New Arrivals
Comunicato n. 2
Odd tracks duelling with vintage sounds and acid riffs, krautrock and 70s sound, then add some weird sample and you get the abstract image shot by this trio
So sorry
A meeting between Japanese sound artist Takahiro Kawaguchi and two american improvisors, Nick Hoffman (head of the Pilgrim Talk label) and Aaron Zarzutzki. Recorded by Brian Sulpizio at The Chateau, Chicago, in September 2011 and then edited and mixed by Giuseppe Ielasi in Oreno.Numbered edition of 250 copies. Black vinyl (cut at SST), screenprinted cover on heavy grey stock.
Through A Pre-Memory
CD edition: Pan Sonic space explorer Mika Vainio and Sunn 0))) strongarm Stephen O'Malley rock our world to the foundations with this anticipated union of electronics and guitars recorded as ÄÄNIPÄÄ, featuring vocals by Alan Dubin (Khanate) and string arrangements from Eyvind Kang. In gestation for some years now, the results are little short of a modern doom masterpiece; a bracing exposition of cold, condensed, rage and stoic passion delivered like a slow, internally bruising hate-f**k t…
Matter
Ingar Zach, percussion. Martin Küchen, saxophone & pocket radio. Nikos Veliotis, cello & video. Looper's unique combination of floating sounds provides the spectator with a suspended environment to sink in, dislocating him from the casual perception of time and space.
Telmegiddo
Telmegiddo was the last tape-decomposition by Maurizio Bianchi and was recorded in February 1983 after the Armaghedon LP. Apocalyptic echo-sounds, originally decomposed at Mectpyo Studio in February 1983. Unofficially issued as cassette tape in 1990 with the given title of "Extreme Man 2". Bakterihabitat by M.B. contains sound sketches that were later used in Telmegiddo. Mixture of bacteriological wall of noises, originally decomposed at the Mectpyo Studio in May 1982. Unofficially issued as cas…
Dropped Pianos
This Tim Hecker release is composed of sketch pieces recorded in 2010 in preparation for what would become the Ravedeath, 1972 album. All of the compositions are piano driven and minimal in nature. This is not a new Tim Hecker album, but rather a peek behind the curtains into the working process. That these pieces stand on their own as compelling soundworks is a testament to the fact that Tim Hecker is at the absolute top of his game at the moment, and has been for years.
Era
"Era is the fourth annual report from Chicago powerhouse quartet Disappears. It was formed during the gloom of the Chicago winter at Electrical Audio by now regular foil John Congleton. Insular and dark, the album sees the band further refining their love of dub, minimalism and repetition into their most original and stark set yet. It harks back to the early 80's post punk period, when almost anything seemed possible with the classic two guitar, bass and drums lineup, and exploration and…
Con-gas
Of course we know Bocian since their earliest releases, which was all on 7". Now, an impressive catalogue further, they suddenly return to this format, and make two of them. On one hand Bocian is a label for strictly improvised music and on the other hand for radical experiments in electronic music. This 7" is clearly a product of the first interest. These four pieces were recorded earlier this year in Vienna and has Nilssen-Love on congas and Gustafsson on slide and brass saxophones. This is th…
Lines Describing Circles
Over the past year as Peder Mannerfelt has shed the skin of The Subliminal Kid, we've only had small samples to taste of his new brand of musical sorcery. Lines Describing Circles changes all of that. Ten tracks deep, this is not so much an album as it is a declaration. From the opening, harrowing crackle of "Collapsion," Mannerfelt's intent is to crush the listener into a perfect metal cube. Lines Describing Circles displays the sound of a man fully in control of his machines. Throughout th…
Opiate Sun
The EP might be the ideal format for Justin Broadrick's music, regardless of his alias. Whether he's trying to erase your head via concrete-slab guitars in Napalm Death, reduce techno to a series of clockwork hammerblows with Final, or massage your pleasure centers with neo-shoegaze in Godflesh, Broadrick's music has a laudable singularity. The three-or-four-song dose mainlines his all-consuming mood of the moment without the potential dilution of trying to fill up a CD. Broadrick claims to be …
Red Riding: In the Year of Our Lord 1980
Blackest Ever Black presents the first vinyl edition of Dickon Hinchliffe's original score for 1980 -- the second part of Channel 4 and Revolution Films' Red Riding trilogy, adapted by Tony Grisoni from David Peace's quartet of novels and first screened in 2009. Each film in the Red Riding trilogy, a landmark achievement in British television history, was helmed by a different director and had its own distinctive look, sound and feel. While Julian Jarrold's 1974 and Anand Tucker's 1983 were bo…
Centralia
Mountains’ music is defined by slow builds, and subtle transformations, textures and melodic lines that evolve in a variety of ways to create grand soundscapes and acutely detailed compositions. For Centralia, the duo of Koen Holtkamp and Brendon Anderegg wrote and recorded in a way that mirrors the pace of their music. While the current trend in experimental music is towards hyper-prolificity, Mountains have taken their time on Centralia, resulting in an album that is as precise as it is boundl…
Stranded
Since 2002, Idea Fire Company has performed and recorded as a quartet with core members Karla Borecky and Scott Foust (me!), joined by Meara O'Reilly and Jessi Swenson. (Meara and Jessi, along with Matt Krefting, start in my finally completed feature-length film Here's To Love!). I feel this LP is as strong as any I've been involved in, and I feel pretty strongly about my body of work. Stranded is the perfect companion to Anti-Natural. Excellent Karla Borecky cover. 180 gram luxury object.
