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This is pure cosmic and immersive nektar!!!!!! "Categories cannot contain Shinji Masuko. He's the founder of DMBQ - one of Japan's greatest modern psychedelic bands, a respected music and comic reviewer, an astonishing guitarist and a master guitar builder. He's also been a member of the Boredoms since 2004, having designed and built their notorious seven neck guitar (the Sevena) while acting as the band's principle guitarist.The idea for this record, Masuko's first solo work, was born during pr…
Second full length LP from Scotland / New York weirdo Ruaraidh Sanachan who also is the guitar shredder in Moon Unit and runs on of the best tape labels in the UK, Sick Head. Reality Bridge's four tracks of psyche-out futuristic electric haze are a step up from Sanachan's previous full length LP, 'Quantum Odyssey' we released almost two years ago. 'Reality Bridge' is one hell of a record, pulling together kosmische synth, guitar wailing, sci-fi insanity and b-movie bliss outs. The record is hous…
'Ezramo: voice, piano, prepared zither, bells. For this project Ezramo recorded the sounds of larvae (sarchophaga carnaria) during their transformation into flies. Through rough sub-real field-recordings, she explores, interprets and lyrically re-invents the concept of metamorphosis. Gatefold sleeve, offset printing on paper. Limited to 300 copies, handnumbered.
Miasma are a band comprised of various members of Guapo, Cathedral, Chrome Hoof and Elsa Drake all playing at the top of their form on this three-part sequence of instrumentals. The band court references to prog, the occult and Victoriana - at least that's what the press release is saying, and I'm not one to argue. The group's fearsome instrumental abilities are the real source of Miasma's strength, with sophisticated, thorough arrangements boasting some of the finest implementation of bassoon y…
Excellent 15 minute session recorded by Brooklyn's Gang Gang Dance in August 2007, prior to their 'St. Dymphna' opus for Warp. At this point in their sound we find the group in transition between the cut-up forms of their earlier releases and the magpied beat structures of their current style. Essentially they treat rhythms from B-More to Grime, Dubstep and techno as modern folk forms to be weaved with their Far and Mid-eastern inclinations as if they're stepping 20 years into the future to gaze…
third full-length release from this boise, idaho duo following two critically acclaimed efforts - the "sea of sand" double-lp on oesb and "she hid behind her veil" cd on 20 buck spin. pussygutt continue to develop their unique brand of doom soundtrack heaviness on gathering strengths, which features two side-long compositions titled "silence within" & "spirit walker". clarinets, violin, and cello are all prominent - lending this album even more of an avant-classical feel than previous efforts. …
restocked: While still being filled with the unease and tension that is their hallmark, Improvements is the first record that also allows the humor and camaraderie between the members of Son of Earth to come to the fore. Most of their previous releases have been culled from live recordings, and the group has always thrived on the tension of live performance. Earlier studio efforts, such as the acclaimed Pet LP, though recorded at home, were composed in an everyone-has-to-be-serious approximation…
Ergo Phizmiz is a true jewel in the sewers of the mind. his activities span over a wide array of forms ranging from sound installations to radio plays, plunderphonics, neo-classicism, household abstract pop, opera, deranged chanson and experimental collage. he hosts the popular weekly radio show "phuj phactory" on new york's wfmu and breeds a conceptual podcast series called "codpaste" in collaboration with his friend vicki bennett a.k.a. people like us. recently, they put out a charming collabo…
Pressed in an edition of 250 copies on 200 gram virgin clear vinyl. A new studio LP from this synth maverick. Primordial dance music comprised of pulsating analog rhythms and austere waves of mechanical tones. With beginnings in laptop electronics and his focus now turned toward analog synthesizers and modular manipulation, results vary from the extreme to the beautiful. Photography by Rachael Cassells."...the impression of countless banks of machinery being flicked into operation and the distin…
Long-awaited new album from this amazing project, sounding somewhere between Ben Frost, Tim Hecker, Philip Jeck and Fennesz. Initial copies come on strictly limited transparent vinyl* The Fun Years are responsible for one of our favourite records of the last few years, the magical 'Baby, It's Cold Inside'. This is the much anticipated follow-up, dropping on a one-time vinyl pressing of 500 copies and delivering their first new material since an inclusion on Kompakt's Pop Ambient series. Arguably…
