We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Limited edition reissue of this legendary LP, issued onFolkways Records back in 1962. A magical collection of Kentucky's own Roscoe Holcomb, one of the most legendary figures of Appalachian Music and a huge influence on the '60s folk scene, and Wade Ward, a Virginia fiddle and clawhammer banjo player who's style has been often imitated. Playing banjo, guitar, and singing in that beautiful high lonesome sound, Roscoe Holcomb covers the first side of this LP, in his wild and raw style. Wade Ward h…
The South of the East is the debut album from Tenggara Trio, comprising of improvisors from Indonesia, Malaysia and Singapore. Like previous Lao Ban Records releases it has Yong Yandsen gargling, screeching, skronking and more on the tenor saxophone, but unlike previous releases, "The South of the East" is the most rocking (read: loud, aggressive, driving) release from Lao Ban Records hitherto. The other two members, Ikbal S. Lubys and Dharma both play electric guitar (with efx and objects), but…
La Tène is back with a double invitation to its third full length LP. The hurdy-gurdy/harmonium/percussions trio welcomes two bagpipes (cabrettes and 23” to be exact), and a combo of string instruments (12-string guitar and electric bass). Beyond the instrumentation, we’re looking at a gang of high esteemed guests: Jacques Puech, Louis Jacques, Guilhem Lacroux and Jérémie Sauvage, whom works are given their due credit (with the La Novià collective and its multiple variations, the France group…
Double LP version. "In the heyday of low-budget television and scrappy genre filmmaking, producers who needed a soundtrack for their commercial entertainments could reach for a selection of library music: LPs of stock recordings whose contents fit any mood required. Though at the time, the use of such records was mostly a cost-cutting maneuver for productions that couldn't afford to hire their own composer, the industry soon took on its own life: library publishers became major financial success…
We Release Jazz presents its fourth release, the first ever official reissue of 1974's Stuff Combe 5 + Percussion, a hard-to-find soul jazz jewel from a cast of illustrious jazzmen led by glorious Swiss drummer, Stuff Combe. The release follows reissues Ryo Fukui's Scenery and Mellow Dream, and Le Cercle Rouge's soundtrack by Eric Demarsan . Recorded in Geneva, Stuff Combe 5 + Percussion finds Stuff Combe conducting an all-star ensemble consisting of Bob Jacquillard on bass, Francy Boland (The C…
Brian Eno's Ambient album from 1982 has been Half Speed Mastered by Miles Showell at Abbey Road Studios, London and is now presented in a gatefold sleeve on 2 heavy weight albums which are played at 45rpm for a superior listening experience. Now housed in a gatefold sleeve with an Obi and Abbey Road Certificate. Contains a Download Voucher Released 16th November 2018. Available for pre-order now. Deluxe, limited edition. Though not the earliest entry in the genre (which Eno makes no claim to hav…
**Completely sold-out at source, few copies avaialble** Cymbals has finally landed… and brought a 2nd saucer with it! Originally recorded for the Impulse! jazz label in ’73, Cymbals makes its first legitimate release on vinyl, paired with a second LP of unheard material from the same sessions. Hear Sun Ra’s Baroque soundscapes, electrolytic clusters and dithering Moogs catalyze images of monoliths, space stations, computers malfunctioning and galaxies imploding on pristine red and green vinyl wi…
Limited to 300 copies on splatter vinyl. Reissue of extremely rare kosmische/electronic/experimental/ambient album by Didier Bocquet, originally released in 1977 on his own Kiosque D'Orphe label, in 100 copies, each with a hand-drawn/written cover effort by the artist. Inspired by the first wave of german kosmische sound-travellers (Klaus Schulze and Tangerine Dream and the whole Berlin School spring inmediately to mind) but retaining that typical french urgency that places it close to Heldon / …
Reissue of an obscure 1978 LP in Ash-Ra Tempel/Stooges vein. The tracks forming Tötenköpfs first album were composed between 1970 and 1976 by the Frenchman Bruno Rooke. Eventually, they have been put to tape (in gogolphonic sound) during his stay in Karlstad (Sweden) in February-March 1978. Rooke (vocals, drums, keyboards, percussions) recorded with the help of his cousin Erland Malberg (bass, guitar, effects) and a friend of the latter, Mats Meyer-Lie (guitar, tapes, violin), a chaotic album ti…
Juri Camisasca is one of the towering artists of Italy’s remarkable musical avant-garde. Evolving across the 1960’s, 70’s, 80’s, as it continues today, this movement suffered under a long-lasting, one sided isolation - unheard by the world beyond. Recently, under the care of labels like Black Sweat, it has begin to emerge from the shadows, gathering a momentum of marvel and praise. Over the years, beginning with 1974’s legendary La Finestra Dentro, Camisasca has released a slow trickle of carefu…
