We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
This compilation, originally released in 1984 as a vinyl LP by Multiple Configuration in collaboration with the legendary ADN label, is finally available again in a completely remastered CD version. "Ekhnaton" collects tracks recorded by the most daring and remarkable bands that were active in the experimental Italian scene during those years. "Simple Italian Research Vol. 1" was (and still is) the subtitle of an album that includes two tracks from each of the following bands: Maze 1066, Tasaday…
Fantastic all-electric three way that sees Bruce Russell of The Dead C (on analog electronics) joined by Richard Francis on modular synth and computer and Jason Kahn on analog synth, radio and mixing board: recorded live on January 28th 2011 at Dunedin Public Art Gallery in New Zealand, this is a single 38 minute improvisation that feels environmental in scale but with a heady synthesized aspect that makes for a ghostly metal machine music. Three distinct voices make for a bafflingly beau…
Ernesto RODRIGUES (viola), Neil Davidson (acoustic guitar), Guilherme RODRIGUES (cello) and Hernâni Faustino (double bass). Recorded in Lisbon 18-11-07. Neil Davidson has taken his acoustic guitar on many fascinating sonic adventures, forever pushing the language of sounds possible with this instrument to new places. Here he joins a group of musicians from Portugal led by the rather legendary Ernesto RODRIGUES on viola and also featuring his son Guilherme RODRIGUES on 'cello and Hernani Faustino…
Per Anders Nilsson (computer and synthesizer), Sten Sandell (piano, prepared piano, electronics and voice) & Raymond Strid (percussion). Beam Stone was founded a year before this October 2007 recording. The trio consists of three free improvisers, each with a distinctive personal sound. Their aim with Beam Stone is to explore sonic territories with the guidance of different pre-defined concepts. Listening and sonic exploration are considered the essential points of departure.
"Clivages is Univers Zero's first new studio album in over five years. They have spent the last five years performing at prestigious rock and new music festivals throughout Europe and North America and ever-widening their audience. Founding members of the original "Rock In Opposition" [R.I.O.] movement and the inventors of "chamber rock", Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is easily recognizabl…
Originally released in 1981 as an untitled mini album on Zick Zack, "Dub & Die" completes our re-issue programme of the band's earliest works. Recorded at SADW's Cassettencombinat studio in Berlin, the original 8 tracks represent the first release by this German Avantgarde/Industrial group that was once a member of the "Geniale Dilettanten" movement. Again, comparison with early Einstürzende Neubauten is permitted, altho…
As the '60s progressed, cultural and political revolutions occurred both in the U.S. and in Europe. Jazz was both a victim and a savior, with radical developments in the music occurring on both continents. In the U.S., artists took control of their own musical destiny as small labels broke away from the mainstream, expressing new and creative visions of freedom and peace against a backdrop of civil unrest, repression and war. In '60s Europe, the jazz community forged ahead with a different…
Heartland synthesist Dylan Ettinger follows up 2010's widely lauded New Age Outlaws imaginary cyber-soundtrack with a stark, dark, and intensely different collection of misshapen new wave weirdnesses, Lifetime Of Romance. Recorded at a proper studio, and written over the course of a year, the seven songs of Romance reflect a heavy influence from the fringier strains of bummed out quasi-industrial synth-pop in the vein of Fad Gadget, certain Cabaret Voltaire, early Human League, etc, but dra…
Marcus Fischer is a musician and multimedia artist currently based in Portland, Oregon. Field recordings, chance, and DIY instruments, coupled with acoustic instrumentation and visual art, define what has become his minimal signature. His uncanny ability to sculpt delicate beauty from the simplest of sound elements results in compositions that are both intimate and expansive.From January 2009 through January 2010, Marcus kept a blog called Dust Breeding to document the results of his goal to com…
If the three compositions proposed by Denis Fournier have already been recorded, they merit to be here as resurgences, like scenarios encouraging the freedom of transformation without which free interpretation is nothing. “I often say that I don’t make improvised music, but that I improvise music. In other words, I put together there and then elements of my life, of my history, of my culture…” In other words, no structure commands the action. Every structure opens to the action (to sharing) whic…
Gabriel Severin has been active in the field of electronic music for almost two decades (Silk Saw, Jardin D'Usure, Ultraphonist, Rob(u)rang, Dead Hollywood Stars). This sound artist and musician has delved in several disciplines. He likes to research forgotten or obscure avant-gardes.
Recorded and mixed during 2008-2009 in Berlin. All tracks composed by BJNilsen using tape recorders, computer, organ, acoustic guitar, electronics, viola, subharchord. Field recordings from Sweden, Iceland, Norway, UK, Japan, Portugal and Germany. The subharchord was recorded in the EAM Studio @ Adk, Berlin. Viola played by Hildur Gudnadottir. Mastered by Denis Blackham at Skye.
'Japanese percussionist Seijiro Murayama has been working in France since 1999. His musical approach is based on extreme attention to the performance space, the energy of the audience and the quality of silence. He is interested in how continuous sounds and microscopic events can delicately revitalize the environment. Now established in Beirut (Lebanon), french saxophonist Stéphane Rives has spent over last ten years developing new sonic array of extended techniques on the soprano. On thi…
Recorded on March 8th, 2008 at Alte Gerberel, St. Johann in Tirol/Austria at Festival ArtActs 2008. Features on trombone Johannes Bauer, drums Paal Nilssen-Love, analogue synthesizer Thomas Lehn & reeds Ken Vandermark.
"Resume the Cosmos" finds the unclassifiable Virginian band Rake performing some of their most diverting and accessible work to date. The five nameless tracks that make up the disc were culled from many hours of studio improvisation, not only on a range of atmospheric instrumentation, but also with studio space and "silence" itself. The elusive membership of Rake play out like reconstructed indie rock fans with fistfuls of Sun Ra/Coltrane/70s Miles/Art Ensemble of Chicago/Henry Cow scattered thr…
The first meeting of AMM guitarist Keith Rowe and pianist John Tilbury after Rowe departed in 2004, a delicate and intricate long improvisation, fascinating dialog between two long-acquainted and innovative conversationalists. "Keith Rowe and John Tilbury are both known as prominent members of AMM, the legendary ensemble which has been incredibly influential on the field of improvised music.Originating the tabletop guitar, Keith Rowe was a co-founder of AMM in 1965. He's since been involved in a…
“Ridges and creases / high on the middle forehead / The right temple near the eyebrow / A small ridge under the right eye / The right side of the tip of the nose / The opening of the right nostril / The middle lower lip / The inner ear of the right ear.” Can you tell who it is yet? It’s George W. Bush, of course, or at least part of his head, as seen (or rather heard) in the second of five “American portraits” in words and music by legendary experimental rock outfit the Red Krayola, in collabora…
Bruce Russell has an MA in Political Studies, and works as an information designer. He has previously worked in the field of archives management, during which time he ran the National Radio sound archive. As a sound artist Russell is known mainly for his involvement in New Zealand's longest-running improvisational 'post-rock' group, the Dead C., although he also works in the field of radiophonic composition, and records as a solo artist and with the trio A Handful of Dust. He performs wit…