New Arrivals
Five Poems for the Swamp Ghost
Recorded at Soopa studio and featuring Arthur Doyle (sax, flutes and voice), Jonathan Saldanha, Gustavo Costa and Filipe Silva (assorted percussions and electronics), this is a beautiful, wild, cut, with Doyle's touch being so deep, rough and gentle at the same time, while his band gives him plenty of room to spread out through minimal rythm patterns and a hypnotic work on bells and cymbals. Closing with an anthem that will give you shivers down your spine, this recording will bring you to an an…
Making real
Making Real, an exercise in creating reality. Created by Gerritt Wittmer in 2012-2013. Mastered by Giuseppe Ielasi. Featuring the artwork of painter Nicola Samori. Gerritt Wittmer is a sound and performance artist based in Oakland, California. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He has performed and recorded as Gerritt, Ginnungagap (with Stephen O'Malley and Tim Wyskida), Deathroes (with Sixes), and has perfo…
So Unreal
Episode two in season one of the LA Vampires Collab Chronicles finds her joining forces with elusive alien discotech-head Matrix Metals of the nomadic Outer Limits Recordings cabal. Blurry ornate cassette-loop architectures groove and grind under jazzy Casio canopies while Ms. LA Vamps screws it all down and layers in additional square wave keyboard lines, echo chamber FX, drum machine detailing, low-end throbs, and sings lead on a gold spraypainted microphone. The entire LP's got that '…
Unfinished. For William Turner, painter
"Which side of the picture should be hung uppermost? 2003, London: the first time I visited Tate Britain, Tate Gallery, and the first time I saw and really experienced the paintings of JMW Turner (1775-1851). Overwhelmed, especially by his late and unfinished works I was stunned by the power of the stillness of his work. 25 years before that something similar; me, as a young man in Madrid; Prado, Goya paintings and etchings - for me an initiation which opened up the door to earlier art an…
I am here where are you
After the great 2012 record by Brötzmann / Noble / Edwards, the worse the better, Peter Brötzmann and Steve Noble started to play some gigs as a duo. It worked out really well, wonderful pieces of music that had to be put on cd; an expert, you might even say telepathic, interplay between those two outstanding musicians, sometimes delicate and swinging, sometimes full-force free jazz.
Demiurge
Multiverse - the constellation of forward-thinking Bristol labels that also includes Tectonic, Kapsize and Caravan - reactivates its seminal Subtext imprint for a daring new LP from Emptyset. A collaboration between Mutiverse boss James 'Ginz' Ginzburg and Paul Purgas, Demiurge is the second album by Emptyset, and finds them reducing their production process down to a singular signal chain channelled into a modulated analogue hardware line (or so we're told). The results are somewhere between dr…
Summer through my mind
Richard Youngs presents his debut recording for BaDaBing Records, and the label is looking forward to a long relationship. For Summer Through My Mind, Youngs pushes himself into a challenging new sphere yet again. A renowned musician with over 40 albums to his name, he goes somewhere he never has before - to the heart of American music. Summer Through My Mind is a country music album, warped through Youngs's ambidextral mind. A warning: it's not like any country album one has heard before. There…
Almanac
Dragon Turtle Almanac is a heavy trip; a document of transformation, entropy, and causality. Dragon Turtle evokes Morricone landscapes as if painted by Glenn Branca, where dream atmospheres meet brutal realities of nature and relationships. These forces are both beautiful ("Causality", "Belt of Venus") and destructive ("Moon Fallout", "Burn the Leaves"). The textures and layers move with a sense of urgency and purpose ("Hometime", "Hourglass"). The duality of Tom Asselin and Brian Lightbody's mu…
Gamma
""Vinyl of the Month must surely go to the epic "Gamma" by Italian quartet VipCancro, whose startlingly out there performance pitches the ensemble against such Krautrock epics as German Oak, Yatha Sidra and early Guru Guru. Indeed, for anyone requiring brain tissue abandonment Gamma will entirely do you justice. Their peculiar line-up of two synthesists, bass player and samples places VipCancro into a pure avant-garde territory, allowing splendid outbursts of canon-like percussion, and cin…
Bitter Suites
Deluxe repress edition of this incredible masterpiece made out of two live performances of the U.S. Steel Cello Ensemble recorded in 1979 at The Showing Room in NYC and at Helen Shlien Gallery in Boston. The Ensemble performs playing large sheets of metal and producing amazingly droning sounds. These live recordings are the result of an evolutionary refinement of instrumental design and playing techniques which Robert Rutman explored and develped after a ten year period of practice. He inv…
Wake Up Awesome
The second chapter of SStudios (Software Studio Series). SStudios is a new venture in the Software Recording Co.'s expanding catalog that invites artists in the field of electronic music to create collaborative works of quality and vision. Inspired by the historical intersections of live performance and studio post-production, Wake Up Awesome is a modern kind of fusion in technique as well as genre. At its core are three artists highly experienced with both instant and labored composition.…
Knot Invariants
Rotated and submerged. Drawn tight below the surface. Remnants of hair, string and wood.Tied across and back. Knot Invariants is Helena Gough’s third album. It was created using source material derived solely from recordings of cellists Anthea Caddy and Anton Lukoszevieze.
