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* Dead stock copies coming from the artist's archive. Possible wear due to the long storage * Stunning radical impro session three Italian heavy weighs of the genre, recorded in 1975. Percussion, Drums, Synthesizer, Sistema Ictus 75 by Andrea Centazzo, Saxophone [Soprano, Tenor] by Maurizio Giammarco, Double-bass, Piano by Bruno Tommaso
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage *Amazing live recording of multi instrumentalist Kent Carter. Paired in a few tracks with Claude Bernard on alto sax and Michala Marcus on flute.
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage *Compositions by Sylvano Bussotti played by percussionist Andrea Centazzo, recorded in 1982.
Dead stock copy coming from the artist's archive. Possible wear due to the long storage Studio recordings of this incredible trio of Italians Andrea Centazzo and Giancarlo Schiaffini together with British sax legend Lol Coxhill.
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage * The Italian imprint, Ictus, was founded in 1976 by percussionist and composer, Andrea Centazzo, and his wife Carla Lugli. Running for just under a decade, until relaunching during the mid-2000s, the label produced a couple of dozen highly highly celebrated releases, the majority of which loosely fall under the banner of free jazz. Ictus’ second batch of releases from the label’s historic archives logica…
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage * On the same trip to the United States that produced “U.S.A. Concerts” and “Environment for Sextet”, Andrea Centazzo also connected with the San Francisco-based Rova Saxophone Quartet, formed the previous year by Jon Raskin, Larry Ochs, Andrew Voigt and Bruce Ackley (all playing various saxophones). While not as well-known now as they once were, over the last 40+ years the ensemble has produced dozens of…
Super Tip ** original copies, last ones ** 'Trumpeter Baikida Carroll was once again in the company of alto saxophonist Julius Hemphill for a January 1982 recording with pianist Anthony Davis, bassist Dave Holland, and drummer Pheeroan Ak Laff for Soul Note called Shadows & Reflections. The material here sounded like it could have been a late Blue Note recording; in fact, there were times when the horns brought back flashbacks of the Jackie McLean-Charles Tolliver front line of the '60s. And for…
*Originalo copy from first edition. 1984* 'Problemist are a San Francisco group that quietly makes tapes and communicates with experimental bands around the world. Organized religion is the target here, not only as a big business, but also on its subtle effect on people’s fears and behaviors. But this isn’t a noise band; it’s a mixture of electronic and rock that is aggressive, eerie, and not too arty.' - MRR
Electronic musician Dominique Laurent and Pinok Et Matho, who have been researching physical performance, mainly traditional theatre, and have produced some of the most strangest songs of all time. The first album [Les Pays De Tout En Tout] from Unidisc in 1978, the second [Azur Et Tenebres] in 1982 and this [Fantasmusics] from PG in 1983 contain everything, from childish theatre to contemporary music and jazz.
*2023 stock* First recording of Eric Le Lann under his name in 1983. Around him, a group composed of Césarius Alvim on bass, André Ceccarelli on drums and Olivier Hutman on piano and Rhodes which escorts the sublime phrasing of a trumpet entirely placed on the melody. The quartet is of a remarkable flexibility, sonority and unity. A hell of a quartet!
Edition RZ presents Inventionen by composers Bogusław Schaeffer, Ricardo Mandolini and Sukhi Kang.
"Berlin 80 II" composed 1980 for piano, synthesizer and 4-track tape."Fabulas II" composed 1980."Inventio", subtitled Musicae clavichordii et sonorum artificiosorum, composed 1984 for piano and tape.
Comes with insert. Runouts are stamped except for 'Lt - B - II' which is etched.
*Deadstock. Last 85 copies. In process of stocking* Très toxique is the first ever recording of Un Drame Musical Instantané as a trio, three weeks before Trop d’Adrénaline Nuit, but already a year and a half after Défense De by Birgé Gorgé Shiroc (Nurse With Wound List). On December 21, 1976, it was the first time the three musicians met together in the basement of Studio GRRR. They had no idea what they were going to play, but the session was full of energy. Jean-Jacques Birgé plays the ARP 260…
*2023 stock* This LP by German synth music pioneer Hans-Joachim Roedelius features almost no synthesizers at all. When they do appear (most prominently on "Über den Wolken"), they're a background instrument, supporting his piano. At other times, Roedelius duets with saxophonist Alexander Czjzek. But the primary instrument is his grand piano, and the pieces aren't the droning marathons of 1970s German "kosmische" music, they're three- and four-minute vignettes (some tracks are in the six-minute r…
*B-stock* This record was brought to us at Dizonord by Julien, part of the shop Music Records in Saint Brieuc (Brittany, France), who is specialized in Brittany music. In the band are fantastic people. The group leader came back from an initiatory trip in India to Brittany with the belief that there was a mystic link between Indian music and Celtic music. Who could say the contrary?
*Rare original* "ARFI is an improvised music group from the south of France that continues to evolve, involving not only musicians but also cooks and street performers in its search for more freedom of expression. One of the core bands of the ARFI, with all the main improvising musicians, was the Marvelous Band, released on their own label in 1985. Carnivals on street corners, street performers, the hints of foreign lands wafting from the back alleys - the original landscape that lies at the hea…
*Rare original* "As you can tell from the additional description to the album title, this album and the compositions on it are a collection of sound illustrations for performances, performances, dances, films and plays (mostly in the spirit of early cinematography and early century theatre, one would think). Illustrations, stylistically very different. From rather sad interludes, which for some reason remind me personally of films like Silence, Sadness, Silence with to 'saspienza' moments, with…
*Rare original* French project combining flamenco and jazz. The music is reminiscent of recent bands around Ultra High Flamenco, recorded in 1985 at the Centre Autonome D'experimentation Sociale in Ris-Oragis, a suburb south of Paris on the Seine River. It sounds like an extension of sextet, innovatively brought bass, cajón and saxophone to flamenco. It's strange that neither the other works nor this project have attracted much attention, but they are unusually accomplished: the level of perform…
Original late 80s copies from the legendary (and high quality) Edition Michael Frauenlob Bauer LPs, covering some of the Dieter Schnebel best extended voices compositions from 1981-1985. Laut Gesten Laute is a seminal piece of experimental 'theater' that ranks alongside Schnebel's later collection Zeichen-Sprache (recall Poem for One Jumper) as examples of Schnebel's “visible music.” These two works help define Schnebel as a formative voice in this genre for voices and gestures. “Redeübungen für…