New Arrivals
The Stargate Tapes
"Sharing social circles and spiritual ideologies with artists such as Iasos, Connie Demby and Deuter, whilst splitting label release schedules with Laraaji, Laurie Spiegel and Wendy Carlos, the unique Florida raised soul mate duo known as Emerald Web released their privately pressed debut LP at an axis where post-prog rock met proto-new age and ambient electronic music. At the turn of the 1980s Bob Stohl and Kat Epple embarked on a ten-year spiritual journey playing at planetariums and laser sho…
The Call From Below
Something very different from Digitalis, a destroyed dub session somewhere between Rhythm & Sound, Disrupt, Actress, Pole and Vladislav Delay, vinyl edition of 500, initial copies on purple vinyl* This unexpected salvo from Digitalis comes from the hitherto unknown Seekers International crew and dives head-first into a bubbling mass of soundsystem culture and dubwise tropes in fine, destroyed style.The album was written and compiled during the darkest hours - and it shows - reviving a b…
Hassaniya Music from the Western Sahara and Mauritania
In 2006, Hisham Mayet returned to West Africa to continue his search for an unknown musician he had heard six months earlier on the radio in a Morocco hotel room. Knowing only that it was Sahrawi music -- music of the south -- he headed down through the vast and remote desert landscape of the Western Sahara and Mauritania in hopes of finding someone who could identify these revelatory recordings. The story of how he finally found this elusive artist is the stuff of ethnomusicological legend. But…
Lieu
FaravelliRatti is a duo comprised of Nicola Ratti (guitar) and Attila Faravelli (computer) who play with a tower of different prepared speakers and a taper recorder in between them. The idea is to fed speakers with different languages in the same space and have them resonate with the phisical space. Every speaker is prepared and positioned so the resonance can be controlled by the players, moving their bodies around the sound totem in between them. Their live set represent this idea, of building…
Pangaea Ultima
Double LP version. Pangaea Ultima, Steve Moore's debut record on Spectrum Spools, is an epic musical achievement, not simply for its sonic sophistication and compositional mastery, but also because Moore has crafted here an album that has come as close to any in transcending the boxed human logic of time and place. The album title refers to the name which geologists have given to the future super-continent that is suggested may form on earth in the next quarter-of-a-billion years. Over th…
Apophenia
Belgian/Italian duo Andrea Taeggi and Koenraad Ecker isolate a diffuse mixture of techno and concrète noise with 'Apophenia' for Opal Tapes. Building on the decayed structures of last year's 'Contrapasso' album, their latest blends the chaotic virtues of their improvisational approach with a more premeditated logic, manifesting five arcane constructions balancing abstract expression and rugged, grooving purpose. In that sense it works well alongside Opal Tapes' boss Basic House, but Lumisokea's …
Crossarc chute
Crossarc Chute was inspired by my interest in the compositional strategies adopted for the early analogue electronics of the 1950s and ’60s, yet using digital processes and my own adaptations. Starting with pulse sounds, predefined filtering techniques and rules became the springboard from which I was able to generate many new sounds. These parameters formed a kind of system from which I could at times deviate.For one piece, Detail II, I separated the frequencybands of a group of sounds and then…
N 7 (Interviews Special Issue)
Bilingual (English/French) and biannual, Volume - What You See Is What You Hear is the first magazine devoted to sound issues in art, and to the complex relationships between visual and sound forms, both in contemporary art and history. Interviews Special Issue. 'Why a special issue devoted to the interview? This kind of text has been a feature of the magazine since the very first issue, and is intrinsically bound up with words Ð or at least with dialogue, because interviews are not necessarily …
Water mountain
On a personal note, I remember vividly when Hitoshi Kojo told me with excitement about a transhumance through UK with the specific purpose in mind of doing sessions with some of the great drone masters over there, namely : Colin Potter, Jonathan Coleclough and Paul Bradley...Retrospectively, I think I was as stirred as him.The resulting collected material has been shelved for years (7 actually !), and I began to fear this estimable musical heritage could get lost...this was not taking into accou…
New Release (1)