Putting a riot grrrl twist on no-fi scuzz-pop, all-female London trio Pens slot themselves somewhere between Wavves, Vivian Girls and Times New Viking, but very probably in an even more abrasive and technically incompetent fashion than any of those groups could muster. You get the distinct feeling that Pens are in danger of pushing this movement too far beyond breaking point, too late in its life cycle. Bar the undoubtedly addictive high-energy melodicism of 'Freddy' there's really not too much …
Popol Gluant is the obscene creature of Hendrik Hegray, the guy with moustache behind the observatory for contemporary outsider drawings called Nazi Knife. Pretty infamous for his own intense live performances, Hendrik collected a lot of tapes during the years but he relly can't edit so he decided to send a selection of some crappy cassettes with some notes to ST at Hundebiss Records. The result is a fluorescent creeping lava, moving from schizoid collage to droney obsession for coming back in a…
On the surface, Chicago’s the Poison Arrows sound cold and mechanical, exhibiting an almost robotic precision that’s damn well uncanny. But then you press your ear a little closer and things start to unravel. Harmonies peek their heads out from behind corners; melodies creep along slowly before bursting unexpectedly into view.Former Don Caballero bassist, Patrick Morris, anchors the music, his jarring, off-kilter bass lines coiling themselves around Adam Reach’s thunderous drums. Ex-atombombpoc…
The MONKS OF MALASPINA debut release is a phantastical psychedelic mystery musical filled with dark woods wonder and honey comb clouds over sparkling fjords from deep within the mountains of Canada's British Columbia. Highway 101 ends here, or like this new record, begins. Members of the band call up roots from First Nation relations with Jesuit missionaries co-mingled with a diverse offspring from a free love commune started in the 1970's. Most of the music on this record is gloriousl…
"Following recent tape releases on Young and Ekhein, Bill Hutson's Rale project should no longer be an elusive one. His modular synthesized low-end focus reaches new depths with each release; managing to provide a richness in texture and a deep listening experience in slow moving forms. Hutson exercises a dedicated control and mastery in composition as a result of his overwhelming knowledge of the potentials of sound. Far off organ chords become enveloped by an atmospheric heavy air; melody isn'…
The core elements of the Soft Location sound are Kathy Leisen’s haunting voice and boneyard guitar, and Matt Kantor’s slo-mo jet fuel bass jamminating. Add Tall Firs: Ryan Sawyer’s could-blow-your-pants-off-but-prefer-to-slowly-work-them-over-your-hips drumming and Dave Mies and Aaron Mullan’s creamy dual-savant guitar stylings: two dudes who don’t even know how the other guy’s guitar is tuned but nonetheless have brought the tandem knockout reverb dropkick since 1991. The band actively refuses …
Two very active modern electronic musicians who enjoy 20th century analog equipment deliver a document of mind expanding electronics with very different approaches. Giffoni's track 'Techno' is full of layered and perfectly synched synthetic rhythms matched with some very adhesive evolving sounds; Creating something that somehow ends up being a homage to both early Techno and harsh Japanese electronics. Whitman's track is a beautiful exploration of synthetic tonality and space, like a sudden mass…
A true solo endeavor, this LP is the debut of D. Charles Speer on long player. Recordings over a span of 4 years have been assembled here into a rumination on loss in its many forms - loss of direction, loved ones, home, mental acuity, money, and emotional stability. Pressed on 180 gram virgin vinyl and limited to 500 copies.
The ongoing study and execution of harsh noise by driven artists constantly reinstates the medium via different techniques, concepts, and different artist amalgamations for a collaborative work. For myself, working with the different 'warbling' and generative moving lines of modular synth from Carlos Giffoni offered me a chance to investigate many different 'spaces' of tone and line manipulation. The examination and crossing of the different Lines slowly become their own parallel entity as the a…
Limited edition of 150 copies. Martin Luiten and Frans de Waard are both from Nijmegen and both part of the same musical 'scene' - if there is such a thing. They played together in 2003 when their bands Girlfriends and Beequeen played a collaborative concert, and the two met on the sunday afternoon improvisation concerts. Yet its not been until this year that they decided to work together, Martin on guitar and electronics and Frans picking the sound up with his laptop. Extremely fruitful session…