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Second LP of duets by these longtime VHF family staples, here delivering 2 side-long epics of “minimalist” bliss. Both sides feature Daniel O'Sullivan on piano and Richard Youngs on zither, with rippling waves of sound recalling classics like Charlemagne Palestine’s “Strumming Music” (Dan is a frequent collaborator with C.P.) and Richard’s “Advent.” “Persian Carpets I” is a real-humans performance full of tiny variants in rhythm and attack, rising and falling in intensity – sometimes a rush of s…
A bizarrely entrancing jewel from the depths of the Japanese underground, Doo Dah Nean was originally released in small run of hand assembled cassettes by the La Musica label in the late 90’s. The album is the sole release and evidence of Nean, an entirely under-the-radar trio that crossed the sensual, disassociated female vocals of Japanese iroke kayōkyoku music with off-balance shamanic rhythm and echoing electronic rumble. Nean were the trio of Yui on bass and electronics, Naoko on voice, and…
A collection of intimate songs traced from the spectral darkness by Asahito Nanjo, the notorious leader of some of Japan’s key underground psychedelic units (High Rise, Mainliner, Musica Transonic, Toho Sara, etc) Recorded between 1980 and 1988 and previously only available in a cassette micro-edition released by his La Musica Records label in the mid-1990’s. Remastered and available for the first time on vinyl and digital. “A compilation of secret projects recorded over a period of twenty years…
"Mutudi Ua Ufolo/Viuva Da Liberdade" is one of the most important records ever made in Angola. An hypnotic masterpiece that blends Central African rhythms and Semba with soulful guitar and percussion. Originally released on CDA with Conjunto Merengue, it captured Zé at his creative peak. Sung in Portuguese and local dialects, the songs balance rhythmic elegance with deep political weight, tracing ties to Afro-Brazilian and Latin American musical traditions.
After Zé’s assassination in 1977, the …
Swiss music legend Stephan Eicher returns with a bold and intimate new album, Spielt Noise Boys, released via Born Bad Records. Known for his poetic songwriting, distinctive voice, and genre-blurring artistry, Eicher here reimagines the sound of his early band Noise Boys in a stripped-down, emotionally resonant solo setting. Spielt Noise Boys is not a simple “best of” or nostalgia trip. Instead, Eicher revisits the raw energy and DIY spirit of his formative years, reworking classic Noise Boys tr…
Recorded in 1973, Eclipse was intended as Jade Warrior's fourth Vertigo release but was shelved before pressing, circulating only as rare test pressings. Restored with the band's original running order and period artwork, this is top notch British progressive rock, blending delicate acoustic passages with bursts of heavy-rock intensity, African, and Middle Eastern rhythms. The missing link between Last Autumn's Dream and their later Island-era sound. Sourced and remastered from the original mast…
Rising from the ashes of Timebox, Patto delivered a bold fusion of progressive rock, jazz, and blues powered by Mike Patto's soulful vocals and Ollie Halsall's stunning guitar work. Their second album, Hold Your Fire (1971), originally on Vertigo, is a true gem of early '70s progressive rock. Comes with original artwork in gimmix gatefold sleeve. Remastered by Prof. Stoned. Includes insert with detailed liner notes by Ralph Heibutzki and rare photos/memorabilia.
Formed in London in 1970, Patto evolved from the legendary Timebox and were known for their unique mix of progressive rock, jazz, blues, and their exceptional musicianship. Featuring Mike Patto, Ollie Halsall (one of rock's great "guitarist's guitarists"), Clive Griffiths, and John Halsey, this is their 1970 debut for Vertigo. Comes in original gatefold artwork in textured sleeve. Features stereo mixes and mastering by Prof. Stoned. Includes insert with detailed liner notes by Ralph Heibutzki an…
Convex is one of a series of LPs that Schnitzler released himself in the 1980s. It is one of his LPs that convey virtually no visible information. Only the title is printed in large letters on the cover of Convex, and in tiny letters that are easy to overlook, it says: "Cover Conrad und Richard." The labels on the original LP indicate that one side is called "Convex" and the other "Concav." That's all the information there is."On Convex, as on many of his other albums, Schnitzler definitely used…
"Control was created during a phase of Schnitzler's work in which his friendship with Peter Baumann (formerly of Tangerine Dream) allowed him to try out and use new electronic sound generators and peripheral technologies. He never used these innovations merely for their own sake, but always put them at the service of his artistic flair for experimentation. His signature style is clearly recognizable on Control.
