New Arrivals
Ensemble Pearl
Cosmic, heavy amplified rock drops and ripples, auras radiate and expand into cloud forms, through which lightning bolts. Tides rise, the moons wax upon a place somewhere between Link Wray, Hex-era Earth and early Tangerine Dream. The echoes return, leaving a trail that blows and drifts, creating a separate piece. Ensemble Pearl are Atsuo, William Herzog, Michio Kurihara and Stephen O'Malley. Their debut album also features the elemental forces of Eyvind Kang and Timba Harris. These playe…
Combines
The GGRIL is an ensemble of musicians who have decided to give a space to experiment with various forms of interactions possible in an orchestra without a conductor. The group brings together a dozen musicians from different backgrounds, but all eager to explore new territories offered by bands where the music is alive, freed from the linearity of writing. Powered by Tour de Bras, Rimouski, this set is a way to involve a large number of musicians and composers in the region around a unifying pro…
Works 1987-1993
Both of these projects hardly need an introduction. Merzbow is since the late 70s the project of Masami Akita working in the field of noise music, having released a few hundred CDs/LPs/cassettes by now. In 1987 Kapotte Muziek was then the solo project of Frans de Waard, after Christian Nijs left the group early '87. De Waard concentrated on working with other musicians, and started trading tapes with a few musicians he was already in contact with, and one of them was Merzbow. The first release w…
Scott (The Collection 1967-1970)
This box set collects remastered versions of Scott Walker's first five solo albums. The Scott albums are the fulcrum of Walker's career: You can hear where he'd been, and in retrospect, where he was going. His third act was emerging after 20 years of almost total silence with Tilt, The Drift, and Bish Bosch, released between 1997 and 2012. Walker's latter-day albums are fearless and violent, featuring wailing donkeys, moans, scrapes, and famously, the sound of someone punching meat. They seem to…
When The Rest Are Up At Four
Mind Over Mirrors is the solitary reeling of American harmoniumist/electronicist Jaime Fennelly. Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly-building, repetitive melodies into massive sonic mountains. When the Rest Are Up at Four is the fourth Mind Over Mirrors album following releases on Digitalis, Hands In the Dark, & Aguirre/Gift Tapes."Jaime Fennelly’s Mind Over Mirrors is the true dark star. The Chicag…
Live at the Red Garter 1970
his latest Transparency release brings an early July 1970 concert to our attention. "Live At The Red Garter" (later 'The Bottom Line' / New York City) doesn't offer the best sound quality, but it does give a glimpse of an exceptional version of the Arkestra: Sun Ra, Kwame Hadi, Akh Tal Ebah, Marshall Allen, Danny Davis, John Gilmore, Pat Patrick, Danny Ray Thompson, Eloe Emoe, Alan Silva, Alex Blake and a handful of unidentified percussionists...
Music Of The Modern White
2009 issue "The album begins with a percussion intro that sounds more like a gunfight than any sort of recognisable drumming routine, and continues to get weirder and weirder from there on. New York avant-garde-ists Zs might be seen as a kind of post-modern free-jazz ensemble, combining sax, guitars and live kit sounds with all the tumult of contemporary electronic drone music. This LP absorbs the impact of no-wave, industrial music, Merzbow and (on the ornate rhythmic figures of 'MMW I…
Scott 3
2013 repress. "Scott 3, originally released in 1969, marked a big change in Walker's approach to albums as, for the first time, the record is dominated by his original compositions. In fact, the only other songwriter that makes it onto the album is Walker's idol, Belgium's legendary singer/songwriter Jacques Brel. Scott 3 again features string heavy production courtesy of Wally Scott, though it occasionally moves out of pop ballad territory into a more cinematic feel influenced by Ennio M…
The jungle he told me
Joachim Badenhorst (1981) is a Belgian reed player who divides his time between NYC and Belgium. Over the last 5 years Joachim has released a number of albums with different projects, such as Baloni, Han Bennink Trio, Rawfishboys, Taro, Tony Malaby’s Novela, Thomas Heberer’s Clarino, Mogil, Polylemma, Os Meus Shorts, International Trio, Red Rocket and Equillibrium.The Jungle He Told Me is Joachim's first solo album. It consists out of nine pieces on clarinet, bass clarinet and tenor saxophone. B…
Monorails and Satellites
180 gram vinyl version. Tracklisting: Space Towers, Cogitation, Skylight, The Alter Destiny, Easy Street, Blue Differentials, Monorails and Satellites, The Galaxy Way. Recorded at Sun Studios, New York 1966 (a home recording).
