New Arrivals
Return of the Repressed; Tape Recordings 1984-90
Emily Faryna is a Canadian artist and singer known so far only by real fans of Minimal/Synth-related Wave-music and cassette-culture collectors. Like most singers, she started doing small gigs, slowly making a name for herself. By 1984, she was working under the MoDaMu Records label out of British Columbia in Canada. Her debut album, I’ve Got a Steel Bar in My Head, was released that year (MoDaMu10). The Track Doomed to Fail was released on the Underground Vancouver 1984 Compilation the same yea…
Bitter Suites
Deluxe repress edition of this incredible masterpiece made out of two live performances of the U.S. Steel Cello Ensemble recorded in 1979 at The Showing Room in NYC and at Helen Shlien Gallery in Boston. The Ensemble performs playing large sheets of metal and producing amazingly droning sounds. These live recordings are the result of an evolutionary refinement of instrumental design and playing techniques which Robert Rutman explored and develped after a ten year period of practice. He inv…
Paranoid Cat
Paranoid Cat is Philadelphia guitarist Chris Forsyth's third solo album and first for Family Vineyard -- a sprawling, harmonically-charged side-long suite backed by a clutch of compositions merging raw and delicate American roots traditions. After more than a decade trotting the globe and recording with a mess of today's avant garde greats, plus co-leading the brazenly absurd Peeesseye, Forsyth has arranged a full-band to accompany his electric six-string vision of interlocking arpeggios and max…
Plays Bee Mask
Double LP version. In hindsight, the pairing of Chris Madak and Donato Dozzy was inevitable from the moment when the two connected on Mount Naeba, Japan at the storied Labyrinth party last fall. Both artists have worked to craft singular visions unlike anything else happening in electronic music today, yet despite each producer's unmistakable individuality, there is a deeper reservoir of shared sensibility between them which makes Donato Dozzy Plays Bee Mask feel like a logical and necessar…
Voyage a l'ombre
CD in 4-panel chipboard sleeve. The complete, unabridged masterpiece from 1997. Almost impossible to find since more than 10 years. After a vinyl reissue (but not complete) here\'s the CD version again ! Voyage à l\'ombre was originally released in 1997, as a limited CD on the France-based Demosaurus label run by David Fenech, a frequent Tazartes-collaborator. With tracks featuring Pambin Thullal, Syeta Choir, and Yumi Nara. Original lbel note \'Ghédalia Tazartes combines an orchestra and a pop …
Right Nightmare
The computer-controlled Hoover bass is back: EVOL have returned with their unique brand of extreme economy on Right Nightmare, the latest instalment in their continuing ‘rave synthesis’ series. And this time they have brought a friend.Despite the lack of variation – a general description of EVOL’s work being one sound source stretched to absolute breaking point – the progression found in Right Nightmare as the latest in a series is noticeable. The material, admittedly, is only spread across two …
Gate
A new 7" from Sissy Spacek on Wendy. If you have asked yourself this you know how this new vinyl sounds.Short crazy blast of terror, insane fast drums, screaming vocals, feedback and shards of noise. Play it loud. Play it at 45rpm. Flip side. Do it again. This time SS are John and Charlie. Essential lineup.
in Tokyo
Four pieces of computer music. Iancu Dumitrescu \'Hazard and tectonics\' (2009 - 2013), \'Crepuscule I\' (2011-12), \'Early, before all times\' (2010-11). Ana-Maria Avram \'Metalstorm I\' (2012).
Der Regt Mich Auf / A Controversy
Based around the married couple Paul and Limpe Fuchs, the group Anima, also known as Anima-Sound, was one of the most radically avant-garde and creative groups to emerge from the thriving Krautrock scene of Munich at the end of the 1960s. In fact, their improvised atonal sounds and unconventional instrumentation is much closer to the spirit of experimental free jazz than anything remotely close to rock music. The Fuchs began in the late '60s as part of the counterculture at the time. Adding to t…
Hai kein Wal
Meeting between visual artist Beni Bischof and electronic musician Norbert Möslang. Limited to 200 copies and hand signed by artists. With this somewhat confused, absurd or primitive Bishop chant, the result could be to remembered as a crashing jumbo jet
I am here where are you
After the great 2012 record by Brötzmann / Noble / Edwards, the worse the better, Peter Brötzmann and Steve Noble started to play some gigs as a duo. It worked out really well, wonderful pieces of music that had to be put on cd; an expert, you might even say telepathic, interplay between those two outstanding musicians, sometimes delicate and swinging, sometimes full-force free jazz.
