Upcoming releases
Curving Time
Curving Time is what happens when two musicians spend over a decade circling the same question from opposite directions, and finally sit down to answer it together. Sunshine Yellow cassette in a smoke tinted case with screen printed white title in custom Spaciousness font. Sleeve notes with artists image of playground in liminal Tokyo.
Takeshi Nishimoto and Hiroshi Watanabe have individually spent more than twenty years exploring the emotional reach of instrumental music - one through guitar, s…
Furia
Following her foundational role in the early years of The Fall, and then the searing post punk of The Blue Orchids, as well as several tours serving as a backing group for Velvet Underground chanteuse Nico, Una Baines found herself starting 1985 without a band. Drafting together members of the all-female Beyond The Glass, and compatriots associated with her past projects, she entered the studio with a clutch of songs and a willingness to experiment. Separating the sides into “waxing”, for the mo…
Reference: Miles Davis’ 2nd Quintet Live 1967 in Europe
The Second Quintet with Shorter, Hancock, Carter and Williams on its autumn 1967 European tour: Antwerp, Copenhagen, Paris and Karlsruhe on three CDs, restored by Michael Brändli, with an essay by Art Lange.
Once Upon a Time
Alan Skidmore's 1970 Deram Nova album with Kenny Wheeler, John Taylor, Harry Miller and Tony Oxley, fresh from their Montreux triumph: a jazz waltz, long suites and free passages, back on vinyl from the stereo masters.
High Spirits
Joe Harriott's 1964 quintet with Shake Keane, Pat Smythe, Coleridge Goode and Bobby Orr turns songs from the Broadway musical High Spirits into lyrical, swinging jazz, now on vinyl in stereo for the first time.
Racco
Few musicians, and few albums, embody such a joyful sense of freedom and vitality. Racco is where the artistry of Ryojiro Furusawa reaches its peak.
In Fiesta
More than sixty years after its original recording, a masterpiece that has captivated audiences around the world is reborn on an analog mono pressing with truly powerful sound.
Each Day, as if it Were Your Last
'Each Day, as if It Were Your Last' marks a striking new chapter for Pallette and a complete departure from his Past Inside the Present debut, 'Pathways'. Released in November 2020, Pathways emerged from an introspective period in Alexander Carlo Buckley’s life, presenting four lovely loop-based compositions shaped by hypnotic, consonant arrangements, fleeting melodies, and a patient sense of ebb and flow. Each Day, as if It Were Your Last moves beyond those meditative foundations, expanding Pal…
Directors
Celebrated Czech musicians Floex & Jan Šikl present Directors, a collaborative album exploring neoclassical composition, electronic experimentation and chamber ensemble performance. Across four movements, Directors reveals a musical language where classical formality and electronic spontaneity exist as equal voices due out on via Minority Records. The dream of melding classical music with contemporary music, electronic in particular has been a cherished if not always successful one – it is as if…
Soileth
*250 copies limited edition* Soileth collects the complete recorded output of Holeist, a short-lived project featuring Dan Burke, Jeph Jerman and Eric Lunde. It stands as the final document of a brief encounter between these major figures of the American experimental underground, recorded in 1989 - a time when cassette culture, primitive sampling technology and extreme sound experimentation were colliding into something entirely new.
The material for side one was recorded during a single-day ses…
Venus
*250 copies limited edition* Venus is a new LP by Swedish group Organ of Corti and marks their fifth release on Dead Mind Records. For the occasion, Chinese-American vocalist and musician Audrey Chen enters the magnetic world of Mattias Gustafsson, Dan Johansson and Joachim Nordwall. While tape turns and circuits hum, these six pieces slowly unfold. Familiar fragments are repeated until they lose their origin. Synthesizer tones drift through layers of magnetic residue, while Chen's voice appears…
Magnetic Tapes 1-7
*100 copies limited edition* Corpse Magnetism is a collaborative project between Rudolf Eb.er and Johnny van de Koolwijk. Rooted in ritualistic sound practices and primitive outsider aesthetics, the duo creates immersive pieces built from organic drones, handmade instruments, decayed textures, primitive percussion and improvised field recordings.
