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"Connie Burg and I met Sumner Crane and Nancy Arlen in late 1975 and quickly decided to start a band. Sumner had been playing piano since he was a kid and I trumpet, guitar and more recently bass, but we were for the most part self taught. Connie decided to pick up a guitar and we started jamming in Nancy’s loft on Broadway and Duane St. where Sumner lived downstairs. For the first few months it was just piano, bass and acoustic guitar, with some paper bag percussion from Nancy. Our biggest rock…
The meeting of composer Arnold Dreyblatt and psych-folk trio Megafaun shouldn’t be seen as unlikely just because it’s cross-generational, or even (arguably) cross-genre. Such categorizations have to be set aside before taking in their Appalachian Excitation. Born in New York in 1953, Dreyblatt came up under such lauded experimental groundbreakers as Alvin Lucier, Pauline Oliveros and La Monte Young, obtaining a Master’s degree in composition from Wesleyan University. Now based in Berlin, where h…
A collection of the earliest recordings of the French sound sculpture musicians and Cristalists known as Structures Sonores Lasry-Baschet. Featuring the first fruits of one of the greatest unisons in experimental French music combining the beguiling haunting sounds of Jacques and Yvonne Lasry and the development of the musical inventions of Bernard and Francois Baschet. Exploring a similar route to that of early Michel Magne recordings (and often likened to “a French Harry Partch”) the emotive m…
*Another precious find from Andy Votel and Demdike Stare\'s Dead-Cert imprint featuring foundational Concrète experiments from the director of IPEM, Belgium\'s equivalent of the Radiophonic Workshop. Transferred from the original Mastertapes by Andrew Popplewell and remastered by Gareth Mallinson and Matt Colton, limited Edition pressing of 500 copies* Dead Cert illuminate three unique and chilling electro-acoustic compositions by the pioneering head of Belgium\'s Institute of Psychoacoustic and…
Since 1997 Italian brother duo My Cat Is An Alien has been documenting an ever deepening musical dreamscape, their massive body of work representing some of the most emotive and soulful improvised experimentalism in underground music. Recorded in a remote region of the Western Alps, this latest LP navigates especially tranquil territory as it builds blissed-out pastoral mirages, dappled just slightly with glimmers of an outer darkness. Like much of the duo's best work, Living On the Invis…
FaravelliRatti is a duo comprised of Nicola Ratti (guitar) and Attila Faravelli (computer) who play with a tower of different prepared speakers and a taper recorder in between them. The idea is to fed speakers with different languages in the same space and have them resonate with the phisical space. Every speaker is prepared and positioned so the resonance can be controlled by the players, moving their bodies around the sound totem in between them. Their live set represent this idea, of building…
The history of - behind which we find Nico Selen of O.R.D.U.C, E.M.M. and many other guises - and Freiband, the name of Frans de Waard when it comes to all sorts of computer based, goes back for over 20 years. Selen was the first to release a LP by Kapotte Muziek (De Waard's other music enterprise, among many!), in 1990 and they have been off and on in contact. Earlier 2013 released a very limited CDR, which De Waard quite liked and in the next days he kept returning to it, eventu…
Historical recordings made by Harold Norse when he was living with William Burroughs, Brion Gysin and Gregory Corso at the notorious Beat Hotel in Paris during the early sixties. By the time Norse arrived in Paris he had traveled extensively in Morocco and Europe and his poetry was already championed by people like W. H. Auden, William Carlos Williams and Tennessee Williams.
Together with Sinclair Beiles, Burroughs and Gysin, Norse was one of the first to apply the cut-up method. He made the tec…
Two heavyweight explorers of sound and technology, Russell Haswell and Yasunao Tone, both undertaking separate rigorous experiments into the synthesis of sound and all its remits, converge for one helluva collaborative work. ‘Convulsive Threshold’ is the result of years of research and experimentation, Haswell’s systems of hybrid analogue/digital audio generation acting as one of the starting points for this relentess piece of material, which are then subjected to Tone’s MP3 Deviation tec…
Double LP version. This recording contains seven remixes by UK-based artist and electronic musician Mark Fell of the first three 12" singles released on the record label Sensate Focus in 2012. These were called 10, 5 and 3.3.... The first of these, 10, was itself a reworking of materials from an earlier project by Fell and Terre Thaemlitz, released on Comatonse Recordings in 2012. The seven remixes were written and recorded in June 2012 at the Upper Lounge, Chatham Street (UK) using a MacBook…
Belgian/Italian duo Andrea Taeggi and Koenraad Ecker isolate a diffuse mixture of techno and concrète noise with 'Apophenia' for Opal Tapes. Building on the decayed structures of last year's 'Contrapasso' album, their latest blends the chaotic virtues of their improvisational approach with a more premeditated logic, manifesting five arcane constructions balancing abstract expression and rugged, grooving purpose. In that sense it works well alongside Opal Tapes' boss Basic House, but Lumisokea's …
We've been waiting for a vinyl issue of Alberich material for an age, and here it is - an 8 track selection of often brutal, always heavy-hitting Industrial/Techno/Ambient productions from one of the most interesting characters to have emerged from the Hospital axis. Scoping rare and out-of-print highlights from his extensive cache over the last 6 years, it embodies a shell-shocked and embattled spirit in eight parts ranging from water-boarded ambience to remorseless industrial rhythms and night…
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
An outstanding recording, and an unjustly neglected contribution to prepared piano performance by Area member Patrizio Fariselli issued on Cramps in 1977 (in the legendary "DIVerso" series), a record with energy that's somewhere between John Cage and Cecil Taylor! At times, Patrizio Fariselli plays with a great sensitivity to silence – letting it emerge with as much force as his well-placed work on the keys of the piano. But at other times, he comes off with a full, frenzied sound that's really …
Tired of quarreling endlessly with his imperious brother Klaus, Thomas Dinger quit the production of Viva, the second La Düsseldorf album, and promptly set off for the south of France. Frustrated and far away from home, his mind turned to the possibility of a solo album. An album devoted to his own musical ideas, free from domineering voices telling him what to do. Presenting his own vision in the context of a La Düsseldorf LP would have been difficult at the best of times. "I wanted to cre…
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …
Double LP version. Kostas Soublis' productions under the Fluxion moniker helped define legendary Berlin imprint Chain Reaction, and with 1999's Vibrant Forms, the Greek producer released a milestone in the dub techno genre. Hazy and distant, there was still more than enough dancefloor push to propel Soublis into the (very short) list of genre legends, and make Vibrant Forms one of the very rare techno albums that works from beginning to end. Out of press for far too long, this new edition of…
Definitive collection of Ohio lo-fi pioneer's 1974-1992 material. A mash of home-recorded punk, pop & psychedelia. "Man, i hate it when someone's entire career seems to have passed me by, especially when it's someone as crazy as lo-fi pioneer and mad ranty man Mike Rep. I know fuck all about this guy but he sounds like a genius. I guess he may have come to prominence for his production work with Guided By Voices, Strapping Fieldhands and Times New Viking but this guys been kicking it since …
CD edition: Glistening Examples is proud to announce "Soundtracks for Takeshi Murata"ÂÂ, the debut LP of Kentucky-based electronic musician Robert Beatty under his given name. Beatty has long been a presence in the experimental underground as a member of Hair Police a nd more recently performing and recording solo under his Three Legged Race moniker. He is also well known for his visual art, which encompasses installation, drawing, video, and album artwork design for countless artists includin…
After successful EP Collapsed, the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge, the material examines the central themes of time, structure and recursion, thr…