Almanac
Dragon Turtle Almanac is a heavy trip; a document of transformation, entropy, and causality. Dragon Turtle evokes Morricone landscapes as if painted by Glenn Branca, where dream atmospheres meet brutal realities of nature and relationships. These forces are both beautiful ("Causality", "Belt of Venus") and destructive ("Moon Fallout", "Burn the Leaves"). The textures and layers move with a sense of urgency and purpose ("Hometime", "Hourglass"). The duality of Tom Asselin and Brian Lightbody's mu…
Avast!
Avast! was created from field recordings made between 2009 and 2012 in Lyttelton, a volcanic harbour on the South Island of New Zealand. Sounds were captured at sites around the natural ampthitheatre of this extinct caldera: from abandoned wartime bunkers on the top of the crater rim to the port and its cacophony of cargo ships, tugs and workshops. The work is also haunted by the resonance of buildings such as the Timeball Station, which were destroyed when the town was at the epicentre of a maj…
Menses
*Numbered edition of 206 copies pressed on 180 gram Menstrual Blood Red vinyl* Reissue of the private LP edition of 300 copies from 1981; the pyramidal construction of these two 'suites,' with its intentionally brutal and grotesque deformations, elaborates on overflowing and apocalyptical collapse, dragging a completely dissolvent conception of the world and of the para-industrial sound. Bonus tracks: 'Milan Bruits' from the Fix Planet! comp (Ata Tak) and the two tracks first issued in the v…
No Visible Means
Originally self-released in 1984 on Pterodactyl Records, No Visible Means is the work of Canada's own Lou Champagne. Lou Champagne was active the Ontario music scene and also performed with other local musicians from that region as well. The Lou Champagne System was the real-time guitar synth solo act of Lou Champagne. Due to his knowledge of electronics, he was able to link his guitar, synth, and synthetic drums into a working one-man solo act that was playable with floor switches and …
Winds & Skins
Winds & Skins transpired to be the very last set of recordings made by Afro-Cuban percussionist Sabu Martinez, who sadly passed away precisely one month after this December 1978 session was committed to tape. The album draws a line under a career that saw the illustrious musician performing alongside Dizzy Gillespie and Art Blakey as well as releasing a string of out-and-out classic Latin jazz records. Here the noted conguero teams up with the lauded saxophonist/flautist Sahib Shihab, who himsel…
Isometrie sonore
Postface by M.B. - An isometric sound ineluctably holds a thematic notion which generalizes that of the rigid motion of noise, combining with a psychometric and cacophonous object. Formally, it is a modulatory function between two metric spaces preserving their silent distances. In the example shown here, isometry moves along electronic pathways and captivates the listener's mind through rotations and reflections in plane or in spatial sound, maintaining the geometric concepts of experimental su…
A living room at the bottom of a lake
gorgeous LP by this Leeds duo whose first half lives in London (and loves Whitehouse and Rush) and the other in Berlin (and loves Farley Jackmaster Funk). With several releases on labels such as Chocolate Monk, American Tapes, Troniks, Hospital Productions, or their own: Alcoholic Narcolepsy, Luke and Steven have been crafting and sculpting their psychedelic-electronic-noise-drone sound for over half a decade. But who cares and what does that sound description mean anyway? If you ask them,…
The Further The Flame, The Worse It Burns Me Greek Folk Music
Early 20th century recordings from the great Greek singer Marika Papagika – recordings made for Columbia Records in NYC between 1919 and 1929! Beautiful material that quite easily could have gone lost to the world over the long, long years – very few photos of Marika are even known to exist! The sound is still wonderful, and it's put together in a great vinyl release by Mississippi! It comes with a lovely folder of notes, a bit of a nod to classic Folkways releases. Titles include "H…
Nepenthe
Julianna Barwick returns with the successor to 2011's charming The Magic Place. Given how successful that self-recorded LP was, it’s surprising to see that the Louisiana-born singer has looked to an external producer to document and frame her work this time around, namely Sigur Ros associate Alex Somers. Barwick once again uses delay-pedals to build heaven-scraping towers of chorused plainsong out of her earnestly, achingly pretty soprano, placing them in what John Foxx - whose 90s’ ambient reco…