New Arrivals
Ritual
gorgeous LP of this obscure live recording, an ethereal vortex of electric moon-sounding mandolin and slow bass (luca massolin), spacy keyboards (david vanzan), primitive astral soprano sax and voice (virginia genta). atmospheres for the end of the earthly. handmade collage cover art. limited edition of 280 numbered copies.
Turkish Free Music
A special 26 only copies box, with an extra LP: SAS #40 with different front cover theen regular ed (paste-on; the carpet motifs are divided in 26 parts, so if you put together all 26 ltd ed, you'll see the full design as on the regular ed) + postcard- SAS #41 with different front cover theen regular ed (paste-on; artwork by Huseyin Ertunc) + color postcard + another insert on high quality photo paper with 12 pic from the concert- SAS #42 with different front cover theen regular ed (paste-on; em…
A history of every one
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
The beauty bath
This is another landmark of the most respected artist in today's noise scene, Aaron Dilloway. Atmospheric and beautifully simple, a pure tape composition stands out his crude and intense nature. Nothing ever released like this before. Comes with the flyer of Aaron dilloway and Hanson Records 20 years anniversary exhibition "Archive" at gallery haus in Tokyo which can get only at here. Plus we have a special package comes with very limited "Archive" exhibition catalog zine book which also can get…
Dance of the vampires
"Roman Polanski’s 1967 film ‘Dance Of The Vampires’ (as it was originally called, but more widely known by its re-named title ‘The Fearless Vampire Killers’, or ‘Pardon Me, But Your Teeth Are In My Neck’) is a camp horror cult classic. At the time the film was marketed as a ‘farce’, which overlooked the fact that this film is fantastically eerie. The major part played by the soundtrack in giving the film this effect cannot be understated, and the cold-as-snow production did much to enhance the b…
Music For Fireworks
In 1978, Philippe Genion bought a guitar for 1000 belgian francs (25€). He connected it to his hifi amp, quickly learned how to play "smoke on the water" and a few punk songs with two fingers and within two weeks, pushing the amp more and more to the limit, blew his 200W speakers out. Later, around 1980, he bought an old ARP synthesizer from walloon band "Jo Lemaire plus Flouze" and started playing with these instruments and a few old flanger and distorsion pedals, and started recording so…
From The Ground
Very special vinyl edition cut at Dubplates & Mastering in Berlin, includes a bonus track and a hidden locked groove, together with new artwork. limited copies!* The sister of office favourite Peter Broderick, Heather Woods Broderick steps into the limelight with this hugely impressive solo debut. On 'From The Ground', Heather is ably assisted by her multi-talented sibling, who records, produces and contributes various instrumental elements to the songs. These two are regular collaborato…
Curse of the Bodysnatchers - Tape-Recordings 1980-86
Gerald O'Connell and Mark Harvey began recording as Mystery Plane in 1980, although they had worked together since 1978 in two other more conventional five-piece bands ( The End and 3D5). The very early stuff ( for instance Death Sentence contained on the bonus 7" for members) was recorded in Gerald's living room on a two-track Akai reel-to-reel with a primitive internal overdub facility. For the most part Mark wrote and sang the songs, while Gerald created the backing tracks. In 1981 they were …
Re-Engineering
Steven Warwick aka Heatsick cocks a unique and compelling perspective on contemporary dance music with his bold follow-up to 'Intersex', a gorgeous, layered work that those of you into DJ Sprinkles should check out without delay. Now woven with leaner dancefloor muscle, the deeply funked views of 'Re-Engineering' are characterised by the artist as a "cybernetic poem". We can take this quite literally in his use of spoken word in pieces such as 'Re-Engineering' with its Chris Morris-esque wordpla…
Body waves
On 22 February 2011, an earthquake measuring 6.3 on the Richter Scale hit Christchurch, which combined with a series of massive aftershocks destroyed huge swathes of the New Zealand city. At its epicentre in the port of Lyttelton, sound artist Jo Burzynska (Stanier Black-Five) grabbed a recording device as she ran from her home, leaving it running on her doorstep capturing the aftershocks that ricocheted though her house and the disaster unfolding on the street outside. This unique recording of …
Infinite Hum
