We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
'The Miraculous Mechanical Monster is the latest addition to the ever growing and highly collectible 'Monster' series from Andrew Liles. The Miraculous Mechanical Monster is in part a concept LP that tells a tale of malfunctioning robots, monsters and bizarre sex. With robotic narration throughout, the story can be followed by reading the text on the back of the LP. As with all of Andrew Liles' output this LP fits into no established musical genre and is arguably one of his strangest and …
Mountains’ music is defined by slow builds, and subtle transformations, textures and melodic lines that evolve in a variety of ways to create grand soundscapes and acutely detailed compositions. For Centralia, the duo of Koen Holtkamp and Brendon Anderegg wrote and recorded in a way that mirrors the pace of their music. While the current trend in experimental music is towards hyper-prolificity, Mountains have taken their time on Centralia, resulting in an album that is as precise as it is boundl…
"Era is the fourth annual report from Chicago powerhouse quartet Disappears. It was formed during the gloom of the Chicago winter at Electrical Audio by now regular foil John Congleton. Insular and dark, the album sees the band further refining their love of dub, minimalism and repetition into their most original and stark set yet. It harks back to the early 80's post punk period, when almost anything seemed possible with the classic two guitar, bass and drums lineup, and exploration and…
On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, reposit…
A pretty darn incredible record from Sun Ra -- with a soulful, spiritual approach that's missing from most of his other albums of the time! The album features Ra playing a good deal of organ (dubbed "intergalactic organ" in this case!) -- grooving soulfully on some short tracks that almost hit a soul jazz mode, and which recall the late 60s experiments of organist Freddie Roach.
Finnish experimental electronic musician Mika Vainio's first solo album for Blast First sees him return to his classic power electronics/heavy beats approach that made Pan Sonic garner a worldwide reputation. The album developed from Vainio's recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry. Four stars in Mojo: "heavy-freight," The Quietus describes it as "fearsome."
A too long unheard blacksploitation soundtrack from the Fantasy Productions house -- grooves from the pool of players who laid down the sounds on Secret Stash's fantastic Porno Groove compilation -- the score for the very little seen and long lost Mad Dog's Hustle from 1974! The music is credited to The Upstroke -- the same unidentified musicians from Fantasy's adult film scores -- and in a similar fashion to the porno soundtrack material, they're working very much in the appropriate idiom, but …
Jim O'Rourke, guitar. Paal Nilssen-Love : drums. Lasse Marhaug, electronics. Recorded at Gok Sound Tokyo by Yoshiaki Kondo February 2011. Mixed by James Plotkin. Coproduced by Pica et PNL. Gatefold cover. 500 copies.Housing, parasites and hammering textures.
**Limited edition coloured vinyl pressing from This Motion Sickness Of Time Travel related project** Husband/wife duo, Grant and Rachel Evans have found enough time out from running their ace Hooker Vision label, washing the dishes and doing the groceries, to sit back for a beautiful Quiet Evenings album. In case you missed all the fuss earlier in the year (and right now - her new LP is also out this week), Rachel Evans has been seducing listeners across the world with her Motion Sickness …
John Stevens, batterie et voix. Paul Rutherford, trombone et euphonium. Evan Parker, saxophones ténor et soprano. Barry Guy, contrebasse et électroniques. Londres, août 1978. Un quartet initialement sorti en vinyl chez View en 1980 et en CD chez Konnex en 1994. En bonus, Paul Rutherford, trombone et électroniques et Barry Guy, contrebasse à Milan en 1979. John Stevens, batterie et voix et Evan Parker, saxophone soprano à Londres en 1992. Free et historique!
*nice Price * Peripheral is the fresh new effort by Airchamber3 and marks a step forward from their debut. The improvisational element is still central in their compositional method, but Peripheral (recorded in a period of four years) shows how the trio, occasionally augmented by some additional musicians - Vincenzo Vasi (Patton/Capossela), Dominic Cramp (Carla Bozulich), Barbara De Dominicis, Luminance Ratio - has been able to integrate elements of different genres maintaining an experimental e…
Two new tracks from LA based duo Pedestrian Deposit. Side A is a little more noisy than last works, starting from jon's harsh-noise origins and the use of multiple layers of sound, they created a piece of musique concrète, near of what they did in Austere.Side B is dominated by shannon's cello and behind it, the sound of manipulated electronics and minimal textures to build the perfect background.
With each successive release, MV & EE strive to map new territory and to travel more distant orbits. It makes sense that this mission is their furthest reaching yet. While they've long been comfortable navigating the same planes as such cosmic explorers as Sun Ra and Alan Silva, Fuzzweed sees them planting their freak flag in the sorts of different galaxies where the atmospheres counterpoint the music of the spheres with the more earthbound plaints of the blues. Please remember that The …
Features six extended tracks from the Golden Age of the Moroccan record industry. 'Kassidat', the Arabic word for poetry, is one of the essential ingredients in Moroccan song. Despite the bewildering array of musical styles in Morocco, the Moroccan sense of poetry is found throughout the music, regardless of the style or language. This isn't the language of high art, but an often impenetrable vernacular poetry of oblique references, symbols, metaphors, and double entendres that describes the liv…
Polyphtong was conceived as a live quadraphonic composition for voice and computer. It was premiered at Stanford University in March of 2012. In August of 2013, Blonk radically reworked the piece to create the stereo version presented on this album. All sounds heard in it are derived from Blonk's vocals. Spatial placement and movement are extended by electronic means. The phonetic concepts of diphtong and approximant are an important focus in the more meditative sectons of the work. It also uses…
If you cant come to our shop, then maybe our shop can come to you. no, this is not a collection of in-store performances, there are no bands or artists trying to impress you with their skillz and technique - this is a collection of location/environmental recordings made inside our record stores, just the sound of regular everyday customers looking at records, talking about records, buying records - oh yeah, and record store owners boxing up records for mail-order customers - audio verite, sound …
...Vol. 1. Limited edition full-color gatefold LP version of the Sublime Frequencies CD release from 2004. Original description from 2004: How do they do it? Are they smarter? Are they better? How can it be ignored or denied? How is it possible that one of the most unique, perfectly composed and performed, intense and awe-inspiring musical legacies the world has ever known is looming north of the equator physically tucked between world cultural giants India, China, and Thailand, without more tha…
Sublime Frequencies is pleased to present the second volume of Northeast Syrian dabke music from legendary vocalist Omar Souleyman and his group. This record was compiled by Mark Gergis to coincide with the Sublime Frequencies UK/European tour in May and June of 2009, featuring live performances by Omar Souleyman himself. Culled from dozens of cassettes recorded in Syria from 1999-2008, the music here is an extension of Omar's Highway to Hassake: Folk & Pop Sounds of Syria (SF 031CD) release, to…