The Operetta
"The psychedelic find of the decade-their long-lost final magnum opus. Rumored to exist for years-often put down as just rumor though. Here it is, unearthed from tapes thought lost forever but now found after nearly 30 years. The first thing to be released from Ya Ho Wha 13 since 1975. In the spring of 1975 the Family was homeless and was travelling on the West Coast after having been driven out of Hawaii by local laws (they would return later that year for what would be the final time wi…
Crossarc chute
Crossarc Chute was inspired by my interest in the compositional strategies adopted for the early analogue electronics of the 1950s and ’60s, yet using digital processes and my own adaptations. Starting with pulse sounds, predefined filtering techniques and rules became the springboard from which I was able to generate many new sounds. These parameters formed a kind of system from which I could at times deviate.For one piece, Detail II, I separated the frequencybands of a group of sounds and then…
Ornate shroud
Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…
Tender Exploration
“Tender Exploration” reminds me of Hayao Miyazaki’s “Howl’s Moving Castle”, it’s an enormous metallic machine on spindly legs, walking like a toddler, but also steaming, mumbling, panting, a creature full of energy, and inhabited by a fire demon. “Drake”, the first track”, starts seeking for a structure almost clumsily, the band members seem to have to find each other. But soon they have a good chemistry and Bauer, who dominates this piece in spite of its name, adds his huge repertoire of tech…
Sorrow Come Pass Me Around
A collection of spiritual and gospel songs performed in informal non-church settings between 1965 and 1973. Most are guitar-accompanied and performed by active or former blues artists. "Most records of black religious music contain some form of gospel singing or congregational singing recorded at a church service. This album, though, tries to present a broader range of performance styles and contexts with the hope of showing the important role that religious music plays in the Southern bl…
Correspondances
I had heard so much about the machine created by Daniel Aspuru that my curiosity turned to desire. The transductor eolico is not an easy item to move around and as there were no concerts on the horizon I decided to follow my intuition and invite Steven, Daniel and Manrico to spend some time in La Perrera, located in my house in Oaxaca, Mexico in order to experiment with the TE and eventually produce material for a record.During this ten day residence La Perrera was transformed into a recording s…
2nd Movement
Continue reprints of the amazing tapes by Pierpaolo Zoppo aka Mauthausen Orchestra released on Aquilifer Sodality in the early eighties. Tape after tape Mauthausen Orchestra constitute, in a few years, the backbone of what we will know as an alienating and extremist style, made of metal nightmares and sonic torture , often dilated, dissected and extended up to the limit of endurance. 2nd Movement carry us, once again, as real rituals of a civilization without gods, in a pure world of suffering. …
Shopping
'Shopping features the title track in two versions (Vocal and Lo Cal'), The Crunch, plus a formidable remix by Shelley Parker (second part of the audio sample), whose Structure imprint will shortly be releasing more excellent work by Filter Feeder, amongst others. Played, recorded and processed by Julian Doyle (acoustic and synthetic percussion, analogue drum modules, turntables, digital samples and delays). Mastered by Jason Ward at Chicago Mastering Service. See also Filter Feeder (E8), Filter…