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The meeting of composer Arnold Dreyblatt and psych-folk trio Megafaun shouldn’t be seen as unlikely just because it’s cross-generational, or even (arguably) cross-genre. Such categorizations have to be set aside before taking in their Appalachian Excitation. Born in New York in 1953, Dreyblatt came up under such lauded experimental groundbreakers as Alvin Lucier, Pauline Oliveros and La Monte Young, obtaining a Master’s degree in composition from Wesleyan University. Now based in Berlin, where h…
LP version, on 180 gram vinyl. Bureau B reissues Pyrolator's Wunderland, originally released on Ata Tak in 1984. Quote 1: "I have always strived for the opposite of whatever is hip at the time." (Pyrolator in June 2013) Quote 2: "Wunderland is so beautiful -- the first time I heard this record, I cried." (Andreas Dorau). New York City, 1983. Andreas Dorau has a gig at Danceteria and Pyrolator accompanies him as sound engineer. Back then, it really looked as if Ata Tak could make a go of it in th…
Thus was the simple dare handed to Richard Youngs from his friend Andrew "Paz" Paine during their weekly Sunday meet-up. Ever the modest master, Youngs said in accepting this friendly challenge that he merely endeavored to capture the "beats and hooks" of contemporary pop. He's never attempted to disguise his gift for catchy musical phrases, though they may have come by way of careening, pleading, soothing or challenging multi-tracked voices.We present the results here as Beyond The Valley Of Ul…
Kye is proud to present 'Abersayne' & 'Attersaye', a brand new 7' single by Graham Lambkin, his solo debut on the format after 21 years in the game. 'Abersayne' & 'Attersaye' pairs a perfectly serviceable love song with a rough-and-ready late-night lament (featuring one conspicuous overdub). Expertly mastered by Jason Lescalleet at Glistening Labs, 'Abersayne' & 'Attersaye' arrives in a pro-printed full color high gloss sleeve, with lyric insert, in an edition of 500 copies.
New full-length from San Francisco based Common Eider, King Eider. Themes, instrumentation, and vocal decay is stretched out even more dramatically by this mysterious band of outsiders. Genres bleed into each other and smear reality as elements of drone, doom, neo-folk, and black metal deliver a harrowing and somber reality of loss and emptiness. Silence weaves in and out of vocal arrangements, violas, and guitars creating unease throughout the entire listening experience. Four new pieces…
arthur doyle- tenor sax, voice; vin paternostro- roland 505; ed wilcox- percussions; leslie q- bass ;rec. march 26 & 27, 2004 at springwater tavern & artswatch...the final available rec. i have left of Arthur, unfortunatly ?! i kept it for the last since i find it a really special goody: a more intimate 4et live dates from 2004
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
Half High is Lucy Phelan and Matthew Hopkins, the duo at the centre of the group Naked On The Vague. In their musical lives the two members have explored the realms of rhythm/song based music in Four Door and Lucy's recently released solo outing under the name Lucy Cliche, as well as the complete outer bounds of music in Hopkin's solo work and as a member of The Bowels and Vincent Over The Sink. Whatever they're doing it's always quality stuff. ALWAYS. Half High create eerie, disorientating pass…
Carlos Casas is a filmmaker and visual artist from Barcelona. His work is a cross between documentary film, cinema, and contemporary visual and sound arts. In 2001 he started a trilogy of works dedicated to the most extreme environments on the planet, Patagonia, Aral sea, and Siberia, with a particular interest on how humans relate with the territory they occupy. These tracks comes fro…
The seven pieces on this LP were developed over a period of about five years; 'Rain in Coffee' is built on a Hyperborean Trenchtown-era demo, while 'Pinq Drinq' -- sorrel, for the record, and neither guava nor antacid as certain wags have already ventured -- was reanimated directly from the cutting-room floor, 11th hour, 2012. As a whole, they should probably be considered the proper 'sequel' to Canzoni dal Laboratorio del Silenzio Cosmico, extending that record's preoccupation with the drea…