Quintet / Sextet
Otomo Yoshihide, guitar. Sachiko M, sine waves. Evan Parker, saxophones. John Edwards, double bass. Tony Marsh, drums. John Butcher, saxophones. The final night of Otomo and Sachiko's first residency in 2009 saw the pair joined by the long running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko (available as download only bonus tracks) and joined the quintet for a rousing sextet: stunning twin saxophone interplay, …
Greek Rhapsody - Instrumental Music from Greece 1905-1956
Greek Rhapsody -- Instrumental Music from Greece 1905-1956 is a 2CD collection featuring 42 tracks meticulously remastered from 78rpm recordings of Greek instrumentals (1905 to 1956). Many tracks are rare and never previously reissued on CD or vinyl; some are taken from the only known copies, while previously reissued tracks are here offered in far superior sound quality. This compilation offers, for the first time, a unique panorama of the instruments and styles of the Greek music of the…
Eins +
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
No Answer : Lower Floors
CD version. "No Answer : Lower Floors is the record of 2013 you need to be most worried about. No Answer : Lower Floors is further flesh to the shadowy silhouette cast by this Michigan art abstraction unit, perenially poised on the cusp of a precipice. Wolf Eyes will carry on forever but always remain mysteriously unfinished. The No Answer : Lower Floors material covers all bases: tough to toughest to tangled, all done in the Wolves' least convoluted smooth style. The vocals, delays, primit…
Choubi Choubi Folk And Pop Songs From Iraq Vol. 2
In 2005, Sublime Frequencies released Choubi Choubi: Folk and Pop Sounds from Iraq, and in the ensuing years it has become one of the most beloved and venerable titles in their catalog. Now almost 10 years later, this highly-anticipated second volume is finally here. Compiler and producer Mark Gergis has once again put forth a revelatory and poignant collection of Iraq's national folk music. What has happened to Iraq since the 2003 U.S. invasion and eventual occupation? Endless death, destructio…
Fur Paul Klee
For Sven-Ake Johansson, the capricious and mercurial character of Paul Klee's texts is not a flaw, but a quality in its own right. His thirteen settings capture precisely this quality of the texts. Johansson's clear diction, his distinct, almost exaggerated elocution, imbues Klee s texts with a lapidary air without stripping them of their personal and intimate nature.
Heron
Long awaited reissue of the classic first album by legendary prog-folkies Heron, from Berkshire, UK. Issued in 1970 on the ultra collectable Dawn label, their beautiful songs were recorded in a field, surrounded by trees, birds and sun.
This debut album is an Acid Folk masterpiece. Delicate songs, brilliant interpretations and a magic sound provided for their "outdoors recording style". This sessions keep the attention of Roger Daltrey (The Who) who visited the band those days and John Peel, wh…
A history of every one
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
Body issues
Patricia's warm, fuzzy post-techno-house slots neatly with the Opal Tapes aesthetic on his debut album, 'Body Issues'. Six tracks come off like a boosted 1991 or Huerco S, pushing malleable bass hits below swirling streaks of melody bursting with ferric quality. There's firm parallels to be made here with Anthony Naples, albeit with a noisier bent in 'Hissy Fit', whilst on 'Melting' juicy acid forms over a brittle jack track and the sweet-but-slamming 'Jospehine' and 'Plural' appear like some GH…
The Falling Rocket
This is true cosmic music!!! Stephan Mathieu is at the top of his game with The Falling Rocket, this is some seriously pensive & brooding minimalism that runs the gamut of the emotion rainbow without tossing you around rollercoaster style, with mostly just a Farfisa organ, Hohner Electronium, and radio at his disposal, Mathieu concentrates on a dense & lightweight essence, the sound of civilized silence carved out in the blankness of your mind, surrounded by inaudible hiss & hum, a delicate stat…