Intense, squally noise drones from Dublin's Where Is This, his first for The Tapeworm. To date Mark Ward aka 'Where Is This' has released a slew of his own recordings on his Bored Bear label, along with countless others by the likes of Black Orgasm, Piss Gag, Female Harikiri and other such friendly-monikered miscreants. His 'Inifinite Hum' opens The Tapeworm's 2014 catalogue with a bracing 20 minute blast of viscous, vicious white noise licking up high peaks of blizzard-like distortion in hypnot…
In Solo
Restocked, very last copies around: Doyle is another matter. This man is dangerous - he never plays anything you could recognize, just furious blasts of rage. His solo on "Domiabra" couldn't be written down, or even sorted out. It sounds more like raw energy than anything I've ever heard. He's nasty, man." These liner notes to the original issue of Noah Howard's 'The Black Ark' may define perfectly also this new, incredible album by Arthur Doyle, this time 'in solo' for sax, flutes and voi…
Monkey Banana Kitchen
Staubgold proudly presents the legendary first album from 1980 by UK underground heroes Family Fodder, for the first time reissued on CD. The CD version comes as a lovingly-assembled compilation (total running time: 79:52 minutes). It features the complete Monkey Banana Kitchen LP, the 12" EP Schizophrenia Party (1981) and the 7" singles Film Music (1981) and The Big Dig (1982), all originally released on Fresh Records. Guest musicians include This Heat's Charles Bullen on drums, guitar, vocals,…
Mantle
Mantle is Pixel's fourth release on Raster-Noton since his debut in 2003 and a further exploration of his approach to rhythm-driven electronic music. The overall atmosphere which is produced by the fragile but nevertheless complex sounds is gloomy and quite threatening. Deep, pulsating basses are accompanied by ominous and fierce tones which emerge like flashes of light or shock waves, giving the impression of being warning signals. The few calm moments are constantly disrupted by dark dr…
Otherworldy
Founded 40 years ago in 1972 “Otherworldlyâ€Â is the first Pyramids’ album in over 35 years. They released three albums before splitting up in 1977 – albums that made them one of the most mysterious and legendary of all the spiritual cosmic jazz collectives of the early 70s. Reunion? Re-Incarnation!!!
 The new album contains 14 never before released tracks. The Pyramids’ signature sound is still percussion driven, no surprise with Nash and Speller being two of the mo…
Voyage a l'ombre
CD in 4-panel chipboard sleeve. The complete, unabridged masterpiece from 1997. Almost impossible to find since more than 10 years. After a vinyl reissue (but not complete) here\'s the CD version again ! Voyage à l\'ombre was originally released in 1997, as a limited CD on the France-based Demosaurus label run by David Fenech, a frequent Tazartes-collaborator. With tracks featuring Pambin Thullal, Syeta Choir, and Yumi Nara. Original lbel note \'Ghédalia Tazartes combines an orchestra and a pop …
Psycho-System
My Cat Is An Alien's most extreme work to date. The most advanced expression of their current creative method of composition through the brothers' brand new self-made strings and electronic instrumentation. A black swamp full of analog processing and whirling drones with Maurizio Opalio playing self-made double-bodied string instrument, handmade pocket harp, antique zither, drums, percussion, sticks, cymbals, bells, gong, space modulator, real-time loops. While his brother Roberto Opalio …
Sorrow Come Pass Me Around
A collection of spiritual and gospel songs performed in informal non-church settings between 1965 and 1973. Most are guitar-accompanied and performed by active or former blues artists. "Most records of black religious music contain some form of gospel singing or congregational singing recorded at a church service. This album, though, tries to present a broader range of performance styles and contexts with the hope of showing the important role that religious music plays in the Southern bl…
Fa 2012
Fa 2012 + Fa (Mark Fell Remix). Mastered and cut by Rashad Becker at Dubplates and Mastering, Berlin, July 2012. Layout by Tina Frank. Special 12' featuring new versions of the track Fa, taken from the debut Fennesz solo album ÔHotel Paral.lel' (1997). 15 years after its initial release, Christian Fennesz gives this throbbing monster of a track a new seeing to, extending it and adding more of that magic he is so well known for. The album was always an exercise in exploring alternate means o…
Die letzte Rache
Der Plan (Moritz R, Frank Fenstermacher, Pyrolator) were instrumental in ushering in the German New Wave (NDW) and are considered free spirits of synthesizer pop: electronic music created with minimal means, sometimes experimental, playful or even bordering on dilettantism, but always with a sense of humour.
Retrospectively, it makes perfect sense that Der Plan created a soundtrack. For one thing, visuals were almost as important to Der Plan as their music. And if every self-respecting pop b…