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Rolf Julius has frequently been compared to John Cage for his attempts of integrating the world of common noises into the realm of sounds. "The surface of a sound interests me. Is it round or angled, grinding and raw, or smooth, etc." Julius thus creates extraordinary sound installations which can be described as "music for the eyes" and have secured him an unmistakeable place in the spectrum of contemporary art.
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Andrea Centazzo, LaDonna Smith and Davey Williams met for the first time in December 1978. An exquisite and celebrated example of improvised music.
* Dead stock copies coming from the artist's archive. Possible wear due to the long storage * Great drummer Andrea Centazzo and multi-instrumentalist Guido Mazzon recorded together in Italy in 1976 and released their album that year.
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Studio recordings of this amazing trio. Henry Kaiser and Toshinori Kondo would like to dedicate this album to the spirit and memory of Aquirax Aida, 1946-1978. All tracks are free improvisations; heard as played.
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Original scene music by Andrea Centazzo with the collaboration of Roberto Mannuzzi on sax and electronics and Alessandra Doria on keyboards for the theatre piece Jacques e il suo padrone (Jacques And His Master) written by Milan Kundera.
*Dead stock copy coming from the artist's archive. Possible wear due to the long storage* Pier Paolo Pasolini's lyrics in Friuli dialect from the collections "Poesie Dimenticate" (Società Filologica friulana, Udine, 1976) and "Tal cûr di un frut" (Edizioni Friuli, Tricesimo, 1953) are edited by Luigi Ciceri. All lyrics used thanks to the courtesy of professor Andreina Ciceri. Digitaly mixed and recorded in Bologna april 1987/august 1988.
* Dead stock copies coming from the artist's archive. Possible wear due to the long storage * Incredible recordings of the trio of Andrea Centazzo in collaboration with David Moss and Alex Cline.
*Dead stock copies coming from the artist's archive. Possible wear due to the long storage* Legendary international ensemble Andrea Centazzo Mitteleuropa Orchestra recorded live in 1980.
* Dead stock copies coming from the artist's archive. Possible wear due to the long storage * Stunning radical impro session three Italian heavy weighs of the genre, recorded in 1975. Percussion, Drums, Synthesizer, Sistema Ictus 75 by Andrea Centazzo, Saxophone [Soprano, Tenor] by Maurizio Giammarco, Double-bass, Piano by Bruno Tommaso
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage *Amazing live recording of multi instrumentalist Kent Carter. Paired in a few tracks with Claude Bernard on alto sax and Michala Marcus on flute.
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage *Compositions by Sylvano Bussotti played by percussionist Andrea Centazzo, recorded in 1982.
Dead stock copy coming from the artist's archive. Possible wear due to the long storage Studio recordings of this incredible trio of Italians Andrea Centazzo and Giancarlo Schiaffini together with British sax legend Lol Coxhill.
* Dead stock copy coming from the artist's archive. Possible wear due to the long storage * The Italian imprint, Ictus, was founded in 1976 by percussionist and composer, Andrea Centazzo, and his wife Carla Lugli. Running for just under a decade, until relaunching during the mid-2000s, the label produced a couple of dozen highly highly celebrated releases, the majority of which loosely fall under the banner of free jazz. Ictus’ second batch of releases from the label’s historic archives logica…
Super Tip ** original copies, last ones ** 'Trumpeter Baikida Carroll was once again in the company of alto saxophonist Julius Hemphill for a January 1982 recording with pianist Anthony Davis, bassist Dave Holland, and drummer Pheeroan Ak Laff for Soul Note called Shadows & Reflections. The material here sounded like it could have been a late Blue Note recording; in fact, there were times when the horns brought back flashbacks of the Jackie McLean-Charles Tolliver front line of the '60s. And for…
*Originalo copy from first edition. 1984* 'Problemist are a San Francisco group that quietly makes tapes and communicates with experimental bands around the world. Organized religion is the target here, not only as a big business, but also on its subtle effect on people’s fears and behaviors. But this isn’t a noise band; it’s a mixture of electronic and rock that is aggressive, eerie, and not too arty.' - MRR
Electronic musician Dominique Laurent and Pinok Et Matho, who have been researching physical performance, mainly traditional theatre, and have produced some of the most strangest songs of all time. The first album [Les Pays De Tout En Tout] from Unidisc in 1978, the second [Azur Et Tenebres] in 1982 and this [Fantasmusics] from PG in 1983 contain everything, from childish theatre to contemporary music and jazz.
*2023 stock* First recording of Eric Le Lann under his name in 1983. Around him, a group composed of Césarius Alvim on bass, André Ceccarelli on drums and Olivier Hutman on piano and Rhodes which escorts the sublime phrasing of a trumpet entirely placed on the melody. The quartet is of a remarkable flexibility, sonority and unity. A hell of a quartet!
Edition RZ presents Inventionen by composers Bogusław Schaeffer, Ricardo Mandolini and Sukhi Kang.
"Berlin 80 II" composed 1980 for piano, synthesizer and 4-track tape."Fabulas II" composed 1980."Inventio", subtitled Musicae clavichordii et sonorum artificiosorum, composed 1984 for piano and tape.
Comes with insert. Runouts are stamped except for 'Lt - B - II' which is etched.
*Deadstock. Last 85 copies. In process of stocking* Très toxique is the first ever recording of Un Drame Musical Instantané as a trio, three weeks before Trop d’Adrénaline Nuit, but already a year and a half after Défense De by Birgé Gorgé Shiroc (Nurse With Wound List). On December 21, 1976, it was the first time the three musicians met together in the basement of Studio GRRR. They had no idea what they were going to play, but the session was full of energy. Jean-Jacques Birgé plays the ARP 260…