The album seems to be a kind of compilation of different musical approaches. Tracks 5…
In the final decade of his life, Morton Feldman turned his attention to the trio format with an intensity that would yield some of the most profound and uncompromising music of the twentieth century. Between 1978 and 1984, he composed three monumental works for flute, piano and percussion that together constitute an immense meditation on time, memory and the irreducible strangeness of sound itself. This landmark 6CD box set from Another Timbre presents all three pieces — totalling six and a half…
Japanese experimental sound artist kent watari debuts on Phantom Limb with new album subtraction in spiral, coding deep sonics to quantum-percussion and collapsing, post-IDM glitchscapes based on a meticulously constructed metaphysical thought experiment. “This work is centred around a very personal philosophical model,” writes kent watari (b. Tokyo, 1993). “I have constructed a metaphysical model of thought, employing concepts from philosophy and science. This thought model centres on a recursi…
Jazz fans rejoice: Curtis Fuller's seminal debut album, New Trombone, originally released on Prestige in 1957, is back in the spotlight. At just 23 years old, the Detroit-born trombonist arrived on the scene with a fluent, innovative style that marked a bold evolution for the trombone in jazz.
Backed by an all-star quintet – Sonny Red on alto sax, Hank Jones on piano, Doug Watkins on bass, and Louis Hayes on drums – Fuller delivers a powerhouse hard-bop session. The album bursts open with three …
Like the emerald merkiness emerging from the cover photograph, Bono / Burattini’s new album ‘Ora Sono Un Lago’ transcends elements, a tenacious and brooding collection of work that testifies the duo’s growth and ghostly ability to immerse kosmische landscapes, stripped electronica and oscillatory psychedelia and emerge with songs meticulously constructed, dense and unforgiving, full of richly assembled textures and echoed out other-worldly choirs. Some might call it confessional mysticism. ‘Ora …
Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while al…
Pianist Pat Thomas, saxophonist Seymour Wright (both of [ahmed]) and drummer Paul Abbott - the latter two working as XT - deliver a remarkable set of new music, each, re-imagining improvisation and synthetic ideas with acoustic and electronic tools. This monumental new suite Strata, Act (Joy Contemporary)* released by We Jazz Records on 30th January 2026 is spread across three release formats, the complete album includes more than 2 hours and 15 minutes of music recorded live in London and Zuric…
Pianist Pat Thomas, saxophonist Seymour Wright (both of [ahmed]) and drummer Paul Abbott - the latter two working as XT - deliver a remarkable set of new music, each, re-imagining improvisation and synthetic ideas with acoustic and electronic tools. This monumental new suite Strata, Act (Joy Contemporary)* released by We Jazz Records on 30th January 2026 is spread across three release formats, the complete album includes more than 2 hours and 15 minutes of music recorded live in London and Zuric…
Lucciole is Silvia Tarozzi’s luminous follow-up to the intimate reflections of Mi specchio e rifletto and the deeply rooted folk dialogues of Canti di guerra, di lavoro e d’amore with Deborah Walker. Here, Tarozzi draws together voices, memories, and musical lineages to create an album where avant-garde composition, personal narrative, and collective resonance exchange freely. The album opens with a radiant brass ensemble—chosen for its popular, celebratory, spiritual sound—and closes with the P…
*300 copies limited release* Commissioned in 2019 to bridge two bathing cultures—one Japanese, one American—Practical translates the healing steam of Beppu's legendary Kannawa Mushiyu Onsen into immersive sound for Washington Baths, a neighborhood public sauna and artspace in Portland, Maine. The result is a vapor-bath of sound that hovers somewhere between foley and ambient composition, inspired by the mind-altering fragrance of sekishō (石菖, Japanese sweet flag), an ancient medicinal herb whose…
For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of colour, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor. Sonor is a record full of life and optimism, from an artist finding the beauty of existing between two worlds, much as a sunset does. Between the cultures of Mongolia and Germany, tradition and innovation, nostalgia and ex…