*Regis and Haswell finally debut their Concrete Fence project - 12" mastered and cut by Rashad Becker at D&M, pressed on 140g white vinyl which itself is housed in a silk screened pvc sleeve with artwork by Bill Kouligas & Russell Haswell* Regis & Russell Haswell's Concrete Fence is a tantalising proposition for noise and techno freaks. As a duo they first rallied under the aegis at the 2012 Blackest Ever Black party in London's Corsica Studios with an improvised live set that veered bet…
The jungle he told me
Joachim Badenhorst (1981) is a Belgian reed player who divides his time between NYC and Belgium. Over the last 5 years Joachim has released a number of albums with different projects, such as Baloni, Han Bennink Trio, Rawfishboys, Taro, Tony Malaby’s Novela, Thomas Heberer’s Clarino, Mogil, Polylemma, Os Meus Shorts, International Trio, Red Rocket and Equillibrium.The Jungle He Told Me is Joachim's first solo album. It consists out of nine pieces on clarinet, bass clarinet and tenor saxophone. B…
Monkey Banana Kitchen
Staubgold proudly presents the legendary first album from 1980 by UK underground heroes Family Fodder, for the first time reissued on CD. The CD version comes as a lovingly-assembled compilation (total running time: 79:52 minutes). It features the complete Monkey Banana Kitchen LP, the 12" EP Schizophrenia Party (1981) and the 7" singles Film Music (1981) and The Big Dig (1982), all originally released on Fresh Records. Guest musicians include This Heat's Charles Bullen on drums, guitar, vocals,…
Surveillance
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …
Colorful Disturbances
'Guitars warped so hard they dissolve into pure consciousness ! Seriously, this record had to happen because these two are the NOW of transcendental guitar weirdness. In families like ours where deformed music of one kind or another pours out of the speakers all day long, Toronto's Aidan Baker is a household name. He is no doubt one of the most imaginative experimental musicians of the new generation, quickly creating a universe of limitless sound with his bursting discography. He offers …
Incognita
These works are a collaboration between the Japanese figure of experimental electronic music, KK Null, and Mexican artists and brothers Israel and Diego Martinez. Diego is best known as Lumen lab, and both are mentors of the label Abolipop - Suplex. The process started at the end of 2012 when Kazuyuki Kishino, based in Tokyo and Israel Martinez in Berlin, started to share electronic sounds and field recordings. They tried making new pieces exploring various approaches to composition such as the …
Recur
After successful EP Collapsed, the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge, the material examines the central themes of time, structure and recursion, thr…
Right Nightmare
The computer-controlled Hoover bass is back: EVOL have returned with their unique brand of extreme economy on Right Nightmare, the latest instalment in their continuing ‘rave synthesis’ series. And this time they have brought a friend.Despite the lack of variation – a general description of EVOL’s work being one sound source stretched to absolute breaking point – the progression found in Right Nightmare as the latest in a series is noticeable. The material, admittedly, is only spread across two …
Frog 2
The music developped by Frog is a work on percussions of all sorts : electronic, metallic, or else.. bathing in atmospheres made of « humid » tessituras. The music is simple, and unlike Brume, accessible ! Except for the arrangement of rhythms, 75% of work is concentrated on textures, mainly electronic : analog and digital.Electroacoustic is rarer here, most of the sounds being filtered by « vintage » analog synths using the whole usual range : VCO, VCF, VCA, envelope modulators etc.…
Neuro Habitat
Reissue of the private LP, issued in an edition of 300 copies in 1982 and titled in original Mörder Unter Uns/Neuro Habitat , considered with Regel one of the Maurizio Bianchi's most representative works , Neuro Habitat is finally reissued for the first time in vinyl and remastered under the supervision of the Milanese artist. Side A "Morder Unter Uns" made of puzzled motifs and effects is a dark, sinister mantra to oppressive musical experiences. The piece finishes in an industry of molecular, …
Keep An Eye Out
Table of the Elements continues to celebrate its 15th anniversary with the tenth installment in its Guitar Series Vols. 3 & 4. It’s a 12xLP romp of deviant fretnoise by some of experimental music’s most prominent players, including Christian Fennesz, Thurston Moore, and Sunn O)))’s Stephen O’Malley. Sunn O))) founder Stephen O’Malley summons a mesmerizing drone, absorbing the listener into an aural tar pit of deep, inexorable oblivion. He wears a cloak of post-metal allegiances with behemoths li…