'Nocturnes' is William Basinski's first new solo recording release in four years. It comprises two typically sanguine, extended compositions; 'Nocturnes' written between 1979-80 during his post-grad period in San Francisco, and 'The Trail Of Tears' recorded in 2009 for the Robert Wilson opera, 'The Life and Death of Marina Abramovich'. If there's any one way to measure the efficacy of his music, it's by how drowsy one feels after consumption. We could either do with a snooze or a strong c…
A monument to Japanese rock! Los Doroncos are a Tokyo supergroup formed by Kiyohiro Takada (Les Rallizes Denudes), Kawaguchi Masami (Dustbreeders, New Rock Syndicate), Mako Hsegawa (Maher Shalal Hash Baz). This is their debut Lp and it is just amazing. 4 long pieces that evolve into beautiful electric jams: past, present and future of the Tokyo underground sound are all in here! Released in an edition of 150 copies on the 8mm Records label. Housed in handmade cover."It’s a lot more laid back a…
LP version. Includes voucher for free MP3 download of the whole album. This is the second full-length release by Norway's Bushman's Revenge (Even Helte Hermansen, Gard Nilssen, Rune Nergaard). You Lost Me At Hello shows a distinct development from their debut Cowboy Music (Jazzaway, 2007). Founded by Hermansen and Nilssen in 2003 in their hometown of Skien, a couple of hours from Oslo, the trio aim to combine the jazz/improv background of the rhythm section with the rock/metal background of lead…
Double LP reissue of the long out-of-print classic CD first released in 2004 -- the first modern electrified Molam recordings from the 1970s ever presented outside Thailand. Molam is a multi-faceted folk music native to Laos and the predominantly rural Northeastern region of Thailand known as Isan, home to myriad ethnic groups and provinces, and once a part of present-day Laos. Mo meaning "master" and lam meaning "song," "molam" literally translates into "master singer," but it remains mor…
Mats Gustafsson is perhaps the pre-eminent saxophonist of this post-free jazz/improv era. A perfect combination of Peter Brotzmann's fiery passion, Evan Parker's extended technique and Ken Vandermark's willingness to explode genre boundaries, Gustafsson's discography spans over two decades and sports numerous must-hear recordings with a long laundry list of collaborators, including such luminaries as Brotzmann, Vandermark, Joe McPhee, Jim O'Rourke, Derek Bailey, Sonic Youth and The Ex. Illustrio…
Long unavailable 12" single with the spaghetti-Whitehouse sound of violence by The Sodality. 50 discs of the original 1989 release (of some 500 copies) were found without the original sleeve and were re-packaged as '25th Anniversary edition' in occasion of The Sodality's concert in Rome at the beginning of 2014. The new cover is made of two xeroxed drawings by Bruno Richard pasted on the innersleeve, housed in transparent plastic sleeve. Edition of 50.
2013 repress. "Scott 3, originally released in 1969, marked a big change in Walker's approach to albums as, for the first time, the record is dominated by his original compositions. In fact, the only other songwriter that makes it onto the album is Walker's idol, Belgium's legendary singer/songwriter Jacques Brel. Scott 3 again features string heavy production courtesy of Wally Scott, though it occasionally moves out of pop ballad territory into a more cinematic feel influenced by Ennio M…
Oiseaux-Tempête debut album retraces, in a sonic odyssey, the qualms and queries of a sickly and dysfunctional Western society. Experimental, Stoner, Post-Rock, Ambient, Free Music. The trio was created in Paris in 2012 by the musically versatile pair Frédéric D. Oberland (guitar) and Stéphane Pigneul (bass) (members of FareWell Poetry and Le Réveil des Tropiques) and percussionist Ben Mc Connell (drummer for bands such as Beach House, Rain Machine, Au Revoir Simone, Marissa Nadler and Winter Fa…
Duo of Pedro Sousa and Pedro Lopes, two portuguese young musicians, and some of the most exciting in the plastic, tonal and energic exploration of sound in a long time. Using sax (Sousa), turntables (Lopes) and a communal use of electronics, their music is admittedly nervous, obsessively bent over the following moment. Unlike other past forms of improvisation more concerned with listening and a certain purity of sound, this search is as focused as much as frantic in the pursuit of a new d…