Upcoming releases
The Straight Horn Of Steve Lacy
Originally released in 1962 on Candid Records, The Straight Horn of Steve Lacy finds a young Steve Lacy stepping forward with quiet confidence and a sound unlike anyone else at the time. Stripped of excess and focused on tone, space, and intent, these sessions reveal a musician already thinking beyond convention. The soprano sax cuts clean and direct, moving between sharp angles and lyrical calm, with a small group that listens as closely as it plays. Nothing here feels rushed or ornamental, jus…
The Best Of John Coltrane
The year 2026 marks the hundredth birthday of John Coltrane, whose groundbreaking artistry as a saxophonist, composer, and bandleader made him one of the most influential musical figures of the 20th century. To honor his immeasurable impact, Craft Recordings looks back on Coltrane’s early years as a bandleader with a carefully curated collection of original compositions and standards. Produced with the full support of the John Coltrane Estate, The Best of John Coltrane draws from the saxophonist…
Future Present Past
Future Present Past is the second Impulse! Records album by the free jazz collective Irreversible Entanglements. The album was largely recorded at the historic Van Gelder Studio and showcases how the quintet fuses atmospheric jazz, world music traditions, and spoken word with the story of our collective existence: a future full of possibilities, a present with all its uncertainties, and a past as a source of ancestral wisdom.
Irreversible Entanglements, formed in Brooklyn in 2015, consists of p…
Flirty Ghost
Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters.
Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a ‘flirty ghost’, while celebrating exploration and self-expressi…
Caetano Veloso (A Little More Blue)
*2026 repress* Lilith present a reissue of Caetano Veloso's Caetano Veloso (A Little More Blue), originally issued in 1971. Often referred to as "Brazil's unofficial poet laureate" and the "Bob Dylan of Brazil", this heavyweight of Brazilian music was also a young revolutionary who used his music to protest against Brazil's oppressive military regime. This protest music, which became known as tropicalia, first earned Veloso a stint in jail, but by the time this dour album was released in 1971, i…
Entering Elysium
Entering Elysium, the third collaborative release from ambient pioneer Steve Roach and multi-instrumentalist Serena Gabriel, blends deep analog synth textures with acoustic and archaic instruments to create a living, breathing sonic paradise. The album unfolds as a doorway into a visionary, liminal realm of tranquility and inspiration where flute, lyre, harmonium, and voice convene within vast atmospheric currents. Warm, contemplative, and deeply evocative, the music reveals a hidden garden of s…
Oblivion Seekers
On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.
Nafs At Peace
On Nafs At Peace, Jaubi turn a Lahore jam into a spiritual suite: North Indian raga, hip‑hop pulse and modal jazz woven into a journey from turmoil to stillness, as if Coltrane’s quest had been reimagined on tabla, sarangi and MPC‑haunted drums.
Grzybnia
On Grzybnia, Błoto return from a three‑year silence with their most concept‑driven set yet: a darkly glowing, mycelium‑inspired tangle of jazz, house and techno pulses, where four players improvise like a single underground network branching in all directions.
Grzyby
On Grzyby, Błoto complete their mycelium cycle with a compact blast of medicinal‑and‑toxic club jazz: five mushroom‑named cuts of broken beats, sub‑heavy low end and live improvisation that argue for dialogue and interdependence in a world addicted to walls.
Dybbuk Tse!
On Dybbuk Tse!, Yoni Mayraz turns Jewish possession lore into a groove‑driven exorcism: live‑wire jazz, 90s NYC hip‑hop grit and Middle Eastern modes colliding in a story where a wandering spirit is forced out beat by beat.
Kobaia
CD Digipack. In early 1967, John Coltrane died. Christian Vander was twenty years old, living in something close to poverty in Paris, and Coltrane's death pulled the ground from under him. He went to Italy, to Milan and Turin, and spent nearly two years in a state of deliberate self-destruction. One morning in Turin he woke up and decided to stop. He returned to Paris, met bassist Laurent Thibault, and began working on something that had no name yet.
By 1969 Magma existed as a group. By 1970 the…
1001 Centigrades
Back to Black series. Recorded at Michel Magne studios in Herouville, 5-10 of April, 1971. After losing guitarist Claude Engel and reinforcing the brass section with Jeff Seffer on saxophones and Louis Toesca on trumpet, Magma went back into the studio in 1971 to record a second album. All the originality and greatness of Kobaia are there, in even greater measure because everything is magnified. The two tracks composed respectively by Teddy Lasry and François Cahen occasionally introduce a jazzi…
Scenery
On Scenery, Ryo Fukui turns a late‑start passion into a quietly astonishing debut: airy, confident trio swing and luminous ballads that distil a distinctly Hokkaido sense of space, light and seasonal melancholy into six perfectly breathing performances.
Mellow Dream
On Mellow Dream, Ryo Fukui deepens the lyrical sparkle of Scenery into something more sculpted and powerful: bittersweet themes, surging originals and a clearer, three‑dimensional swing that many hear as the true apex of his studio work.
Ryo Fukui Trio at the Slowboat 2004
On Ryo Fukui Trio At The Slowboat 2004, Ryo Fukui turns the ninth anniversary of his Sapporo club into a late‑career summit: Phineas‑ and Flanagan‑inspired fire, Shorter‑charged intensity and Slowboat’s living‑room warmth fused into powerful, precise, deeply fulfilled playing.
Live At Vidro '77
On Live At Vidro ’77, Ryo Fukui Trio explode the cool perfection of Scenery and Mellow Dream into raw stage heat: a newly unearthed club tape where “Mellow Dream” stretches past 16 minutes and standards ignite into hard‑swinging, edge‑of‑the‑seat catharsis.
A Letter From Slowboat
On A Letter From Slowboat, Ryo Fukui makes a late‑career return to the studio that feels like a love note to his Sapporo club: standards and originals rendered with stronger touch, deeper emotion and an almost glowing lyricism shaped by a lifetime at the piano.
My Favorite Tune
On My Favorite Tune, Ryo Fukui steps out alone at the piano for the only time on record, revisiting “Scenery” and “Mellow Dream” while unveiling northern‑lit originals that fuse bebop depth with a distinctly Hokkaido sense of stillness and space.
In New York
On In New York, Ryo Fukui steps into a Manhattan studio with Barry Harris’s rhythm team and delivers a straight‑ahead bebop session: standards and a newly ignited “Mellow Dream” played with weighty touch, elastic swing and an unmistakable sense of intent.