Rudolf Eb.er aka Runzelstirn & Gurgelstøck is widely known for founding the radical outsider art project Schimpfluch-Gruppe in 1987, as well as being i…
Eat the Rich
Eat The Rich is an eclectic intersection of two serial collaborators: Giffoni (No Fun Fest / No Fun Productions) continues to explore new dimensions in sound, primarily using modular / synths (with recent full lengths on Ideologic Organ and Room40), paired here with the instinctually abstract percussion of Corsano (known from working with everyone from Bill Orcutt to Richard Bishop to Bjork but with literally 100's of appearances under his belt since the turn of the century). Produced by David S…
Ljud
Andreas Tilliander released »Ljud« in 2001 as the first full-length album under his real name. The year before, the Swedish producer’s »Cliphop« album under his Mokira moniker had established him in the world of adventurous electronic music and the clicks’n’cuts scene. »Ljud« was just as minimalistic, warm, and playful as its predecessor while also notably inspired by house music. It is a timeless record based on happy accidents, playful loops, and lively spontaneity. For its 25th anniversary, K…
Feldman Edition 15: Morton Feldman Plays Feldman
Morton Feldman plays piano in a 1978 Deutschlandfunk concert recorded in Cologne, with flutist Eberhard Blum and percussionist Jan Williams: Why Patterns?, Extensions 3, Intermission 5 and The King of Denmark.
Above the Clouds
Chicago producer and composer Will Miller’s Resavoir has established a strong following at the intersection of jazz, electronic music, and beat-driven production, with more than 9,000 vinyl records sold and 82M+ streams across the project’s first three albums. Resavoir’s 2019 self-titled debut received an 8.2 from Pitchfork alongside broad international critical acclaim, with ongoing support from Gilles Peterson, Lefto, Anthony Valadez, Somewhere Soul, Andrew Jervis and Lovie, plus airplay on BB…
Smell Of Female
Released in 1983 after a lengthy court battle with IRS Records, Smell of Female originally contained just the first six songs. These, plus out-of-control ad-lib freakouts “Beautiful Gardens” and “She Said” (previously omitted due to legal restrictions) were recorded live at New Yorkʼs famous Peppermint Lounge. There is nothing like the sound of The Cramps, and this set distills that cross of swamp water, moonshine and nitro down to a dangerous and unstable musical substance, captured live like a…
RockinNReelinInAucklandNewZealandXXX
Featuring an over-the-top live set from Down Under, RockNReelinInAucklandNewZealandXXX was recorded at the 100th show of The Cramps’ 1986 Date With Elvis Tour. The album was originally released incognito in cahoots with Ace Records in 1987 as a fake “limited-edition import” bootleg LP, and was intended to compete with the glut of unofficial Cramps recordings. The woman you hear screaming throughout the first half actually fainted when she stopped screaming!
Included alongside other classic tune…
Leitmotiv
*200 copies limited edition* After a string of acclaimed albums, Maxine Funke should need little introduction. With Leitmotiv, she surprises us once again, this time with five quiet, soft yet haunting pieces that slowly reveal themselves. Her distinctive voice almost whispers its way through keyboard tones and field recordings, moving somewhere between silence and melody, intimacy and unease. While having a dip into a more experimental bath, Funke remains deeply connected to her folk tradition. …
The Walls Of The Temple Are Made Of Sound
On March 19th, 1999, legendary soprano saxophonist Steve Lacy played with his working trio at The Velvet Lounge at 2128 ½ S. Indiana Avenue in Chicago. Owned and operated by tenor saxophonist Fred Anderson, The Velvet Lounge was the central hub for adventurous jazz music in Chicago from 1993 until Fred passed in 2010. Music critic and journalist Peter Margasak previewed the concert in the alternative weekly Chicago Reader, and someone blew up a xeroxed copy of it that Lacy inscribed across the …