The Italian guitarist Maurizio Abate is a rare breed - an experimental musician from Europe working within, and expanding the American tradition of Guitar Soli, an idiom first pioneered by John Fahey. Abate initially emerged within a diverse series of collaborative released over a decade ago, but, as the years passed, a love for his instrument, with inspiration provided by Fahey’s indication of its potential for application as a one man orchestra, prompted to him to embark on a pursuit of solo …
Room40 release Akio Suzuki and Aki Onda's Ke I Te Ki. "Akio Suzuki and I have been performing together frequently for the last five years; we have a tendency to perceive sound as space, or to always consider sound in relation to space. We don't usually hear sound sources as they actually are, since they are always modified by a space's acoustics and its reflections, absorptions, and attenuation. Sound is affected by the conditions and characteristics of a particular setting. We respond to the ex…
**5LP Bundle with Tote Bag**Since its quiet beginnings back in 2011, the San Fransisco based imprint, Superior Viaduct, has come to hold a dominant place in the cultural landscape, stitching an intertwined narrative, crossing multiple genres, between countless forms and periods of counter-cultural music. In 2017 the label launched one of its most interesting and ambitious projects to date, their new sub-label Etats Units, a sonic intervention - an open challenge to how connections in sound are f…
Terminal Drive is studio recording of a mythical piece of electro-acoustic music composed and performed in 1975 by Allen Ravenstine (b. May 9, 1950 in Canton, OH) with assistance from Albert Dennis on string bass. Terminal Drive’s significance in terms of Cleveland underground music cannot be understated and has been cited as partially responsible for Ravenstine’s invitation to co-form the musical unit Pere Ubu in September 1975. Ravenstine gained recognition for his unusual and inventive synthe…
**Edition of 250, wooden box edition** Along with Merzbow and Hijokaidan, Masonna is one of the best (known) Japanese noise projects. A psychedelic touch, cascades of electronic noise and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barrelled named for Masonna. Yamazaki “Maso” Takushi created Masonna in 1987. He started recordings on cassette tapes for his own label: Coquette. His plentiful productions were prese…
Jeanne Dielman presents a reissue of a collection of Iannis Xenakis's work titled Electronic Music, originally released in 1997. Some of the earliest works from a truly groundbreaking composer in the realms of electronic music, musique concrete, electro-acoustic, 20th century classical, and more. The Romanian-born, Greek-French composer Iannis Xenakis was instrumental in the introduction of mathematical models into composition and helped revolutionize electronic music in the middle 20th century.…
Along with Merzbow and Hijokaidan, Masonna is one of the best (known) Japanese noise projects. A psychedelic touch, cascades of electronic noise and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barrelled named for Masonna .Yamazaki “Maso” Takushi created Masonna in 1987 and he started recordings for his own legendary label Coquette . His plentiful productions were presented in a ultra limited edition, sometime to…
Rising out of the smoky Parisian Mai 68 shrapnel and claiming his stake as the first French vampire movie director, the inimitable father of European horrortica, Jean Rollin (1938-2010) has smudged the painted face of surrealist cinema for over five decades. Dragging his roots from beneath the Letterist/Situationist movements, avant-garde theater, and Belgian fine art groups and entwining them around the minds of sexual revolutionaries, the European comic book cognoscenti and the Parisian free j…
Four pieces for flute and voice composed between 1985-2018 by Mary Jane Leach, a pivotal part of NYC’s pioneering avant-garde community since the 1970s and an active member of the legendary DownTown Ensemble, working alongside peers including Arthur Russell, Ellen Fullman, Peter Zummo, Philip Corner and Arnold Dreyblatt, as well as devoting years to the preservation of Julius Eastman’s legacy since his death in 1990. Mary Jane's vinyl debut 'Pipe Dreams' arrived last year via the Blume imprint a…
**Last copies. Newly remastered from the original tapes for optimal sound. Limited edition of 500 copies** Another incredible treasure from the vaults of Cologne radio, recorded in February 22/23rd, 1975. Unreleased sessions, carefully remastered, in this duo improvisation Riley's organ intersections just define the geometry of the hyper-dimensional space where Don Cherry's outwordly trumpet lives. Mantric and evocative, we could go on and on listening to the very same track all day long, it cou…