they improvise, the powerful, subtle rhythms and the use of digital…
JFK is the project of British rock and electronic musician Anthony Di Franco (Ramleh, Skullflower, Ethnic Acid). Originally active between 1987 and 1992, JFK was conceived as an experimental rock band that could create "a total music, absorbing all possibilities." This exclusive CD compiles rare and previously-unreleased tracks, including the Temple of Set/Sexodus 7" (previously-released by Fourth Dimension in 1992). The JFK sound is a brain-melting clash of electronic rhythms, blazing guitar ri…
“Steve Noble [‘s] armoury of textures and tones is an acoustic mirror of [Ikue] Mori’s electronica, and just as spellbinding. He attacks his orthodox, loose-skinned drum kit from all angles, lays upturned gongs on the drumheads and is a master of orthodoxy as well as the avant-garde. His duet with Mori was the evening’s highlight, a pulsating welter of scrapes, thumps and press rolls interrupted by silences made sinister by the tick of an off-kilter metronome.” – Mike Hobart, Financial TimesIkue…
CD edition "The new Zs lineup (Sam Hillmer, Greg Fox and Patrick Higgins) sounds very much like a new band, at least as evidenced by the Grain EP. The two side-length tracks (coming in at a total of 42-minutes) bear the marks of Zs' sound - repeated phrases, looped or played in situ; buried drones and harsh electronic tones - but it does sound very much like a new band.
There's an extended ambience to the album that trick perceptions of time. Glitches and waves that last only a minute or th…
The HBE family are in full effect on this 6-track mini-album. Forming like a brass-plated Voltron, they spin from swaggering Hip-Hop funk on 'Starfighter' to sparky, feel-good breakbeat funk on 'Touch The Sky' and more sultry, jazzed up styles for the Sun-Ra sampling 'Pluto' on the A-side. Flip it for the more brooding, cinematic themes of 'Kyptonite' feat Crow, and the record's highlight 'Black Boy' easing off the punchy percussion for a more spiritual vibe with spoken words by their pat…
"Second chapter on the Bröselmaschine saga after a four-year hiatus. The band's second incarnation came to life in 1975, when Peter Bursch reformed the group together with old member Willi Kissmer and new recruit, Klaus Dapper (flute, sax, tuba). Helped by such honorable guests as Mani Neumeier and Roland Schaeffer (from Guru Guru) or Jan Fride from Kraan, their 1976 album was a solid session of progressive folk, very different than its predecessor but also with an atypically hypnotic and…
Founded in 1970 in Dusseldorf, Kraftwerk was the only German band to rise from the so-called 'krautrock' scene to true international stardom. Of course, it was partially their distinct look that set them apart. At a time when long hair and scruffy clothing was the norm for musicians, Kraftwerk cut their hair short and wore handmade suits. And at a time when guitar rock reigned supreme, Kraftwerk did not even have a guitar player. In fact they soon did away with instruments altogether, beco…
The Shadow Ring was founded by guitar player Graham Lambkin and percussionist Darren Harris in Cheriton, Kent, England in 1993. Tim Goss joined the Shadow Ring in 1996 performing on a variety of electronics. The group disbanded in 2003. 'Remains unchanged' is the long-time-coming archival overview of the shadow ring. Spanning the full decade of their existence, 'Remains unchanged' offers an alternate account of the group's labor, told through 20 never-before-heard tracks. From the lumbering mono…
Aoyama Crows is the fifth album by Peter Brötzmann's Die Like a Dog Quartet. Saying the music can still surprise would be a lie. But that doesn't mean it lacks excitement, on the contrary. The performance, recorded at the Berlin Total Music Meeting in November 1999, contains all the elements necessary for an enticing free improv session. The rhythm section formed by Hamid Drake and William Parker is tried, tested, and true. The drummer can oscillate in and out of a pulse with incredible ease. He…
In 2010, against all odds, Angola Soundtrack Vol. 1 (AACD 069CD/AALP 069LP) was awarded the German Record Critics' Prize in the category "Black Music." This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi-platinum record, Good Things. Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa, who believed such an award should have come much earlier. Since discovering th…
"Unreleased performances by Dave Van Ronk, Ramblin' Jack Elliott, Kate McGarrigle, Rick Danko, Anais Mitchell, Sleepy John Estes, Arlo Guthrie, Sarah Lee Guthrie, and more. Caffè Lena, the oldest continuously operating folk music coffeehouse in the US. Opened by Lena Spencer in 1960, this tiny room has played host to influential artists across diverse genres of music; traditional folk, blues, singer-songwriters, jazz, and bluegrass. Luckily, many performances were caught on tape through …
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
Emil Amos, world renowned as drummer of the illustrious experimental rock groups Om and Grails, has an increasingly prolific, though relatively unknown, solo career under the moniker Holy Sons. Home recording over 1000 songs since the project's inception in 1992, Amos has spent the better part of the last two decades honing his song writing and production skills over a wide swath of genres in a mission to capture his internal world sonically. Only a handful of shows have ever been pla…
Pleq, Hiroki Sasajima and Spheruleus manage to overcome the sheer geographic distance that lies between them to produce a really wonderful studio album.Pleq and Hiroki Sasajima are from bustling capital cities; Warsaw and Tokyo respectively, which has naturally had an impact on their sound. Whilst Spheruleus is from a quiet Lincolnshire town in the UK, surrounded by farmland. As a result of the inspiration drawn from their different environments, the solo output from these three artists is all q…