Compositions For Geomungo and Gayageum
Sub Rosa reissues Belgian composer/violinist Baudouin de Jaer's Gayageum Sanjo (SR 347CD), with a complete new design and an additional CD of new compositions for another ancient Korean instrument: the geomungo ("black zither"). "Baudouin de Jaer chose a highly delicate musical instrument, the geomungo, and has drawn from it a marvelous creation; I can only congratulate him with all my heart for such an accomplishment, and for the release of this beautiful CD. I hope he will continue to make gre…
Remember your black day
“Remember Your Black Day” features the first material conceived and produced as a full length by Dominick Fernow for the Vatican Shadow project following almost a dozen tapes (mostly released on Hospital Productions) and vinyl editions (released by the likes of Blackest Ever Black, Modern Love and Type) over the last three years. None of the 8 tracks included have been released before on any other format. At a time when the scene is saturated with “Noise Techno” the album is almost celebratory b…
Mika Vainio-Haswell & Hecker remixes
Popol Vuh's soundtrack work for the films of Werner Herzog in 1970's and 1980's are some of the most stunning in the field. Editions Mego is pleased to present two re-workings of classic Vuh tracks. Mika Vainio takes 'Nachts: Schnee' from the 1987 soundtrack 'Cobra Verde', and delivers a skillfully constructed ambient piece of beauty, which shifts and turns over 10 minutes. Haswell & Hecker turn the majestic 'Aguirre' from the 1972 soundtrack 'Aguirre - The Wrath Of God' into possibly the first …
Chimerizations
Chimerizations feature a radically new form of documentation of Florian Hecker’s sound works that dramatize the phenomenon of Auditory Chimaeras.
“Chimeras are integrated bodies that synthesize incompatible modalities, surpassing their respective particularities without fusing them, finding a common ground, or reducing one to the other.” (Robin Mackay)
The publication presents the documentation of Hecker’s recent sound pieces (“Magnitude Estimation,” 2010; “Hecker Leckey Sound Voice Chimera,” 20…
Traces Two
2014 repress, Recollections GRM presents four "forgotten" and compelling electro-acoustic pieces from the institute's world famous archive. Recollection GRM, a label within the Editions Mego family of labels, offers a second selection from the vast archives of Groupe De Recherches Musicales (GRM). "The idea of the Traces series is to unearth from the GRM Archives short, forgotten, or ignored pieces of music. This second volume, which gathers works prior to 1976, features the 'early' works of f…
Low Life / Last Exit
Two key 80s moments from Peter Brotzmann – split together here on a heavy LP! First up is material from the album Low Life – hard-handed work from the duo of Peter Brotzmann on reeds and Bill Laswell on bass – a set that's kind of a side project of the Last Exit quartet, and one that comes across with a similar sense of power! Laswell's handling a fair bit of basses here, often with a bit of processing – thanks partly to producer Martin Bisi – and there's a dark, electric undercurrent to the who…
Live As A Troubadour
First ever live acoustic recordings from The Acid Mothers Temple & The Melting Paraiso UFO. LP edition limitedto 1000 copies. Recorded live in Nagoya. Design by Kawabata Sachiko. Features acoustic versions of fan favorites Pink Lady Lemonade & La Novia.