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A later album by Pharoah, but one of his best! The record has a solidity that matches all of the soulful spirituality of his Impulse years with the a tightness that really sends the message home. Sanders on this LP is next to perfect
Reissue of very rare French spiritual / political Avant-garde Jazz - Think Brigitte Fontaine meets Alice Coltrane via the Middle East. The soundtrack of a cult play from the “Chêne Noir” Theatre. A spiritual jazz work tinged with poetry and oriental music. A sonorous UFO of which only the 70s had the secret. To be classified between Brigitte Fontaine Marc Moulin’s Placebo and Strata East.
"Cairo Primo" is Alberto Boccardi's third solo album and his comeback since 2014 "Fingers" (Cassauna / Important Rec). After several collaborations and releases along these years, Alberto emerges with his personal memories of the time spent in the Egyptian Metropolis. Past and present merge into mystery. Tension and calmness become energy.
Starfuckers: one of the most elusive and provocative Italian experimental rock bands of the '90s. The title of this new and previously unreleased album comes as a quote from Lydia Lunch when at one of their concerts, she commented: “It sounds like an eternal soundcheck”. Recorded live between 9th and 10th of April 1999, "The Eternal Soundcheck" consists of just one sound portion from a six hours long concert held at "Link" in Bologna, one of the most important Italian underground clubs of the ti…
Finally and just in time for Christmas 2020 Hastings of Malawi release their third LP - the antithesis of Christmas albums. In this bleak vinyl mid winter the sleigh bells have been replaced with twelve handsaws, two motors and a dustbin, a duet between a walrus and an autistic child on an aeroplane, a chorus of pigs and Tasmanian devils, sounds from Japan, China, Africa, Italy, India and Hawaii, digital voice synthesis, sound sculptures, randomly generated music, geiger counters, free improvis…
Legendary Palestinian band from the early 80s, with a worldly instrumental palette alternating between sparse and folkloric styles of music and poetry zajal with classical Arab singing influences, with more urgent free experimentation that breaks into sufi-esque dervishes soundscapes
Saltern presents its fifth release, Performances & Recordings 1998-2018, the first comprehensive collection of recordings surveying the career of renowned, American cellist Charles Curtis. Selected by Curtis and Tashi Wada from recordings spanning the past two decades, the collection offers a broad, inclusive view of Curtis's activities across the diverse worlds of music he inhabits, containing rare, unreleased recordings, and never-before-released music by Terry Jennings, Richard Maxfield, Élia…
**White vinyl LP** Re-issue of the incredibly rare Gruppo di Improvvisazione Nuova Consonanza 1975's album, which comes in a fully remastered version with new sequence / structure as per recently discovered original tapes.When gazing over the expanse of 20th Century avant-garde music, few European projects can claim the seminal importance of the Gruppo di Improvvisazione Nuova Consonanza. Formed in Rome in 1964 and considered to be the first experimental composers collective, its membership incl…
Red vinyl version. Very few copies available, sold-out at source "These songs were recorded a few months after the Los Angeles punk scene began. These five statements of intent transcend Punk and project forward into the future: to the analog synth wave of the late '70s and beyond, to the present day, four decades later, when they finally receive an official release. Sourced from the original reel-to-reels, they are a revelation compared to the countless copies that have been circulating by mul…
"A primal force of something... real. I have listened back and forth to the new album of Anna Högberg's “Attack” numerous times now and it hit me like a split axe in a split second: this music is for real! Wham Bam! This is liberating music. Allowing music. It hits me just as the split axe hits the wood. Without hesitation, but still very sensitive. Pure power does not cut the wood automatically. No fancy flirts with post-this and post-that. Just the force. Of itself. This music is definitely co…
The album 'Balance' by Frank Bretschneider & Taylor Deupree was originally released in 2002 by Mille Plateaux on CD only. The 9 tracks on 'Balance' are a perfect example for the aesthetics to arise within the Click & Cuts scene and (ambient-)glitch music movement of the late 90s and early 2000s. The two masters of microscopic sounds and sine wave/white noise-based music constructed these seamlessly mixed pieces around rhythms and melodies, which grants the album plenty of dynamics. The wide var…
Much needed repress! Offering a visionary approach to the solo guitar, Milanese experimentalist Alessandra Novaga, delivers an expansive meditation on the late filmmaker, Derek Jarman.
Circus were a shining example of the creative explosion at the heart of the early days of Progressive Rock. A tight knit jazz-rock band that crafted high quality musical workouts, Circus mixed the heavier aspects of late 60s rock with the nuances of jazz modulations, folk, pop and even forays into psychedelia. Circus decided to focus less on the sound of the pop psych scene and joined the ranks of the more experimental progressive bands emerging during the 60s such as Soft Machine, Caravan, Colo…
What can be said about Don Cherry that hasn’t been said? He was a musical bridge between countless cultures - a titan of the avant-garde and jazz - one of the great, visionary voices of 20th century music for whom there was, and remains, no equivalent. A giant. Like Miles, Ayler, Mingus, Bird, Dizzy, Trane, Ornette, and Pharaoh, the power of his voice carved such a deep path that, more than half a century after he first emerged on the scene, you can still fear the earth shake.With this in hand, …
**In process of stocking** ICR is happy to announce our latest release - a double CD with 2 recordings of concerts by Nurse With Wound that are judged to be amongst their most unusual performances. The first is from Florence in 2012 with the lineup of Steven Stapleton, Paul Beauchamp & Colin Potter. The second is from Karlsruhe in 2013 when the performers were Stapleton, Potter & Andrew Liles. Disc 1 'Confluence' incorporating 'Letter from Topor' & 'Eyes's of a Scanning Girl' 55'57'' Disc 2 '…
This special bundle collects the two latest LPs reissued by Souffle Continu, namely the following:Jef Gilson "Le Massacre Du Printemps" (1971)Sahib Shihab, Jef Gilson "La Marche Dans Le Désert" (1972)
Jef Gilson "Le Massacre Du Printemps" (1971)
* First ever vinyl reissue of this French free jazz nugget from Sahib Shihab & Jef Gilson Unit Remastered from the master tapes * Paris, February 1972. A few months after having released Le Massacre du Printemps, Jef Gilson was back behind his keyboards …
**Edition of 500** Born in Mississippi in 1937 and beginning to play the saxophone at 14, Billie Harris relocated to Los Angeles in 1965 after a 4 year stint in the Air Force, becoming one of the great, unsung forces of underground jazz in the city for many years (he later relocated to the Mojave Desert, where, at last record, he still plays in a church band). A Venice Beach street musician and longtime member of the Pan Afrikan Peoples Arkestra - you can hear him playing on Live at I.U.C.C. and…
Pyramid was an underground / homemade label created by Toby Robinson and his friend Robin Page (the Fluxus artist) while they were living in Cologne, Germany, in the ‘70s. Toby - aka The Mad Twiddler, aka Genius P. Orridge – is well-known to Krautrock collectors as one of a number of engineers working at Stockhausen’s WDR and Dierks Studio in Cologne in the mid-1970's, where he assisted on recordings by many famous Kraut bands such as Can, Birth Control, Mythos or Dzyan.Pyramid was home to a ser…
A stunning immersion into the world of Merzbow during one of the project's most engrossing and important period's, Urashima’s latest, the first ever vinyl reissue of the project's legendary 1990 release, 'Rainbow Electronics', is a truly historic event. A monumental work of few parallels, even 30 years after its initial release, it still challenges the fundamental notions of what music is perceived to be.
Shutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures …