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**300 copies, clear vinyl** Brilliant collaborative debut album of riveting noise and widescreen synths by Merzbow and Posh Isolation’s Vanity Productions featuring two longform, elemental works transmuting worries about ecological disaster into a torrent of spirit-gnawing, experimental noise that surpasses the sum of its parts. Masami Akita and Christian Stadsgaard both hail from places with a lot of coastline vulnerable to sea level rises, ‘Coastal Erosion’ sees them grasp the nettle of impen…
**200 copies on transparent plum colour vinyl in gloss sleevecopies** After being busy in 2018 with three field recording projects, a soundtrack to the popular HBO series Blinded By the Lights and Decaying Land, a companion album for Vanishing Land recorded in 2013, Mirt returns with his newest release entitled Greed, a much darker effort in respect to his previous albums, fusing rhythmic frameworks with modular melodies. Still playing with various textures ranging from shimmering nature sounds …
Osharaku is a traditional Japanese form of musical entertainment, featuring mainly voice, shamisen and percussion, with a repertoire of folk and popular songs, performed by farmers and fishermen for local audiences. This compilation, compiled by Riyo Mountains, is the fourth release in the EM Records / Riyo Mountains Japanese folk series. These recordings feature legendary Osharaku masters, recorded in their homes, brilliantly capturing the casual warmth and vitality characteristic of the style.…
"I’ve listened to it daytime and nightime, in Tokyo’s prefectural train lines, through crowded street, through empty ones. Sitting on the pavement in front of a kombini, drinking a canned high-ball. Partially on the plane, amidst opaque clouds. Partially at the shrine, within dry wood, and humid mountains. Here, in Japan, days end earlier, and the diurnal heat lasts a little longer, to dissolve less brutally into the night. Both aesthetically and musically speaking, it makes you wanna dance the …
**300 copies** Multi-instrumentalist Julien Louvet, owner of 213 Records and member of Devilish Cheat, The Austrasian Goat and many other groups and projects, teams up with sound-poet Damien Schultz for this untitled collaboration. Schultz declaim his verses in an energic and almost unstoppable fashion over Louvet's electronic layers made with Power Electronics elements, harmonium, piano and various electronic trickeries. Best cuts: 13 Juillet and Juste un Petit Bisous.
Buoyed by the success of Endless, their 2015 primer on forgotten electronic explorer Dimitris Petsetakis, Into The Light Records has worked with the Greek composer to compile a follow-up album that takes an even deeper dive into his archive of previously unreleased material. Like its predecessor, On Shores draws on music recorded in the '80s and early '90s. It contains just two previous released tracks, the humid Clearance (Part 2) and poignant On Endless Shores, both of which first featured on …
Benjamin Finger, James Plotkin, and Mia Zabelka craft a mesmerizing sonic world that buzzes and drones, glitches, and slithers, eventually careening into unexplored musical territory. Pleasure-Voltage was born in the mind (and studio) of Benjamin Finger -- a composer, electronic music producer, DJ, photographer, and film-maker based in Oslo, Norway who in recent years has become quite a prolific artist, expanding his stylistic palette from piano miniatures and off-kilter pop experiments to lyser…
Monster Mélodies presents an unpublished recording of Opus Minor, an underground Parisian group with undeniable musical qualities, who gave numerous concerts during its brief existence from 1970 to 1973 but never had the opportunity to publish its recordings. The record consists of an instrumental track, seven songs sung in French and three more songs in English, in which the band, beyond its influences, creates its own musical universe. In September 69, at the École Normale Supérieure of Cachan…
In December 2017, Howlround (Robin the Fog) was invited to
perform at "The Winter Solstice Soundscapes" for the recently opened
record store "Vinyl Café" in his home town of Carlisle, Cumbria.
Inspired by the reception to his first ever performance in the great
border city, he covered his parent's dining room table with the same
equipment, stretched loops of tape around his mum's seasonal
candlesticks when she wasn't looking... and this LP is the result. The
only equipment used on the alb…
The Oakland Elementary School Arkestra presents the odyssey of 4th, 5th & 6th grade students from novice musicians into an avant garde ensemble. An ensemble that engenders an array of sonic textures which never remain static or stagnant, but flow in a way that it's always surprising, often startling and astonishing.These schoolkids have traveled the spaceways of Modernism, Minimalism, Impressionism, Exotica, film soundtracks and more. They have ingested the lessons of Iconic artists like Sun Ra …
After leaving Iran with his family at the age of 6, Emad Dabiri (Sarin) lived in Toronto before moving to Berlin in 2014. Though Toronto provided Dabiri with the foundation to pursue his music, he knew he had to move overseas to explore his art further. “The depth of the underground electronic scene [in Berlin] is vast,” says Dabiri. “There’s also a good sense of community and support among the artists and musicians here.” The current sounds coming out of Berlin, combined with Dabiri’s fixation …
**Edition of 200 hand numbered black vinyl copies** Sci-fi soundtrack styles from Swedish synth-fondler Johan Öhman Sollin, landing square between the styles of early 0PN, Hype Williams, and James Ferraro. Marking his debut for iDEAL after more than a decade of trading as Johan Rohbau, Time Deleters, Knife and Ape, Minimen, and Sphinxes for a handful of secretive labels, J.Ö.S. draws from classic pulpy ‘80s cyber-goth and video nasty horror soundtracks for a personalised and totally immersive su…
Since 2008 Düsseldorf based producer Stefan Schwander concentrates on his always evolving electronic venture named Harmonious Thelonious. It besprinkles the world with fractional musical structures in the spirits of American minimal music, in order to immingle them with African rhythm patterns. Exceptional hypnotic opiates, enlarged with twisted harmonies and tricky rhythm archetypes.
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
Jacqueline Thibault (Laurence Vanay) often worked for other artists at the legendary Château d’Hérouville studio as arranger, keyboardist, co-composer, and assistant sound engineer. Between sessions she sometimes managed to record her own music. Several years after her two acknowledged masterpieces, “Galaxies” and “Evening Colours,” she was able to bring together the tracks for “La Petite Fenêtre” (The Little Window). As the 1970’s ended, trouble with the Château finances meant that again it was…
Another year on the HITD calendar, another stunning new solo release with Brian Case Plays Paradise Artificial. This third album somehow manages to compile and condense the best bits of its predecessors, and the magnificent viridian, glacial universe developed by Case since the beginning of his solo ventures is brought to the forefront.The Chicago artist centres his elusive, dehumanised compositions around two simple, minimal elements. Using just vocals and synths, he has created a simultaneousl…
Parallel universes mangle and mash into a superheated cloud of galactic debris and non-recyclable plastic. After a slew of genre-confounding 7" releases, Our Love Will Destroy The World unravels his own history of nearly everything in this, the mere third full length offering under his world destroying moniker. Smearing the already dotty line between twinkle-toed rave music and excoriating drone cacophony, I Hate Even Numbers weighs in like a three-legged gargantuan in a one-man morris dance. Bl…
(ÉCHOS) is not a documentation about a festival, it is not a compilation or a remix album. And yet some of these things and more are infusing through the 15 tracks of the record. But mostly, (ÉCHOS) is the interpretation of a place and moment in sounds, an essay in alpine electroacoustics. It includes contributions by Bear Bones, Lay Low, Jean Bender, Pôm Bouvier B Joaquim Brissaud, Clara De Asís & Laura Vazquez, Golem Mécanique, Homnimal, Piotr Kurek, Stephen O'Malley, Léo Maurel & Julien Desai…