New Arrivals
The Acid Files
** Limited edition of 80. The cassette comes with a laser printed insert** Tune in and enjoy the ride: with an interview with Martin A. Lee, author of ‘Acid Dreams’, then Wavy Gravy speaks about the Green Acid + Ken Kesey on the Perry Lane gang, plus a Dinner with Timothy Leary & G. Gordon Liddyand finally Later in LA with Bob Costas, June 5/6, 1991
(Ben Schot)
The Complete Collection 1980-1988
Minimal Wave is proud to present The Complete Collection 1980-1988, a five LP box set by the highly lauded French group Martin Dupont. The band formed in Marseille in 1980 and consisted of Alain Seghir, Brigitte Balian, Beverley Jane Crew, and Catherine Loy. They were immensely talented with a rare dynamic between them that was likely inspired by a combination of their magnetic personalities, creative vision and the home studio where they recorded. The music they made was colorful, enthusiastic …
Clear Memory
Mental Experience present the first ever vinyl reissue of Bomis Prendin, a collective of experimental “noisicians” from Washington DC formed in 1978, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects, and cheap keyboards, they recorded and released in the late '70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being…
Acoustic Shadows
SA Recordings present a new LP from the acclaimed New York composer, performer and sound designer Lea Bertucci. A work of three interlinked incarnations, ‘Acoustic Shadows’ began as an event, which then became an album and has inspired a sample library for other musicians.
The Event (recalled by Lea Bertucci)
“Acoustic Shadows I-III was a series of site-specific musical performances and a sound installation that took place in the enclosed hollow body of the Deutzer bridge in Koln, Germany, 2018.…
Course(s) contre l'enfer
Frahr is the meeting of Micro_Penis, Youri Potlatch, Angstrom and Roro Perrot. The recording dates from 2018, a year in which hospital staff must already have been on strike, allowing these dangerous oddballs to escape. How to survive the agony of the deep? Perhaps through the blossoming of a rarely heard music! Unique and fortunately incomparable!
How We Used To Laugh - Haunted and Defiant
**Housed in a beautiful handmade diorama sleeve and box. Limited to 100 copies.** Just a few months after fortuitously meeting Dean Brown in London’s Low Company I am delighted to be releasing this Little Skull 7”. For a few years I was listening to Little Skull LP’s unaware that Dean’s own brand of NZ underground music was in fact being recorded a short distance from my London home. Furthermore, Dean’s intricate homemade sleeves were crafted in London, shipped to Italy, then back to London wher…
Virtual Company
Simon H. Fell : double bass. Mark Wastell : violoncello, percussion. Derek Bailey : (virtual) guitar. Will Gaines : (virtual) tapdance. Recorded at Cafe OTO, Dalston, London; 2nd March 2018.
An in concert, virtual Company performance from IST (on this occasion the duo of Simon H. Fell and Mark Wastell due to the snow-bound absence of Rhodri Davies) together with pre-recorded fragments of Derek Bailey and Will Gaines. IST’s Virtual Company calls on ‘the powers of improvisation’ (D. Bailey) to int…
Social Distancing
If there is one artist who represents social distance, it's him, Vomir, alias Romain Perrot. The king of the Harsh Noise Wall without compromise or remorse. Released in April 2020, this record may not protect you from Covid19 but it will guarantee you a long and lasting social isolation.
Oscillations Planétaires
A 49-minute work in nine movements by Chantal Dumas, commissioned by Deutschlandfunk Kultur and premiered in 2018, on the undulating motions of the Earth: earthquakes, mantle convection, geysers, earth tides, geomagnetism and the Mid-Atlantic Ridge.
L’Inaudible
Five acousmatic works by Stéphane Roy from 2008 to 2019, from the hurtling machine pulse of Train d’enfer to Les aurores pourpres, shaped with an infrared hand sensor from sound banks he made at Stanford in the early 1990s.
Yegl
Seven works by the Argentine composer Elsa Justel from 2001 to 2017, from radio pieces and a danceable electroacoustic tango to commissions for the GRM and Musiques & Recherches, and Yegl, a lost file haunting everyday machines.
