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"We entered the shadowy mouth of a new space, descending into a realm that precedes the underworld, the arcane, far from our time. We met beasts that gave us lessons about their language, which we started learning without grammar."
Satoshi’s first solo retrospective spans diverse styles and patterns within a neat theme, and is impressively, mostly chiselled from a single synth - the Casio CZ-5000. Aside to the blissed mid-tempo Balearic sway of ‘New Dawn’ with Benedek & Kuniyuki, it’s all Satoshi solo, glyding from glistening bleeps recalling 1991 in ‘Sazanami’ to make us do a few double takes with the glitching house strut of ‘Coastlines’, to the sort of obsessive efficiencies recalling Theo Burt’s incredible ‘Gloss’ (its…
Calisthenics is the first album by Institute for Certified Nomadic Illicit Sonic Practices (ICNISP), the Berlin-based duo of Brazilian musicians Marina Cyrino (flute) and Matthias Koole (el.guitar). With a mixture of electronic and acoustic sound sources, objects and preparations, inside amplification and no-input mixing, the duo leads guitar and flute towards a common hybrid terrain. Partly inspired by drawings of the Handbook of Calisthenics and Gymnastics: A Complete Drill-book with Music to …
I:Cube has made a new album. It is a very “hands on” album, as the eight tracks on show were created almost entirely by improvising with electronic hardware – synthesizers, sequencers, drum machines and effects units – and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track. During the time he spent recording it, which was in part inspired by the processes behind his ‘Cubo Live Sessions’ series, I:Cube had fun, experimented, …
This group is made up by Mino Di Martino (I Giganti, Telaio Magnetico e L'albergo Intergalattico Spaziale). Maddalena Bianchi with her clear voice, Angelo Avogadri on flute and Torunn Brigitte Sortvich on violin. Special guests: Ares Tavolazzi and Alessandro Papes.
FRIM Records presents Can't Hide. Released December 10, 2021
Gustaf Hielm, bassElin Forkelid, saxophonesErik Carlsson, drums
All music by Forkelid, Carlsson, Hielm (STIM/NCB)Produced by FRIM.Recorded March 12, 2020, at Fylkingen, Stockholm, by John Chantler.Mixed by John Chantler.Mastered by Göran Stegborn.
*300 copies limited edition* Conjuring Gloria Swanson’s role as former-silent film actress Norma Desmond in the 1950 Hollywood classic "Sunset Boulevard," Julia Scher’s "Filzengraben Boulevard" weaves autobiography with melodramatic fiction. Delivered over Zoom from her bed in Cologne, Germany, Scher recalls pivotal memories that have influenced her work. Recollections of her father as a mattress salesman in Burbank, California. Casualties of the film industry. Encounters with art. Warhol’s Bril…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
*2023 stock* Geir Sundstøl has made a name for himself as an innovative session musician on hundreds of Norwegian and international albums. 2015 saw the release of Furulund, the first self-composed long player from this Master of Strings. Langen Ro, Norwegian Grammy winner Brødløs and St.Hanshaugen Steel, followed soon after. Now, the stage is set for something quite different. The Studio Intim Sessions, Volume 1, Sundstøl's fifth solo album, has taken a trip on its own, away from the cinematic …
Grönland is proud to announce the reissue of Wandermüde on CD and, for the first time, vinyl. Both versions include one previously unreleased bonus track. The 2LP is pressed on crystal clear vinyl. This 2023 edition was mastered by Stephan Mathieu from the original recordings.
11th album by the one-of-a-kind collective: psychedelia and free form jazz (not jazz) trigger a sophisticated excursion into weird textures with drastic turns. Dislocated dense music full of secret connections!
Efraín Rozas’ "Still" posed this question in the form of an installation made for quadraphonic sound, architecture and light. Still was first developed at Queenslab as part of a one-month residency with The Kitchen, New York City in April 2021. This album is a live, stereo room recording of Still as it was presented over three one-hour viewings.
Las Camelias, Tres Esquinas is the debut album by Norwegian-Chilean flautist and composer Johanna Orellana for the Oslo-based electronic and experimental music imprint, Smalltown Supersound. It is a collection of intimate electroacoustic compositions, flute improvisations and field recordings, augmented by the production and recording techniques of fellow Smalltown alum Carmen Villain. However, Las Camelias is also a solemn and deeply personal eulogy to Orellana’s recently deceased father, a Chi…
Modular synthesizers / electronics + a drum kit enhanced with triggers and sensors: on its self-titled debut album, the duo hÄK / Danzeisen creates a sonic energy that oscillates between high-precision rhythm patterns, analogue sounds and frenzy climaxes.
*300 copies limited edition* A deeply confounding trip into the sublime from master of contextual dream-weaving Nozomu Matsumoto on perhaps his most heart-piercingly beautiful work to date, including a 13 minute choral section that might just be the most stunning piece of pseudo-classical/liturgical alchemy we’ve heard all year.
Leading on from his ’Remain Calm’ album to accompany visual components by regular collaborator Nile Koetting, ‘Immunotherapy’ offers therapeutic solace through a persona…
*200 copies limited edition* Trouble vs Glue is a duo: as the name says, we can picture one of 'em as the Trouble and the other as the Glue, in a never ending fight made of synths, guitar, drums and wicked voices. After their debut album on the german label Urquinaona ("Zum Teufel" LP) and a song on the (in)famous Borgata Boredom - Music And Noises From Roma Est - LP, they released their second album "Die Trauerweide" (eng. weeping willow) in June 2013 on NO=FI Recordings. After a 2 years hiatus…