Univers Parallèles
Six acousmatic works by Belgian composer Todor Todoroff from 1991 to 2017, from the quadraphonic Baudelaire piece Obsession and a computer-simulated pendulum to Requiem for a City, written after the Paris attacks of November 2015.
Bratschebraut
** Deluxe edition with extensive booklet, 300 copies ** First time vinyl issue of key works from the Belgian artist-musician Moniek Darge. Following a deep-excavation of the Logos archives London’s Horn of Plenty presents ‘Bratschebraut’ - four works utilising prepared violin, electronics, tapes, and voice. These recordings are from the same era as Moniek’s classic ‘Sounds of Sacred Places’ LP. 'Bratschebraut' extends the story of Moniek's work during this period: playful, intimate, raw, and qui…
Smoke Stack
On his second Blue Note album Smoke Stack, pianist and composer Andrew Hill used an unusual line-up of two bassists (Richard Davis and Eddie Khan) along with the masterful Roy Haynes on drums. Blue Note founder Alfred Lion considered Hill to have as distinct and important a compositional voice as Thelonious Monk, and the seven Hill compositions that the quartet explore here contain all the rare beauty to be found in his music. Designer Reid Miles photographed Hill himself for the striking album …
In 'N Out
Recorded in April 1964, In ‘N Out falls square in the middle of the formidable run of five classic Blue Note albums that launched tenor saxophonist Joe Henderson’s legendary career. The line-up featured the transcendent frontline of Henderson and trumpeter Kenny Dorham along with a powerful rhythm section with pianist McCoy Tyner, bassist Richard Davis, and drummer Elvin Jones. The music charted expansive post-bop territory on three Henderson’s originals (“In ‘N Out” “Punjab” “Serenity”) and two…
Mr. Jones
After his six years with the seminal John Coltrane Quartet, the mighty drummer Elvin Jones signed with Blue Note Records in 1968 and made a series of 10 fantastic albums including 1972’s Mr. Jones, produced by Francis Wolff and George Butler, and featuring saxophonists Dave Liebman, Steve Grossman, and Pepper Adams, Thad Jones on flugelhorn, pianist Jan Hammer, bassist Gene Perla, and percussionists Carlos “Patato” Valdes, Frank Ippolito, and Albert Duffy. The music delves into expansive post-bo…
Doin' Allright
Though he first recorded in the late-1940s, Dexter Gordon’s Blue Note debut Doin’ Allright—recorded and released in 1961—marked a rebirth for the great tenor saxophonist after a decade in which drug addiction and legal troubles limited his output. But his Blue Note years put him back on top with a run of essential albums that stand as classics of the jazz canon. Doin’ Allright featured a top flight quintet with trumpeter Freddie Hubbard, pianist Horace Parlan, bassist George Tucker, and drummer …
A Swingin' Affair
Just 2 days after saxophonist Dexter Gordon recorded his classic album GO! in August 1962 he brought the same quartet with pianist Sonny Clark, bassist Butch Warren, and drummer Billy Higgins back into Rudy Van Gelder’s studio to record the equally sublime A Swingin’ Affair. All the joy and beauty of the great tenor man’s music can be found in the irrepressible opener “Soy Califa,” a Gordon original that moves deftly between Latin and swing rhythms as Dex holds forth with his commanding horn. Th…
Blue Mode
For his third Blue Note album Blue Mode (1969), organist Reuben Wilson kept it right in the pocket and laid down one of the funkiest soul jazz workouts of the late-60s. Produced by Francis Wolff, the date featured Wilson at the helm of an airtight quartet with tenor saxophonist John Manning, guitarist Melvin Sparks, and drummer Tommy Derrick. Highlights of the set include Wilson’s grooving originals “Bus Ride,” “Orange Peel,” and “Blue Mode,” along with covers of Eddie Floyd’s “Knock On Wood” an…
Grant's First Stand
Grant Green's debut album, Grant's First Stand, still ranks as one of his greatest pure soul-jazz outings, a set of killer grooves laid down by a hard-swinging organ trio. For having such a small lineup, just organist Baby Face Willette and drummer Ben Dixon -- the group cooks up quite a bit of power, really sinking its teeth into the storming up-tempo numbers, and swinging loose and easy on the ballads. From the first note of "Miss Ann's Tempo," they establish a groove, and swing like hell thro…